335:. The camcorder offers two variations of 24-frame/s recording: "24" and "24A". In "24" mode the camera ensures that there are no cadence breaks for a whole tape, this mode works better for watching video directly from the camera and for adding "film look" to interlaced video. In the "24A" mode the camera starts every clip on an A frame with timecode set to an even second margin and records the 2-3 pull-down identification data in the HDV stream, so that compatible NLE software knows when to remove the 2-3 pull-down cadences. Several editing tools, including Sony's own
1045:
506:
964:
394:
417:, progressive recording became a necessity. In response to this need, capability for native progressive recording has been added to the 1080i HDV specification. Progressive recording modes are optional for 1080i HDV devices, which means that not every HDV 1080i camcorder or deck is capable of recording or playing back native progressive video. Because HDV 1080i specification now includes both interlaced and progressive recording modes, in recent publications it is often called
1119:
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2009, but it traces back to the HV20 developed in 2007, and was phased out of production during 2011, though stocks have lasted through 2012. The latest Sony consumer HDV model is the HDR-HC9, originally released in 2008 and discontinued on the North
American market in 2011. 2008 was also the year when Sony presented the latest "advanced amateur" and professional HDV camcorders, namely the HDR-FX1000 and the HVR-Z5.
27:
544:
316:. Progressive-scan television sets employ built-in deinterlacing circuits to cope with interlaced broadcast signal, but computer video players rarely have this capability (especially modern ones, since progressive video is much more common these days). As such, interlaced video may exhibit ghosting or combing artifacts when watched on a computer.
346:, essentially an interlaced-to-progressive converter, to simulate film-like motion. The conversion process involved blending and discarding fields, so vertical resolution of the resulting video suffered. Motion, produced in the 24-frame/s variant of Cineframe was too uneven for professional use. The same or better
1155:, which had a single CMOS sensor, electronic stabilization system and was capable of recording in DV and HDV 1080i modes. Its professional version, the HVR-A1, added a second accessory shoe in place of the flash, XLR audio inputs, additional recording options, larger eyecup and larger lens hood.
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Sharp is the only member of the HDV Consortium that has not produced an HDV camcorder or a videocassette recorder. The closest Sharp has ever got in supporting HDV standard is the AQUOS DV-ACV52 digital video player. The player supports HDV video, though it does not have a tape transport. Instead, it
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which used the same sensor and internal processor as the HV10, had a larger lens and more conventional layout. This was the first consumer HDV camcorder that featured progressive shooting modes in addition to native interlaced recording. Progressive-scan video was recorded within interlaced container
605:
Recording time depends on capacity of media used. In particular, a 32 GB CompactFlash card is good for 144 minutes of HDV video. The HVR-DR60 can fit over two hours of high definition video, while the FireStore models with 100 GB disk drive can store almost four hours of footage. File-based
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All the three major manufacturers of HDV equipment — JVC, Canon and Sony — have heavily invested in development of MPEG-2 video compression scheme and continue to rely on it in their professional tapeless camcorder lineups: XDCAM HD (Sony), XDCAM EX (Sony and JVC), XDCAM HD422 (Sony),
1181:
In
November 2007, Sony announced the HVR-Z7 handheld camcorder and the HVR-S270 shoulder-mounted camera. Both use the same three 1/3" ClearVid CMOS sensors and attain light sensitivity similar to that of the venerable DSR-PD170 while offering HDV recording in native interlaced, progressive scan and
1080:
The shoulder mount GY-HD100 camcorder was released in 2005 and featured 3CCD imaging system with native 720p resolution, interchangeable lens and 24 frame/s recording. Because of the latter feature this camcorder became popular for shooting "digital movies". The updated version, GY-HD110, provides
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used rating system that defines Gold, Silver and Bronze acquisition and delivery levels. Depending on particular camera make and model and on post-production process, HDV footage could be rated as Silver HD, Bronze HD, or widescreen SD. In particular, some users considered Canon HDV
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The HDV Consortium allows using the HDV trademarks only for products that incorporate a tape drive that can record and play video cassette compliant to the HDV format. Therefore, HDV remains a tape-based format. Various solutions for tapeless recording of HDV video that are available on the market
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Sony specializes in 1080i HDV equipment and makes products for both 60 Hz and 50 Hz markets. Traditionally, Sony uses suffixes "E" and "P" to identify 50 Hz models, and suffix "U" or no suffix at all to identify 60 Hz models. Models listed below are specified without suffixes.
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accepted content sourced from 1080-line HDV camcorders, but limited it to 15% of a whole program. Producers wishing to use HDV were required to submit an approved postproduction path outlining their handling of the footage in the editing process. The
Discovery Channel HD simulcast had fewer or no
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Despite differences in branding, native progressive modes offered by Canon and Sony are fully compatible, with both companies adhering to HDV specifications for recording native 1080p video. Other HDV devices capable of reading and recording in native progressive 1080-line format include the Sony
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JVC released its latest HDV camcorder — the GY-HD250 — in 2006. In
September 2011 this model was discontinued on the U.S. market. The "B" modification of the older GY-HD200 was released in 2008 and discontinued in November 2009. The latest HDV camcorder made by Canon — the HV40 — was released in
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and its professional cousin, the HVR-V1. The progressive-scan CMOS sensors of these models resolve full 1080 lines of vertical resolution. The HDR-FX7 records interlaced video only, while the HVR-V1 offers the choice of shooting interlaced or progressive video. Progressive video is converted to
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A standard MiniDV cassette provides one hour of recording. By using cassettes with longer and thinner tape it is possible to record up to 80 minutes onto one MiniDV cassette, though usage of such tape is not recommended. A large DV cassette loaded with longer tape can deliver up to 4.5 hours of
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Tape manufacturers also offer MiniDV cassettes specifically for HDV recording. Such cassettes have the same Metal
Evaporate (ME) formulation as normal DV cassettes, but are claimed to have reduced drop-out rate compared to standard DV cassettes. Usage of such cassettes is not required by HDV
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camcorder. The version for 50 Hz market featured PF25 mode with PsF-like recording, while the version for 60 Hz market had PF24 mode, which utilized 2-3 pulldown scheme. Progressive scan video recorded with the HV20 does not include flags necessary for performing automated film-mode
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In summer 2009 Sony discontinued the HDR-HC9 on the North
American market, but restarted its sales in spring 2010, this time advertising it not as an HDV camcorder, but as a MiniDV HD camcorder. MiniDV HD has never been officially presented as an alternative name for HDV. The other
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families of recording formats, which use the same video encoding — MPEG-2. In particular, HDV 720p is equivalent to 19 Mbit/s XDCAM EX recording mode used in tapeless JVC ProHD camcorders, while HDV 1080i is equivalent to 25 Mbit/s XDCAM HD recording mode and to
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In 2008 the HDR-FX1 and the HVR-Z1 were replaced with the HDR-FX1000 and the HVR-Z5, respectively. The major changes include utilizing CMOS sensors instead of CCD, and progressive mode shooting. The FX1000 records progressive scan video using pulldown, while HVR-Z5 offers native progressive
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In 2006 Sony replaced the HDR-HC1 with the smaller and cheaper HDR-HC3, which featured an incrementally improved CMOS chip, but omitted some features of its predecessor. The HDR-HC3 was replaced by the HDR-HC5 which used the same CMOS chip as the HDR-HC3, and added an option of recording in
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HDV camcorders are usually offered with either 50 Hz or 60 Hz scanning rate depending on a region. Some models, like Canon XH-A1/G1 and third-generation Sony models such as HVR-S270, HVR-Z5 and HVR-Z7, can be made switchable for "world" capability. Some JVC ProHD products like the
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Sony adapted HDV, originally conceived as progressive-scan format by JVC, to interlaced video. Interlaced video has been a useful compromise for decades due to its ability to display motion smoothly while reducing recording and transmission bandwidth. Interlaced video is still being used in
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In 2008 Sony released its own models capable of native progressive recording: the HVR-S270, the HVR-Z7 and the HVR-Z5. Sony stressed out that the models handle the signal entirely in progressive mode all the way from capture to encoding to recording on tape to output. Sony has designed
276:, featuring film-like 24-frame/s progressive recording mode and LPCM audio, for professional use. JVC has clarified that ProHD is not a video recording format, but "an approach for delivering affordable HD products" and a common name for "bandwidth efficient professional HD models".
428:
HDV camcorders capable of native 1080-line progressive video record it at rates of 23.98 frame/s (commonly referred to as "24p") and 29.97 frame/s ("30p") for 60 Hz markets, and at 25 frame/s ("25p") for 50 Hz markets. Video is output as true progressive video via an
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also known as MiniDV cassettes. The Sony HVR-S270 shoulder-mount camcorder is capable of recording both onto "small" and "large" cassettes. Because HDV has the same data rate as DV, recording time is the same as DV Standard Play. Unlike DV, HDV does not offer Long Play speed.
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format. 1080-line devices generally are not compatible with 720-line devices, though some standalone tape decks accept both HDV flavors. Devices that can play and record native 1080p video can play and record native 1080i video, however the opposite is not always the case.
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In
February 2009 ITV News bought 68 Sony HVR-Z5E handheld camcorders for its multi-skilling journalists. The camcorders, which come with non-removable 20x lens and outfitted with CompactFlash recorders became popular among journalists who are not trained camera operators.
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Recognizing the need for faster workflow, JVC, Sony and other manufacturers offer on-camera recording units, which convert an HDV camcorder into a hybrid system capable of recording both onto tape and onto file-based media. These recorders connect to a camcorder via
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accepts HDV for widescreen programming acquisition and to a limited extent for use in HD programs. PBS may allow usage of "less than full broadcast quality equipment" if compression artifacts are "not obvious when viewed on an HDTV monitor". For example, the
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video standard in terms of scanning type, frame size, aspect ratio and data rate. Earlier HDV 720p camcorders could shoot only at 24, 25 and 30 frames per second. Later models offer both film-like (24p, 25p, 30p) and reality-like (50p, 60p) frame rates.
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to a computer for editing without quality degradation. Depending on capturing software and computer's file system, either a whole tape is captured into one contiguous file, or the video is split in smaller 4 GB or 2 GB segments, or a separate
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sensor instead of a 3CCD setup, another unusual choice discouraging professional use. The GR-HD1 was not popular in either the consumer or semi-professional market, and JVC later shifted its HDV development to professional shoulder-mounted cameras.
373:" algorithm, which means joining two fields of each frame together into one progressive frame. This operation can be done in most editing tools simply by changing project properties from interlaced to progressive. 24P video must go through
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editing software to report, shoot and edit their own stories. After the station was moved to smaller cameras, it became possible for the journalists to travel in compact cars, which were 10 to 15 times cheaper than traditional large
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native progressive modes. The Z7 has 2 XLR audio inputs and HDMI output while the S270 has 4 XLR inputs and features HD-SDI output. Presently the HVR-S270 is the only HDV camcorder capable of recording onto full-size DV cassettes.
637:
San
Francisco purchased 52 Sony HVR-Z1U HDV camcorders. According to chief engineer Craig Porter, the cameras proved reliable. The station formed a group of "video journalists" or "one-man bands", who would use a Z1 camcorder,
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HDV footage can be natively edited by most non-linear editors, with real-time playback being possible on modern mainstream personal computers. Slower computers may exhibit reduced performance compared to other formats such as
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In
November 2008 Sony restarted production of the HDR-FX7 camcorder, which had been discontinued a year earlier. Offered for almost half the original price, the HDR-FX7 bridged the gap between the HDR-HC9 and the FX1000.
903:(NLE), it is possible to minimize generation losses by editing native HDV video using straight cuts only, with no effects, and rendering back to HDV. Up to 15 frames per each cut may be re-encoded because of the long-
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despite their reduced light sensitivity and a large depth of focus, because smaller cameras were better for crew safety and they destroy several dozen cameras per series. HDV camcorders were also used for shooting
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In 2010 industry analysts did not expect new HDV products, but believed that manufacturers would continue to support HDV for their existing users, while at the same time transitioning to file-based workflow.
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models, which use the same sensor as the XL-H1. Both models share the same body and most of the features, with the XH G1 geared towards professional multi-camera production and including connections for
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In 2008 the "B" modification of the GY-HD200 was released, allowing live recording of either 720p or 1080i signal onto an external tapeless recorder. Recording to tape was still performed in 720p mode only.
983:, a professional-oriented modular camera system with interchangeable lenses, HD-SDI output, and three 1440 × 1080 ⅓" CCDs. This was the first HDV camcorder to allow 1080-line native progressive recording.
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to the video, potentially degrading its quality. On another hand, an intermediate codec can reduce blockiness and fix other issues in the original video, like interlaced chroma in progressive recordings.
285:
471:
Generally, HDV devices are capable of playing and recording in DV format, though this is not required by HDV specification. Many HDV devices manufactured by Sony are capable of playing and recording in
444:, these camcorders generate progressive video from interlaced CCD sensors. Because of row-pair summation, vertical resolution of progressive video is 10–25% lower than resolution of interlaced video.
327:
was the Sony HVR-V1. To preserve compatibility with interlaced equipment the HVR-V1 records and outputs video in interlaced form. 25-frame/s and 30-frame/s progressive video is recorded on tape using
1029:, released in 2008, was a minor update of the HV20. The body color has been changed from silver to black, the LCD screen has been improved, and the 60 Hz variant implemented PsF-like PF30 mode.
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recording format, which is claimed to deliver visual quality similar to HDV at half the datarate. Consumer high definition camcorders released by these companies since 2009 employ AVCHD format.
269:
JVC was the only manufacturer of HDV 720p camcorders. JVC was the first to release an HDV camcorder, the handheld GR-HD1. Later JVC shifted its HDV development to shoulder-mounted cameras.
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audio inputs and 44 additional features. Most notably, the HVR-Z1 was switchable between 50 Hz and 60 Hz scanning to cater for the different scanning rates used in different markets.
2181:
402:
266:, HDV-SD was meant as an intermediate format during the transition time from standard definition to high definition video. Later models of HDV 720p camcorders do not record in this mode.
1036:. Its 50 Hz variant was practically identical to the HV30, while the 60 Hz variant became the first consumer HDV camcorder capable of native progressive 24 frames/s recording.
773:, the longest-running soap opera in production in television and radio history, broke away from traditional three-sided sets and pedestal-style cameras in 2008, choosing the handheld
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Progressive scan video must be properly deinterlaced to achieve full vertical resolution and to avoid interlace artifacts. 25P and 30P video must be deinterlaced with "weave" or "no
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In 2006 JVC released the GY-HD250, which simplified multi-camera recording by providing genlock and time code input/output. HD/SD-SDI output allowed to record uncompressed video.
1222:
When accessed in 2017, the
Broadcast & Production Cameras section on Sony's website does not mention HDV technology. The HDV page does not list any equipment or whitepapers.
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mark, became the first consumer HDV model to offer 24-frame/s native progressive recording. Like the aforementioned Sony models, the HV40 uses true progressive-scan sensor.
72:, HDV quickly caught on with many amateur and professional videographers due to its low cost, portability, and image quality acceptable for many professional productions.
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color space. The replacement model, the HDR-HC7 came with a higher pixel count CMOS sensor and with a microphone input. Like the HDR-HC5, the HDR-HC7 could also record
409:
The original 1080-line HDV specification defined interlaced recording only, which is suitable for television broadcast. As users have become increasingly interested in
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back to tape. Such tapes are often accepted by local television stations, though many organizations prefer the submissions to be delivered in higher-end format like
2121:
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does not consider HDV to meet HD broadcast standards, therefore acceptability of HDV footage for HD programming is limited to 25% of the program's total duration.
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HVR-M15AU, HVR-25AU, HVR-M15AE, HVR-25AE and HVR-M35 HDV videocassette recorders, and the 60 Hz Canon HV20/HV30 camcorders when used in tape recorder mode.
436:
The first 1080-line HDV camcorder to offer recording in native progressive format was the Canon XL H1, introduced in 2006. It was followed by the XH-G1 and
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Some HDV 1080i camcorders are capable of recording progressive video within an interlaced stream, provided that the frame rate does not exceed half of the
195:
and blurring. In contrast to the video, HDV audio bitrate is relatively generous. At the coded bitrate of 384 kbit/s, MPEG-1 Layer 2 audio is regarded as
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and restores original 24-frame/s progressive video. Many editing tools cannot perform film-mode deinterlacing, requiring usage of a separate converter.
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camcorders to deliver the best-looking image with the least amount of compression artifacts among the models having 25 Mbit/s MPEG-2 HD codec.
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have gained broad acceptance. The trend towards tapeless workflow was accelerated with increased capacity and reduced cost of non-linear media like
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The data rate for both the audio and video is constant and is roughly the same as DV data rate. The relatively low video data rate can cause
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JVC offers two FireStore recorders made by Focus Enhancements: the HDD-based DR-HD100 and MR-HD100 on-camera recorders; it also offers the
262:), but is considered high definition video in Australia. Depending on region, HDV-SD video is recorded either as 576p50 or as 480p60. Like
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931:. It is also possible to record M2TS file to any media that offers enough capacity, like a DVD, external HDD drive or a memory card.
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HDV 720p format allows recording high definition video (HDV-HD) as well as progressive-scan standard definition video (HDV-SD).
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The GY-HD200, released later, offered 50p/60p recording, 720p-to-1080i converter and Anton Bauer professional battery with mount.
362:, released in 2008, implemented additional PsF-like PF30 mode for 60 Hz markets. Output is performed via component, HDMI and
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is created for each take. The way files are named depends on capturing software. Some systems convert HDV video into proprietary
312:
Before interlaced video is displayed on a progressive-scan device it must be converted to progressive using the process known as
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2013:
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port. Output through other ports is performed in interlaced mode to preserve compatibility with existing interlaced equipment.
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in scenes that have much fine detail, rapid movement or other complex activity like flashing lights, and may result in visible
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to remain compatible with consumer level editing suites. The version for 50 Hz market offered PF25 mode, which utilized
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guidelines and accepted a mix of XDCAM HD, HDV and AVCHD for the length of a program. For example, Discovery Channel aired
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Editing performance can be improved by converting HDV to intermediate format prior to editing. These include various
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allows playback and dubbing of DV/HDV video from a camcorder connected to the player via a FireWire connector.
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effect can be achieved by converting regular interlaced video into progressive format using computer software.
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117:
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1198:. In spring 2011 the HDR-HC9 is no longer available for purchase from the Sony's North American online store.
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HDV-SD is a mode for recording progressive-scan standard definition video. Such a video is sometimes called
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eagerly accepts HDV footage. For example, Sony HDV camcorders were used for production of highly acclaimed
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598:-based KA-MR100G recorder. Canon offers Focus Enhancements FS-CF and FS-CF Pro models, which record onto
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technology are inherently progressive. All modern computer monitors use progressive scanning as well.
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in standard definition mode for shooting on practical locations until the show was canceled in 2009.
671:, handheld HDV camcorders were used for scenes where larger HD cameras would have been impractical.
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Because HDV video is recorded in digital form, original content can be copied onto another tape or
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2263:"CF-card recording with Canon HDV camcorders through Focus Enhancements solid state DTE recorders"
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technique, while the 60 Hz variant featured PF24 mode, which utilized 2-3 pulldown scheme.
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memory cards. Sony offers the HDD-based HVR-DR60 and the CompactFlash-based HVR-MRC1K recorders.
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690:, a six-episode reality series set in a hospital and shot with HDV cameras. Several episodes of
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XF Codec (Canon). At the same time Sony and Canon have joined Panasonic in marketing of
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In August 2007, Sony introduced the shoulder-mounted version of the HDR-HC7, the HVR-HD1000.
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defines optional progressive recording modes, and in recent publications is sometimes called
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38:
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Colorimetric and resolution test of the Canon XH G1 and XH A1 cameras, by Alan Roberts, BBC
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In 2009 Canon released the HV40 HDV camcorder. Its 60 Hz variant, carrying prominent
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standard intended for high-definition video. The imager of the GR-HD1 used a single 1/3"
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MPEG-1 Part 3 AL 2 Stereo (2-channel) at 384 kbit/s (192 kbit/s per channel);
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was shot with the Sony EX1 XDCAM EX camera paired with the Sony HVR-A1U HDV camcorder.
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acquisition and broadcast, but interlaced display devices are being phased out. Modern
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HDV video, offering exactly the same image quality as if video were recorded on tape.
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In 2006, Sony added two new models to its upscale HDV lineup: the "advanced amateur"
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logo for the devices that are capable of native progressive recording and playback.
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deinterlacing, which is why most editing tools treat such video as interlaced. The
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A common misconception is that JVC developed a proprietary extension to HDV called
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2118:"Canon HV40: a great inexpensive feeder deck for native Sony 3G HDV recordings"
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several updates and fixed split-screen effect found on some GY-HD100 cameras.
339:, are capable of processing 24A video as proper 24 frame/s progressive video.
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219:. The latter is preferred by Sony and Canon and is sometimes referred to as
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2325:"Reporter in a Backpack: San Francisco's KRON goes light and fast with HDV"
2037:"Canon U.S.A. packs a punch with a powerful new camcorder line-up for 2009"
1843:"Steve Mullen, Sony's HDR-FX1 1080i HDV Camcorder: using CineFrame 24 mode"
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recorders are invaluable for continuous recording that extends one hour.
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When interlaced video is watched on a progressive monitor without proper
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format on the fly while capturing, so original format is not preserved.
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In the middle of 2005 Sony released its first consumer HDV model, the
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Working with HDV: Shoot, Edit, and Deliver Your High Definition Video
1751:"Camcorderinfo.com: Sony Introduces HVR-V1U and HDD Unit in the U.S."
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optional MPEG-2 Part 3 AL 2 4-channel at 96 kbit/s per channel.
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because of high resolution and interframe compression of HDV video.
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3327:
3176:
1069:
1065:
876:
584:
363:
160:
compression scheme, using 8-bit chroma and luma samples with 4:2:0
2540:
2423:
2370:"Technical standards for delivery of television programmes to BBC"
65:. The four companies formed the HDV Consortium in September 2003.
3952:
3653:
3647:
3574:
3458:
3368:
3356:
3188:
3067:
3031:
3001:
2971:
2953:
1829:"Adam Wilt, How the Sony HDV cameras fake 24, 25, and 30 frame/s"
996:
720:
was produced for PBS in HDV format using Canon XL-H1 camcorders.
634:
1868:"Sony Vegas Movie Studio Platinum 9.0: no more pulldown hassle?"
614:
HDV is accepted for broadcast TV use with varying restrictions.
3997:
3987:
3452:
2989:
2965:
2182:"Sony upgrades 3G HDV camcorders to universal, for a small fee"
1390:
1384:
1006:
Later in the same year, Canon introduced the consumer-oriented
543:
353:
In 2007 Canon commoditized progressive scanning, releasing the
2501:"PBS Technical operating specifications for submission (2007)"
68:
Conceived as an affordable high definition format for digital
26:
4032:
3962:
3782:
3777:
3772:
3598:
3580:
3237:
3231:
3225:
3158:
3097:
3091:
3055:
2898:
2600:"Canon XH G1 HD - Guiding Light, HighDef Sep-Oct 2008, p. 27"
1415:
1212:
1164:
1160:
939:
928:
924:
891:, among others. Usage of an intermediate codec adds one more
643:
572:
568:
485:
273:
152:
HDV video and audio are encoded in digital form, using lossy
2302:
2300:
2168:"Sony adds new features to HDV videotape recorders (Europe)"
2062:"Using the Canon HV30 to capture 30P footage shot on the Z7"
4063:
4027:
3860:
3767:
3622:
3109:
1133:
1061:
1057:
481:
GY-HD200UB and GY-HD250U are world-capable out of the box.
54:
1194:
competing HD recording standard that uses DV cassettes is
934:
For consumer use, HDV-sourced video can be delivered on a
16:
Magnetic tape-based HD videocassette format for camcorders
3947:
3362:
3103:
3025:
2508:
2476:
2297:
1591:"Didn't JVC invent MPEG? Did JVC invent HDV? – ProHD FAQ"
979:
Canon entered the HDV market in September 2005, with the
696:
were shot with the Sony HVR-Z1U and HDR-HC3 camcorders.
595:
50:
1665:
1663:
1661:
235:
as progressive 1080-line recording becomes commonplace.
1376:
1080p/30 (29.97), 1080p/24 (23.98), 1080p/25
215:. The former is used by JVC and is informally known as
168:
compression scheme. The compressed audio and video are
2436:"Cameras that can be used for Discovery Channel Shows"
1637:
1635:
1517:
in alpha mode (also known as FireWire 400 or i. LINK)
2541:
Global Gastronome: Shooting HD for " No Reservations"
1658:
1167:. In 2008 the HDR-HC7 was replaced with the HDR-HC9.
1988:
1986:
1815:"Steve Mullen, Reviewing Sony HVR-V1U HDV Camcorder"
425:, but the official name still bears the "i" suffix.
331:(PsF) technique, while 24-frame/s recording employs
2460:
Professional HDV camcorders (Translation by Google)
2143:"Sony adds new features to HDV videotape recorders"
1632:
1175:interlaced using pulldown for recording onto tape.
617:Discovery Channel chose HDV handhelds for shooting
440:. When shooting in progressive mode, also known as
323:. The first HDV 1080i camcorder to implement such
4085:List of digital television deployments by country
2770:. Pro Video Coalition. 2009-01-12. Archived from
1983:
1136:released the first HDV 1080i camcorder, the
4097:
2104:"Using Sony HVR M15AU to digitize Canon footage"
1602:
1600:
1068:standard for color space, rather than the newer
2356:"The producer - Why size is everything (p. 28)"
2337:
1907:"Sony HVR-Z5U Digital HD Video Camera Recorder"
1882:"Canon 24P, 25F, 25P, 30F, 30P modes explained"
761:used Sony HDV camcorders to shoot episodes for
1671:"Discovery HD Theater production requirements"
609:
3714:
2883:
2791:
1955:"Canon XL H1: frame rates & formats"
1694:
1597:
1370:720p/60, 720p/30, 720p/24, 720p/50, 720p/25,
579:(HDD), optical discs and solid-state memory.
78:and HDV logo are trademarks of JVC and Sony.
2472:"Digital television submission requirements"
2389:"In '911: The Bronx,' reality TV gets tough"
2249:"SxS memory card docking recorder KA-MR100G"
2076:"Sony HVR M15AU and the Canon XH/XL series"
1874:
1264:. Unsourced material may be challenged and
986:In July 2006, Canon announced the handheld
819:. Unsourced material may be challenged and
120:. Unsourced material may be challenged and
3721:
3707:
2890:
2876:
2768:"Review: Canon Vixia HF11 AVCHD camcorder"
2495:
2493:
2897:
2840:"Broadcast & Production Cameras: HDV"
2241:
2221:"ProHD 100GB hard disk recorder MR-HD100"
1284:Learn how and when to remove this message
938:without re-encoding, can be converted to
839:Learn how and when to remove this message
509:MiniDV cassettes for DV and HDV recording
140:Learn how and when to remove this message
81:
49:. The format was originally developed by
3728:
1524:
1513:
1502:
1487:
1479:
1471:
1461:
1439:
1424:
1414:
1403:
1389:
1387:Video (profile & level: MP@H-14/HL)
1347:
1336:
1325:
1312:
1117:
1107:
1043:
970:
962:
749:are shot with Sony HDV cameras as well.
542:
504:
400:
397:Native Progressive Recording logo (Sony)
392:
283:
25:
2553:"Q&A With the No Reservations Crew"
2490:
2338:Gloman, Chuck; Pescatore, Mark (2007).
2319:
2317:
342:Prior to the HVR-V1, Sony was offering
156:compression. Video is encoded with the
4098:
3484:CBHD (China Blue High-definition Disc)
2743:"AVCCAM series concept & workflow"
2676:"MiniDV HD Handycam Camcorder HDR-HC9"
2235:"100GB HD hard disk recorder DR-HD100"
1783:"DVInfo: EXPLAINED: "24" versus "24A""
514:are not covered by HDV specification.
246:HDV-HD closely matches broadcast 720p
3702:
2871:
1393:Video (profile & level: MP@H-14)
3441:HVD (High-Definition Versatile Disc)
2819:"Broadcast & Production Cameras"
2386:
2314:
1924:"Sony HVR-Z5E preliminary datasheet"
1801:"HDV 24p/30p Progressive Scan Modes"
1262:adding citations to reliable sources
1229:
817:adding citations to reliable sources
784:
202:
118:adding citations to reliable sources
85:
2662:"Sony's HDR-FX1000 breaks the mold"
1052:In 2003 JVC released the first HDV
538:
164:. Stereo audio is encoded with the
13:
2623:"HVR-HD1000U Press Release (Sony)"
2424:Profile: "Survivorman"s Les Stroud
2207:"GY-HD250U - 3CCD ProHD camcorder"
1968:Progressive: what you need to know
1702:"JVC GY-HD100/HD-101 instructions"
563:— video recording formats such as
500:
14:
4122:
2863:HDV Format Legal Information site
2856:
2648:"EventDV article on Sony HVR-Z7U"
2524:"Highdef magazine, May–June 2009"
2291:"HVR-MRC1K Memory Recording Unit"
2277:"HVR-DR60 HDV hard disk recorder"
1398:Sampling frequency for luminance
1225:
1064:60. The HDV modes used the older
1013:In April 2007 Canon released the
740:Bizarre Foods with Andrew Zimmern
3752:Ultra-high-definition television
3478:HVD (Holographic Versatile Disc)
1434:Compressed video bitstream rate
1373:1080i/30 (29.97), 1080i/25
1234:
1201:
1140:. Its professional version, the
789:
522:Most HDV camcorders use "small"
517:
466:
90:
2832:
2811:
2796:. TV Technology. Archived from
2785:
2760:
2745:. Panasonic Inc. Archived from
2735:
2722:"JVC GY-HD200UB 3CCD camcorder"
2714:
2693:
2668:
2654:
2640:
2615:
2592:
2581:
2570:
2545:
2534:
2516:
2464:
2453:
2428:
2417:
2399:
2380:
2362:
2348:
2331:
2283:
2269:
2255:
2227:
2213:
2199:
2174:
2160:
2135:
2110:
2096:
2082:
2068:
2054:
2029:
2006:
1972:
1961:
1947:
1916:
1899:
1860:
1835:
1821:
1807:
1793:
1775:
1761:
1313:"Small" or "Large" DV cassette
910:
701:Discovery Channel International
405:Native Progressive logo (Canon)
2701:"JVC GY-HD250U 3CCD camcorder"
1743:
1725:
1618:
1583:
1565:
737:program, among other cameras.
207:Two major versions of HDV are
1:
3468:
3372:
2014:"Sony HVR-Z5U brochure, p. 7"
1559:
946:, or can be downconverted to
915:HDV video can be recorded or
301:television sets that utilize
37:is a format for recording of
2792:Oliver Peters (2010-03-31).
2409:. 2008-05-06. Archived from
2387:Huff, Richard (2008-05-28).
2090:"Sony Z7 25p tapes in an A1"
1769:"dv.com: Sony HVR-V1 review"
1733:"HD TV resolution explained"
1452:
1436:
1400:
1383:
1375:
1372:
1369:
1361:
1358:
1355:
1344:
1333:
450:Native Progressive Recording
388:
279:
7:
2308:"Not big but rather clever"
1531:
1425:8 bits (both luminance and
1032:In 2009 Canon released the
1020:Progressive segmented Frame
953:
610:Use in broadcast television
329:progressive segmented frame
238:
10:
4127:
3742:High-definition television
3687:Electronic Video Recording
1485:Audio modes and data rate
780:
555:Since HDV was introduced,
484:HDV is closely related to
18:
4077:
4041:
3931:
3910:
3874:
3838:
3806:
3760:
3734:
3667:
3632:
3564:
3523:
3516:
3503:UHD-BD (Ultra HD Blu-ray)
3493:
3421:
3400:PVD (Personal Video Disc)
3343:
3278:
3269:
3198:
3119:
2914:
2905:
1494:
1444:
1317:
1304:
901:non-linear editing system
256:enhanced definition video
2936:Ampex 2 inch helical VTR
1994:"Texas Shootout, part 2"
1643:"HDV progressive primer"
1548:Non-linear video editing
1094:
958:
885:Apple Intermediate Codec
3435:Professional Disc (PFD)
2942:Sony 2 inch helical VTR
1362:progressive (optional)
1103:
375:film-mode deinterlacing
174:MPEG-2 transport stream
4111:Television terminology
3681:Electronicam kinescope
3668:Video recorded to film
1538:Digital cinematography
1125:
1115:
1049:
1039:
976:
968:
552:
510:
457:24p native progressive
411:digital cinematography
406:
398:
293:
82:Video and audio coding
31:
3747:High-definition video
3495:Ultra-High Definition
2899:Video storage formats
1504:MPEG transport stream
1463:MPEG-1 Audio Layer II
1454:MPEG-1 Audio Layer II
1331:Frame size in pixels
1121:
1111:
1047:
988:XH A1/XH G1
974:
966:
907:nature of HDV video.
546:
508:
404:
396:
287:
197:perceptually lossless
39:high-definition video
29:
3798:8640p (16K Ultra HD)
3729:High-definition (HD)
1258:improve this section
942:and delivered on an
879:products, Edius HQ,
813:improve this section
683:Discovery HD Theater
497:TOD recording mode.
366:in interlaced form.
325:Progressive Scanning
114:improve this section
21:HDV (disambiguation)
19:For other uses, see
3911:Filming and storage
3793:4320p (8K Ultra HD)
3788:2160p (4K Ultra HD)
2577:Broadcast-ready HDV
1573:"HDV Press Release"
1469:Sampling frequency
1342:Pixel aspect ratio
1323:Frame aspect ratio
718:Travels to the Edge
381:, which throws out
185:bit rate starvation
158:H.262/MPEG-2 Part 2
2375:. BBC. 2012-01-26.
1437:~18.3 Mbit/s
1381:Video Compression
1132:In September 2004
1126:
1116:
1050:
977:
969:
743:and its follow-up
553:
511:
407:
399:
294:
264:DVCPRO Progressive
162:chroma subsampling
32:
4093:
4092:
3839:Digital broadcast
3696:
3695:
3663:
3662:
3512:
3511:
3459:BD (Blu-ray Disc)
3429:MUSE Hi-Vision LD
3265:
3264:
2377:sections 2.1, 2.7
1529:
1528:
1525:.m2t (generally)
1511:Stream interface
1404:55.6875 MHz
1294:
1293:
1286:
993:HD-SDI/SD-SDI Out
899:Depending on the
849:
848:
841:
725:Travel Channel HD
661:In the TV series
203:Recording formats
150:
149:
142:
53:and supported by
4118:
4018:Ultra HD Blu-ray
3830:MUSE (Hi-Vision)
3813:
3808:Analog broadcast
3723:
3716:
3709:
3700:
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3521:
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3470:
3377:
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2729:
2718:
2712:
2711:
2709:
2708:
2697:
2691:
2690:
2688:
2687:
2678:. Archived from
2672:
2666:
2665:
2658:
2652:
2651:
2644:
2638:
2637:
2635:
2634:
2625:. Archived from
2619:
2613:
2612:
2610:
2609:
2604:
2596:
2590:
2588:Madventures blog
2585:
2579:
2574:
2568:
2567:
2565:
2564:
2555:. Archived from
2549:
2543:
2538:
2532:
2530:
2528:
2520:
2514:
2513:
2505:
2497:
2488:
2487:
2485:
2484:
2468:
2462:
2457:
2451:
2450:
2448:
2447:
2438:. Archived from
2432:
2426:
2421:
2415:
2414:
2407:"911: The Bronx"
2403:
2397:
2396:
2384:
2378:
2376:
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2231:
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2224:
2217:
2211:
2210:
2203:
2197:
2196:
2194:
2193:
2184:. Archived from
2178:
2172:
2171:
2164:
2158:
2157:
2155:
2154:
2145:. Archived from
2139:
2133:
2132:
2130:
2129:
2120:. Archived from
2114:
2108:
2107:
2100:
2094:
2093:
2086:
2080:
2079:
2072:
2066:
2065:
2058:
2052:
2051:
2049:
2048:
2039:. Archived from
2033:
2027:
2026:
2024:
2023:
2018:
2010:
2004:
2003:
2001:
2000:
1990:
1981:
1976:
1970:
1965:
1959:
1958:
1951:
1945:
1944:
1942:
1941:
1935:
1929:. Archived from
1928:
1920:
1914:
1913:
1911:
1903:
1897:
1896:
1894:
1893:
1884:. Archived from
1878:
1872:
1871:
1864:
1858:
1857:
1855:
1854:
1845:. Archived from
1839:
1833:
1832:
1825:
1819:
1818:
1811:
1805:
1804:
1797:
1791:
1790:
1785:. Archived from
1779:
1773:
1772:
1765:
1759:
1758:
1747:
1741:
1740:
1735:. Archived from
1729:
1723:
1722:
1720:
1719:
1713:
1707:. Archived from
1706:
1698:
1692:
1691:
1689:
1688:
1682:
1676:. Archived from
1675:
1667:
1656:
1655:
1653:
1652:
1647:
1639:
1630:
1629:
1622:
1616:
1615:
1610:. Archived from
1608:"HDV Trademarks"
1604:
1595:
1594:
1587:
1581:
1580:
1575:. Archived from
1569:
1440:~25 Mbit/s
1296:
1295:
1289:
1282:
1278:
1275:
1269:
1238:
1230:
889:Apple ProRes 422
844:
837:
833:
830:
824:
793:
785:
729:Anthony Bourdain
577:hard disk drives
539:File-based media
531:recording time.
379:inverse telecine
248:progressive scan
145:
138:
134:
131:
125:
94:
86:
4126:
4125:
4121:
4120:
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4096:
4095:
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4089:
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3934:
3927:
3906:
3870:
3834:
3820:819 line system
3811:
3810:
3802:
3783:1440p (Quad HD)
3778:1080p (Full HD)
3773:1080i (Full HD)
3756:
3730:
3727:
3697:
3692:
3659:
3628:
3560:
3508:
3489:
3471:
3422:High Definition
3417:
3375:
3339:
3261:
3200:High Definition
3194:
3153:Digital Betacam
3115:
2901:
2896:
2859:
2854:
2845:
2843:
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2016:
2012:
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1984:
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1522:File extension
1489:
1410:Chroma sampling
1401:74.25 MHz
1305:HDV 1080i
1290:
1279:
1273:
1270:
1255:
1239:
1228:
1204:
1106:
1097:
1042:
961:
956:
921:Digital Betacam
913:
845:
834:
828:
825:
810:
794:
783:
734:No Reservations
620:Deadliest Catch
612:
541:
535:specification.
520:
503:
501:Recording media
469:
431:i.LINK/FireWire
391:
282:
241:
205:
146:
135:
129:
126:
111:
95:
84:
24:
17:
12:
11:
5:
4124:
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4079:
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4056:
4051:
4045:
4043:
4039:
4038:
4036:
4035:
4030:
4025:
4020:
4015:
4013:Super Audio CD
4010:
4005:
4003:MUSE LaserDisc
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3950:
3945:
3939:
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3925:
3920:
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3887:Surround sound
3884:
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3871:
3869:
3868:
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3578:
3568:
3566:
3562:
3561:
3559:
3558:
3552:
3546:
3540:
3534:
3527:
3525:
3524:Media agnostic
3518:
3514:
3513:
3510:
3509:
3507:
3506:
3499:
3497:
3491:
3490:
3488:
3487:
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3331:
3325:
3319:
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3295:
3289:
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3273:
3267:
3266:
3263:
3262:
3260:
3259:
3253:
3247:
3241:
3235:
3229:
3223:
3217:
3211:
3204:
3202:
3196:
3195:
3193:
3192:
3186:
3180:
3174:
3168:
3165:Digital-S (D9)
3162:
3156:
3150:
3144:
3138:
3132:
3125:
3123:
3117:
3116:
3114:
3113:
3107:
3101:
3095:
3089:
3083:
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3065:
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3029:
3023:
3017:
3011:
3005:
2999:
2993:
2987:
2981:
2975:
2969:
2963:
2957:
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2918:
2909:
2903:
2902:
2895:
2894:
2887:
2880:
2872:
2866:
2865:
2858:
2857:External links
2855:
2853:
2852:
2831:
2810:
2794:"Is HDV Dead?"
2784:
2759:
2734:
2713:
2692:
2667:
2653:
2639:
2614:
2591:
2580:
2569:
2544:
2533:
2515:
2489:
2463:
2452:
2427:
2416:
2413:on 2011-07-26.
2398:
2379:
2361:
2347:
2330:
2313:
2296:
2282:
2268:
2254:
2240:
2226:
2212:
2198:
2173:
2159:
2134:
2109:
2095:
2081:
2067:
2053:
2028:
2005:
1982:
1971:
1960:
1946:
1915:
1898:
1873:
1859:
1834:
1820:
1806:
1792:
1789:on 2012-08-03.
1774:
1760:
1757:on 2012-07-20.
1753:Archived from
1742:
1739:on 2010-08-09.
1724:
1693:
1657:
1631:
1617:
1614:on 2009-04-17.
1596:
1582:
1579:on 2009-02-16.
1563:
1561:
1558:
1557:
1556:
1550:
1545:
1540:
1533:
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1357:
1354:
1353:Scanning type
1350:
1349:
1346:
1343:
1339:
1338:
1335:
1332:
1328:
1327:
1324:
1320:
1319:
1315:
1314:
1311:
1307:
1306:
1303:
1302:HDV 720p
1300:
1292:
1291:
1242:
1240:
1233:
1227:
1226:Specifications
1224:
1203:
1200:
1105:
1102:
1096:
1093:
1041:
1038:
960:
957:
955:
952:
912:
909:
847:
846:
797:
795:
788:
782:
779:
688:911: The Bronx
611:
608:
565:DVCPRO P2
540:
537:
519:
516:
502:
499:
468:
465:
390:
387:
377:also known as
281:
278:
240:
237:
225:HDV 1080i
213:HDV 1080i
204:
201:
166:MPEG-1 Layer 2
148:
147:
98:
96:
89:
83:
80:
45:videocassette
15:
9:
6:
4:
3:
2:
4123:
4112:
4109:
4107:
4106:Video storage
4104:
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4086:
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4080:
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4011:
4009:
4006:
4004:
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3999:
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3994:
3991:
3989:
3986:
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3979:
3976:
3974:
3971:
3969:
3966:
3964:
3961:
3959:
3956:
3954:
3951:
3949:
3946:
3944:
3943:Archival Disc
3941:
3940:
3938:
3936:
3930:
3924:
3921:
3919:
3916:
3915:
3913:
3909:
3903:
3900:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3882:Dolby Digital
3880:
3879:
3877:
3873:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3843:
3841:
3837:
3831:
3828:
3826:
3823:
3821:
3818:
3817:
3815:
3812:(All defunct)
3809:
3805:
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3796:
3794:
3791:
3789:
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3784:
3781:
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3776:
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3407:
3404:
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3364:
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3342:
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3329:
3326:
3323:
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3317:
3314:
3311:
3308:
3305:
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3299:
3296:
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3290:
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3284:
3283:
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3274:
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3268:
3257:
3254:
3251:
3248:
3245:
3242:
3239:
3236:
3233:
3230:
3227:
3224:
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3218:
3215:
3212:
3209:
3206:
3205:
3203:
3201:
3197:
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3187:
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3118:
3111:
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3099:
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3027:
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3018:
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3012:
3009:
3006:
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3000:
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2994:
2991:
2988:
2985:
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2970:
2967:
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2955:
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2937:
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2925:
2922:
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2910:
2908:
2904:
2900:
2893:
2888:
2886:
2881:
2879:
2874:
2873:
2870:
2864:
2861:
2860:
2841:
2835:
2820:
2814:
2800:on 2010-04-04
2799:
2795:
2788:
2774:on 2010-02-11
2773:
2769:
2763:
2749:on 2011-12-17
2748:
2744:
2738:
2723:
2717:
2702:
2696:
2682:on 2010-05-22
2681:
2677:
2671:
2663:
2657:
2649:
2643:
2629:on 2007-09-21
2628:
2624:
2618:
2601:
2595:
2589:
2584:
2578:
2573:
2559:on 2011-05-22
2558:
2554:
2548:
2542:
2537:
2525:
2519:
2511:
2510:
2502:
2496:
2494:
2479:
2478:
2473:
2467:
2461:
2456:
2442:on 2009-12-17
2441:
2437:
2431:
2425:
2420:
2412:
2408:
2402:
2394:
2390:
2383:
2371:
2365:
2357:
2351:
2344:. p. 28.
2343:
2342:
2334:
2327:. 2006-03-24.
2326:
2320:
2318:
2310:. 2009-03-25.
2309:
2303:
2301:
2292:
2286:
2278:
2272:
2264:
2258:
2250:
2244:
2236:
2230:
2222:
2216:
2208:
2202:
2188:on 2009-04-12
2187:
2183:
2177:
2169:
2163:
2149:on 2008-08-19
2148:
2144:
2138:
2124:on 2009-08-21
2123:
2119:
2113:
2105:
2099:
2091:
2085:
2077:
2071:
2063:
2057:
2043:on 2009-01-22
2042:
2038:
2032:
2015:
2009:
1995:
1989:
1987:
1980:
1975:
1969:
1964:
1956:
1950:
1936:on 2010-02-16
1932:
1925:
1919:
1908:
1902:
1888:on 2008-12-12
1887:
1883:
1877:
1869:
1863:
1849:on 2008-10-06
1848:
1844:
1838:
1830:
1824:
1816:
1810:
1802:
1796:
1788:
1784:
1778:
1770:
1764:
1756:
1752:
1746:
1738:
1734:
1728:
1714:on 2022-04-10
1710:
1703:
1697:
1683:on 2011-05-16
1679:
1672:
1666:
1664:
1662:
1644:
1638:
1636:
1627:
1626:"Editing HDV"
1621:
1613:
1609:
1603:
1601:
1592:
1586:
1578:
1574:
1568:
1564:
1554:
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1535:
1521:
1520:
1516:
1510:
1509:
1505:
1499:
1498:
1493:
1484:
1483:
1477:Quantization
1476:
1475:
1468:
1467:
1464:
1459:
1455:
1449:
1448:
1443:
1433:
1432:
1428:
1422:Quantization
1421:
1420:
1417:
1411:
1408:
1407:
1397:
1396:
1392:
1386:
1380:
1379:
1367:Video signal
1366:
1365:
1352:
1351:
1341:
1340:
1330:
1329:
1322:
1321:
1316:
1309:
1308:
1301:
1298:
1297:
1288:
1285:
1277:
1267:
1263:
1259:
1253:
1252:
1248:
1243:This section
1241:
1237:
1232:
1231:
1223:
1220:
1216:
1214:
1208:
1202:Future of HDV
1199:
1197:
1191:
1187:
1183:
1179:
1176:
1173:
1168:
1166:
1162:
1156:
1154:
1149:
1147:
1143:
1139:
1135:
1130:
1124:
1120:
1114:
1110:
1101:
1092:
1088:
1085:
1082:
1078:
1075:
1071:
1067:
1063:
1059:
1055:
1046:
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1035:
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1023:
1021:
1016:
1011:
1009:
1004:
1002:
998:
994:
989:
984:
982:
973:
965:
951:
949:
945:
941:
937:
932:
930:
926:
922:
918:
908:
906:
902:
897:
894:
890:
886:
882:
878:
873:
871:
865:
863:
859:
854:
843:
840:
832:
822:
818:
814:
808:
807:
803:
798:This section
796:
792:
787:
786:
778:
776:
772:
771:
770:Guiding Light
766:
764:
760:
756:
754:
753:
748:
747:
746:Bizarre World
742:
741:
736:
735:
730:
726:
721:
719:
716:'s TV series
715:
710:
705:
702:
697:
695:
694:
689:
684:
679:
677:
672:
670:
666:
665:
659:
655:
653:
650:
645:
641:
636:
631:
629:
628:
622:
621:
615:
607:
603:
601:
597:
592:
590:
586:
580:
578:
574:
570:
566:
562:
558:
550:
545:
536:
532:
528:
525:
518:Magnetic tape
515:
507:
498:
496:
491:
487:
482:
478:
475:
467:Compatibility
464:
460:
458:
453:
451:
445:
443:
439:
434:
432:
426:
424:
423:1080-line HDV
420:
419:HDV 1080
416:
412:
403:
395:
386:
384:
383:judder frames
380:
376:
372:
371:deinterlacing
367:
365:
361:
356:
351:
349:
345:
340:
338:
334:
330:
326:
322:
317:
315:
314:deinterlacing
310:
308:
304:
300:
291:
290:deinterlacing
286:
277:
275:
270:
267:
265:
261:
257:
252:
249:
244:
236:
234:
233:1080-line HDV
230:
229:HDV 1080
226:
222:
218:
214:
210:
209:HDV 720p
200:
198:
194:
190:
186:
181:
179:
178:computer file
175:
171:
167:
163:
159:
155:
144:
141:
133:
123:
119:
115:
109:
108:
104:
99:This section
97:
93:
88:
87:
79:
77:
73:
71:
66:
64:
60:
56:
52:
48:
44:
40:
36:
28:
22:
4023:Uncompressed
3933:HD media and
3922:
3249:
2978:Cartrivision
2844:. Retrieved
2834:
2823:. Retrieved
2813:
2802:. Retrieved
2798:the original
2787:
2776:. Retrieved
2772:the original
2762:
2751:. Retrieved
2747:the original
2737:
2726:. Retrieved
2716:
2705:. Retrieved
2695:
2684:. Retrieved
2680:the original
2670:
2656:
2642:
2631:. Retrieved
2627:the original
2617:
2606:. Retrieved
2594:
2583:
2572:
2561:. Retrieved
2557:the original
2547:
2536:
2518:
2507:
2481:. Retrieved
2475:
2466:
2455:
2444:. Retrieved
2440:the original
2430:
2419:
2411:the original
2401:
2392:
2382:
2364:
2350:
2340:
2333:
2285:
2271:
2257:
2243:
2229:
2215:
2201:
2190:. Retrieved
2186:the original
2176:
2162:
2151:. Retrieved
2147:the original
2137:
2126:. Retrieved
2122:the original
2112:
2098:
2084:
2070:
2056:
2045:. Retrieved
2041:the original
2031:
2020:. Retrieved
2008:
1997:. Retrieved
1974:
1963:
1949:
1938:. Retrieved
1931:the original
1918:
1901:
1890:. Retrieved
1886:the original
1876:
1862:
1851:. Retrieved
1847:the original
1837:
1823:
1809:
1795:
1787:the original
1777:
1763:
1755:the original
1745:
1737:the original
1727:
1716:. Retrieved
1709:the original
1696:
1685:. Retrieved
1678:the original
1649:. Retrieved
1620:
1612:the original
1585:
1577:the original
1567:
1500:Stream type
1472:48 kHz
1450:Compression
1356:progressive
1337:1440 × 1080
1299:Format name
1280:
1271:
1256:Please help
1244:
1221:
1217:
1209:
1205:
1192:
1188:
1184:
1180:
1177:
1169:
1157:
1150:
1144:, came with
1131:
1127:
1123:Sony HDR-HC1
1113:Sony HDR-FX1
1098:
1089:
1086:
1083:
1079:
1051:
1048:JVC GY-HD100
1031:
1024:
1012:
1005:
985:
978:
936:Blu-ray Disc
933:
916:
914:
911:Distributing
898:
892:
874:
866:
862:intermediate
861:
852:
850:
835:
826:
811:Please help
799:
768:
767:
757:
750:
744:
738:
732:
722:
717:
706:
698:
691:
687:
680:
673:
662:
660:
656:
632:
625:
618:
616:
613:
604:
600:CompactFlash
593:
581:
560:
556:
554:
549:CompactFlash
533:
529:
524:DV cassettes
521:
512:
494:
483:
479:
470:
461:
456:
454:
449:
446:
441:
435:
427:
422:
418:
408:
374:
368:
352:
343:
341:
333:2-3 pulldown
324:
318:
311:
295:
271:
268:
255:
253:
245:
242:
232:
228:
224:
220:
216:
212:
208:
206:
196:
184:
182:
151:
136:
127:
112:Please help
100:
75:
74:
67:
34:
33:
4078:Deployments
4054:DisplayPort
3935:compression
3761:Resolutions
3634:Solid state
3472: 2006
3376: 1996
3286:Phonovision
3244:D6 HDTV VTR
2984:Philips VCR
2395:. New York.
1427:chrominance
1359:interlaced
1334:1280 × 720
1274:August 2024
1186:recording.
1060:30 and HDV
981:Canon XL H1
967:Canon XL-H1
829:August 2024
775:Canon XH-G1
765:TV series.
752:Madventures
693:Survivorman
642:laptop and
627:MythBusters
587:and do not
170:multiplexed
154:inter frame
130:August 2024
4100:Categories
4042:Connectors
3171:Betacam SX
3080:Betacam SP
3044:Video 2000
2924:Quadruplex
2846:2017-02-10
2825:2017-02-10
2804:2018-11-29
2778:2011-12-12
2753:2011-12-12
2728:2011-12-22
2707:2011-12-22
2686:2010-04-30
2633:2007-09-06
2608:2010-01-22
2563:2011-01-15
2483:2009-11-30
2446:2009-12-01
2393:Daily News
2192:2009-04-05
2153:2008-10-30
2128:2009-08-20
2047:2009-01-05
2022:2010-01-22
1999:2010-01-18
1940:2010-01-22
1892:2008-09-04
1853:2008-09-17
1718:2010-09-08
1687:2010-01-22
1651:2010-01-22
1560:References
1555:Early HDTV
1506:(MPEG-TS)
1008:Canon HV10
975:Canon HV30
944:AVCHD disc
893:generation
881:Avid DNxHD
759:Current TV
589:recompress
561:file-based
442:Frame mode
415:web videos
321:field rate
299:flat-panel
280:HDV 1080i
193:blockiness
191:, such as
70:camcorders
4049:Component
3968:DVD-Audio
3768:720p (HD)
3675:Kinescope
3605:AVC-Intra
3572:CamCutter
3555:DVCPRO HD
3322:Laserfilm
3304:LaserDisc
3271:Videodisc
3208:Sony HDVS
2907:Videotape
1553:Sony HDVS
1543:Filmizing
1515:IEEE 1394
1245:does not
1196:DVCPRO HD
1054:camcorder
1001:time code
948:DVD-Video
800:does not
714:Art Wolfe
667:made for
640:Toughbook
389:HDV 1080p
348:film look
344:Cineframe
239:HDV 720p
189:artifacts
101:does not
3735:Concepts
3565:Tapeless
3549:DVCPRO50
3328:CD Video
3292:Ampex-HS
3256:HDCAM SR
3220:BCH 1000
3183:MPEG IMX
3177:Digital8
1532:See also
1480:16 bits
1070:Rec. 709
1066:Rec. 601
954:Products
877:Cineform
853:captured
763:Vanguard
633:In 2006
585:FireWire
557:tapeless
364:FireWire
172:into an
30:HDV Mark
3953:Blu-ray
3851:DMB-T/H
3683:(1950s)
3654:MicroP2
3575:Editcam
3517:Virtual
3369:MiniDVD
3357:MovieCD
3344:Digital
3189:MicroMV
3121:Digital
3098:S-VHS-C
3068:Betacam
3002:Betamax
2972:U-matic
2954:CV-2000
2531:page 10
2358:. 2010.
1495:System
1412:format
1266:removed
1251:sources
1172:HDR-FX7
1153:HDR-HC1
1138:HDR-FX1
997:genlock
917:printed
821:removed
806:sources
781:Editing
547:Type I
495:1440CBR
488:and to
413:and in
122:removed
107:sources
3998:MPEG-2
3993:HD VMD
3988:HD DVD
3825:HD MAC
3689:(1967)
3677:(1947)
3656:(2012)
3650:(2007)
3644:(2004)
3625:(2012)
3619:(2009)
3617:iFrame
3613:(2007)
3607:(2006)
3601:(2006)
3595:(2005)
3589:(2004)
3587:GBA-TV
3583:(2003)
3577:(1995)
3557:(2000)
3551:(1997)
3545:(1996)
3539:(1995)
3537:DVCPRO
3533:(1995)
3505:(2016)
3486:(2008)
3480:(2007)
3465:MiniBD
3461:(2006)
3455:(2006)
3453:HD DVD
3449:(2006)
3443:(2004)
3437:(2003)
3431:(1994)
3414:(2005)
3408:(2004)
3402:(2003)
3396:(2003)
3390:(1998)
3384:(1998)
3365:(1996)
3359:(1996)
3353:(1993)
3336:(1990)
3330:(1987)
3324:(1984)
3318:(1983)
3312:(1981)
3306:(1978)
3300:(1975)
3294:(1967)
3288:(1927)
3279:Analog
3258:(2003)
3252:(2003)
3246:(2000)
3240:(1998)
3234:(1997)
3228:(1994)
3222:(1992)
3216:(1984)
3210:(1984)
3191:(2001)
3185:(2000)
3179:(1999)
3173:(1996)
3167:(1995)
3161:(1994)
3155:(1993)
3149:(1992)
3143:(1991)
3137:(1988)
3131:(1986)
3112:(1998)
3106:(1989)
3100:(1987)
3094:(1987)
3088:(1986)
3082:(1986)
3076:(1985)
3074:Video8
3070:(1982)
3064:(1982)
3058:(1982)
3052:(1980)
3046:(1980)
3040:(1979)
3034:(1977)
3028:(1976)
3022:(1976)
3020:Type C
3016:(1976)
3014:Type B
3010:(1975)
3004:(1975)
2998:(1974)
2992:(1974)
2990:V-Cord
2986:(1972)
2980:(1972)
2974:(1971)
2968:(1969)
2966:EIAJ-1
2962:(1967)
2956:(1965)
2950:(1965)
2948:Type A
2944:(1961)
2938:(1961)
2932:(1958)
2926:(1956)
2916:Analog
2842:. Sony
2821:. Sony
1445:Audio
1318:Video
1310:Media
1142:HVR-Z1
999:, and
303:plasma
223:. The
61:, and
4033:W-VHS
3983:H.266
3978:H.265
3973:H.264
3963:D-VHS
3875:Audio
3866:SBTVD
3599:AVCHD
3581:XDCAM
3543:DVCAM
3238:D-VHS
3232:HDCAM
3226:W-VHS
3214:UniHi
3092:S-VHS
3056:VHS-C
2724:. JVC
2703:. JVC
2603:(PDF)
2527:(PDF)
2504:(PDF)
2373:(PDF)
2017:(PDF)
1934:(PDF)
1927:(PDF)
1910:(PDF)
1712:(PDF)
1705:(PDF)
1681:(PDF)
1674:(PDF)
1646:(PDF)
1416:4:2:0
1391:MPEG2
1385:MPEG2
1348:1.33
1326:16x9
1213:AVCHD
1165:xvYCC
1161:xvYCC
1095:Sharp
959:Canon
940:AVCHD
929:D5 HD
925:HDCAM
644:Edius
573:AVCHD
569:XDCAM
559:— or
486:XDCAM
474:DVCAM
438:XH-A1
337:Vegas
274:ProHD
63:Sharp
59:Canon
4064:HDMI
4028:VC-1
3958:CBHD
3861:ISDB
3846:ATSC
3623:XAVC
3388:SVCD
3110:Ruvi
2960:Akai
2930:VERA
1345:1.0
1249:any
1247:cite
1134:Sony
1104:Sony
1062:480p
1058:720p
1034:HV40
1027:HV30
1025:The
1015:HV20
887:and
858:file
804:any
802:cite
723:The
707:The
699:The
681:The
674:The
652:vans
635:KRON
571:and
551:card
360:HV30
355:HV20
305:and
260:EDTV
221:HDV2
217:HDV1
211:and
105:any
103:cite
55:Sony
47:tape
4069:VGA
4059:DVI
4008:MVC
3948:AV1
3923:HDV
3918:DCI
3902:DTS
3897:DXD
3892:DSD
3856:DVB
3648:SxS
3611:TOD
3593:MOD
3447:VMD
3412:FVD
3406:UMD
3394:EVD
3382:CVD
3363:DVD
3351:VCD
3334:VSD
3316:VHD
3310:CED
3298:TeD
3250:HDV
3147:DCT
3104:Hi8
3086:MII
3050:CVC
3038:SVR
3026:VHS
3008:IVC
2509:PBS
2477:PBS
1458:PCM
1260:by
1146:XLR
1074:CCD
1040:JVC
1003:.
927:or
905:GOP
815:by
731:'s
709:PBS
676:BBC
669:CBS
664:JAG
649:ENG
630:.
596:SxS
490:TOD
421:or
307:LCD
231:or
116:by
76:HDV
51:JVC
41:on
35:HDV
4102::
3642:P2
3531:DV
3469:c.
3373:c.
3159:D5
3141:D3
3135:D2
3129:D1
3032:VK
2996:VX
2506:.
2492:^
2474:.
2391:.
2316:^
2299:^
1985:^
1660:^
1634:^
1599:^
1456:,
1429:)
995:,
950:.
923:,
883:,
870:DV
654:.
567:,
199:.
180:.
57:,
43:DV
3722:e
3715:t
3708:v
3474:)
3467:(
3378:)
3371:(
3062:M
2891:e
2884:t
2877:v
2849:.
2828:.
2807:.
2781:.
2756:.
2731:.
2710:.
2689:.
2664:.
2650:.
2636:.
2611:.
2566:.
2529:.
2512:.
2486:.
2449:.
2293:.
2279:.
2265:.
2251:.
2237:.
2223:.
2209:.
2195:.
2170:.
2156:.
2131:.
2106:.
2092:.
2078:.
2064:.
2050:.
2025:.
2002:.
1957:.
1943:.
1912:.
1895:.
1870:.
1856:.
1831:.
1817:.
1803:.
1771:.
1721:.
1690:.
1654:.
1628:.
1593:.
1287:)
1281:(
1276:)
1272:(
1268:.
1254:.
842:)
836:(
831:)
827:(
823:.
809:.
258:(
143:)
137:(
132:)
128:(
124:.
110:.
23:.
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