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190:, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ballet. It's a portrait of ballet". Ravel, hurt by the comment, ended the relationship. Subsequently, it became a popular concert work and when the two men met again during 1925, Ravel refused to shake Diaghilev's hand. Diaghilev challenged Ravel to a
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see in it what the music expresses: an ascending progression of sonority, to which the stage comes along to add light and movement." He also commented, in 1922, that "It doesn't have anything to do with the present situation in Vienna, and it also doesn't have any symbolic meaning in that regard. In the course of
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Through whirling clouds, waltzing couples may be faintly distinguished. The clouds gradually scatter: one sees at letter A an immense hall peopled with a whirling crowd. The scene is gradually illuminated. The light of the chandeliers bursts forth at the fortissimo letter B. Set in an imperial court,
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Europe, saying, "While some discover an attempt at parody, indeed caricature, others categorically see a tragic allusion in it – the end of the Second Empire, the situation in Vienna after the war, etc... This dance may seem tragic, like any other emotion... pushed to the extreme. But one should only
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The beginning starts quietly (the mist), with the rumbling of the double basses with the celli and harps subsequently joining. Silently and gradually, instruments play fragmented melodies, gradually building into a subdued tune on bassoons and violas. Eventually, the harps signal the beginning
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described the work as "the most unexpected of the compositions of Ravel, revealing to us heretofore unexpected depths of
Romanticism, power, vigor, and rapture in this musician whose expression is usually limited to the manifestations of an essentially classical genius."
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Enter a rather restless episode with dramatic violins, accompanied with precocious (yet seemingly wayward) woodwinds. Castanets and pizzicato add to the character of a rather erratic piece. It ends meekly and clumsily in the
194:, but friends persuaded Diaghilev to recant. The men never met again. The ballet was premiered in Antwerp in October 1926 by the Royal Flemish Opera Ballet, and there were later productions by the Ballets
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swayings in the cellos and glissando in the harps. The tune is once again repeated by the woodwinds. As it ends, it begins to unleash some kind of climax, when it is suddenly cut off by a sweet flute.
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So begins the piece's second half. Every melody from the first section is re-introduced, although differently, in the second section. Ravel has altered each waltz theme piece with unexpected
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Afterwards, the violins lead a tender tune, accompanied by luxuriant humming in the cellos and clarinets. It disappears and once again returns to the sweet variations and extravagant brass.
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The eruption of the heavy brass and timpani begins the next ebullient and pompous melody. The tune is sung by the violins as cymbals crash and the brass blare unashamedly.
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85:, its one-movement design plots the birth, decay and destruction of a musical genre: the waltz." Ravel himself, however, denied that it is a reflection of post-
94:, I did not envision a dance of death or a struggle between life and death. (The year of the choreographic setting, 1855, repudiates such an assumption.)"
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Celebrating the 100th birthday of La Valse in 2020 (its première in Paris took place in 1920), Belgian composer Tim
Mulleman wrote a transcription for
81:, summarized the ethos of the work: "Whether or not it was intended as a metaphor for the predicament of European civilization in the aftermath of the
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Once more, Ravel breaks the momentum. A macabre sequence begins, gradually building into a disconcerting repetition. The orchestra reaches a
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culmination of instruments into the graceful melody. Led by the violins, the orchestra erupts into the work's principal waltz theme.
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465:, Ravel also transcribed this work for one piano. The solo piano transcription is infrequently performed due to its difficulty.
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939:"Sean Chen delves into Ravel and Scriabin on "La Valse," his debut album for Steinway & Sons - Steinway & Sons"
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complimented Ashton on what he thought was the first successful interpretation of Ravel's intentions for the music.
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122:", respectively) as early as 1906, where Ravel intended to orchestrate a piece in tribute to the waltz form and to
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and
Friends for string nonet (4 vn, 2 va, 2 vc, 1 cb). A filmed performance was made possible by Lars Konings.
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as a ballet. However, he never produced the ballet. After hearing a two-piano reduction performed by Ravel and
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between
February 1919 and 1920; it was first performed on 12 December 1920 in Paris. It was conceived as a
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for piano four hands, with Ravel's original scoring distributed more effectively between the performers.
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Mawer, Deborah: "The
Ballets of Maurice Ravel: Creation and Interpretation" (Aldershot: Ashgate, 2006)
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and instrumentation (for example, where flutes would normally play, they are replaced by trumpets).
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and triangle. In between, the violins seem to yearn, whilst the harps play and (bizarrely) the horns
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The variations by oboe, violins and flutes, mild, slightly timid but nevertheless sweet and elegant.
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The piece relapses into previous melodies, before a poignant and sweet tune begins in the violins.
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Deborah Mawer, The
Ballets of Maurice Ravel: Creation and Interpretation (Ashgate, 2006), 157ff
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coda, and the work ends with the final measure as the only one in the score not in waltz-time.
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A series of waltzes follows, each with its own character, alternating loud and soft sequences.
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Calvocoressi, M.V. (January 1941). "Ravel's
Letters to Calvocoressi With Notes and Comments".
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produced a transcription for piano four hands in 1920. He had previously transcribed Ravel's
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Apart from the two-piano arrangement, which was first publicly performed by Ravel and
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2003:
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In 2005 it was transcribed for
Symphonic Wind Ensemble by Don Patterson, for the
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You know my intense attraction to these wonderful rhythms and that I value the
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Ravel, letter to
Maurice Emmanuel, 14 October 1922, in Arbie Orenstein (ed.):
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Delage, Roger (translated by Frayda
Lindemann) (1975). "Ravel and Chabrier".
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This article is about the musical work. For George Balanchine's ballet, see
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is a characteristic feature. The gentle violins are accompanied by ornate,
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The flute plays a rather playful, repetitious melody, accompanied by the
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recorded his own arrangement on the Steinway & Sons label in 2014.
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Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
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Landormy (translated by Willis Wager), Paul (1939). "Maurice Ravel".
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expressed in the dance much more deeply than Franckist puritanism.
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126:. An earlier influence from another composer was the waltz from
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that Ravel reused in the later work. After his service in the
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202:. The music was also used for ballets of the same title, one
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154:, Ravel returned to his original idea of the symphonic poem
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In his tribute to Ravel after the composer's death in 1937,
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Linos Piano Trio included a transcription of the piece for
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58:(a choreographic poem for orchestra), is a work written by
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in transcription for solo piano by Jean-Frédéric Neuburger
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650:"The French Music Festival: An Interview with Ravel", in
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in transcription for two pianos by Neal and Nancy O'Doan
898:. Old Dominion University. 20 March 2011. Archived from
765:"La valse, poème choréographique for piano or 2 pianos"
182:, which was to have been written under commission from
136:. In Ravel's own compositional output, a precursor to
2187:
2134:
Five Brahms Waltzes in the Manner of Isadora Duncan
658:
A Ravel Reader: Correspondence, Articles, Interviews
639:
A Ravel Reader: Correspondence, Articles, Interviews
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1153:
Transcription for string nonet, Tim Mulleman (2020)
813:
2179:List of ballets choreographed by Frederick Ashton
660:(New York: Columbia University Press, 1990), 423.
641:(New York: Columbia University Press, 1990), 229.
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1122:Orchestral version with animated graphical score
953:"Ă€ La Valse - CD album and film by Lars Konings"
69:The work has been described as a tribute to the
656:, 30 September 1922, in Arbie Orenstein (ed.):
66:but is now more often heard as a concert work.
551:, whose co-founder and founding choreographer
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1040:(New York: Columbia University Press, 1968)
475:in 1919, in a similar fashion. The pianist
265:. Unsourced material may be challenged and
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114:began first with the title "Vienne", then
1060:International Music Score Library Project
875:International Music Score Library Project
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285:Learn how and when to remove this message
217:with the following preface to the score:
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479:, who rarely played Ravel's music, made
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1020:. London, Dance Books Ltd. pp. 288–290.
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27:Orchestral composition by Maurice Ravel
14:
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820:(revised ed.). New York, London:
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198:in 1928 and 1931 with choreography by
174:Ravel completely reworked his idea of
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1570:Piano Concerto in D for the Left Hand
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1171:
979:"Gestohlen, verarbeitet, aufgewertet"
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263:adding citations to reliable sources
230:
1131:Boston Philharmonic Youth Orchestra
56:poème chorégraphique pour orchestre
24:
1005:Oxford Conise Dictionary of Ballet
487:produced an improved treatment of
25:
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1325:Prélude à l'après-midi d'un faune
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2197:
2167:La chatte métamorphosée en femme
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1018:Frederick Ashton and his Ballets
816:The Lives of the Great Composers
792:, Dover, New York, 1991, p. 78,
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502:, and was recorded on the album
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1689:Pavane pour une infante défunte
1525:Pavane pour une infante défunte
1096:Isabella Stewart Gardner Museum
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1701:Valses nobles et sentimentales
1553:Valses nobles et sentimentales
1158:Philippe Graffin & Friends
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143:Valses nobles et sentimentales
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1:
2220:Compositions by Maurice Ravel
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1771:Pierre-Joseph Ravel (father)
1116:Orchestre National de France
7:
2112:The Tales of Beatrix Potter
1608:Sonata for Violin and Cello
871:"La valse (Ravel, Maurice)"
539:'s company first performed
10:
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1433:L'enfant et les sortilèges
1290:Cydalise et le Chèvre-pied
1069:Chicago Symphony Orchestra
543:in 1929, choreographed by
31:
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1532:Pictures at an Exhibition
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985:(in French). 17 June 2021
547:. Much revived, e.g., by
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500:United States Marine Band
481:his own arrangement of it
357:The work is scored for 3
2225:Ballets by Maurice Ravel
1747:Trois poèmes de Mallarmé
1733:Don Quichotte à Dulcinée
118:(French and German for "
1038:Ravel: Man and Musician
896:"Piano Duo Performance"
790:Ravel: Man and Musician
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2126:A Month in the Country
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2029:
2011:
1993:
1959:
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1939:
1910:
1781:Impressionism in music
1776:Close and open harmony
1661:Le Tombeau de Couperin
1490:Le Tombeau de Couperin
1016:David Vaughan (1999).
921:, Invencia Piano Duo (
601:(1992). "Last Dance".
472:Le tombeau de Couperin
224:
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2240:1926 ballet premieres
2119:MĂ©ditation from ThaĂŻs
2072:Marguerite and Armand
1603:Piano Trio in A minor
1476:Alborada del gracioso
1268:Unprepared modulation
733:The Musical Quarterly
705:The Musical Quarterly
673:The Musical Quarterly
219:
164:
77:, in his analysis of
42:
34:La Valse (Balanchine)
1986:Symphonic Variations
1932:A Tragedy of Fashion
1740:Histoires naturelles
1441:L'Ă©ventail de Jeanne
1408:List of compositions
810:Schonberg, Harold C.
745:10.1093/mq/XXVII.1.1
718:10.1093/mq/lxi.4.546
686:10.1093/mq/XXV.4.430
549:New York City Ballet
524:on their 2021 album
259:improve this section
204:by George Balanchine
106:Creation and meaning
2022:Homage to the Queen
1912:La fille mal gardée
1719:Chansons madécasses
1623:String Quartet in F
1618:Violin Sonata No. 2
1613:Violin Sonata No. 1
1575:Piano Concerto in G
1199:Impressionist music
902:on 15 January 2013.
573:ballet in 1958 for
545:Bronislava Nijinska
200:Bronislava Nijinska
146:, which contains a
2088:Monotones I and II
1647:Gaspard de la nuit
1539:Rapsodie espagnole
1103:Orchestral version
959:. 24 December 2021
788:Orenstein, Arbie.
577:. At the premiere
508:Michael J. Colburn
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2230:1920 compositions
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2104:Enigma Variations
2040:Birthday Offering
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1823:
1449:L'heure espagnole
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1350:Modernism (music)
1263:Pentatonic scales
1112:Leonard Bernstein
914:Piano duo version
611:(1817): 432–435.
604:The Musical Times
553:George Balanchine
483:in 1975. In 2008
295:
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178:into what became
133:Le roi malgré lui
128:Emmanuel Chabrier
124:Johann Strauss II
18:La Valse (ballet)
16:(Redirected from
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1978:The Wise Virgins
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1863:Frederick Ashton
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244:This section
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140:was his 1911
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99:Paul Landormy
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60:Maurice Ravel
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44:Maurice Ravel
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1282:Compositions
1218:John Ireland
1156:on YouTube,
1140:on YouTube,
1125:on YouTube,
1089:
1075:
1054:
1037:
1028:Bibliography
1017:
1012:
1004:
999:
987:. Retrieved
982:
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961:. Retrieved
956:
947:
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900:the original
890:
878:. Retrieved
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772:. Retrieved
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653:De Telegraaf
651:
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526:Stolen Music
525:
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460:
439:glockenspiel
371:English horn
356:
349:
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331:glockenspiel
300:
296:
281:
272:
257:Please help
245:
220:
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111:
110:The idea of
109:
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68:
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50:
49:
48:
29:
1871:Full-length
1857:Ballets by
1798:Les Apaches
1563:Concertante
1546:Shéhérazade
822:W.W. Norton
774:21 December
739:(1): 1–19.
477:Glenn Gould
343:modulations
227:Description
222:about 1855.
152:French Army
87:World War I
2214:Categories
2057:Persephone
1879:Cinderella
1792:The Bolero
1786:Ravel Peak
1654:Jeux d'eau
1639:Solo piano
1468:Orchestral
1297:Jeux d'eau
1246:Techniques
1137:Solo piano
824:. p.
585:References
522:piano trio
427:tambourine
415:snare drum
2080:The Dream
1970:Horoscope
1335:(Debussy)
1318:Nocturnes
1142:Yuja Wang
1094:from the
1003:Koegler,
983:Pizzicato
963:5 January
563:in 1951.
493:Sean Chen
443:castanets
411:bass drum
399:trombones
375:clarinets
324:chromatic
320:Glissando
315:bassoons.
246:does not
210:in 1958.
130:'s opera
83:Great War
2150:Rhapsody
2049:La valse
2004:Tiresias
1816:Category
1695:Sonatine
1497:La valse
1460:(ballet)
1444:(ballet)
1428:(ballet)
1332:Préludes
1090:La valse
1076:La valse
1055:La valse
880:23 April
812:(1981).
769:AllMusic
571:La valse
561:La Valse
557:a ballet
541:La Valse
489:La valse
435:crotales
423:triangle
397:in C, 3
395:trumpets
393:in F, 3
383:bassoons
381:in A, 2
215:La valse
180:La valse
160:La valse
138:La valse
112:La valse
92:La Valse
79:La valse
51:La valse
2235:Waltzes
2031:La Peri
1924:Shorter
1764:Related
1682:Miroirs
1629:Tzigane
1591:Chamber
1581:Tzigane
1518:Miroirs
1452:(opera)
1436:(opera)
1108:YouTube
919:YouTube
844:6278261
625:1003252
451:strings
431:tam-tam
419:cymbals
407:timpani
363:piccolo
267:removed
252:sources
2190:Portal
2169:(1985)
2163:(1982)
2153:(1980)
2145:(1977)
2137:(1976)
2129:(1976)
2121:(1971)
2115:(1970)
2107:(1968)
2099:(1968)
2091:(1965)
2083:(1964)
2075:(1963)
2067:(1961)
2059:(1961)
2053:(1958)
2043:(1956)
2035:(1956)
2025:(1953)
2017:(1951)
2007:(1951)
1999:(1948)
1989:(1946)
1981:(1940)
1973:(1938)
1965:(1937)
1955:(1933)
1945:(1931)
1941:Façade
1935:(1926)
1916:(1960)
1906:(1958)
1903:Ondine
1898:(1955)
1890:(1952)
1887:Sylvia
1882:(1948)
1483:Boléro
1311:La mer
1206:People
1084:format
989:5 July
842:
832:
796:
623:
532:Ballet
377:in A,
359:flutes
120:Vienna
64:ballet
1711:Vocal
1417:Stage
1343:Other
737:XXVII
621:JSTOR
555:made
447:harps
391:horns
373:), 2
367:oboes
365:), 3
335:trill
148:motif
71:waltz
1164:2020
1148:2012
991:2021
965:2022
925:and
882:2015
840:OCLC
830:ISBN
794:ISBN
776:2012
449:and
445:, 2
403:tuba
389:, 4
250:any
248:cite
192:duel
176:Wien
156:Wien
116:Wien
1860:Sir
1106:on
1082:MP3
1080:in
917:on
826:486
741:doi
714:doi
682:doi
678:XXV
613:doi
609:135
559:to
261:by
2216::
1160:,
1144:,
1129:,
1114:,
1110:,
1067:,
1036:;
981:.
955:.
873:.
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838:.
828:.
767:.
753:^
735:.
710:61
708:.
694:^
676:.
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453:.
441:,
437:,
433:,
429:,
425:,
421:,
417:,
413:,
409:,
405:,
401:,
385:,
162::
54:,
2192::
1850:e
1843:t
1836:v
1389:e
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967:.
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684::
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615::
288:)
282:(
277:)
273:(
269:.
255:.
36:.
20:)
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