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constricting, less focused on flirtatious coquetry, more natural, comfortable, and practical. Some saw the tight skirts, molded busts, cinched waists, and ultra-high heels of Mugler, Montana, Alaïa, and a number of others as regressive, a mockery of women's recently won liberation from male dictates. Others saw Alaïa's clothes in particular as wearable only by those with perfect bodies, and even then not necessarily the most flattering. Alaïa and his supporters of course differed, the designer himself stating that even full-figured women looked good in his clothes and others noting that fitted clothes had renewed appeal after a decade when
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carrying obsolete notions of glamour, sophistication and hard‐edged chic as excess baggage....In many cases, the ease that had made clothes so comfortable was eliminated....houlder pads...added another element of restraint. Linings and stiffer constructions began to reappear....The results have been called sexy by admirers; detractors call the clothes tawdry. Were designers so carried away by one of fashion's golden ages that they simply didn't notice how women had changed? Did they simply run out of ideas? They have succeeded in evoking an epoch in which many women, perhaps the majority, were delighted to dress as sex objects.
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3052:..ow explain the resurgence of short, tight skirts, body-cupping knitted dresses, spindly heels and other constricting clothes that can only be described as sexist? Favored by a small fashion-oriented cult in Paris, the styles by such designers as Azzedine Alaia, Thierry Mugler and Claude Montana...run counter to the flowing, unrestricted...look, and many women find them offensive.
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He has never presented his work…in circus tents filled with thousands of people. Every season, four times a day for a week, he has given a silent presentation of a small group of clothes – about 80 models these days – for women who buy from him directly, for his shop-owner customers, whose number has
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he 1970's will be marked by clothes divided into many easy pieces that can be added to or subtracted from, according to the weather, personal preferences and the feeling of the moment.... Construction will continue to be simplified so that clothes become increasingly less bulky and more flowing. The
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Bucking a trend of the time and very unlike his close friend
Thierry Mugler, Alaïa normally eschewed huge arenas, circus tents, and spectacles for his presentations, keeping instead to traditional, sedate salon showings of strictly limited attendance and a handful of garments, which he showed on his
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says that, in a way, he is designing for the woman who doesn't exist anymore. 'That woman doesn't care about comfort, just about her look,' he says. 'It is the woman of
Hollywood in the '40s. Today, everyone in the movies wants to look like the girl next door . . . I would love to have designed for
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Alaïa's designs were known for their very tight fit, deft tailoring, curve-accenting seaming, leather work, and inventive use of knits. The colors he favored tended to the somber, mostly neutrals and earthtones, his masterful cut and blatant body promotion carrying the impact. In his early years on
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Dawn Mello, the executive vice president and director of fashion merchandising at
Bergdorf Goodman,…explains: '…There is a whole generation of young women who have never worn fitted clothes. Azzedine's are fitted, but they are in no way retrospective – a throwback to the 1940's or 50's – they are
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In the 1970's...portswear emerged as the dominant theme, implying a relaxed fit and considerable versatility, since most clothes were made in interchangeable parts....For a number of years, it offered a serviceable way of dressing, geared to active women's lives, adjusting to vagaries of climate,
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In women's fashion, 1978 was a year of great change. It began with women submerged under layers of soft shapeless clothing...But the year ended with the same women shedding layers to emerge with a revamped fashion silhouette reminiscent of the 1940's, a look characterized by broad, even padded
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Fashion has changed its course, from free‐flowing and easy to structured and contrived....Instead of evolving naturally from the kinds of clothes women have been wearing, the spring styles have skipped back over several decades of fashion. They've landed somewhere in the middle of the 1940's,
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While his style and craftsmanship were praised by many, he did not escape criticism. He was part of a cohort of designers who began in 1978 to revive the revealing, man-focused styles of the 1940s and 1950s, after a period during the late 1960s and '70s when women's clothes had become less
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and handbags. It is all about image. Alaïa remains the king. He is smart enough to not only care about having people talk about him. He only holds fashion shows when he has something to show, on his own time frame. Even when Prada owned him he remained free and did what he wanted to do."
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group in 2000. Working with Prada saw him through a second impressive renaissance, and in July 2007, he successfully bought back his house and brand name from the Prada group, though his footwear and leather goods division continues to be developed and produced by the group. In 2007, the
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During the mid-1990s, following the death of his sister, Alaïa virtually vanished from the fashion scene; however, he continued to cater to a private clientele and enjoyed commercial success with his ready-to-wear lines. He presented his collections in his own space, in the heart of the
2963:'What has been appearing on stage has nothing to do with women today,' said a very distressed Koko Hashim of John Wanamaker's in Philadelphia...'Customers will be so turned off by the pictures they see they will retreat happily back to their blazers. And that is not good for business.'
272:, who used to come incognito for her fittings. He took apart old garments designed by Madeleine Vionnet and Cristóbal Balenciaga to study how they were made up, and then, he put them back together. He maintained a friendship with former employer Thierry Mugler and also befriended
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Alaia used a Size 14 model in his show, as well as a pregnant model -- obviously to answer critics who insist his clothes are only for the superskinny. Admittedly, neither model wore the designer's close-to-the-body knit dresses with intriguing seams, but rather his easy, belted
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he young wore blue jeans and shirts with no bras, and women seeking to express their individuality wore pants. It was the beginning of the great sportswear era. What women wanted and bought were separate items — sweaters, shirts, jackets — to put together themselves as they saw
2507:...Azzedine Alaia...has some new viscose knit dresses for spring that are well on their way to becoming the choicest bondage clothes of the year. They lace up the side of the body in a kind of latticed openwork that bares just the right amount of skin in just the right places.
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later listed it as among the landmark events that altered the cultural landscape of the city. Three years later, 10,000 fans vied for 1,500 tickets to his first US showing in the city at the recently opened
Palladium, for whom Alaïa had provided the wait staff's uniforms.
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By 1988, he had opened his own boutiques in New York City and
Beverly Hills and in Paris. His seductive, clinging clothes were a massive success and he was named by the media 'The King of Cling'. Devotees included both fashion-inclined celebrities and fashionistas:
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However, Alaïa still refused the marketing-driven logic of luxury conglomerates, continuing to focus on clothes rather than "it-bags". Alaïa is revered for his independence and passion for discreet luxury. Catherine
Lardeur, the former editor-in-chief of French
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own schedule, not conforming to the "fashion week" blitzkrieg of shows other designers put on twice a year. If he was tired out from a particularly successful season of high sales and consequent heavy workload, he might not show at all the following season.
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by the French government in 2008. He notedly refused the honour stating "I refused because I don’t like decorations — except on women.” He turned down many other similar awards stating that the best honour was the citizenship that France had given him.
806:. Alaïa, then 71 and based in Paris, said of Chanel creative director Lagerfeld, "I don't like his fashion, his spirit, his attitude. It's too much caricature. Karl Lagerfeld never touched a pair of scissors in his life." Alaïa also lashed out at the
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The overt sexuality of Mugler's clothes was upstaged by his close friend
Azzedine Alaia, who virtually carved Paris's latest sex symbol, the outline was so strong….He celebrated the female anatomy, stripping off detail to reveal the raw line of the
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It was a pair of gloves – black kid wrist-length gauntlets with the cuffs completely studded with silver grommets – that pushed
Azzedine into his present success. Chic Parisians snapped them up and wore them tucked into their belts or into their
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went on to influence the cut of the clothes of his friends Claude
Montana and Thierry Mugler. Then he began making clothes under his own name. The key to the work of all three is the slender skirt curved and seamed to outline the contours of the
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Mr. Alaia is…known for his sexy suits, for cutting his jackets and skirts to provide curves on even the most angular bodies....He…used intricate seaming on the skirts and pants to create the illusion of a tight fit even when the clothes did not
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569:, stated that "Azzedine Alaïa was a true visionary, and a remarkable man. He will be deeply missed by all of those who knew and loved him, as well as by the women around the world who wore his clothes." He was considered a father figure to
297:, supported him in their editorials following that collection, with both fashion writers and the public particularly embracing a pair of his grommeted black leather gauntlet gloves, gloves being a particular love of the designer.
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adapting easily to travel requirements. As the sportswear onslaught continued, clothes lost their linings and interfacings, becoming softer, looser, less structured. Almost everything became as comfortable to wear as a sweater.
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editor-in-chief: "She runs the business very well, but not the fashion part. When I see how she is dressed, I don't believe in her tastes one second... Anyway, who will remember Anna
Wintour in the history of fashion? No one."
1483:...he first public fashion show by this Tunisian-born Paris designer, held at the Palladium in New York..., the town's hottest ticket in yearsver 10,000 requests for the 1,500 places at the show, 900 of them standing room ...
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Alaia is said to be the designer who makes the sexiest clothes in the business….ots of his designs are very tight-fitting, and he does like zippers that open onto fleshy, peekaboo mousseline and other provocations of that
355:. His body emphasis outdid that of his colleagues, though, becoming his signature. Though he mostly relied on fit, cut, and seaming to reveal the body, by the early nineties he was incorporating corselets and bust wiring.
908:, Éditions Grasset & Fasquelle (collection Documents Français), October 2013, Paris, 978-2-246-81055-1, p. 77 "Lui , dont les intimes ignorent également la date exacte de son années de naissance. Né un 26 février, "
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He was very influential during the 1980s, with many designers copying his voluptuous silhouette, particularly his brilliantly executed undulating peplums of 1985, an almost direct lift from styles shown in 1935 by
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His belief that the body is fundamental to fashion was emphasized by unpatterned, dark, 'mouldable' materials, predominantly wool jersey and leather, though he also enjoyed working with synthetics, especially
708:'s opening-night Spring Gala in New York. Her choice of fashion by the Tunisian couturier broke with the tradition of American First Ladies who had worn only the clothes of American designers to such events.
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Others say super-fitted clothes, sculpted at the midriff and over the derrière, embody the worst in fashion's newest look: a swerve back to sexy and provocative dress, surely inappropriate for the modern
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Alaia…believes that gloves lend themselves to infinite mysteries: 'Just the gesture of pulling off a glove, or carrying gloves or putting them on the table in front of you – gloves have such personality'.
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Alaia's greatest achievement…has been in knitwear. Here he has applied the draping techniques, the molding of shoulders and armholes that he applied in cloth, and manages to get it all manufactured.
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Narrow, girded loins, tight skirts, wide, aggressive shoulders, camp, revealing corsetry worn like armour plating, and blank, harshly made-up or bruised faces amounted to a travesty of womanhood.
213:, a local school of fine arts in Tunis, where he gained valuable insights into the human form and began studying sculpture. He worked as a dressmaker with his sister to pay for school supplies.
656:. Silverstone's character, mugged at gunpoint in the film, protests kneeling in a parking lot in a famously clingy dress by the "totally important designer" by exclaiming, "This is an Alaïa!"
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2393:...n New York, Paris and London, the peplum jacket is very much back in style....The version most often seen in Paris is Azzedine Alaia's, with a flaring cut that creates a petal-like effect.
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Azzedine Alaïa...carefully carved-out dresses and skirts...fitted so close to the body that there's barely enough room for underwear underneath... thin jersey dress...seemed glued onto body.
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Azzedine cut a complex structure that let both his woven and stretch cloths fit like custom-made slipcovers, allowing the stretch properties to hug but not squeeze and flatten the body.
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in his little rue de Bellechasse apartment in the late 1970s. It is in this tiny atelier that for almost 20 years he privately dressed members of the world's jet set, from
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Azzedine Alaia, just back from New York and his first fashion show, claims he won't have a Paris show for spring. 'I'm still recovering from my New York experience,' he says...
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that "Fashion is dead. Designers nowadays do not create anything, they only make clothes so people and the press would talk about them. The real money for designers lie within
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549:"I have always wanted women to be free. I hope my dresses give them that lightness. The greatest compliment is when they look at themselves and say to me: 'I feel free".
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n these designers' collections, waistlines are usually taut, heels are high,...and, while the designers generally deny it, many of the clothes are restrictive.
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After his graduation, Alaïa began working as a dressmaker's assistant. He soon began dressing private clients, and in 1957 he moved to Paris to work in
1954:...ophisticated stretch fabrics...shape knitwear. Newest for fall, tights that start out in solid knit and turn into openwork stockings at the thigh.
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1600:...Azzedine Alaia's body-hugging fall line is selling out in stores. His hot haute clothes are being copied and worn at every level of fashion.
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Some...denounce it as a negation of all the strides made by women in the last 20 years and a mark of the return to their sex-object status.
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with whom he formed a surprising pair: Alaïa was tiny and Lindbergh was huge. The two shared a close friendship with Vogue Italia director
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Mugler, Montana, Alaia and others depicted women as a wicked, Hollywood murderess, a bondaged retailer of illicit sex or a Mae West clone.
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In an influential fashion : an encyclopedia of nineteenth-and twentieth-century fashion designers and retailers who transformed dress
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1512:...he Palladium opened on 14th Street...he Azzedine Alaia uniforms for the...waitresses...have black jersey minidresses with tank tops...
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Thierry and Claude Montana speak to each other every day...There is no competition among these designers; they all admire each other...
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Azzedine Alaia continues to…have an impact on the international fashion scene out of all proportion to the size of his collections.
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Azzedine Alaïa's fall/winter success so preoccupied his workrooms that he was unable to present a full spring collection.
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It was a season that saw many major designers in Paris shamelessly copy from the hourglass silhouette of Azzedine Alaia.
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magazine. On 27 November 2012, she wore an Alaïa black and white pleated dress while attending a luncheon for her film
363:, who had in turn been interpreting traditional Balinese ceremonial dress. Another of his mid-1980s contributions, the
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Throughout his life he worked in collaboration with various artists and creators, among them the German photographer
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has also worn several of his creations, notably in her Thanksgiving special, when she wore a long fall 2011 dress.
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in New York in 2000 and curated by Mark Wilson and Jim Cook. In the United States, his clothes are available at
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district. His career skyrocketed when two of the most powerful fashion editors of the time, Melka Tréanton of
1867:...Azzedine Alaia aficionados wear leather dresses, skirts and coats. (Alaia makes the sexiest leathers...)...
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buyer who asked her what she was wearing, which began a turn of events that lead to his designs being sold in
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magazine in May 2005. In June 2009, she wore an Alaïa black dress for a photoshoot for the French magazine
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Technique rather than artifice was the strength of modern dressing, particularly at Alaia and…Donna Karan.
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537:. Also a way of conceiving beauty and aesthetics: the favorite color of the two was black, they also had
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At Mugler, several of the suede jackets echoed the asymmetric rippling peplums of Alaia's fall success.
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Alaïa and Gaultier...critics often assailed them for what they perceived to be provocative sex clothes.
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Azzedine Alaïa...dresses and skirts...have been a major influence on many other designers this season.
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Mugler's earlier signature …formed when he and Azzedine Alaia collaborated at the Mugler design house.
2011:…Azzedine is emphasizing the proportions of a broad-shouldered, long slim jacket over a narrow skirt.
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3195:'Men turn their heads when you wear his clothes,' says Mathilde de Rothschild, 'That's not so bad'.
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276:. All would influence each other and would often be mentioned in the same breath during the 1980s.
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e presented a crude, almost vicious picture of feminine sex appeal, at times lacking sensuousness.
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declaring that she was the only woman at any of the fall 2007 shows who "looked like the future."
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Azzedine Alaïa was taken up by the fashion press after a feature appeared on his gauntlet gloves.
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Azzedine Alaïa's sexy contoured skirts...with broad-shouldered jackets...show off a good figure.
203:. A French friend of his mother, Mrs. Pineau, fed Alaïa's instinctive creativity with copies of
2612:"As Azzedine Alaïa: The Couturier opens at the Design Museum, stars remember the King of Cling"
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On 10 May 2018, a dedicated retrospective exhibition in celebration of Alaïa took place at the
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stated that Alaïa is her favourite designer and wore the designer's work, a gift from husband
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style of the 1970's is low on artifice, high on a natural look. Casual is the operative word.
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Alaia is the most copied designer in Paris, his work influencing even the most famous names.
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September 8, 1982: Azzedine Alaïa's body-conscious leather looks arrive at Bergdorf Goodman.
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2714:...Alaia, while remaining a master of cut and form, keeps evolving and expanding his scope.
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Laurent Dombrowicz (November 2007). "Fashion Icons, Azzedine Alaïa and Thierry Mugler".
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wore a formal black knit sleeveless dress with a ruffled skirt designed by Alaïa to the
3652:"Azzedine Alaïa Turned Down the Légion d'Honneur Medal Because He Dislikes Decorations"
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designed clothes that reincarnated his screen idols, Marilyn Monroe and Ava Gardner...
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Azzedine Alaia's…spring collection…puts a dramatic spotlight on an uplifted wired bra.
3223:'I respect the body,' Azzedine says, 'Even a rounded woman looks good in my clothes'.
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Alaïa...designs...follow and define the wearer's torso with structural welt seaming."
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at Brasserie Ruhlmann in New York City. Cotillard also attended a screen talk at the
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as their favorite models, and they both wanted a free woman. About this Alaïa said:
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Alix's tunic-jacket in gold and blue brocade, with the lilt of a Bali dancer's coat.
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Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction".
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Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction".
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Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction".
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Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction".
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On 18 November 2017, it was announced Alaia had died in Paris. He was 82 years old.
3464:"Azzedine Alaïa and Naomi Campbell: Recalling One of Fashion's Most Enduring Bonds"
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3618:"Remembering Azzedine Alaïa: 7 Defining Moments That Shaped The Designer's Career"
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Mini-skirt dress of black acetate jersey, designed by Azzedine Alaïa, Paris, 1985
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Alaïa was voted Best Designer of the Year and Best Collection of the Year at the
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Azzedine Alaïa again delayed his show for a month after the Paris fashion week.
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was photographed during February 2007 Fashion Week in one of his coats, with
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The designer who started the fashion world's fit over fit, Azzedine Alaia...
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collection in 1980 and moved to larger premises on rue du Parc-Royal in the
3845:"'At Eternity's Gate': Julian Schnabel Explains His Vincent Van Gogh Movie"
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3533:"Home - Mrs.O - Follow the Fashion and Style of First Lady Michelle Obama"
2439:. Harmondsworth, Middlesex, England: Penguin Books Ltd. pp. 144–145.
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Alaia's clothes broke all the store's records for sales by a new designer.
3740:"Rihanna masters election day dressing in a meta Hillary Clinton t shirt"
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3373:"Peter Lindbergh & Azzedine Alaïa: una forma de entender la belleza"
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Peter Lindbergh (2021) Azzedine Alaïa. Ed. Taschen, ISBN 9783836586559
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3820:"6 ways Azzedine Alaïa changed the fashion landscape as we know it"
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In Vogue: Sixty Years of Celebrities and Fashion from British Vogue
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and shoe designer, particularly successful beginning in the 1980s.
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Azzedine moulds the waistline…by cinching the waist in a corselet.
672:. In March 2010, she wore a black Alaïa dress in a photoshoot for
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Alaïa's...dresses show every dimple, every vein, every corpuscle.
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Cunningham, Bill (1987-03-01). "The Collections Spring Forward".
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Cunningham, Bill (1987-03-01). "The Collections Spring Forward".
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Cunningham, Bill (1989-09-01). "To the Future Through the Past".
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2116:. London, England: Viking, the Penguin Group. pp. 345–346.
1970:. London, England: Viking, the Penguin Group. pp. 345–346.
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with one of the first Alaïa leather coats, she was stopped by a
3555:"Michelle Obama Wears Azzedine Alaïa to the Ballet in New York"
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A grey Azzedine Alaïa dress (front), from 1986 to 1987, acetate
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2521:"The king of cling: Azzedine Alaïa's best looks – in pictures"
1437:"New York City 1981-1983: 36 Months That Changed the Culture"
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shoulders, tight waistlines, and shorter, straighter skirts.
3127:. London, England: Viking, the Penguin Group. p. 346.
3011:. London, England: Viking, the Penguin Group. p. 384.
2779:. London, England: Viking, the Penguin Group. p. 346.
2174:. London, England: Viking, the Penguin Group. p. 393.
1322:. London, England: Viking, the Penguin Press. p. 372.
1226:. London, England: Viking, the Penguin Group. p. 382.
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wore an Alaïa gown in a photoshoot for the French issue of
2293:"YSL, Robust and Refined High Hemlines for His Paris Show"
1676:"YSL, Robust and Refined High Hemlines for His Paris Show"
367:, was adopted in the 1990s with great success by designer
3716:"All the Looks: Gaga's High-Fashion Thanksgiving Special"
3407:"Azzedine Alaïa: Popular Tunisian couturier dies aged 82"
2760:. Crowell-Collier Publishing Company. pp. 249–252.
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Palais Galliera | Musée de la mode de la Ville de Paris
2587:"Fashion's biggest names pay tribute to Azzedine Alaïa"
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grown to 200 worldwide, and for interested journalists.
244:
as a tailleur, but had to leave five days later as the
3323:"Paris Fashion Week Alaia And Richemont - Fashion Inc"
3064:
Cunningham, Bill (1988-03-01). "Fashionating Rhythm".
2198:
Cunningham, Bill (1987-09-01). "Follies to Futurism".
1818:
Cunningham, Bill (1987-09-01). "Follies to Futurism".
1788:
Cunningham, Bill (1987-09-01). "Follies to Futurism".
1746:
cut…still shows his enduring love of sculpted lines...
475:
In 1996 he participated at the Biennale della Moda in
183:; 26 February 1935 – 18 November 2017) was a Tunisian
1553:
Cunningham, Bill (1988-09-01). "The Colllllections".
2228:
Cunningham, Bill (1990-03-01). "Fashion du Siècle".
853:
752:
has worn his creations as well, notably at the 2013
169:
1084:
1082:
382:in 1984 in a memorable event where Jamaican singer
3437:"Fashion World Mourns The Death Of Azzedine Alaïa"
3072:(8). New York, NY: Details Publishing Corp.: 118.
2675:(8). New York, NY: Details Publishing Corp.: 110.
2413:(8). New York, NY: Details Publishing Corp.: 114.
2266:(8). New York, NY: Details Publishing Corp.: 110.
2236:(8). New York, NY: Details Publishing Corp.: 178.
2206:(3). New York, NY: Details Publishing Corp.: 142.
1944:(3). New York, NY: Details Publishing Corp.: 242.
1826:(3). New York, NY: Details Publishing Corp.: 125.
1796:(3). New York, NY: Details Publishing Corp.: 125.
1561:(4). New York, NY: Details Publishing Corp.: 189.
924:
2465:"The Figure-Sculpting Fashions of Azzedine Alaïa"
2355:(8). New York, NY: Details Publishing Corp.: 90.
1251:"Elle Flashback: The Azzedine Alchemy (May 1992)"
1019:"The Figure-Sculpting Fashions of Azzedine Alaïa"
3881:
3269:"Fashions: Expanded Horizons for Azzedine Alaïa"
2685:His...designs...are the pinnacle of our epoch...
1378:"Fashions: Expanded Horizons for Azzedine Alaïa"
1348:"Fashions: Expanded Horizons for Azzedine Alaïa"
1079:
982:
980:
978:
589:Alaïa was honored with a solo exhibition at the
479:, where along with paintings by longtime friend
2609:
1057:. Westport, Conn.: Greenwood Press. p. 5.
887:Ribbons of the French military and civil awards
882:List of Legion of Honour recipients by name (A)
3615:
2758:1979 Collier's Yearbook Covering the Year 1978
2610:Mowbray, Nicole; Pentelow, Orla (2018-04-11).
1253:. Fashion.elle.com. 2010-05-03. Archived from
646:Alaïa was referenced in the mid-'90s teen hit
3181:"Fashion: Emerging from the Shadows of Paris"
2143:"Fashion: Emerging from the Shadows of Paris"
1910:"Fashion: Emerging from the Shadows of Paris"
1732:"Fashion: Emerging from the Shadows of Paris"
1526:"Fashion: Emerging from the Shadows of Paris"
1144:Russell, Mary (1977-07-01). "Paris Signals".
975:
3366:
3364:
3762:
3616:Gaied Chortane, Soraya (19 November 2022).
3579:
3842:
3430:
3428:
3063:
2855:
2725:
2666:
2404:
2346:
2257:
2227:
2197:
1935:
1817:
1787:
1640:
1552:
1191:
986:
40:
3817:
3585:"Michelle Wears Alaia to the NATO Dinner"
3552:
3370:
3361:
3320:
2085:"On Paris Streets, Fashion is Up-to-Date"
1088:
46:Azzedine Alaïa, young art student at the
3178:
2828:"70's Fashion: Sportswear at the Summit"
2518:
2140:
1907:
1853:"Back to Basic Black – Leather, That Is"
1729:
1523:
580:
513:in the 1980s, who also helped to launch
458:
371:as that designer's own signature style.
347:and famously exaggerated by his friends
220:
209:. He lied about his age to get into the
3756:
3480:
3434:
3425:
3371:Torriente, Eugenia de la (2021-05-15).
3122:
3006:
2802:
2774:
2756:Larkin, Kathy (1979-01-01). "Fashion".
2551:
2462:
2378:"Street Fashion: Peplum Jackets' Flair"
2169:
2111:
1965:
1317:
1221:
1143:
1050:
920:
918:
916:
914:
300:Later in 1980, while interior designer
14:
3882:
3680:
3649:
3481:Horwell, Veronica (20 November 2017).
3346:. Thecrowdmagazine.com. Archived from
3266:
3206:
3150:
3093:
3034:
2914:
2885:
2825:
2755:
2490:
2434:
2318:
2082:
2053:
1994:
1878:
1757:
1701:
1611:
1494:
1375:
1345:
1161:
1118:
486:He then signed a partnership with the
3843:Hirschberg, Lynn (10 November 2018).
3696:from the original on 23 November 2022
3662:from the original on 24 November 2022
3631:from the original on 24 November 2022
3525:
3508:"Marion Cotillard and Azzedine Alaïa"
3125:Vogue History of 20th Century Fashion
3009:Vogue History of 20th Century Fashion
2777:Vogue History of 20th Century Fashion
2696:
2644:"Azzedine Alaia - Designer Biography"
2584:
2172:Vogue History of 20th Century Fashion
2114:Vogue History of 20th Century Fashion
1968:Vogue History of 20th Century Fashion
1582:
1320:Vogue History of 20th Century Fashion
1296:. Recherche.lefigaro.fr. 2002-05-31.
1224:Vogue History of 20th Century Fashion
1121:"Azzedine Alaïa: The Final Interview"
950:
948:
826:: "Got a pink gown custom by Alaia".
759:His creations have also been worn by
517:'s career, stated in an interview to
394:(wearing several of his creations in
268:(who would become a close friend) to
178:
149:
27:Tunisian fashion designer (1935-2017)
3314:
3234:
2974:
2943:
2699:"Embattled Alaia Unveils a New Look"
2435:Howell, Georgina (1978). "1935-36".
2287:
2056:"Azzedine Alaïa: New Sophistication"
2022:
1847:
1760:"Azzedine Alaïa: New Sophistication"
1670:
1463:
1404:
1164:"Provocative is the Word for Spring"
1114:
1112:
1046:
1044:
1042:
1040:
1038:
911:
906:Azzedine Alaïa, le Prince des lignes
3573:
3546:
3435:Pithers, Ellie (18 November 2017).
3336:
3123:Mulvagh, Jane (1988). "1976-1986".
2775:Mulvagh, Jane (1988). "1976-1986".
2112:Mulvagh, Jane (1988). "1976-1986".
1966:Mulvagh, Jane (1988). "1976-1986".
1286:
1268:
1243:
1016:
343:begun on an industry-wide scale in
159:
24:
3775:(1). New York: 132. Archived from
3765:"An Interview with Azzedine Alaia"
3683:"Carla Sozzani and Azzedine Alaïa"
3510:. coolspotters.com. Archived from
3096:"The Directions of the Innovators"
2917:"The Directions of the Innovators"
1896:...he stars are his leather suits.
1091:"Azzedine Alaia: 1980s and beyond"
945:
904:In French : Laurence Benaïm,
386:carried him in her arms on stage.
248:broke out, soon moved to work for
25:
3931:
3864:
3650:Cowles, Charlotte (7 July 2011).
3606:(photograph by Valda Kalnina/EPA)
3597:from the original on 6 April 2009
2083:Schiro, Anne-Marie (1985-03-29).
1758:Schiro, Anne-Marie (1985-04-17).
1495:Schiro, Anne-Marie (1985-05-21).
1441:The New York Times Style Magazine
1300:from the original on 21 July 2011
1109:
1035:
711:The former First Lady of France,
3836:
3811:
3790:
3732:
3708:
3321:Goldstein, Lauren (2008-09-11).
3094:Morris, Bernadine (1983-02-27).
3035:Morris, Bernadine (1982-09-21).
2915:Morris, Bernadine (1983-02-27).
2826:Morris, Bernadine (1976-01-01).
2552:Horwell, Veronica (2017-11-20).
2463:Collins, Amy Fine (2012-08-23).
2054:Schiro, Anne-Miro (1985-04-17).
1162:Morris, Bernadine (1985-11-01).
856:
814:In 2018, Alaia was mentioned by
792:The Ground Social & Magazine
121:
118:Best Designer of the Year (1984)
3910:Knights of the Legion of Honour
3674:
3643:
3625:(www.standard.co.uk/esmagazine)
3609:
3500:
3474:
3456:
3399:
3390:
3290:
3267:McCall, Patricia (1982-09-05).
3260:
3228:
3207:McCall, Patricia (1983-03-20).
3200:
3172:
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3087:
3057:
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3000:
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2849:
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2768:
2749:
2719:
2690:
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2603:
2578:
2545:
2519:Cochrane, Lauren (2017-11-20).
2512:
2484:
2456:
2428:
2398:
2370:
2340:
2312:
2281:
2251:
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2191:
2163:
2134:
2105:
2076:
2071:…he tops of bodies were broad.
2047:
2016:
1995:McCall, Patricia (1983-03-20).
1988:
1959:
1929:
1901:
1879:McCall, Patricia (1982-10-17).
1872:
1841:
1811:
1781:
1751:
1723:
1695:
1664:
1634:
1612:McCall, Patricia (1982-10-17).
1605:
1576:
1546:
1517:
1488:
1457:
1429:
1398:
1376:McCall, Patricia (1982-09-05).
1369:
1346:McCall, Patricia (1982-09-05).
1339:
1311:
1215:
1185:
1155:
692:is a regular Alaïa client. The
3818:Alexander, Ella (2018-05-03).
3179:Dryansky, G. Y. (1984-08-12).
3151:Luther, Marylou (1985-10-24).
3007:Mulvagh, Jane (1988). "1983".
2949:"Not-So-Ready-to-Wear Clothes"
2856:Mount, jr., Roy (1979-01-01).
2805:"Feminism's Effect on Fashion"
2803:Donovan, Carrie (1977-08-28).
2726:Mount, jr., Roy (1979-01-01).
2491:Luther, Marylou (1985-10-24).
2319:Luther, Marylou (1985-10-24).
2170:Mulvagh, Jane (1988). "1985".
2141:Dryansky, G. Y. (1984-08-12).
1908:Dryansky, G. Y. (1984-08-12).
1730:Dryansky, G. Y. (1984-08-12).
1702:Luther, Marylou (1985-10-24).
1524:Dryansky, G. Y. (1984-08-12).
1318:Mulvagh, Jane (1988). "1980".
1222:Mulvagh, Jane (1988). "1983".
1137:
1010:
898:
721:also honored him in her 1993 "
700:dinner with heads of state in
597:in 1998, which debuted at the
576:
13:
1:
3681:Leitch, Luke (9 March 2018).
2697:Gross, Michael (1986-10-24).
1583:Gross, Michael (1985-10-29).
1119:Blanks, Tim (February 2019).
892:
463:Black dress by Azzedine Alaïa
291:and Nicole Crassat of French
190:
180:[ʕizzadˈdiːnʕaˈlajja]
99:École des Beaux-Arts de Tunis
2903:the Hollywood of yesterday'.
617:, and his shoes are sold at
573:since she was 16 years old.
211:Tunis Institute of Fine Arts
48:Tunis Institute of Fine Arts
7:
2886:Romano, Lois (1985-10-06).
1881:"Paris: Hourglass Figuring"
1614:"Paris: Hourglass Figuring"
849:
170:
10:
3936:
3905:Tunisian fashion designers
1294:"Figaro.Fr : Archive"
643:parties in February 2007.
380:French Ministry of Culture
262:Marie-Hélène de Rothschild
256:until he opened his first
252:for two seasons, then for
3769:The Grond Social Magazine
3483:"Azzedine Alaïa obituary"
2554:"Azzedine Alaïa obituary"
790:During an interview with
216:
111:
103:
95:
79:
54:
39:
32:
3763:Eric Waroll (May 2011).
3656:The Cut (www.thecut.com)
3553:Amy Odell (2008-03-24).
1997:"Fashion Preview: Paris"
1089:Natalia A (2013-01-31).
798:), Alaïa crticised both
686:wearing the same dress.
553:
335:his own, he favored the
240:, he started to work at
1649:(8). New York, NY: 96.
1200:(8). New York, NY: 90.
961:Fashion Model Directory
877:Legion of Honour Museum
706:American Ballet Theatre
341:revival of 1940s styles
3799:Mariah Carey – A No No
2888:"Shoulders of Fortune"
586:
551:
501:Van Cleef & Arpels
464:
454:loose, flowing clothes
339:that were part of the
279:He produced his first
226:
1051:Kellogg, Ann (2002).
584:
547:
462:
224:
151:[azedinalaja]
2648:www.fineclothing.com
2585:Dazed (2017-11-20).
840:dedicated his movie
3920:High fashion brands
3470:. 18 November 2017.
3285:thoroughly modern'.
3244:The Washington Post
3157:The Washington Post
2984:The Washington Post
2953:The Washington Post
2892:The Washington Post
2497:The Washington Post
2325:The Washington Post
2297:The Washington Post
2032:The Washington Post
1857:The Washington Post
1708:The Washington Post
1680:The Washington Post
1473:The Washington Post
1414:The Washington Post
1017:Collins, Amy Fine.
987:Boyd Davis (2001).
846:to Azzedine Alaïa.
836:The movie director
794:(formerly known as
615:Dolce & Gabbana
456:had been the norm.
171:ʿIzz ad-Dīn ʿAlayya
3590:The New York Times
3413:. 18 November 2017
3273:The New York Times
3213:The New York Times
3185:The New York Times
3100:The New York Times
3041:The New York Times
3037:"Notes on Fashion"
2921:The New York Times
2862:The New York Times
2832:The New York Times
2809:The New York Times
2732:The New York Times
2703:The New York Times
2382:The New York Times
2147:The New York Times
2089:The New York Times
2060:The New York Times
2001:The New York Times
1914:The New York Times
1885:The New York Times
1764:The New York Times
1736:The New York Times
1618:The New York Times
1589:The New York Times
1585:"Notes on Fashion"
1530:The New York Times
1501:The New York Times
1497:"Notes on Fashion"
1382:The New York Times
1352:The New York Times
1280:The New York Times
1168:The New York Times
933:(1). London: 112.
843:At Eternity's Gate
728:Alaïa was named a
654:Alicia Silverstone
628:The New York Times
587:
515:Jean-Paul Gaultier
495:group, which owns
465:
440:, Isabelle Aubin,
323:The New York Times
266:Louise de Vilmorin
227:
195:Alaïa was born in
3900:People from Tunis
3209:"Fashion Preview"
1096:Fashioned by Love
822:" from the album
599:Guggenheim Museum
426:Stephanie Seymour
376:Oscars de la Mode
304:was walking down
168:
140:
139:
16:(Redirected from
3927:
3859:
3858:
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3840:
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2384:: 66. 1985-11-17
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1276:"Little Big Man"
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1033:
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1008:
1007:
1005:
1004:
995:. Archived from
989:"Azzedine Alaia"
984:
973:
972:
970:
969:
956:"Azzedine Alaïa"
952:
943:
942:
922:
909:
902:
872:Legion of Honour
866:
861:
860:
859:
769:Victoria Beckham
737:Legion of Honour
660:Marion Cotillard
633:Victoria Beckham
619:Bergdorf Goodman
603:Barneys New York
591:Groninger Museum
418:Brigitte Nielsen
397:A View to a Kill
310:Bergdorf Goodman
182:
177:
173:
163:
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127:Legion of Honour
125:
86:
83:18 November 2017
65:26 February 1935
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3824:Harper's BAZAAR
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3350:on 16 July 2011
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781:Solange Knowles
777:Gwyneth Paltrow
623:Carine Roitfeld
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481:Julian Schnabel
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539:Naomi Campbell
535:Franca Sozzani
519:Crowd Magazine
438:Franca Sozzani
422:Naomi Campbell
353:Claude Montana
349:Thierry Mugler
306:Madison Avenue
274:Claude Montana
254:Thierry Mugler
242:Christian Dior
231:fashion design
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3852:. Retrieved
3848:
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3827:. Retrieved
3823:
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3803:, retrieved
3798:
3792:
3781:. Retrieved
3777:the original
3772:
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3747:. Retrieved
3743:
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3720:NBC New York
3719:
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3698:. Retrieved
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3599:. Retrieved
3588:
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3564:. Retrieved
3558:
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3537:. Retrieved
3527:
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3512:the original
3502:
3490:. Retrieved
3487:The Guardian
3486:
3476:
3467:
3458:
3446:. Retrieved
3440:
3415:. Retrieved
3401:
3392:
3381:. Retrieved
3379:(in Spanish)
3376:
3352:. Retrieved
3348:the original
3338:
3327:. Retrieved
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3305:. Retrieved
3301:
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3277:. Retrieved
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3104:. Retrieved
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2647:
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2590:
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2569:. Retrieved
2558:The Guardian
2557:
2547:
2536:. Retrieved
2525:The Guardian
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2031:
2018:
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2004:. Retrieved
2000:
1990:
1981:
1967:
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1917:. Retrieved
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3601:2009-04-05
3566:2011-02-08
3539:2014-01-31
3518:2014-07-22
3411:BBC Online
3383:2021-05-18
3354:2011-07-23
3329:2011-07-23
3307:2020-07-13
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