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Adriaen de Vries

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The Rijksmuseum owns the only two sculptures by de Vries found in his native Netherlands, a bronze relief of Bacchus and Ariadne, and the recently purchased (2014) Bacchant. The artist was scarcely known there until the exhibition mounted by the Rijksmuseum, the Nationalmuseum, Stockholm, and the J.
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who had returned to the Netherlands. Another possibility is that he was apprenticed to a goldsmith, his brother-in-law Simon Adriaensz Rottermont. Both possibilities are suggestive in view of de Vries' virtuoso casting technique and refined finish.
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and some of the putti for Giambologna's Grimaldi Chapel, in San Francesco di Castelletto, Genoa (1579), have been attributed to Adriaen de Vries. In 1586 he was called to Milan to assist Pompeo, the son of the ailing
462: 443: 178:, whom he succeeded as master of one of Italy's largest bronze-casting studios; for Leoni de Vries provided three heroically-scaled saints for Leoni's high altar at the basilica of San Lorenzo at the 482: 603: 214:, which possesses a bust of Rudolf in bas-relief. He left Prague in 1594 for a visit to study in Rome. On his return through Germany he executed two fountains in 1596 for the city of 424: 607: 304: 359: 374: 571: 258:. He remained in Prague after Rudolf's death in 1612, though the Imperial court returned to Vienna, until his own death in 388: 662: 320:, when the Swedes pillaged what remained of Rudolf's huge collections, and took a great many statues, in particular duke 406: 328:(city quarter) of Prague. The originals, now to be found in Museum de Vries, are represented by bronze replicas at the 191: 238:("chamber sculptor", i.e. privileged artist). During his hypothetical stay in Rome in 1604, he had cast a statue of 277:, today the only work of De Vries to be seen in its original situation; he was also commissioned to make a Neptune 692: 345: 672: 431: 677: 333: 144:
to a patrician family, his early training is obscure; a recent suggestion suggests an apprenticeship with
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Though the chapel was dismantled by the Napoleonic government, the sculptures have been preserved at the
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Paul Getty Museum in 1999. Fourteen sculptures, the largest collection of De Vries' work, are in
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and became the most famous European sculptor of his generation. He also excelled in
573:"Christ at the Column" by Adrian de Vries: from the Hannewaldt Memorial at Żórawina 282: 117:; he excelled in refined modelling and bronze casting and in the manipulation of 36: 269:
and received sculpture commissions from several German sovereigns, such as from
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This led to his brief appointment as court sculptor to Philip II's son-in-law
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Remarked by Manfred Leithe-Jasper in reviewing the exhibition in
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During this late period he found a new patron in the Prince
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De Vries returned in 1601 to Prague, where Rudolf made him
576:. Bulletin du Musée National de Varsovie. pp. 27, 31. 113:, whose international style crossed the threshold to the 324:'s garden statues, that used to adorn his palace on the 226:
fountains, which may still be seen in Maximilianstraße.
148:, known in Italy as Guglielmo Fiammingo, a pupil of 185: 229: 654: 128:Partly as a result of the disturbances of the 635:Adriaen de Vries 1556-1626: Imperial Sculptor 531:Adriaen de Vries 1556-1626: Imperial Sculptor 517:, held several distinguished civic positions. 198:. In 1589-94 he worked for the first time in 381:Wrestlers, in garden at Drottningholm Palace 156: 29: 565: 563: 109:born in the Netherlands but working in 655: 648:Adriaen de Vries at the ArtCyclopedia 604:"Museum de Vries - Sveriges Kungahus" 560: 206:. These sculptures are now housed in 492:theme (1623), bronze replica in the 569: 13: 624: 593:No. 1155 (June 1999), pp. 372-375. 488:De Vries' reinterpretation of the 14: 704: 641: 192:Charles Emmanuel I, Duke of Savoy 481: 461: 442: 423: 405: 387: 373: 358: 186:Commissions in Savoy and Germany 202:, making busts and reliefs for 596: 580: 536: 520: 507: 450:Empire Triumphant over Avarice 365:Hercules fountain, gardens of 273:for the resurrection group in 230:Return to Bohemia (after 1601) 1: 146:Willem Danielsz. van Tetrode 16:Dutch sculptor (c.1556–1626) 7: 332:in Prague, now seat of the 10: 709: 663:Dutch Golden Age sculptors 399:Metropolitan Museum of Art 351: 346:Dano-Swedish War (1658–60) 212:Victoria and Albert Museum 102:(c.1556–1626) was a 468:Resurrection monument (a 436:Imperial Treasury, Vienna 87: 79: 61: 43: 28: 21: 637:(Zwolle: Waanders) 1999. 533:(Zwolle: Waanders) 1999. 501: 322:Albrecht von Wallenstein 316:in the last days of the 296: 588:The Burlington Magazine 570:Łoś, Władysław (1981). 476:'s mausoleum, 1613–1620 454:National Gallery of Art 281:for the gardens of the 157:Apprenticeship in Italy 135: 693:Artists from The Hague 256:Flagellation of Christ 224:Hercules and the Hydra 267:Karl of Liechtenstein 673:Dutch male sculptors 367:Drottningholm Palace 338:Frederiksborg Palace 310:Drottningholm Palace 275:Stadthagen mausoleum 240:Christ at the column 55:Habsburg Netherlands 678:Mannerist sculptors 544:University of Genoa 474:Ernst of Schaumburg 271:Ernst of Schaumburg 548:Castelletto, Genoa 494:Wallenstein Palace 413:Mercury and Psyche 330:Wallenstein Palace 104:Northern Mannerist 92:Northern Mannerism 73:Kingdom of Bohemia 557:(1982) pp 85-127. 456:, Washington D.C. 318:Thirty Years' War 285:'s royal palace, 204:Emperor Rudolf II 150:Benvenuto Cellini 130:Thirty Years' War 97: 96: 700: 619: 618: 616: 615: 606:. 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Index


Hans von Aachen
The Hague
Habsburg Netherlands
Prague
Kingdom of Bohemia
Northern Mannerism
Northern Mannerist
sculptor
Central Europe
Baroque
patina
draughtsmanship
Thirty Years' War
The Hague
Willem Danielsz. van Tetrode
Benvenuto Cellini
Florence
Giambologna
Leone Leoni
Escorial
Charles Emmanuel I, Duke of Savoy
Turin
Prague
Emperor Rudolf II
Vienna
Victoria and Albert Museum
Augsburg
Żórawina
National Museum

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