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Reed Ghazala

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Since discovering circuit bending, Ghazala has built countless instruments. These mostly consist of electronic toys modified with the circuit bending technique and customized until they barely resemble the original product. He has produced numerous audio compositions with these instruments which have
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Ghazala accidentally discovered the technique of circuit bending in the 1960s when he left a toy amplifier in his desk and heard it start to emit sounds comparable to those produced by expensive synthesizers of the day. The amplifier's casing had been opened, exposing its inner circuitry and allowing
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Ghazala coined the term "immediate canvas" in his work with circuit bending, which is the concept that through circuit bending the hurdles of electronic design are avoided. Anyone can step up to an open circuit and create, without needing to know electronic theory or daunting equations. Another term
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Ghazala's influence upon creative electronic design is global, having originated the planet's first "grassroots electronic art movement" (while Ghazala has noted that he was not the lone, or first, experimenter in the field, it should be recognized that his contemporaries' work, regardless of date,
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coined by Ghazala is BEAsape which means BioElectronicAudiosapien. When body contacts are used, the body of the performer is used as a variable resistor – there is a fusion between man and machine into one purpose which Ghazala says is something new zoologically and musically.
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been featured on many albums. He has also written a series of works relating to and teaching the circuit bending process, including his book, published by Wiley & Sons, titled
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s declaration of circuit-bending as part of the fine arts movement (April 8, 2004, Technology Section, Matthew Mirapaul), and can be found being taught world-wide.
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it to short circuit when placed against the metal desk. It is this chance aspect of bending that serves as the foundation of circuit-bending.
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did not spawn an international and specific art movement replete with original terminology, processes and an ever-increasing fellowship).
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You can help by adding reliable sources to this article. Contentious material about living people that is unsourced or poorly sourced
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Ghazala's work is held in various galleries internationally including the permanent collections of New York City's
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Ghazala's practice with chance art (the root of circuit-bending) also involves studies in dye migration materials
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Suite for a Radio and Turntable: Outdoor Operations, Sound Theater (Cassette) 1985
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From the pages of EMI, No. 12, Experimental Musical Instruments (Cassette) 1997
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From the pages of EMI, No. 10, Experimental Musical Instruments (Cassette) 199?
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From the pages of EMI, No.11, Experimental Musical Instruments (Cassette) 1996
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From the pages of EMI, No. 9, Experimental Musical Instruments (Cassette) 1994
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From the pages of EMI, No. 8, Experimental Musical Instruments (Cassette) 1993
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From the pages of EMI, No. 7, Experimental Musical Instruments (Cassette) 1992
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contentious material about living people that is unsourced or poorly sourced.
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Posters in the Underground, Sound Theater and Sound of Pig (Cassette) 1986
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Cassette Mythos: Audio Alchemy, What's Next? Records (Cassette, CD) 1991
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Blacklight Braille; The castle of the Northern Crown; Razzle; (CD) 1999
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Threnody to the New Victims of Hiroshima. Realization Records (CD) 1995
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Short Vice documentary on Reed Ghazala, the Father of Circuit Bending
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Blacklight Braille: Old Bones and Sacred Stones; Razzle; (CD) 1999
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Blacklight Braille: Songs for the Longhaired Son, Vetco (CD) 1995
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Sound Theater One: Music and Event, Sound Theater (Cassette) 1982
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Gravikords Whirlies and Pyrophones, Ellipsis Arts (CD/Book) 1996
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Blacklight Braille: Into the world of the Gods, Vetco (CD) 1997
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The Sound Theater Radio Special Sound Theater (Cassette) 1985
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The Dreams that Insects Dream, Sound Theater (Cassette) 1985
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Three Rings on the Ground, Pointless Music (Cassette) 199?
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Blacklight Braille: Black Moon Selection, Vetco (CD) 1998
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The Little Fiddles in the Grass, Epitapes (Cassette) 1994
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Burning Suns of Shadow Worlds, Ladd/Frith (Cassette) 1993
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Sound Theater Two: Visions, Sound Theater (Cassette) 1983
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Objekt 666 (double cassette), Ladd/Frith (Cassette) 1994
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Behind the Emotional Mask, Sound Theater (Cassette) 1989
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Blacklight Braille: Songs from Moonlight Snow (CD) 1996
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Gawk: Marc Sloan, Reed Ghazala, Askance (Cassette) 1994
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There is a Secret Garden, Sound Theater (Cassette) 1993
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Circuit-Bending : Build Your Own Alien Instruments
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Blacklight Braille: Dietles Tavern; Vetco; (CD) 1999.
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Postal Sound Surgery, Pointless Music (Cassette) 1993
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Cassette Mythos: Feast of Hearing, CM (Cassette) 1989
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Assemblage 1990, Realization Records (Cassette) 1990
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A Darker Solvent/EnTerres, Edicion, Spain (LP) 1993
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Gawk: Lore of the Ox Owl, Sacrifice (Cassette) 1993
553:"Meet Reed Ghazala, the Father of Circuit Bending" 482:Requiem for a Radio, Realization Records (CD) 1995 440:Blacklight Braille: Sleep Not Yet, Vetco (CD) 1994 367:Vinegar versus Cats, Sound Theater (Cassette) 1986 355:Requiem for a Radio, Sound Theater (Cassette) 1985 337:A Watch in the Sea, Sound Theater (Cassette) 1982 297:Circuit-Bending: Build Your Own Alien Instruments 961: 343:Mind Over Matter, Sound Theater (Cassette) 1983 373:Natural Science, Sound Theater (Cassette) 1987 349:Bring Your Room, Sound Theater (Cassette) 1985 684: 527:Blacklight Braille: Sailing Away; Razzle 1999 461:Smells like 7, Spilling Audio (Cassette) 1994 410:Electricity, Pointless Music (Cassette) 1992 404:Anti White Bastards, PBK-USA (Cassette) 1991 50:Learn how and when to remove these messages 691: 677: 370:Go Mad Xmas, Sound Theater (Cassette) 1987 620: 376:Spzz Tapes, Sound Theater (Cassette) 1987 189:Learn how and when to remove this message 171:Learn how and when to remove this message 102:Learn how and when to remove this message 550: 476:Better Things are Electric. M&M 1995 398:Clones and Friends, EJAZ (Cassette) 199? 379:Artifacts, Sound Theater (Cassette) 1988 521:HOPE; Audio Research Editions (CD) 1998 497:State of the Union, Atavistic (CD) 1996 269:as part of the Fusion Arts compendium. 962: 576: 458:Redrum, Spilling Audio (Cassette) 1994 449:Objekt 5.5, Ladd/Frith (Cassette) 1994 446:No Dub, Spilling Audio (Cassette) 1994 672: 422:Drum, Spilling Audio (Cassette) 1993 113: 56: 15: 13: 985:American musical instrument makers 551:Anderson, Brian (August 7, 2014). 14: 1001: 647: 31:This article has multiple issues. 943: 942: 518:Mad Art River; Askance (CD) 1998 464:State of the Union, MR (CD) 1994 140:, as its only attribution is to 118: 61: 20: 915:Experimental musical instrument 752:Predecessors and early pioneers 306: 39:or discuss these issues on the 596: 577:Yeaton, Sean (June 22, 2011). 570: 544: 452:Objekt 5, Ladd/Frith (CD) 1994 331: 267:Whitney Museum of American Art 1: 970:American electronic musicians 149:reliable, independent sources 603:Qubais Reed Ghazala (2004). 479:Gawk-Gawd, Askance (CD) 1995 129:biography of a living person 72:biography of a living person 7: 878:Musical Electronics Library 416:4 X 4, Ladd/Frith (CD) 1993 84:must be removed immediately 10: 1006: 949:Category: Electronic music 285: 212:builder, was described by 938: 907: 886: 849: 828: 802: 751: 710: 659:An interview with Ghazala 279:and Japanese suminagashi 857:BBC Radiophonic Workshop 631:10.1162/0961121043067271 537: 836:Speak & Spell (toy) 509:; v.4 #2; ReR (CD) 1997 210:experimental instrument 990:People from Cincinnati 609:Leonardo Music Journal 147:Please help by adding 142:self-published sources 223:Ghazala, who is from 866:Elektronmusikstudion 259:Museum of Modern Art 728:Modular synthesizer 654:Ghazala's home page 202:Qubais Reed Ghazala 869:Casper Electronics 810:Atari Punk Console 245:the Rolling Stones 216:as the "father of 154: 153:Immediately remove 144: 957: 956: 507:The ReR Quarterly 323:978-0-7645-8887-7 199: 198: 191: 181: 180: 173: 152: 132:needs additional 131: 112: 111: 104: 54: 997: 946: 945: 794:Serge Tcherepnin 774:Delia Derbyshire 704:electronic music 693: 686: 679: 670: 669: 641: 640: 638: 637: 624: 600: 594: 593: 591: 589: 574: 568: 567: 565: 563: 548: 327: 194: 187: 176: 169: 165: 162: 156: 122: 121: 114: 107: 100: 96: 93: 87: 65: 64: 57: 46: 24: 23: 16: 1005: 1004: 1000: 999: 998: 996: 995: 994: 960: 959: 958: 953: 934: 930:Graphical sound 903: 894:Nicolas Collins 882: 845: 824: 798: 759:Thaddeus Cahill 747: 723:Circuit bending 706: 697: 650: 645: 644: 635: 633: 622:10.1.1.463.2607 601: 597: 587: 585: 575: 571: 561: 559: 549: 545: 540: 392:(cassette) 199? 390:Pointless Music 334: 324: 316:. Wiley. 2005. 312: 309: 288: 218:circuit bending 195: 184: 183: 182: 177: 166: 160: 157: 146: 123: 119: 108: 97: 91: 88: 81: 66: 62: 25: 21: 12: 11: 5: 1003: 993: 992: 987: 982: 977: 972: 955: 954: 952: 951: 939: 936: 935: 933: 932: 927: 922: 917: 911: 909: 908:Related topics 905: 904: 902: 901: 896: 890: 888: 884: 883: 881: 880: 875: 873:Death By Audio 870: 867: 864: 859: 853: 851: 847: 846: 844: 843: 838: 832: 830: 826: 825: 823: 822: 817: 812: 806: 804: 800: 799: 797: 796: 791: 786: 781: 776: 771: 766: 761: 755: 753: 749: 748: 746: 745: 740: 738:Glitch (music) 735: 730: 725: 720: 714: 712: 711:General topics 708: 707: 696: 695: 688: 681: 673: 667: 666: 661: 656: 649: 648:External links 646: 643: 642: 595: 569: 542: 541: 539: 536: 535: 534: 531: 528: 525: 522: 519: 516: 513: 510: 504: 501: 498: 495: 492: 489: 486: 483: 480: 477: 474: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 386: 383: 380: 377: 374: 371: 368: 365: 362: 359: 356: 353: 350: 347: 344: 341: 338: 333: 330: 329: 328: 322: 308: 305: 287: 284: 250:New York Times 197: 196: 179: 178: 126: 124: 117: 110: 109: 69: 67: 60: 55: 29: 28: 26: 19: 9: 6: 4: 3: 2: 1002: 991: 988: 986: 983: 981: 978: 976: 975:Living people 973: 971: 968: 967: 965: 950: 941: 940: 937: 931: 928: 926: 923: 921: 918: 916: 913: 912: 910: 906: 900: 897: 895: 892: 891: 889: 885: 879: 876: 874: 871: 868: 865: 863: 860: 858: 855: 854: 852: 850:Organisations 848: 842: 841:Roland TB-303 839: 837: 834: 833: 831: 827: 821: 818: 816: 813: 811: 808: 807: 805: 801: 795: 792: 790: 787: 785: 782: 780: 777: 775: 772: 770: 769:Leon Theremin 767: 765: 764:Luigi Russolo 762: 760: 757: 756: 754: 750: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 715: 713: 709: 705: 701: 694: 689: 687: 682: 680: 675: 674: 671: 665: 662: 660: 657: 655: 652: 651: 632: 628: 623: 618: 614: 610: 606: 599: 584: 580: 573: 558: 554: 547: 543: 532: 529: 526: 523: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 336: 335: 325: 319: 315: 311: 310: 304: 300: 298: 292: 283: 281: 278: 274: 270: 268: 264: 260: 255: 253: 251: 246: 242: 238: 237:Peter Gabriel 234: 230: 226: 221: 219: 215: 211: 207: 203: 193: 190: 175: 172: 164: 150: 143: 139: 135: 130: 125: 116: 115: 106: 103: 95: 85: 79: 78: 77:single source 73: 68: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 789:Reed Ghazala 788: 634:. 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Retrieved 556: 546: 313: 307:Bibliography 301: 296: 293: 289: 275: 271: 256: 248: 241:King Crimson 222: 201: 200: 185: 167: 161:October 2019 158: 138:verification 98: 92:October 2019 89: 83: 75:relies on a 74: 47: 40: 34: 33:Please help 30: 980:1953 births 920:Acousmonium 899:Bart Hopkin 803:Instruments 784:David Tudor 700:DIY culture 388:Schematic, 332:Discography 214:Motherboard 964:Categories 815:Drum Buddy 636:2009-04-06 615:: 96–104. 263:Guggenheim 225:Cincinnati 36:improve it 820:Kraakdoos 743:Tape loop 733:Hackspace 617:CiteSeerX 233:Tom Waits 134:citations 42:talk page 829:Circuits 779:Bob Moog 718:Chiptune 588:June 14, 562:June 14, 557:vice.com 265:and the 206:musician 887:Writers 583:cnn.com 286:History 947:  925:Glitch 619:  320:  261:, the 243:, and 862:STEIM 538:Notes 127:This 70:This 590:2022 564:2022 318:ISBN 229:Ohio 208:and 136:for 702:in 627:doi 966:: 625:. 613:14 611:. 607:. 581:. 555:. 299:. 239:, 235:, 227:, 151:. 45:. 692:e 685:t 678:v 639:. 629:: 592:. 566:. 326:. 252:' 192:) 186:( 174:) 168:( 163:) 159:( 105:) 99:( 94:) 90:( 86:. 80:. 52:) 48:(

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musician
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circuit bending
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