242:), which included an illustrated fingering chart. The oboe associated with these materials was produced by Stefan Koch (1772â1828). This instrument was very well regarded in central Europe. In addition to a modernized mechanism with up to 13 keys, the Koch/Sellner oboe resembled the conservatoire oboe used today in that it had a narrow bore and a similarly bright tone. As a relatively advanced musical tool it satisfied the needs of Viennese musicians until the end of the 19th century.
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250:(1885â1949) created a new instrument with changes and improvements especially to the key mechanism. The new Wiener oboe retained the essence of the classical oboeâs internal bore, as well as elegantly simplified classical external features such as the baluster and finial, but with greatly expanded keywork.
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In 1880 oboist
Richard Baumgärtel (1858â1941) brought his Golde oboe with him to Vienna, where the essential design was subsequently adapted by Josef Hajek (1849â1926) to play in the âdiapason normalâ tuning of A = 435 used in the Austrian Empire. Hajek and later other makers, notably Hermann Zuleger
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write (page 212) "The differences are most clearly marked in the middle register, which is reedier and more pungent, and the upper register, which is richer in harmonics on the
Viennese oboe". Guntram Wolf describes them: "From the concept of the bore, the Viennese oboe is the last representative of
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One instrument maker whose designs went in the opposite direction, utilizing a wide bore design, was the highly regarded German maker Karl
Friedrich Golde (1803â1873) from Dresden. His ideal oboe sound contained a deep, rich, warm tonality: "a powerful depth and a full sound will be achieved, ⌠a
261:
in the late 20th century, the Wiener oboe has emerged as an alternative to the use of hautboys or baroque oboes, retaining the tone color of the early instruments but not the significant limitations. In more recent years, as interest and use of the Wiener oboe has slowly increased, oboes are now
253:
The aftermath of the Second World War witnessed the takeover of the
Conservatoire oboe and a slow phase-out of the "German oboe" in Germany. In Austria the Wiener oboe faced a period of general decline, and with the death of Zuleger in 1949, quality instruments became scarce. This unsatisfactory
222:
the historical oboes, adapted for the louder, larger orchestra, and fitted with an extensive mechanism. Its great advantage is the ease of speaking, even in the lowest register. It can be played very expressively and blends well with other instruments." The
Viennese oboe is (with the
254:
situation only worsened as time went by, with the construction of instruments almost coming to a standstill. In the 1980s, however, the Yamaha company in Japan began to manufacture Wiener oboes, creating a hitherto unprecedented supply of quality instruments.
196:, is a type of modern oboe first developed in the 1880s by Josef Hajek. The design of the Wiener oboe retains the essential bore and tonal characteristics of the historical oboe. The Wiener oboe is named after its origins in
212:
The Wiener oboe is a hybrid of German and
Austrian designs. It has a wider internal bore, shorter and broader reed and a different fingering schema than the Conservatoire oboe. In their definitive historical work
246:
thin, nasal sound, like the French and
Viennese oboes.â Ironically, just a few years after his death his design would supplant the Koch oboe and become the new Wiener oboe of the 20th Century.
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The oboe in use in Vienna in the early and mid-19th century was originally a design called the Koch/Sellner oboe. In 1825 Viennese oboist and teacher Joseph
Sellner wrote an oboe tutor (
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The Wiener oboe retains external and internal characteristics of the classical oboe from which it was derived.
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being made by a number of makers such as AndrĂŠ Constantinides, Karl Rado, Guntram Wolf, and
Christian Rauch.
530:"TriviaďźThe Wiener oboe that survived an existential crisis - Musical Instrument Guide - Yamaha Corporation"
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204:) and, besides the more common Conservatoire oboe, is the only other type of modern oboe in use today.
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Note: After
Guntram Wolf's death in 2013, his children Peter and Claudia Wolf took over the business
359:, The Yale Musical Instrument Series, New Haven, Connecticut and London: Yale University Press,
506:"YOB-804 - Brass & Woodwinds - Display collection - INNOVATION ROAD - Yamaha Corporation"
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Rauch, Christian: 1999, âWiener Oboen im 19. und 20. Jahrhundertâ,
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Rohrblatt : Magazin fĂźr Oboe, Klarinette, Fagott und Saxophon
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Manufacturers out of business or no longer producing Wiener oboes
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Das Repertoire der Wiener Hofmusikkapelle im 19. Jahrhundert
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The Eloquent Oboe: A History of the Hautboy 1640â1760
482:"Geschichte | Guntram Wolf Holzblasinstrumente GmbH"
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270:The modern Wiener oboe is most commonly made from
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440:, Hollitzer Verlag, pp. 109â130, 1998-10-20
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226:) perhaps the most distinctive member of the
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355:Burgess, Geoffrey, and Bruce Haynes: 2004,
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605:Gesellschaft der Freunde der Wiener Oboe
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655:and sextuple reeds; does not include
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345:Zuleger & Co. (Vienna, Austria)
257:With the resurgence of interest in
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240:Theoretische-praktische Oboeschule
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282:Notable Wiener oboe manufacturers
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342:Hubert SchĂźck (Vienna, Austria)
287:Manufacturers still in business
79:HornbostelâSachs classification
1254:Single oboes with conical bore
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188:, commonly referred to as the
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578:"easyname | Domain geparkt"
104:Late 19th century from the
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1182:Cor anglais (English horn)
694:Cor anglais (English horn)
651:(also includes those with
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150:Cor anglais (English horn)
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186:Akademiemodel Wiener oboe
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462:www.wienerinstrumente.at
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607:(Viennese Oboe Society)
217:, Geoffrey Burgess and
1216:Ensembles & genres
335:AndrĂŠ Constantinides (
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369:Haynes, Bruce: 2001,
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1087:American traditional
1006:European traditional
458:"Wiener Instrumente"
1162:Piccolo heckelphone
856:African traditional
679:Piccolo heckelphone
228:Vienna Philharmonic
131:Related instruments
46:Woodwind instrument
29:
1192:Bass/baritone oboe
773:European classical
729:Semi-contrabassoon
665:European classical
486:www.guntramwolf.de
328:Christian Rauch (
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27:
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882:Asian traditional
558:test.woodwind.org
554:"The Oboe BBoard"
230:instrumentarium.
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1228:Oboe quintet
1223:Oboe quartet
1177:Oboe d'amore
1172:Baroque oboe
1157:Piccolo oboe
997:Zurna/Surnai
842:Rauschpfeife
787:Baroque oboe
775:(historical)
754:Sarrusophone
689:Oboe d'amore
674:Piccolo oboe
585:. Retrieved
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300:Guntram Wolf
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160:Baroque oboe
145:Oboe d'amore
1197:Heckelphone
1150:Instruments
987:Taepyeongso
739:Contraforte
704:Heckelphone
644:instruments
642:Double reed
306:, Germany)
292:Karl Rado (
259:early music
190:Wiener oboe
170:Heckelphone
70:Double reed
28:Wiener oboe
18:Wiener Oboe
1243:Categories
1078:Surma-horn
944:Nadaswaram
929:Kèn ÄĂĄm ma
792:Bassanello
587:2022-01-18
563:2022-01-18
539:2022-01-18
515:2022-01-18
491:2022-01-18
467:2022-01-18
444:2023-09-10
392:References
339:, Austria)
332:, Austria)
296:, Austria)
272:grenadilla
83:422.112-71
909:Hichiriki
797:Cornamuse
759:Rothphone
699:Bass oboe
653:quadruple
337:PĂśggstall
330:Innsbruck
266:Materials
200:(German:
165:Bass oboe
101:Developed
90:aerophone
1202:Lupophon
1094:ChirimĂa
1068:TĂĄrogatĂł
1038:Dulzaina
992:Tangmuri
822:Kortholt
807:Crumhorn
802:Cromorne
764:Tromboon
719:Tenoroon
709:Lupophon
667:(modern)
657:bagpipes
357:The Oboe
215:The Oboe
65:Woodwind
1058:Piffero
1053:Musette
1028:Bombard
1023:BirbynÄ
968:Sundari
964:Shehnai
924:Kèn bầu
904:Gyaling
889:Balaban
863:Algaita
837:Rackett
812:Dulcian
724:Bassoon
350:Sources
325:(Japan)
304:Kronach
276:boxwood
234:History
1144:family
1063:Sopila
1048:Gralla
1043:GraĂŻle
1018:Bifora
977:Sralai
939:Mizmar
934:Kuzhal
868:Rhaita
832:Pommer
377:
363:
323:Yamaha
294:Vienna
198:Vienna
1249:Oboes
1073:Zurna
1013:Aulos
982:Suona
972:Sorna
894:Duduk
873:Zukra
847:Shawm
782:Aulos
208:Sound
92:with
1167:Oboe
1142:oboe
959:Piri
949:Ottu
899:Guan
684:Oboe
375:ISBN
361:ISBN
202:Wien
184:The
140:Oboe
94:keys
60:Wind
919:Kèn
914:Hne
387:14:
192:or
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