639:. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information.
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491:, going so far as to publish a book inviting Jews to restore the religion to its "open source" roots. He founded a movement for progressive Judaism called Reboot, but subsequently left when he felt its funders had become more concerned with marketing and publicity of Judaism than its actual improvement and evolution. Disillusioned by the failure of the open source model to challenge entrenched and institutional hierarchies from religion to finance, he became a colleague of
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654:(1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated.
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program, Rushkoff explained the billionaires' mindset as coming down to this essential question: "How much money and technology do I need to insulate myself from the reality I'm creating by earning money and using technology in this way?" He argues that treating people better in the present may be
607:
Douglas
Rushkoff's philosophy developed from a techno-utopian view of new media to a more nuanced critique of cyberculture discourse and the impact of media on society. Viewing everything except for intention as media, he frequently explores the themes of how to make media interactive, how to help
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and
Terence McKenna characterized the mid-1990s as techno-utopian, and saw the rapid acceleration of culture, emerging media and the unchecked advancement of technology as completely positive. Rushkoff's own unbridled enthusiasm for cyberculture was tempered by the dotcom boom, when the non-profit
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Douglas
Rushkoff has served on the board of directors of the Media Ecology Association, The Center for Cognitive Liberty and Ethics, and is a founding member of Technorealism, as well as of the advisory board of The National Association for Media Literacy Education, MeetUp.com and HyperWords
538:. This was partly based on the prompting from his fanbase that expressed that the ideas in the film were direct quotations from his books and films. Rushkoff speculated at the possibility that the programmers interviewed in the film have read something from himself, or other writers such as
713:, citing concerns about the company's use of his personal data. In 2023, he announced his departure from X and other social media platforms, explaining, "And Twitter has no tolerance for ambiguity. It's missing the moderated, the emotional, the poetic...the whole human experience."
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turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by
Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants.
682:, or the degree to which certain content and media can facilitate and/or promote relationships and interactions between members of a community. Rushkoff mentions jokes, scandals, blogs, ambiance, i.e. anything that would engender "water cooler" talk, as social currency.
725:(2022), Rushkoff explored the calculus some of the extremely wealthy make in the recognition that their often single-minded pursuit of greater profits and better technology are creating an increasingly unstable world. In a 2022 talk for House of SpeakEasy's
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documentary which explores the people, marketing techniques and ideologies behind popular culture for teenagers. This video attempts to answer whether or not teen popular culture is reflective of its population or manufactured by big business and related
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documentary examines the psychological techniques behind popular marketing and advertising trends, determines how these methods influence how we view ourselves and desires, and postulates on the future implications of these persuasive approaches at
1198:(creator and host): a weekly interview show focused on themes of inspecting and subverting technology's effect on human behaviour. The format of the show is typically started with a monologue from Rushkoff and then an interview with a guest.
566:. He acknowledged that while their work and analogies are being quoted without acknowledgement of their source, that these quotations serve as memes themselves and are indicative of their sustaining value beyond their original authors.
1838:"Robert Anton Wilson – Maybe Logic: Robert Anton Wilson, Valerie Corral, Paul Krassner, Tom Robbins, Douglas Rushkoff, R.U. Sirius, Douglass Smith, Lance Bauscher, Cody McClintock, Robert Dofflemyer, Katherine Covell: Movies & TV"
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scene of the early 1990s. The initially planned publication was scrapped, however; in
Rushkoff's words, "in 1992 Bantam canceled the book because they thought by 1993 the internet would be over." It was eventually published in 1994.
503:
as well as in numerous documentaries decrying the corporatization of public space and consciousness. He has dedicated himself most recently to the issues of media literacy, participatory government, and the development of local and
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Up to the late-1990s, Douglas
Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary.
296:
Rushkoff was born in New York City, New York, and is the son of Sheila, a psychiatric social worker, and Marvin
Rushkoff, a hospital administrator. His older brother, Bennett, has served as an administrative law judge in
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people (especially children) effectively analyze and question the media they consume, as well as how to cultivate intention and agency. He has theorized on such media as religion, culture, politics, and money.
632:. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react.
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years before, is one of the people included in the documentary. Rushkoff also acknowledged he got a call from the Center for Humane
Technology stating that they are starting a new organization called
386:
As his books became more accepted, and his concepts of the "media virus" and "social contagion" became mainstream ideas, Rushkoff was invited to deliver commentaries on
National Public Radio's
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has been gradually centralized throughout time, and pondering the reasons and consequences of such a fact, he goes on to demonstrate how our society has become defined by and controlled by
666:, Rushkoff explores the medium of religion and intellectually deconstructs the Bible and the ways that he says religion fails to provide true connectivity and transformative experiences.
582:. Rushkoff asked his fanbase to not act negatively toward this appropriation, and to be inclusive of this new community in order to open up a new dialogue between the groups.
436:. Rushkoff taught classes in media theory and in media subversion for New York University's Interactive Telecommunications Program, participated in activist pranks with the
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and eToy, contributed to numerous books and documentaries on psychedelics, and spoke or appeared at many events sponsored by counterculture publisher
Disinformation.
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Rushkoff worked with both Robert Anton Wilson and Timothy Leary on developing philosophical systems to explain consciousness, its interaction with technology, and
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1192:, open source WFMU radio which examines similarly open source, bottom-up solutions to some of the problems engendered by our relentlessly top-down society.
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He is the winner of the first Neil Postman Award for Career Achievement in Public Intellectual Activity, given by the Media Ecology Association, in 2004.
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Simultaneously, Rushkoff continued to develop his relationship with counterculture figures, collaborating with Genesis P-Orridge as a keyboardist for
411:
of that organization. This allied him with the "media ecologists", a continuation of what is known as the Toronto School of media theorists including
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Rushkoff emerged in the early 1990s as an active member of the cyberpunk movement, developing friendships and collaborations with people including
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1975:"National Advisory Council – NAMLE – National Association for Media Literacy Education – Advancing Media Literacy Education in America"
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Rushkoff has long been skeptical of social media. On February 25, 2013, he announced in a CNN op-ed that he was leaving
160:, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early
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This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of
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325:'s New Media Program, writing a dissertation on new media literacies, which was approved in June, 2012.
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Frick, Karin; Guertler, Detlef; Gloor, Peter A. (2013). "Coolhunting for the World's Thought Leaders".
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in 2000 – as pivotal moments in his understanding of the forces at work in the evolution of new media.
113:
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and his dissertation "Monopoly Moneys", Rushkoff takes a look at physical currency and the history of
187:. He has written ten books on media, technology and culture. He wrote the first syndicated column on
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on WFMU from 2008 to 2009, concerned with reclaiming commerce and culture from corporate domination.
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923:(Published in the UK in 1997 as "Children of Chaos: Surviving the End of the World as We Know it"
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249:, where he created the Narrative Lab. In 2012, Rushkoff was declared the sixth most influential
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624:, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia,
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appear throughout Rushkoff's work as a focus on media over content, the effects of media on
3117:
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2644:
2316:"Douglas Rushkoff : Children Of Chaos (Playing The Future) : Lost In Translation"
1517:"Open Source Reality: Douglas Rushkoff Examines the Effects of Open Source | EDUCAUSE"
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Boyd, Andrew. "Truth is a Virus ." Culture Jamming 101 . 2002. Retrieved on May 3, 2009.
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American media theorist, writer, columnist, lecturer, graphic novelist and documentarian
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of the human species, and references both consistently in his work. Leary, along with
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678:. One of the most important concepts that he creates and develops is the notion of
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Rushkoff does not limit his writings to the effect of technology on adults, and in
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2447:
Seriously Entertaining: Douglas Rushkoff on "Life, Liberty & Other Pursuits"
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2044:"WFMU's Beware of the Blog: New Podcast: The Media Squat with Douglas Rushkoff"
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Most recently, Douglas Rushkoff has turned his critical lens to the medium of
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Rushkoff is currently Professor of Media Theory and Digital Economics at the
2315:
1409:"Rushkoff, Douglas 1961– - Dictionary definition of Rushkoff, Douglas 1961–"
472:. Rushkoff often cites two events in particular – the day Netscape became a
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1817:"Digital Minds Blog: Media Resistance – An Interview with Douglas Rushkoff"
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References to media ecologist and Toronto School of Communication founder
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1585:"Digital Nation|Frontline: digital nation: interviews: douglas rushkoff"
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In September 2020, Rushkoff commented on the release of the documentary
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369:
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226:
840:
Life, Inc.: How the World Became A Corporation and How To Take It Back
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the most surefire way to avoid widespread catastrophe in the future.
516:
and centralized currency from the Renaissance to today, and hosted a
161:
468:
character of the Internet was rapidly overtaken by corporations and
378:, his first book on cyberculture, was inspired by the San Francisco
3067:
2968:
2425:"Why I'm Finally Leaving X And Probably All Social Media // Medium"
710:
675:
1393:
997:
Douglas Rushkoff (2019). "Chapter 8: Survival of the richest". In
723:
Survival of the Richest: Escape Fantasies of the Tech Billionaires
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2527:
484:
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and the level at which people participate when consuming media.
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2154:
559:
241:
in Manhattan and the Interactive Telecommunications Program at
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2533:
1718:"Core77 / industrial design magazine + resource / Design.EDU"
694:
563:
1655:"Frontline: Merchants of Cool: interviews: Douglas Rushkoff"
1606:"Mediamatic Review: J. Marshall – Media Virus – D. Rushkoff"
379:
2471:
2261:"Cyberia Summary – Douglas Rushkoff – Magill Book Reviews"
2067:
They've Joined Team Human! On Netflix's The Social Dilemma
1634:
1339:. Interactive Telecommunications Program. Archived from
818:
Program or be Programmed: Ten Commands for a Digital Age
2383:"You are Facebook's product, not its customer // Wired"
1697:"Douglas Rushkoff Discography and Music at CD Universe"
1564:"An Open Letter from the friend's of Dr. Timothy Leary"
914:
Playing the Future: What We Can Learn From Digital Kids
175:
and is known for coining terms and concepts including
142:
1312:"Media Studies :: Academics :: All Courses"
1003:
This Is Not a Drill: An Extinction Rebellion Handbook
578:, which is a direct wordplay from Rushkoff's podcast
403:
Award by the Media Ecology Association for his book
868:
Get Back in the Box: Innovation from the Inside Out
1926:"Smith College: The Community Responds to Tragedy"
1386:
430:, and credited with composing music for the album
2358:"Douglas Rushkoff Interview // wishtank magazine"
1884:"Mindjack Magazine: Coercion by Douglas Rushkoff"
305:in 1983. He moved to Los Angeles and completed a
3109:
1427:"Princeton Alumni Weekly: Search & Archives"
996:
237:, Queens College. He has previously lectured at
2088:"Organization of the Media Ecology Association"
1270:"Science and Technology News, Science Articles"
392:, and to make documentaries for the PBS series
1213:
1211:
936:Media Virus: Hidden Agendas in Popular Culture
637:Media Virus: Hidden Agendas in Popular Culture
611:
2549:
64:Media theorist, writer, columnist, lecturer,
2949:
1811:
1809:
1363:"World's Most Influential Thinkers Revealed"
1142:Digital Nation, Life on the Virtual Frontier
1819:. Digitalmindsblog.blogspot.com. 2008-03-26
1608:. Mediamatic.nl. 1996-10-01. Archived from
1208:
964:Cyberia: Life in the Trenches of Cyberspace
2556:
2542:
2512:
1519:. Educause.edu. 2008-07-01. Archived from
1145:. Web site and documentary, PBS Frontline.
1136:Dir. Benjamin Meade, Cosmic Cowboy Studio.
901:Coercion: Why We Listen to What "They" Say
805:Present Shock: When Everything Happens Now
585:
171:Rushkoff is most frequently regarded as a
29:
1969:
1967:
1806:
1392:
978:Free Rides: How To Get High Without Drugs
853:Foreword: The Opportunity for Renaissance
2063:
2020:
1789:"disinformation | Douglas Rushkoff"
1337:"ITP Research 2005 » Narrative Lab"
1243:
1217:
156:(born February 18, 1961) is an American
3143:California Institute of the Arts alumni
1762:
1446:
888:Nothing Sacred: The Truth About Judaism
664:Nothing Sacred: The Truth About Judaism
483:Rushkoff spent several years exploring
3110:
2787:Jack the Tab – Acid Tablets Volume One
2111:. Cognitiveliberty.org. Archived from
1998:
1964:
1905:"A Conversation with Douglas Rushkoff"
1220:"Signs of the times | Technology"
2537:
1540:
407:, and became a member and sat on the
2923:Hell Is Invisible... Heaven Is Her/e
2001:"DIY Currencies – Dual Perspectives"
1401:
1361:Emerging Technology from the arXiv.
693:. Beginning with an overview of how
433:Hell Is Invisible... Heaven Is Her/e
716:
13:
2497:Works by or about Douglas Rushkoff
2404:"Why I'm quitting Facebook // CNN"
1170:, a groundbreaking, award-winning
570:, who was a subject in Rushkoff's
512:, which traces the development of
508:. He wrote a book and film called
399:In 2002, Rushkoff was awarded the
14:
3244:
2463:
2293:. Firstmonday.org. Archived from
1246:"Crowdsourcing The Bank Recovery"
1079:A.D.D. – Adolescent Demo Division
1054:
1005:. Penguin Books. pp. 58–64.
197:, as well as regular columns for
3153:Writers from Scarsdale, New York
3054:Ultrahouse The Twelve Inch Mixes
3047:Tune In (Turn On The Acid House)
2891:Sirens (Ultradrug – Thee Sequel)
2178:. Hyperwords.net. Archived from
2064:Rushkoff, Douglas (2020-09-16).
1244:Rushkoff, Douglas (2009-03-30).
1218:Rushkoff, Douglas (2002-07-25).
1119:
1020:
990:
792:Throwing Rocks at the Google Bus
476:in 1995, and the day AOL bought
311:California Institute of the Arts
86:California Institute of the Arts
3228:21st-century American essayists
2438:
2417:
2396:
2375:
2350:
2329:
2318:. Spikemagazine.com. 1999-02-22
2308:
2283:
2274:
2253:
2232:
2214:
2203:. Media-ecology.org. 2001-02-26
2193:
2168:
2147:
2136:. Technorealism.org. 1998-03-12
2126:
2101:
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2014:
1992:
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1918:
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1678:. Media-ecology.org. 2001-02-26
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1509:
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1467:
1453:. Hachette Books. p. 138.
1440:
1429:. Paw.princeton.edu. 2009-07-15
1419:
1314:. Newschool.edu. Archived from
1272:. Discover Magazine. 2007-01-21
733:
704:
2827:Ultrahouse The L.A. Connection
2755:The Magickal Mystery D Tour EP
2563:
2360:. Wishtank.org. Archived from
2339:. World Wide Words. 1998-01-10
1999:Newitz, Annalee (2008-09-11).
1380:
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1329:
1304:
1283:
1262:
1237:
1188:(creator and host): freeform,
1134:American Music: OFF THE RECORD
168:solutions to social problems.
1:
3097:Thee Temple ov Psychick Youth
1791:. Disinfo.com. Archived from
1741:. The Yes Men. Archived from
1541:Foord, Michael (1905-10-14).
1202:
443:
291:
35:Douglas Rushkoff at 2023 SXSW
3213:Scarsdale High School alumni
2779:Jack the Tab/Tekno Acid Beat
1863:"The Thing That I Call Doug"
1763:Priluck, Jill (2009-01-04).
1699:. Cduniverse.com. 2009-03-08
1543:"Douglas Rushkoff – Cyberia"
527:
321:. He was a PhD candidate at
286:
194:The New York Times Syndicate
164:culture and his advocacy of
7:
3208:New York University faculty
3138:Princeton University alumni
2522:interviewed on the TV show
2201:"Past MEA Award Recipients"
2046:. Blog.wfmu.org. 2009-03-25
1951:"frontline: the persuaders"
1928:. Smith.edu. Archived from
1676:"Past MEA Award Recipients"
738:
669:
657:
612:Technology and cyberculture
235:City University of New York
10:
3249:
3233:21st-century American Jews
3158:20th-century American Jews
2803:Towards Thee Infinite Beat
2660:Lady Jaye Breyer P-Orridge
1886:. Mindjack.com. 1999-10-01
602:
3148:Utrecht University alumni
3084:
3010:
2983:
2811:Beyond Thee Infinite Beat
2706:
2571:
2506:Works by Douglas Rushkoff
2488:Works by Douglas Rushkoff
721:In his most recent work,
597:
499:, appearing with them at
239:The New School University
140:
135:
127:
119:
109:
72:
60:
40:
28:
21:
3193:Anti-corporate activists
2715:Force the Hand of Chance
2427:. Medium.com. 2023-10-28
2222:"Team Human vs. Team AI"
2176:"The Hyperwords Company"
1765:"Etoy: 'This Means War'"
1720:. Core77.com. 2005-01-08
1179:
758:
506:complementary currencies
247:Tisch School of the Arts
2385:. wired.com. 2011-09-11
2021:rushkoff (2009-05-11).
1977:. NAMLE. Archived from
1657:. PBS. 27 February 2001
1631:"National Public Radio"
1496:"Dissertation approved"
1477:. Let.uu.nl. 1999-02-22
1447:Salamon, Julie (1992).
855:, pp. 273–281, in
766:Survival of the Richest
586:Awards and appointments
319:American Film Institute
95:American Film Institute
3188:American futurologists
3173:Open content activists
3168:Communication scholars
2242:. The Austin Chronicle
951:(Editor, contributor)
746:Team Human vs. Team AI
727:Seriously Entertaining
309:in Directing from the
3040:Magick Defends Itself
2630:Hilmar Örn Hilmarsson
2406:. CNN.com. 2013-02-25
2240:"Archives: 1998-1999"
2023:"Life Inc: The Movie"
1612:on September 29, 2008
1498:. Twitter. 2012-06-25
1367:MIT Technology Review
881:Open Source Democracy
562:, or even the singer
389:All Things Considered
313:. Later he took up a
256:MIT Technology Review
154:Douglas Mark Rushkoff
3223:Open-source movement
3163:Mass media theorists
2645:Peter Christopherson
1475:"NewMediaStudies.nl"
999:Extinction Rebellion
317:fellowship from the
303:Princeton University
77:Princeton University
3133:American socialists
2819:Direction ov Travel
2228:. February 2, 2019.
2134:"Technorealism FAQ"
2090:. Media-ecology.org
1150:Life Inc. The Movie
1066:Michael Avon Oeming
754:, February 5, 2019.
493:Mark Crispin Miller
342:Robert Anton Wilson
307:Master of Fine Arts
243:New York University
3218:Internet theorists
3198:Critical theorists
3178:American radio DJs
3075:Snowflake/Illusive
2747:Mouth of the Night
2109:"Who is the CCLE?"
1545:. Voidspace.org.uk
1291:"Douglas Rushkoff"
1196:Team Human Podcast
1062:Aleister and Adolf
644:Playing the Future
535:The Social Dilemma
409:board of directors
323:Utrecht University
301:He graduated from
179:(or media virus),
99:Utrecht University
3183:Cyberpunk writers
3128:American bloggers
3105:
3104:
2979:
2978:
2763:Allegory and Self
2723:Dreams Less Sweet
2577:Genesis P-Orridge
2492:Project Gutenberg
2450:, 18 October 2022
2226:strategy+business
1953:. PBS. 2004-11-09
1587:. PBS. 2009-03-24
1450:The Devil's Candy
1293:. The Daily Beast
1168:Merchants of Cool
1114:978-0-9729529-3-4
1101:978-1-4012-1063-2
1086:978-1-78116-019-0
1073:978-1-50670-104-2
1049:978-1-57322-702-5
1036:978-1-887128-90-2
972:978-1-903083-24-6
943:978-0-345-39774-4
921:978-1-57322-764-3
908:978-1-57322-829-9
895:978-1-4000-5139-7
875:978-0-06-075869-1
847:978-1-4000-6689-6
834:978-1-935928-16-4
826:978-1-935928-15-7
786:978-0-393-65169-0
773:978-0-393-88106-6
751:Strategy+Business
699:corporate culture
630:computer networks
354:Genesis P-Orridge
151:
150:
56:New York City, US
51:February 18, 1961
3240:
2947:
2946:
2867:Cathedral Engine
2835:Cold Dark Matter
2739:Those Who Do Not
2615:Douglas Rushkoff
2558:
2551:
2544:
2535:
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2520:Douglas Rushkoff
2516:
2501:Internet Archive
2475:
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2472:Official website
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1129:. PBS Frontline.
1016:
717:Wealth and power
556:Richard Barbrook
552:Howard Rheingold
487:as a primer for
461:social evolution
450:Marshall McLuhan
413:Marshall McLuhan
401:Marshall McLuhan
299:Washington, D.C.
253:in the world by
217:online magazines
147:
144:
66:graphic novelist
54:
50:
48:
33:
23:Douglas Rushkoff
19:
18:
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3203:Chaos magicians
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3080:
3006:
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2915:Cold Blue Torch
2794:Tekno Acid Beat
2702:
2670:Andy Chatterley
2655:Paula P-Orridge
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2003:. Portfolio.com
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1250:Arthur Magazine
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1186:The Media Squat
1182:
1127:Generation Like
1122:
1057:
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949:The GenX Reader
761:
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680:social currency
672:
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600:
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530:
522:The Media Squat
470:venture capital
454:popular culture
446:
350:Terence McKenna
294:
289:
281:Richard Florida
273:Daniel Kahneman
185:social currency
141:
123:Barbara Kligman
97:
93:
84:
68:, documentarian
55:
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24:
17:
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2992:Time's Up Live
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2464:External links
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2155:"About Meetup"
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2013:
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1156:The Persuaders
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1055:Graphic novels
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985:978-0385303316
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957:978-0345390462
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884:
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861:David Mathison
849:
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812:978-1591844761
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489:media literacy
474:public company
445:
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362:Grant Morrison
293:
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277:Thilo Sarrazin
181:digital native
173:media theorist
158:media theorist
149:
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114:American media
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3123:Living people
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3019:Just Drifting
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2853:
2852:
2851:A Hollow Cost
2848:
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2707:Studio albums
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2641:
2640:Monte Cazazza
2638:
2636:
2633:
2631:
2628:
2626:
2625:Rose McDowall
2623:
2621:
2620:Drew McDowall
2618:
2616:
2613:
2611:
2608:
2606:
2603:
2601:
2598:
2596:
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2579:
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2574:
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2570:
2566:
2559:
2554:
2552:
2547:
2545:
2540:
2539:
2536:
2529:
2525:
2524:Triangulation
2521:
2518:
2515:
2511:
2507:
2504:
2502:
2498:
2495:
2493:
2489:
2486:
2484:
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2473:
2468:
2467:
2449:
2448:
2441:
2426:
2420:
2405:
2399:
2384:
2378:
2364:on 2008-05-26
2363:
2359:
2353:
2338:
2332:
2317:
2311:
2297:on 2009-10-16
2296:
2292:
2286:
2277:
2262:
2256:
2241:
2235:
2227:
2223:
2217:
2202:
2196:
2182:on 2009-07-17
2181:
2177:
2171:
2156:
2150:
2135:
2129:
2115:on 2009-10-08
2114:
2110:
2104:
2089:
2083:
2069:
2068:
2060:
2045:
2039:
2025:. Boing Boing
2024:
2017:
2002:
1995:
1981:on 2009-11-08
1980:
1976:
1970:
1968:
1952:
1946:
1932:on 2008-12-02
1931:
1927:
1921:
1906:
1900:
1885:
1879:
1864:
1858:
1844:. 30 May 2006
1843:
1839:
1833:
1818:
1812:
1810:
1795:on 2009-04-17
1794:
1790:
1784:
1770:
1766:
1759:
1745:on 2009-03-08
1744:
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1636:
1632:
1626:
1611:
1607:
1601:
1586:
1580:
1565:
1559:
1544:
1537:
1523:on 2016-05-16
1522:
1518:
1512:
1497:
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1476:
1470:
1462:
1460:9780786741830
1456:
1452:
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1443:
1428:
1422:
1414:
1410:
1404:
1395:
1390:
1383:
1368:
1364:
1357:
1343:on 2012-07-12
1342:
1338:
1332:
1318:on 2011-05-30
1317:
1313:
1307:
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1120:Documentaries
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1033:
1029:
1028:Exit Strategy
1025:
1024:
1021:Fiction works
1014:
1012:9780141991443
1008:
1004:
1000:
995:
994:
991:Book chapters
986:
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969:
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929:0-00-654879-2
926:
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889:
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883:A Demos Essay
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685:In his book,
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3092:Discography
2731:A Pagan Day
2665:Marc Almond
2610:David Tibet
2595:Bobby Bones
2479:Appearances
1566:. Seric.com
1139:2009–2010.
1107:Club Zero-G
1090:2005–2008.
1030:(aka Bull)
691:corporatism
548:Andrew Keen
514:corporatism
497:Naomi Klein
478:Time Warner
465:John Barlow
269:Nobel prize
221:Daily Beast
203:of London,
177:viral media
166:open-source
3112:Categories
2907:Trip/Reset
2693:Daniel Ash
2675:Danny Hyde
2565:Psychic TV
2454:2023-02-15
2431:2023-10-31
2410:2013-02-25
2389:2011-09-11
2368:2009-07-25
2343:2009-07-25
2322:2009-07-25
2301:2009-07-25
2291:"Barbrook"
2267:2009-07-25
2246:2009-07-25
2207:2009-07-25
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2161:2009-07-25
2140:2009-07-25
2119:2009-07-25
2094:2009-07-25
2073:2022-03-24
2050:2009-07-25
2029:2009-07-25
2007:2009-07-25
1985:2009-07-25
1957:2009-07-25
1936:2009-07-25
1911:2009-07-25
1890:2009-07-25
1869:2009-07-25
1848:2009-07-25
1823:2009-07-25
1799:2009-07-25
1774:2009-07-25
1749:2009-07-25
1724:2009-07-25
1703:2009-07-25
1682:2009-07-25
1661:2009-07-25
1640:2012-05-03
1616:2009-07-25
1591:2009-07-25
1570:2009-07-25
1549:2009-07-25
1527:2009-07-25
1502:2012-06-25
1481:2009-07-25
1433:2009-07-25
1347:2009-07-25
1322:2009-07-25
1297:2009-07-25
1276:2009-07-25
1255:2009-07-25
1230:2009-07-25
1203:References
820:Paperback
779:Team Human
687:Life, Inc.
628:and early
580:Team Human
518:radio show
444:Influences
428:Psychic TV
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370:Erik Davis
366:Mark Pesce
292:Background
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3000:Black Joy
2883:Ultradrug
2843:Peak Hour
2605:Dave Ball
1394:1308.1160
1190:bottom-up
1172:Frontline
1160:Frontline
1093:Testament
528:Influence
510:Life Inc.
394:Frontline
334:RU Sirius
287:Biography
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3068:E-Lusive
2969:Themes 2
2939:Alienist
1226:. London
863:, editor
739:Articles
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676:currency
670:Currency
658:Religion
652:Coercion
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438:Yes Men
376:Cyberia
251:thinker
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2953:series
2951:Themes
2942:(2016)
2934:(2014)
2931:Snakes
2926:(2007)
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1842:Amazon
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419:, and
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