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489:). Lindoro and Isabella are astonished to come face to face. Recovering herself, Isabella asks about Elvira, learning she is MustafĂ 's ex-wife, who is being sent away to Italy, where she is to marry Lindoro. Isabella demands that MustafĂ allow Elvira (and therefore Lindoro) to remain in Algiers, telling MustafĂ that he does not know how to love (
469:
Back in the palace, Lindoro and Elvira do not wish to marry, but MustafĂ offers
Lindoro passage on a ship returning to Italy if he takes Elvira. Lindoro agrees, admitting a vague possibility of marrying her in Italy. Haly enters with news of the arrival of the Italian beauty. MustafĂ is elated
587:); MustafĂ is delighted with his new honour and changes into appropriate costume. Isabella explains his obligations. He must swear an oath of eating, drinking, and keeping silent, repeating the words after Taddeo. Following that his oath is tested, under provocation by Isabella and Lindoro.
510:
Elvira and Zulma note
Isabella's skill with men. MustafĂ reveals his strategy for seducing Isabella: he installs Lindoro as Isabella's servant and his informer, and Taddeo will also be induced to help. Elvira and Zulma must tell Isabella he is coming to take coffee with her.
457:) and will master the situation. Haly and his men take them prisoner. She passes off Taddeo as her uncle. Haly is delighted to learn she is an Italian â exactly what the Bey wanted! Left to consider their fate, Isabella is irritated by Taddeo's jealousy of Lindoro (
209:
on 28 January 1819 and on 5 November 1832 in New York. It fell somewhat out of favour as the 19th century progressed, but notable performances were presented from the 1920s in "Turin (1925), Rome (1927) and London (1935)" and it has been revived frequently since
1100:
are normally allotted it in actual theatre performances and in recordings). There are still further sporadic examples of assignment to the tenor voice type, such as nineteenth century editions of the libretto (see: Milan, Ricordi, sd., accessible online at the
421:
Elvira accompanied by her slave Zulma regrets the loss of the love of her husband, the
Turkish Bey MustafĂ . Left alone with Haly (since the Italian 'h' is silent, this corresponds to the name Ali, more familiar in the English-speaking world), Captain of the
534:
Isabella is dressing in
Turkish style. Zulma and Elvira deliver MustafĂ 's message: he is coming for coffee. Isabella orders three cups. Elvira should wait in a side room. As MustafĂ approaches, Isabella sings a romantic cavatina,
555:). The Italians enter, and Taddeo reveals to a surprised Lindoro that he is not her uncle but her lover (he himself is unaware of the other man's true identity). Lindoro tells MustafĂ that Isabella will declare him her adored
590:
A European ship lies alongside the palace: time to escape! Taddeo finally realizes who
Lindoro is, but decides to go along with them anyway. Elvira, Zulma and Haly find the Bey still acting as a mad
202:, Venice on 22 May 1813. It was a notable success and Rossini made progressive changes to the work for later performances in Vicenza, Milan and Naples, during the following two years.
543:). Isabella greets MustafĂ warmly and he sneezes, but Taddeo ignores the signal. Isabella calls for coffee and then â to MustafĂ 's horror and amazement â invites Elvira to join them.
446:
A ship has been wrecked in a storm. Its passengers include
Isabella, in search of Lindoro, and Taddeo, her travelling companion and would-be lover. Isabella enters with a sorrowful
413:
594:. Suddenly recovering his sanity, MustafĂ calls his troops but they are all drunk. The Italians bid farewell and MustafĂ begs Elvira's forgiveness. No more Italian girls for him!
567:
enjoy an idyllic life dedicated to eating, drinking and sleeping. Zulma and Haly speculate about
Isabella's real intentions and the quantity of alcohol ordered for the ceremony.
1969:
166:
when he was 21. Rossini stated that he composed the opera in 18 days, though other sources claim that it took him 27 days. Rossini entrusted the composition of the
154:
in Venice on 22 May 1813. The music is characteristic of
Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.
434:). MustafĂ comes in to explain Lindoro's impending marriage. The enthusiastic Bey describes the attractions of the match, while Lindoro struggles to refuse (
430:, desiring a new challenge to his virility: he wants an Italian girl, and Haly must find one! Lindoro enters alone and sings about Isabella, his true love (
1096:
The role of Haly is stated by
Beghelli and Gallino to be a tenor part (p. 203), whereas almost all the other sources assign it to the bass voice type (and
514:
Isabella and
Lindoro are alone. He explains that he had no intention of marrying Elvira. They agree to escape together and Lindoro sings of his happiness (
1307:
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basses, leading to a sudden loud burst of sound from the full orchestra. This "surprise" reflects Rossini's early admiration for
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as well as the aria "Le femmine d'Italia" to an unknown collaborator. The opera is notable for Rossini's mixing of
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481:), MustafĂ receives Isabella in a grand hall. He is enchanted, though she is rather amused by his appearance (
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with many successful productions. In the 21st century, Rossiniâs opera continues to be performed regularly.
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559:("sandfly," literally "silent eater": a man unable to resist the opposite sex). This, as Lindoro explains (
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1113:. Moreover, Giuseppe Spirito, the first performer of Haly, had already created the role of Frontino in
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2007:
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178:. The overture is widely recorded and performed today, known for its distinct opening of slow, quiet
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Virtuosi Brunensis Orchestra and the Philharmonischer Chor Transilvania Cluj
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1070:. Preface to the complete Ricordi Edition. Fondazione Rossini Pesaro, 1981.
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539:â she will receive him. MustafĂ tells Taddeo to leave when he sneezes (
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Harem women (silent); Eunuchs, pirates, slaves, sailors â Male chorus
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1263:, vol. 2, pp. 833â836. London: Macmillan Publishers, Inc.
1119:, which is usually considered to be an unquestioned tenor part.
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361:
275:
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655:
403:
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
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L'occasione fa il ladro, ossia Il cambio della valigia
2055:
1314:
L'Italiana in Algeri: online opera guide and synopsis
1697:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1533:
Il barbiere di Siviglia, ossia L'inutile precauzione
1180:, London: Methuen; Portland, Oregon: Amadeus Press.
1156:
Beghelli, Marco & Gallino, Nicola (ed.) (1991),
1970:
Conservatorio Statale di Musica "Gioachino Rossini"
1239:, Ithaca, New York: Northeastern University Press.
563:), is an Italian custom and a great honour, as the
1658:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
579:in the ceremony â she will lead them to freedom (
2079:
1454:Il signor Bruschino, ossia Il figlio per azzardo
1422:Ciro in Babilonia, ossia La caduta di Baldassare
1713:MoĂŻse et Pharaon, ou Le passage de la mer rouge
1586:Adelaide di Borgogna, ossia Ottone, re d'Italia
1642:Bianca e Falliero, ossia Il consiglio dei tre
1546:La gazzetta, ossia Il matrimonio per concorso
1334:
575:She addresses the Italian slaves who will be
551:Haly sings in praise of the women of Italy (
1200:& Bertieri, Maria Chiara (ed.) (1997),
205:The opera was first presented in London at
1381:
1341:
1327:
40:
1562:La Cenerentola, ossia La bontĂ in trionfo
1303:International Music Score Library Project
412:
472:GiĂ d'insolito ardore nel petto agitare
2080:
193:
157:
1348:
1322:
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951:Orchestra Teatro Comunale di Bologna
461:), but they resolve to join forces.
198:The work was first performed at the
1143:, operadis-opera-discography.org.uk
987:(Recording of a performance at the
146:, based on his earlier text set by
13:
1204:, Pesaro: Fondazione "G. Rossini"
1191:
14:
2124:
1602:Adina, ossia Il califfo di Bagdad
1278:
1260:The New Grove Dictionary of Opera
487:Pria di dividerci da voi, Signore
2065:
2040:
2039:
1733:
1554:Otello, ossia Il Moro di Venezia
1537:
1517:Elisabetta, regina d'Inghilterra
1284:
479:Viva, viva il flagel delle donne
224:Roles, voice types, premier cast
116:[litaËljaËnainalËdÊÉËri]
1131:
1122:
1111:Corago - University of Bologna
1090:
1081:
1061:
585:Dei pappataci s'avanza il coro
436:Se inclinassi a prender moglie
357:the captain of the Bey's guard
1:
1213:; Brauner, Patricia (2001), "
1107:Deutsche Rossini Gesellschaft
1049:
597:
453:, however she is not afraid (
417:Design for the libretto cover
1225:, New York: Penguin Putnam.
1128:Osborne, Charles 1994, p. 34
1087:Osborne, Charles 1994, p. 35
7:
2088:Operas by Gioachino Rossini
1223:The New Penguin Opera Guide
1158:Tutti i libretti di Rossini
524:Ho un gran peso sulla testa
383:
122:The Italian Girl in Algiers
56:The Italian Girl in Algiers
10:
2129:
1249:Osborne, Richard (1998), "
922:Lausanne Chamber Orchestra
693:Maggio Musicale Fiorentino
615:Opera house and orchestra
451:Cruda sorte! Amor tiranno!
238:Premiere cast, 22 May 1813
188:Symphony No. 94 in G major
16:Opera by Gioachino Rossini
2113:Operas set in the Maghreb
2035:
2008:Duetto buffo di due gatti
1993:
1962:
1927:
1908:
1859:
1824:
1785:
1756:
1688:
1484:
1398:La cambiale di matrimonio
1374:
1356:
1235:Osborne, Richard (1990),
561:Pappataci! Che mai sento!
516:Ah come il cor di giubilo
483:Oh! Che muso, che figura!
374:
79:
71:
61:
51:
39:
26:
21:
1947:(1991 biographical film)
1939:(1942 biographical film)
750:Lucia Valentini Terrani,
608:Cast: Isabella, Lindoro,
583:). The ceremony begins (
500:
396:
350:Annunziata Berni Chelli
217:
46:Portrait of the composer
2093:Italian-language operas
1849:Petite messe solennelle
1023:Jean-Christophe Spinosi
712:Lucia Valentini Terrani
547:Elsewhere in the palace
520:Viva il grande Kaimakan
477:Surrounded by eunuchs (
459:Ai capricci della sorte
1980:Rossini Opera Festival
1794:Ecco, ridente in cielo
1438:La pietra del paragone
1406:L'equivoco stravagante
1116:L'equivoco stravagante
541:Ti presento di mia man
418:
150:. It premiered at the
112:Italian pronunciation:
2002:La boutique fantasque
1917:The Barber of Seville
736:Staatskapelle Dresden
432:Languir per una bella
416:
271:in love with Isabella
207:His Majesty's Theatre
84:22 May 1813
1898:Péchés de vieillesse
1705:Le siĂšge de Corinthe
1493:Aureliano in Palmira
1470:L'italiana in Algeri
1361:List of compositions
1298:L'italiana in Algeri
1293:at Wikimedia Commons
1291:L'italiana in Algeri
1251:L'italiana in Algeri
1215:L'italiana in Algeri
1202:L'italiana in Algeri
1140:L'italiana in Algeri
980:Giulio Mastrototaro,
856:Cat: 00440 073 4261
848:Orchestra and Chorus
767:Cappella Coloniensis
758:Wladimiro Ganzarolli
651:orchestra and chorus
571:Isabella's apartment
200:Teatro San Benedetto
164:L'italiana in Algeri
152:Teatro San Benedetto
107:L'italiana in Algeri
95:Teatro San Benedetto
22:L'italiana in Algeri
2014:Matinées musicales
1928:Cultural depictions
1882:La regata veneziana
1610:Ricciardo e Zoraide
1525:Torvaldo e Dorliska
1160:, Milan: Garzanti.
1019:Alessandro Corbelli
967:Marianna Pizzolato,
938:Marianna Pizzolato,
914:Alessandro Corbelli
891:Deutsche Grammophon
885:Vienna Philharmonic
853:Deutsche Grammophon
659:Cat: CHS 7 64041-2
645:Carlo Maria Giulini
627:Giulietta Simionato
553:Le femmine d'Italia
491:Voi non sapete amar
334:Luttgard Annibaldi
226:
194:Performance history
158:Composition history
1985:Rossini in Wildbad
1867:Six string sonatas
1626:Eduardo e Cristina
1501:Il turco in Italia
1390:Demetrio e Polibio
989:Rossini in Wildbad
930:Cat: 0630 17130-2
846:Metropolitan Opera
812:Cat: 2292-45404-2
796:Domenico Trimarchi
455:GiĂ so per pratica
419:
402:The palace of the
307:the Bey of Algiers
289:an elderly Italian
263:Marietta Marcolini
222:
2053:
2052:
2020:Messa per Rossini
1963:Named for Rossini
1944:Rossini! Rossini!
1901:(1857–1868)
1801:Largo al factotum
1752:
1751:
1684:
1683:
1634:La donna del lago
1480:
1479:
1350:Gioachino Rossini
1289:Media related to
1047:
1046:
1035:, stage director
999:Cat: 8.660284-85
991:Festival, 5 July)
975:Lawrence Brownlee
918:JesĂșs LĂłpez Cobos
723:Sesto Bruscantini
581:Pensa alla patria
537:Per lui che adoro
495:Confusi e stupidi
381:
380:
370:Giuseppe Spirito
136:Gioachino Rossini
103:
102:
34:Gioachino Rossini
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1994:Related articles
1909:Film adaptations
1815:Una voce poco fa
1742:Ugo, re d'Italia
1737:
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1481:
1430:La scala di seta
1414:L'inganno felice
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1301:: Scores at the
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1174:Osborne, Charles
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1103:Internet Archive
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1028:Ensemble Matheus
1015:Ildar Abdrazakov
949:Donato Renzetti,
903:Jennifer Larmore
872:Ruggero Raimondi
831:Paolo Montarsolo
826:Douglas Ahlstedt
806:I Solisti Veneti
753:Francisco Araiza
714:
641:Marcello Cortis
610:Mustafa, Taddeo
602:
601:
530:In her apartment
281:Serafino Gentili
253:the Italian girl
245:Alessandro Rolla
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1833:Messa di Gloria
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1366:List of operas
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1219:Holden, Amanda
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702:Cat: 475 8285
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389:Place: Algiers
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341:her confidante
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131:dramma giocoso
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1269:0-333-73432-7
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1255:Stanley Sadie
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1198:Fabbri, Paolo
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66:Angelo Anelli
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20:
2024:
2012:
2000:
1975:Prix Rossini
1950:
1942:
1934:
1916:
1896:
1888:
1880:
1872:
1852:(1864, 1867)
1847:
1844:(1831, 1841)
1841:Stabat mater
1839:
1831:
1825:Sacred music
1808:Sombre forĂȘt
1775:Robert Bruce
1773:
1765:
1745:(unfinished)
1740:
1727:
1721:Le comte Ory
1719:
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1428:
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1404:
1396:
1388:
1310:(in Italian)
1297:
1258:
1250:
1236:
1222:
1214:
1206:(in Italian)
1201:
1177:
1169:(in Italian)
1157:
1150:
1149:
1139:
1133:
1124:
1114:
1092:
1083:
1068:Corghi, Azio
1063:
1054:
1053:
1033:Moshe Leiser
940:Marco Vinco,
908:RaĂșl GimĂ©nez
865:Agnes Baltsa
841:James Levine
791:Samuel Ramey
731:Gary Bertini
591:
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442:The seashore
441:
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356:
340:
324:
306:
299:Paolo Rosich
288:
270:
252:
212:World War II
204:
197:
184:Joseph Haydn
163:
161:
129:
121:
120:
106:
105:
104:
55:
27:
2103:1813 operas
1955:(1996 film)
1919:(1947 film)
1860:Other works
1689:Later works
1650:Maometto II
1382:Early works
1109:or also at
1043:Cat:801808
959:Cat: 33526
718:Ugo Benelli
637:Mario Petri
240:Conductor:
176:opera buffa
174:style with
172:opera seria
168:recitatives
148:Luigi Mosca
52:Translation
2082:Categories
2026:Rossiniana
1674:Semiramide
1509:Sigismondo
1186:0931340713
1050:References
876:Enzo Dara
836:Allan Monk
673:Luigi Alva
613:Conductor,
598:Recordings
465:The palace
251:Isabella,
234:Voice type
88:1813-05-22
62:Librettist
1758:Pastiches
1098:baritones
810:CD: Erato
762:Enzo Dara
727:Enzo Dara
592:pappataci
577:pappataci
565:pappataci
557:pappataci
305:MustafĂ ,
269:Lindoro,
258:contralto
180:pizzicato
2045:Category
1890:La Danza
1485:Maturity
1462:Tancredi
1308:Libretto
1176:(1994),
649:La Scala
448:cavatina
424:Corsairs
384:Synopsis
325:his wife
323:Elvira,
287:Taddeo,
186:, whose
140:libretto
127:operatic
125:) is an
97:, Venice
80:Premiere
72:Language
1936:Rossini
1767:Ivanhoé
1732:(1829)
1666:Zelmira
1618:Ermione
1536:(1816)
1257:(Ed.),
1237:Rossini
1221:(ed.),
1151:Sources
956:Dynamic
770:CD: CBS
408:Algiers
339:Zulma,
330:soprano
86: (
75:Italian
2108:Operas
2058:Portal
1893:(1835)
1885:(1835)
1877:(1817)
1869:(1804)
1836:(1820)
1778:(1846)
1770:(1826)
1724:(1828)
1716:(1827)
1708:(1826)
1700:(1825)
1677:(1823)
1669:(1822)
1661:(1821)
1653:(1820)
1645:(1819)
1637:(1819)
1629:(1819)
1621:(1819)
1613:(1818)
1605:(1826)
1597:(1818)
1589:(1817)
1581:(1817)
1578:Armida
1573:(1817)
1565:(1817)
1557:(1816)
1549:(1816)
1528:(1815)
1520:(1815)
1512:(1814)
1504:(1814)
1496:(1813)
1473:(1813)
1465:(1813)
1457:(1813)
1449:(1812)
1441:(1812)
1433:(1812)
1425:(1812)
1417:(1812)
1409:(1811)
1401:(1810)
1393:(1812)
1375:Operas
1267:
1253:", in
1243:
1229:
1184:
1164:
1074:
618:Label
355:Haly,
242:likely
2072:Opera
1786:Arias
1217:" in
1055:Notes
996:Naxos
954:DVD:
927:Erato
851:DVD:
699:Decca
605:Year
501:Act 2
428:harem
397:Act 1
362:tenor
276:tenor
230:Role
218:Roles
1265:ISBN
1241:ISBN
1227:ISBN
1182:ISBN
1162:ISBN
1072:ISBN
1038:DVD:
1004:2019
994:CD:
964:2008
935:2006
925:CD:
899:1998
889:CD:
861:1987
817:1986
777:1980
747:1979
707:1978
697:CD:
664:1963
654:CD:
623:1954
366:bass
312:bass
294:bass
656:EMI
526:).
497:).
474:).
438:).
406:of
404:Bey
364:or
142:by
32:by
2084::
1271:,
675:,
629:,
119:;
2060::
1817:"
1813:"
1810:"
1806:"
1803:"
1799:"
1796:"
1792:"
1342:e
1335:t
1328:v
1078:.
1030:,
1025:,
1017:,
1010:,
972:,
920:,
910:,
905:,
882:,
874:,
867:,
843:,
833:,
828:,
823:,
803:,
793:,
788:,
783:,
760:,
755:,
733:,
725:,
720:,
715:,
690:,
680:,
670:,
639:,
634:,
470:(
110:(
90:)
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