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Fee Plumley

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548: 27: 237:. The company sought to "explore new technologies as they emerge and see what they can offer creative minds". Their program focused on creating platforms, running commissions, and educating artists and the public about how to use mobile phones to create and share their art. This included using mobile phones for creative writing, using 150 characters or less, similar to the Twitter platform. 285:
The goal of the project is to collaboratively make and share digital art with Australian and international "nomads" in residence and the people they meet along the journey. Plumley used the funding for travel costs and to purchase a bus which was outfitted with technological equipment, becoming a
55: 306: 208:. Unhappy with her work in the theatre, she explored how to use the internet as art. Her work brings together literature, performance, and technologies such as mobile phones, 289:
reallybigroadtrip is partnering with other artists in Australia and organizations to hold meet-ups organized via Twitter, collaborative sessions, screenings, and workshops.
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on its "Arts content for the digital era" program, producing initiatives such as Geek in Residence and the Digital Culture Fund. Since 1997, she has collaborated with
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In 2000, Plumley started the-phone-book Limited with animator and filmmaker Ben Jones. The project was partially funded by the
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artist in the United Kingdom. In 1996, she used the internet for the first time, invited to use it by a
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mobile workshop, exhibition space for art, technology lab, and home for Plumley during the project.
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tweeted their support for the project. The project was successfully funded with a
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to fund a three-month cross-Australia road trip and art project. Plumley was
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British-born digital artist, technology evangelist, and digital consultant
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Plumley got her creative start working in the theatre industry in
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from the article and its talk page, especially if potentially
185: 539: 514:"Kickstarting your arts projects now Pozible online" 422:"Australian Spy Laws, Andable and the Death of Digg" 569: 247:In the first half of 2012, Plumley successfully 307:"Supporting a new breed of digital pioneers" 440:"What really happened to Charlotte Dawson?" 546: 58:about living persons that is unsourced or 390: 388: 356: 354: 129:Learn how and when to remove this message 459: 455: 453: 360: 603:Theatre people from Greater Manchester 570: 464:. The Feature Archives. Archived from 385: 351: 618:21st-century Australian women artists 486: 450: 613:Australian women computer scientists 554:DART: What's Hot in the Digital Arts 480: 363:"Tweet puts Techno-Priscilla on bus" 240: 20: 562:Australian Broadcasting Corporation 158:Australian Broadcasting Corporation 13: 535:reallybigroadtrip official website 325: 14: 634: 528: 333:"Geeks, tweets and bums on seats" 228: 282:above the target being donated. 156:. She is a regular guest on the 25: 623:21st-century Australian artists 506: 432: 414: 396:"The artist as media activist" 299: 150:Australia Council for the Arts 1: 489:"Why I like wireless writing" 487:Smith, Russell (7 May 2003). 361:Douglas, Tim (17 July 2012). 292: 462:"Power to the Mobile People" 36:biography of a living person 7: 223: 63:must be removed immediately 10: 639: 583:Australian digital artists 175: 168:, where she talks about 578:British digital artists 381:(subscription required) 235:Arts Council of England 593:Technology evangelists 50:Please help by adding 588:Women digital artists 337:Sydney Morning Herald 556:featuring Plumley's 460:Frauenfelder, Mark. 254:through the website 56:Contentious material 446:. 6 September 2012. 598:Internet activists 493:The Globe and Mail 444:ABC Radio National 426:ABC Radio National 313:on 26 October 2012 162:Download this Show 144:is a British-born 558:reallybigroadtrip 242:reallybigroadtrip 214:augmented reality 139: 138: 131: 113: 39:needs additional 630: 550: 522: 521: 510: 504: 503: 501: 499: 484: 478: 477: 475: 473: 457: 448: 447: 436: 430: 429: 418: 412: 411: 409: 407: 392: 383: 382: 379: 377: 375: 358: 349: 348: 346: 344: 329: 323: 322: 320: 318: 309:. Archived from 303: 281: 265: 261: 253: 154:Douglas Rushkoff 134: 127: 123: 120: 114: 112: 71: 52:reliable sources 29: 28: 21: 638: 637: 633: 632: 631: 629: 628: 627: 568: 567: 531: 526: 525: 520:. 12 July 2012. 512: 511: 507: 497: 495: 485: 481: 471: 469: 468:on 3 March 2016 458: 451: 438: 437: 433: 428:. 20 July 2012. 420: 419: 415: 405: 403: 394: 393: 386: 380: 373: 371: 359: 352: 342: 340: 331: 330: 326: 316: 314: 305: 304: 300: 295: 279: 263: 259: 251: 245: 231: 226: 178: 135: 124: 118: 115: 72: 70: 49: 30: 26: 17: 12: 11: 5: 636: 626: 625: 620: 615: 610: 605: 600: 595: 590: 585: 580: 566: 565: 551: 537: 530: 529:External links 527: 524: 523: 505: 479: 449: 431: 413: 384: 368:The Australian 350: 339:. 10 July 2010 324: 297: 296: 294: 291: 244: 239: 230: 229:the-phone-book 227: 225: 222: 177: 174: 166:Radio National 146:digital artist 137: 136: 60:poorly sourced 33: 31: 24: 15: 9: 6: 4: 3: 2: 635: 624: 621: 619: 616: 614: 611: 609: 608:Living people 606: 604: 601: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 575: 573: 563: 559: 555: 552: 549: 545: 541: 538: 536: 533: 532: 519: 515: 509: 494: 490: 483: 467: 463: 456: 454: 445: 441: 435: 427: 423: 417: 402:. 16 May 2012 401: 397: 391: 389: 370: 369: 364: 357: 355: 338: 334: 328: 312: 308: 302: 298: 290: 287: 283: 277: 273: 272:Amanda Palmer 269: 262:short of her 257: 250: 243: 238: 236: 221: 219: 215: 211: 207: 203: 199: 195: 194:stage manager 191: 187: 183: 173: 171: 167: 163: 159: 155: 151: 147: 143: 133: 130: 122: 119:November 2012 111: 108: 104: 101: 97: 94: 90: 87: 83: 80: –  79: 78:"Fee Plumley" 75: 74:Find sources: 68: 64: 61: 57: 53: 47: 46: 42: 37: 32: 23: 22: 19: 557: 517: 508: 496:. 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She was a 179: 161: 141: 140: 125: 116: 106: 99: 92: 85: 73: 62: 45:verification 38: 18: 540:Fee Plumley 276:Neil Gaiman 266:goal until 249:crowdfunded 182:North Wales 142:Fee Plumley 572:Categories 498:10 October 472:10 October 406:10 October 374:10 October 343:10 October 317:26 October 293:References 190:Manchester 184:, London, 170:datamining 89:newspapers 264:A$ 25,000 260:A$ 10,000 252:A$ 27,000 41:citations 280:A$ 2,000 224:Projects 206:Brighton 202:landlord 67:libelous 560:on the 544:Twitter 400:artsHub 256:Pozible 218:Arduino 103:scholar 518:Crikey 274:, and 216:, and 196:and a 188:, and 176:Career 105:  98:  91:  84:  76:  198:props 186:Leeds 110:JSTOR 96:books 34:This 500:2012 474:2012 408:2012 376:2012 345:2012 319:2012 82:news 43:for 542:on 204:in 164:on 160:'s 574:: 516:. 491:. 452:^ 442:. 424:. 398:. 387:^ 365:. 353:^ 335:. 270:, 212:, 172:. 54:. 564:. 502:. 476:. 410:. 378:. 347:. 321:. 132:) 126:( 121:) 117:( 107:· 100:· 93:· 86:· 69:. 48:.

Index

biography of a living person
citations
verification
reliable sources
Contentious material
poorly sourced
libelous
"Fee Plumley"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
digital artist
Australia Council for the Arts
Douglas Rushkoff
Australian Broadcasting Corporation
Radio National
datamining
North Wales
Leeds
Manchester
stage manager
props
landlord
Brighton
social media
augmented reality
Arduino

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