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of
Ferrara, and again in 1504. Ercole had heard Obrecht's music, which is known to have circulated in Italy between 1484 and 1487, and said that he appreciated it above the music of all other contemporary composers; consequently he invited Obrecht to Ferrara for six months in 1487. In 1504 Obrecht
86:
Scholar, composer and clergyman, Obrecht seems to have had a succession of short appointments, two of which ended in less than ideal circumstances. There is a record of his compensating for a shortfall in his accounts by donating choirbooks he had copied. Throughout the period he was held in the
247:
Despite working at the same period, Obrecht and
Ockeghem (Obrecht's senior by some 30 years) differ significantly in musical style. Obrecht does not share Ockeghem's fanciful treatment of the cantus firmus but chooses to quote it verbatim. Whereas the phrases in Ockeghem's music are ambiguously
150:
versions of complete melodies or melodic fragments. He once even extracted the component notes and ordered them by note value, long to short, constructing new melodic material from the reordered sequences of notes. Clearly to
Obrecht there could not be too much variety, particularly during the
248:
defined, those of
Obrecht's music can easily be distinguished, though both composers favor wide-arching melodic structure. Furthermore, Obrecht splices the cantus firmus melody with the intent of audibly reorganizing the motives; Ockeghem, on the other hand, does this far less.
244:, which he probably heard as he went through the region around 1503 to 1504. Requiring more than an hour to perform, it is one of the longest polyphonic settings of the Mass Ordinary ever written and is considered among his finest works.
111:
returned to
Ferrara, but on the death of the Duke at the beginning of the next year he became unemployed. In what capacity he stayed in Ferrara is unknown, but he died in the outbreak of plague there just before 1 August 1505.
255:). Although he was renowned in his time, Obrecht appears to have had little influence on subsequent composers; most probably, he simply went out of fashion along with the other contrapuntal masters of his generation.
296:
134:
Combining modern and archaic elements, Obrecht's style is multi-dimensional. Perhaps more than those of the mature
Josquin, the masses of Obrecht display a profound debt to the music of
165:
retained its popularity longest. However, he much preferred composing Masses, where he found greater freedom. Furthermore, his motets reveal a wide variety of moods and techniques.
95:, singles him out in a shortlist of contemporary master composersâall the more significant because he was only 25 when Tinctoris created his list, and on the other side of Europe.
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Obrecht's procedures contrast sharply with the works of the next generation, who favored an increasing simplicity of approach (prefigured by some works of his contemporary
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186:. The title chant is clearly heard in the top voice throughout the work, and five additional Marian chants are found in movements other than the
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at the
Burgundian court, and certainly knew his music, since Obrecht's earliest mass shows close stylistic parallels with the elder composer.
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1913:
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city trumpeter Willem
Obrecht and Lijsbette Gheeraerts. His mother died in 1460 at the age of 20, and his father in 1488 in Ghent.
40:(also Hobrecht; 1457/8 â late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of
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in the wide-arching melodies and long musical phrases that typify the latter's music. Obrecht's style is an example of the
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technique for his masses: sometimes he divided his source material up into short phrases; at other times he used
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Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020).
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in the Low
Countries, he made at least two trips to Italy, once in 1487 at the invitation of Duke
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240:(tender Maria), tentatively dated to around 1504, is based on a devotional song popular in the
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musically exploratory period of his early twenties. He began to break free from conformity to
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318:"Obrecht Masses", Beauty Farm, 2019, includes Missa Fortuna Desperata and Missa Maria Zart.
275:, as well as motets by Willaert, Clemens non-Papa, Ockeghem, Des Prez, Mouton, and Gombert.
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What little is known of
Obrecht's origins and early childhood comes mostly from his motet
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Details of his early education are sparse, but he probably learned to play the
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containing works by this composer from Digital Image Archive of Medieval Music
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in Europe of the late 15th century and was only eclipsed after his death by
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http://www.oxfordmusiconline.com/subscriber/article/grove/music/20231
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312:"Missa de Sancto Donatiano", Cappella Pratensis, Fineline, 2009.
282:, performed by the Tallis Scholars, directed by Peter Phillips,
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highest esteem both by his patrons and by his fellow composers.
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309:"Missa Malheur Me Bat", The Clerks' Group, Gaudeamus, 1998.
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Born for the Muses: The Life and Masses of Jacob Obrecht
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extravagance of the late 15th century. He often used a
315:"Jacob Obrecht", The Sound and the Fury, ORF, 2009.
267:, Virginia Arts Recordings, VA-04413, performed by
99:served as one of Obrecht's choirboys around 1476.
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963:The New Grove Dictionary of Music and Musicians
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972:Music from the Middle Ages to the Renaissance
206:(Sequence verse 9b, Soprano II and Tenor II,
102:While most of Obrecht's appointments were in
214:(Sequence verse 3b, Soprano II and Tenor I,
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954:Cantus Firmus in Mass and Motet: 1420â1520
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2130:16th-century deaths from plague (disease)
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290:Jacob Obrecht. Chansons, Songs, Motets,
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961:(Sparks, Edgar H. "Obrecht, Jacob" in
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459:
2150:16th-century Franco-Flemish composers
2135:15th-century Franco-Flemish composers
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1325:
1038:
157:, especially in his chansons. Of the
988:Wegman, Rob C. "Obrecht, Jacob", in
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222:(Antiphon, Soprano II and Tenor I,
13:
119:Obrecht wrote mainly sacred musicâ
14:
2166:
1004:Obrecht biography and discography
997:
990:New Grove Music Online Dictionary
832:Fallows, David (9 January 2013).
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1619:Giovanni Pierluigi da Palestrina
1008:Free access to high-resolution
974:. New York: Preager Publishers.
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198:(Sequence verse 7, Soprano II,
182:, and so on up to seven in the
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271:, 2004. Includes the Obrecht
1:
1362:List of Renaissance composers
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302:"Missa Sub Tuum Praesidium",
258:
234:). His late four-voice mass,
79:. He is likely to have known
1029:Choral Public Domain Library
1025:Free scores by Jacob Obrecht
992:, accessed 20 November 2007.
230:(Sequence verse 3b, Alto I,
212:Aurea virga prime matrix Eve
204:Aurea virga prime matris Eve
75:and how to improvise over a
7:
25:Jacob Obrecht. Ascribed to
10:
2171:
1992:Petrus Phalesius the Elder
1807:English Virginalist School
983:. Oxford: Clarendon Press.
956:. New York: Da Capo Press.
834:"Obrecht Missa Maria Zart"
33:, dated 1496 on the frame.
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2015:
1942:
1881:
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1774:Jan Pieterszoon Sweelinck
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196:Ave preclara maris stella
60:. He was the only son of
947:. New York: W.W. Norton.
945:Music in the Renaissance
938:. New York: W.W. Norton.
820:Wegman, "Obrecht, Jacob"
808:Wegman, "Obrecht, Jacob"
796:Wegman, "Obrecht, Jacob"
604:Wegman, "Obrecht, Jacob"
592:Wegman, "Obrecht, Jacob"
556:Wegman, "Obrecht, Jacob"
544:Wegman, "Obrecht, Jacob"
508:Wegman, "Obrecht, Jacob"
472:Wegman, "Obrecht, Jacob"
448:Wegman, "Obrecht, Jacob"
322:
273:Missa Sub tuum presidium
171:Missa Sub tuum presidium
127:âand he also wrote some
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1802:English Madrigal School
952:Sparks, Edgar H. 1975.
918:Sparks, "Jacob Obrecht"
736:Sparks, "Jacob Obrecht"
724:Sparks, "Jacob Obrecht"
712:Sparks, "Jacob Obrecht"
700:Sparks, "Jacob Obrecht"
688:Sparks, "Jacob Obrecht"
676:Sparks, "Jacob Obrecht"
640:Sparks, "Jacob Obrecht"
484:Sparks, "Obrecht, Jacob
352:Sparks, "Jacob Obrecht"
51:
1644:TomĂĄs Luis de Victoria
1448:Oswald von Wolkenstein
1235:Jacob Clemens non Papa
970:Sternfeld, F.W. 1973.
934:Atlas, Allan W. 1998.
34:
2145:Renaissance composers
1664:Transition to Baroque
1609:Pierre de Manchicourt
1250:Pierre de Manchicourt
1066:Franco-Flemish School
1010:images of manuscripts
979:Wegman, Rob C. 1994.
943:Reese, Gustav, 1959.
228:Verbum bonum et suave
24:
2140:Musicians from Ghent
1694:Girolamo Frescobaldi
1501:CristĂłbal de Morales
838:www.gramophone.co.uk
216:Agnus Dei I & II
1812:Florentine Camerata
1784:Composition schools
1443:Gaspar van Weerbeke
1020:UmeÄ Akademiska Kör
299:, Eufoda 1361, 2005
2007:Thomas Vautrollier
1987:Ottaviano Petrucci
1962:Pierre Attaingnant
1952:Hieronymus Andreae
1759:Michael Praetorius
1744:Claudio Monteverdi
1734:Giovanni de Macque
1729:Luzzasco Luzzaschi
1699:Alfonso Fontanelli
1589:Francisco Guerrero
1564:Antonio de CabezĂłn
1476:Thomas Crecquillon
1458:Middle (1470â1530)
1438:Johannes Tinctoris
1378:Alexander Agricola
1286:Giovanni de Macque
1240:Thomas Crecquillon
1199:Matthaeus Pipelare
1153:Johannes Tinctoris
1138:Marbrianus de Orto
1113:Alexander Agricola
306:, Gaudeamus, 2003.
35:
2155:Flemish composers
2107:
2106:
1704:Giovanni Gabrieli
1531:Philippe Verdelot
1428:Johannes Ockeghem
1370:Early (1400â1470)
1353:Renaissance music
1319:
1318:
1291:Philippe de Monte
1133:Johannes Ockeghem
1128:Guillaume Faugues
936:Renaissance Music
304:The Clerks' Group
178:, to four in the
136:Johannes Ockeghem
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2097:
2087:
2086:
1967:Vittorio Baldini
1944:Music publishing
1719:Hans Leo Hassler
1674:Gregorio Allegri
1629:Cipriano de Rore
1604:Vicente Lusitano
1599:Orlando di Lasso
1554:Jacques Arcadelt
1521:Pierre de la Rue
1516:Josquin des Prez
1496:Clément Janequin
1491:Antoine de FĂ©vin
1481:Antonius Divitis
1423:Johannes Martini
1398:Guillaume Du Fay
1346:
1339:
1332:
1323:
1322:
1276:Orlando di Lasso
1255:Cipriano de Rore
1230:Jacques Arcadelt
1214:Pierre de la Rue
1204:Josquin des Prez
1179:Antoine de FĂ©vin
1174:Antonius Divitis
1143:Johannes Prioris
1097:Johannes Pullois
1082:Guillaume Du Fay
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293:Capilla Flamenca
286:CDGIM 032, 1996.
280:Missa Maria zart
237:Missa Maria zart
58:Mille quingentis
46:Josquin des Prez
16:Flemish composer
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1997:Girolamo Scotto
1982:Antonio Gardano
1938:
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1769:Heinrich SchĂŒtz
1764:Philippe Rogier
1714:Orlando Gibbons
1666:
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1649:Giaches de Wert
1639:Christopher Tye
1594:Claude Le Jeune
1584:Claude Goudimel
1579:Nicolas Gombert
1574:Andrea Gabrieli
1569:Jacobus Clemens
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1466:Martin Agricola
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1388:Antoine Busnois
1383:Gilles Binchois
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1301:Philippe Rogier
1281:Carolus Luython
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1245:Nicolas Gombert
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108:Ercole d'Este I
81:Antoine Busnois
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2002:Tielman Susato
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1977:Valerio Dorico
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1223:4th generation
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1209:Jean Richafort
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1186:
1184:Heinrich Isaac
1181:
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1169:Antoine Brumel
1165:
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1162:3rd generation
1159:
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1148:Johannes Regis
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1123:Firminus Caron
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1118:Loyset CompĂšre
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49:
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39:
38:Jacob Obrecht
32:
28:
23:
19:
2120:1450s births
2074:
2067:
2038:Architecture
1972:Jacob Bathen
1689:John Dowland
1559:William Byrd
1510:
1433:Leonel Power
1306:Jacobus Vaet
1193:
1031:(ChoralWiki)
989:
980:
971:
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841:. Retrieved
837:
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220:Regina caeli
219:
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169:
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159:formes fixes
158:
154:formes fixes
152:
140:contrapuntal
133:
118:
101:
85:
73:counterpoint
66:
57:
55:
37:
36:
27:Hans Memling
18:
2125:1505 deaths
2028:Renaissance
2023:Early music
1919:Netherlands
1899:Elizabethan
1754:Jacopo Peri
1724:Alonso Lobo
1684:John Cooper
1546:Late (1530)
1506:Jean Mouton
1418:Jean Japart
1408:Walter Frye
1189:Jean Mouton
965:, 1980 ed.)
894:Sparks 1975
882:Sparks 1975
870:Sparks 1975
858:Sparks 1975
784:Wegman 1994
748:Wegman 1994
580:Wegman 1994
568:Wegman 1994
436:Wegman 2007
424:Wegman 1994
412:Wegman 1994
400:Wegman 1994
388:Wegman 1994
376:Wegman 1994
364:Wegman 1994
2114:Categories
2053:Philosophy
2048:Literature
2016:Background
1882:Traditions
1858:Magnificat
1848:Intermedio
1792:Burgundian
928:References
908:, p.198-9.
896:, p.312-3.
628:Atlas 1998
616:Atlas 1998
532:Reese 1959
520:Atlas 1998
496:Atlas 1998
460:Atlas 1998
259:Recordings
148:retrograde
1868:Offertory
1797:Colorists
1659:Mannerism
1016:MP3 files
570:, p.81-2.
278:Obrecht,
232:Agnus Dei
184:Agnus Dei
89:Tinctoris
2089:Category
2066: â
1929:Portugal
1853:Madrigal
1827:Venetian
920:, p.482.
884:, p.312.
872:, p.312.
860:, p.312.
786:, p.338.
774:, p.197.
762:, p.198.
738:, p.478.
726:, p.478.
714:, p.478.
702:, p.478.
690:, p.482.
678:, p.477.
666:, p.196.
654:, p.198.
642:, p.478.
630:, p.295.
618:, p.295.
582:, p.139.
534:, p.107.
522:, p.294.
498:, p.295.
486:, p.477.
462:, p.295.
414:, p.147.
354:, p.477.
269:Zephyrus
129:chansons
104:Flanders
2079:â
1909:Germany
1889:British
1027:in the
843:24 July
750:, p.87.
426:, p.21.
402:, p.39.
390:, p.36.
378:, p.39.
366:, p.21.
297:Piffaro
253:Josquin
226:), and
208:Sanctus
168:In his
163:rondeau
97:Erasmus
69:trumpet
2099:Portal
1924:Poland
1904:France
1894:Cyprus
1873:Pavane
1667:c.1600
192:Gloria
180:Gloria
161:, the
125:motets
121:masses
93:Naples
42:masses
2043:Dance
1934:Spain
1914:Italy
1843:Carol
1822:Roman
1018:from
323:Notes
242:Tyrol
200:Credo
188:Kyrie
176:Kyrie
115:Works
62:Ghent
1863:Mass
1661:and
845:2019
295:and
190:and
123:and
52:Life
2033:Art
218:),
210:),
202:),
29:or
2116::
836:.
331:^
194::
131:.
48:.
1345:e
1338:t
1331:v
1058:e
1051:t
1044:v
847:.
822:.
810:.
798:.
606:.
594:.
558:.
546:.
510:.
474:.
450:.
438:.
338:[
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