Knowledge

Douglas Rushkoff

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650:. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information. 42: 2525: 502:, going so far as to publish a book inviting Jews to restore the religion to its "open source" roots. He founded a movement for progressive Judaism called Reboot, but subsequently left when he felt its funders had become more concerned with marketing and publicity of Judaism than its actual improvement and evolution. Disillusioned by the failure of the open source model to challenge entrenched and institutional hierarchies from religion to finance, he became a colleague of 2507: 665:(1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated. 740:
program, Rushkoff explained the billionaires' mindset as coming down to this essential question: "How much money and technology do I need to insulate myself from the reality I'm creating by earning money and using technology in this way?" He argues that treating people better in the present may be
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Douglas Rushkoff's philosophy developed from a techno-utopian view of new media to a more nuanced critique of cyberculture discourse and the impact of media on society. Viewing everything except for intention as media, he frequently explores the themes of how to make media interactive, how to help
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and Terence McKenna characterized the mid-1990s as techno-utopian, and saw the rapid acceleration of culture, emerging media and the unchecked advancement of technology as completely positive. Rushkoff's own unbridled enthusiasm for cyberculture was tempered by the dotcom boom, when the non-profit
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Douglas Rushkoff has served on the board of directors of the Media Ecology Association, The Center for Cognitive Liberty and Ethics, and is a founding member of Technorealism, as well as of the advisory board of The National Association for Media Literacy Education, MeetUp.com and HyperWords
549:. This was partly based on the prompting from his fanbase that expressed that the ideas in the film were direct quotations from his books and films. Rushkoff speculated at the possibility that the programmers interviewed in the film have read something from himself, or other writers such as 724:, citing concerns about the company's use of his personal data. In 2023, he announced his departure from X and other social media platforms, explaining, "And Twitter has no tolerance for ambiguity. It's missing the moderated, the emotional, the poetic...the whole human experience." 657:
turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants.
693:, or the degree to which certain content and media can facilitate and/or promote relationships and interactions between members of a community. Rushkoff mentions jokes, scandals, blogs, ambiance, i.e. anything that would engender "water cooler" talk, as social currency. 736:(2022), Rushkoff explored the calculus some of the extremely wealthy make in the recognition that their often single-minded pursuit of greater profits and better technology are creating an increasingly unstable world. In a 2022 talk for House of SpeakEasy's 1185:
documentary which explores the people, marketing techniques and ideologies behind popular culture for teenagers. This video attempts to answer whether or not teen popular culture is reflective of its population or manufactured by big business and related
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documentary examines the psychological techniques behind popular marketing and advertising trends, determines how these methods influence how we view ourselves and desires, and postulates on the future implications of these persuasive approaches at
1209:(creator and host): a weekly interview show focused on themes of inspecting and subverting technology's effect on human behaviour. The format of the show is typically started with a monologue from Rushkoff and then an interview with a guest. 577:. He acknowledged that while their work and analogies are being quoted without acknowledgement of their source, that these quotations serve as memes themselves and are indicative of their sustaining value beyond their original authors. 1849:"Robert Anton Wilson โ€“ Maybe Logic: Robert Anton Wilson, Valerie Corral, Paul Krassner, Tom Robbins, Douglas Rushkoff, R.U. Sirius, Douglass Smith, Lance Bauscher, Cody McClintock, Robert Dofflemyer, Katherine Covell: Movies & TV" 393:
scene of the early 1990s. The initially planned publication was scrapped, however; in Rushkoff's words, "in 1992 Bantam canceled the book because they thought by 1993 the internet would be over." It was eventually published in 1994.
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as well as in numerous documentaries decrying the corporatization of public space and consciousness. He has dedicated himself most recently to the issues of media literacy, participatory government, and the development of local and
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Up to the late-1990s, Douglas Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary.
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Rushkoff was born in New York City, New York, and is the son of Sheila, a psychiatric social worker, and Marvin Rushkoff, a hospital administrator. His older brother, Bennett, has served as an administrative law judge in
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people (especially children) effectively analyze and question the media they consume, as well as how to cultivate intention and agency. He has theorized on such media as religion, culture, politics, and money.
643:. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react. 585:
years before, is one of the people included in the documentary. Rushkoff also acknowledged he got a call from the Center for Humane Technology stating that they are starting a new organization called
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As his books became more accepted, and his concepts of the "media virus" and "social contagion" became mainstream ideas, Rushkoff was invited to deliver commentaries on National Public Radio's
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has been gradually centralized throughout time, and pondering the reasons and consequences of such a fact, he goes on to demonstrate how our society has become defined by and controlled by
677:, Rushkoff explores the medium of religion and intellectually deconstructs the Bible and the ways that he says religion fails to provide true connectivity and transformative experiences. 593:. Rushkoff asked his fanbase to not act negatively toward this appropriation, and to be inclusive of this new community in order to open up a new dialogue between the groups. 447:. Rushkoff taught classes in media theory and in media subversion for New York University's Interactive Telecommunications Program, participated in activist pranks with the 1641: 451:
and eToy, contributed to numerous books and documentaries on psychedelics, and spoke or appeared at many events sponsored by counterculture publisher Disinformation.
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Rushkoff worked with both Robert Anton Wilson and Timothy Leary on developing philosophical systems to explain consciousness, its interaction with technology, and
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He is the winner of the first Neil Postman Award for Career Achievement in Public Intellectual Activity, given by the Media Ecology Association, in 2004.
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Simultaneously, Rushkoff continued to develop his relationship with counterculture figures, collaborating with Genesis P-Orridge as a keyboardist for
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of that organization. This allied him with the "media ecologists", a continuation of what is known as the Toronto School of media theorists including
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Rushkoff emerged in the early 1990s as an active member of the cyberpunk movement, developing friendships and collaborations with people including
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Rushkoff has long been skeptical of social media. On February 25, 2013, he announced in a CNN op-ed that he was leaving
171:, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early 41: 3158: 995: 967: 822: 809: 2119: 3203: 2011: 1620: 1469: 1437: 1021: 939: 3064: 3057: 2615: 2305: 321: 96: 3198: 3183: 3178: 383:, and other writers, artists and philosophers interested in the intersection of technology, society and culture. 1419: 2837: 2765: 1749: 1665: 1230: 2098: 3233: 3173: 3107: 646:
This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of
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Frick, Karin; Guertler, Detlef; Gloor, Peter A. (2013). "Coolhunting for the World's Thought Leaders".
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in 2000 โ€“ as pivotal moments in his understanding of the forces at work in the evolution of new media.
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and his dissertation "Monopoly Moneys", Rushkoff takes a look at physical currency and the history of
198:. He has written ten books on media, technology and culture. He wrote the first syndicated column on 2941: 2821: 2690: 2595: 1485: 535:
on WFMU from 2008 to 2009, concerned with reclaiming commerce and culture from corporate domination.
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appear throughout Rushkoff's work as a focus on media over content, the effects of media on
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Boyd, Andrew. "Truth is a Virus ." Culture Jamming 101 . 2002. Retrieved on May 3, 2009.
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American media theorist, writer, columnist, lecturer, graphic novelist and documentarian
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of the human species, and references both consistently in his work. Leary, along with
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Rushkoff does not limit his writings to the effect of technology on adults, and in
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Seriously Entertaining: Douglas Rushkoff on "Life, Liberty & Other Pursuits"
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Most recently, Douglas Rushkoff has turned his critical lens to the medium of
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Rushkoff is currently Professor of Media Theory and Digital Economics at the
2326: 1420:"Rushkoff, Douglas 1961โ€“ - Dictionary definition of Rushkoff, Douglas 1961โ€“" 483:. Rushkoff often cites two events in particular โ€“ the day Netscape became a 2781: 2610: 2520: 2516: 2123: 1828:"Digital Minds Blog: Media Resistance โ€“ An Interview with Douglas Rushkoff" 636: 578: 431: 344: 261: 210: 199: 183: 1915: 459:
References to media ecologist and Toronto School of Communication founder
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In September 2020, Rushkoff commented on the release of the documentary
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Life, Inc.: How the World Became A Corporation and How To Take It Back
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the most surefire way to avoid widespread catastrophe in the future.
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and centralized currency from the Renaissance to today, and hosted a
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character of the Internet was rapidly overtaken by corporations and
389:, his first book on cyberculture, was inspired by the San Francisco 3078: 2979: 2436:"Why I'm Finally Leaving X And Probably All Social Media // Medium" 721: 686: 1404: 1008:
Douglas Rushkoff (2019). "Chapter 8: Survival of the richest". In
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Survival of the Richest: Escape Fantasies of the Tech Billionaires
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and the level at which people participate when consuming media.
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in Manhattan and the Interactive Telecommunications Program at
1371: 2544: 1729:"Core77 / industrial design magazine + resource / Design.EDU" 705: 574: 1666:"Frontline: Merchants of Cool: interviews: Douglas Rushkoff" 1617:"Mediamatic Review: J. Marshall โ€“ Media Virus โ€“ D. Rushkoff" 390: 2482: 2272:"Cyberia Summary โ€“ Douglas Rushkoff โ€“ Magill Book Reviews" 2078:
They've Joined Team Human! On Netflix's The Social Dilemma
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Program or be Programmed: Ten Commands for a Digital Age
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Playing the Future: What We Can Learn From Digital Kids
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and is known for coining terms and concepts including
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This Is Not a Drill: An Extinction Rebellion Handbook
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Award by the Media Ecology Association for his book
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Get Back in the Box: Innovation from the Inside Out
1937:"Smith College: The Community Responds to Tragedy" 1397: 441:, and credited with composing music for the album 2369:"Douglas Rushkoff Interview // wishtank magazine" 1895:"Mindjack Magazine: Coercion by Douglas Rushkoff" 316:in 1983. He moved to Los Angeles and completed a 3120: 1438:"Princeton Alumni Weekly: Search & Archives" 1007: 248:, Queens College. He has previously lectured at 2099:"Organization of the Media Ecology Association" 1281:"Science and Technology News, Science Articles" 403:, and to make documentaries for the PBS series 1224: 1222: 947:Media Virus: Hidden Agendas in Popular Culture 648:Media Virus: Hidden Agendas in Popular Culture 622: 2560: 75:Media theorist, writer, columnist, lecturer, 2960: 1822: 1820: 1374:"World's Most Influential Thinkers Revealed" 1153:Digital Nation, Life on the Virtual Frontier 1830:. Digitalmindsblog.blogspot.com. 2008-03-26 1619:. Mediamatic.nl. 1996-10-01. Archived from 1219: 975:Cyberia: Life in the Trenches of Cyberspace 2567: 2553: 2523: 1530:. Educause.edu. 2008-07-01. Archived from 1156:. Web site and documentary, PBS Frontline. 1147:Dir. Benjamin Meade, Cosmic Cowboy Studio. 912:Coercion: Why We Listen to What "They" Say 816:Present Shock: When Everything Happens Now 596: 182:Rushkoff is most frequently regarded as a 40: 1980: 1978: 1817: 1403: 989:Free Rides: How To Get High Without Drugs 864:Foreword: The Opportunity for Renaissance 2074: 2031: 1800:"disinformation | Douglas Rushkoff" 1348:"ITP Research 2005 ยป Narrative Lab" 1254: 1228: 167:(born February 18, 1961) is an American 3154:California Institute of the Arts alumni 1773: 1457: 899:Nothing Sacred: The Truth About Judaism 675:Nothing Sacred: The Truth About Judaism 494:Rushkoff spent several years exploring 14: 3121: 2798:Jack the Tab โ€“ Acid Tablets Volume One 2122:. Cognitiveliberty.org. Archived from 2009: 1975: 1916:"A Conversation with Douglas Rushkoff" 1231:"Signs of the times | Technology" 2548: 1551: 418:, and became a member and sat on the 2934:Hell Is Invisible... Heaven Is Her/e 2012:"DIY Currencies โ€“ Dual Perspectives" 1412: 1372:Emerging Technology from the arXiv. 704:. Beginning with an overview of how 444:Hell Is Invisible... Heaven Is Her/e 727: 24: 2508:Works by or about Douglas Rushkoff 2415:"Why I'm quitting Facebook // CNN" 1181:, a groundbreaking, award-winning 581:, who was a subject in Rushkoff's 523:, which traces the development of 519:. He wrote a book and film called 410:In 2002, Rushkoff was awarded the 25: 3255: 2474: 2304:. Firstmonday.org. Archived from 1257:"Crowdsourcing The Bank Recovery" 1090:A.D.D. โ€“ Adolescent Demo Division 1065: 1016:. Penguin Books. pp. 58โ€“64. 208:, as well as regular columns for 3164:Writers from Scarsdale, New York 3065:Ultrahouse The Twelve Inch Mixes 3058:Tune In (Turn On The Acid House) 2902:Sirens (Ultradrug โ€“ Thee Sequel) 2189:. Hyperwords.net. Archived from 2075:Rushkoff, Douglas (2020-09-16). 1255:Rushkoff, Douglas (2009-03-30). 1229:Rushkoff, Douglas (2002-07-25). 1130: 1031: 1001: 803:Throwing Rocks at the Google Bus 487:in 1995, and the day AOL bought 322:California Institute of the Arts 97:California Institute of the Arts 3239:21st-century American essayists 2449: 2428: 2407: 2386: 2361: 2340: 2329:. Spikemagazine.com. 1999-02-22 2319: 2294: 2285: 2264: 2243: 2225: 2214:. Media-ecology.org. 2001-02-26 2204: 2179: 2158: 2147:. Technorealism.org. 1998-03-12 2137: 2112: 2091: 2068: 2047: 2025: 2003: 1954: 1929: 1908: 1887: 1866: 1841: 1792: 1767: 1742: 1721: 1700: 1689:. Media-ecology.org. 2001-02-26 1679: 1658: 1634: 1609: 1588: 1567: 1545: 1520: 1499: 1478: 1464:. Hachette Books. p. 138. 1451: 1440:. Paw.princeton.edu. 2009-07-15 1430: 1325:. Newschool.edu. Archived from 1283:. Discover Magazine. 2007-01-21 744: 715: 2838:Ultrahouse The L.A. Connection 2766:The Magickal Mystery D Tour EP 2574: 2371:. Wishtank.org. Archived from 2350:. World Wide Words. 1998-01-10 2010:Newitz, Annalee (2008-09-11). 1391: 1365: 1340: 1315: 1294: 1273: 1248: 1199:(creator and host): freeform, 1145:American Music: OFF THE RECORD 179:solutions to social problems. 13: 1: 3108:Thee Temple ov Psychick Youth 1802:. Disinfo.com. Archived from 1752:. The Yes Men. Archived from 1552:Foord, Michael (1905-10-14). 1213: 454: 302: 46:Douglas Rushkoff at 2023 SXSW 3224:Scarsdale High School alumni 2790:Jack the Tab/Tekno Acid Beat 1874:"The Thing That I Call Doug" 1774:Priluck, Jill (2009-01-04). 1710:. Cduniverse.com. 2009-03-08 1554:"Douglas Rushkoff โ€“ Cyberia" 538: 332:. He was a PhD candidate at 297: 205:The New York Times Syndicate 175:culture and his advocacy of 7: 3219:New York University faculty 3149:Princeton University alumni 2533:interviewed on the TV show 2212:"Past MEA Award Recipients" 2057:. Blog.wfmu.org. 2009-03-25 1962:"frontline: the persuaders" 1939:. Smith.edu. Archived from 1687:"Past MEA Award Recipients" 749: 680: 668: 623:Technology and cyberculture 246:City University of New York 10: 3260: 3244:21st-century American Jews 3169:20th-century American Jews 2814:Towards Thee Infinite Beat 2671:Lady Jaye Breyer P-Orridge 1897:. Mindjack.com. 1999-10-01 613: 3159:Utrecht University alumni 3095: 3021: 2994: 2822:Beyond Thee Infinite Beat 2717: 2582: 2517:Works by Douglas Rushkoff 2499:Works by Douglas Rushkoff 732:In his most recent work, 608: 510:, appearing with them at 250:The New School University 151: 146: 138: 130: 120: 83: 71: 51: 39: 32: 3204:Anti-corporate activists 2726:Force the Hand of Chance 2438:. Medium.com. 2023-10-28 2233:"Team Human vs. Team AI" 2187:"The Hyperwords Company" 1776:"Etoy: 'This Means War'" 1731:. Core77.com. 2005-01-08 1190: 769: 517:complementary currencies 258:Tisch School of the Arts 2396:. wired.com. 2011-09-11 2032:rushkoff (2009-05-11). 1988:. NAMLE. Archived from 1668:. PBS. 27 February 2001 1642:"National Public Radio" 1507:"Dissertation approved" 1488:. Let.uu.nl. 1999-02-22 1458:Salamon, Julie (1992). 866:, pp. 273โ€“281, in 777:Survival of the Richest 597:Awards and appointments 330:American Film Institute 106:American Film Institute 3199:American futurologists 3184:Open content activists 3179:Communication scholars 2253:. The Austin Chronicle 962:(Editor, contributor) 757:Team Human vs. Team AI 738:Seriously Entertaining 320:in Directing from the 3051:Magick Defends Itself 2641:Hilmar ร–rn Hilmarsson 2417:. CNN.com. 2013-02-25 2251:"Archives: 1998-1999" 2034:"Life Inc: The Movie" 1623:on September 29, 2008 1509:. Twitter. 2012-06-25 1378:MIT Technology Review 892:Open Source Democracy 573:, or even the singer 400:All Things Considered 324:. Later he took up a 267:MIT Technology Review 165:Douglas Mark Rushkoff 3234:Open-source movement 3174:Mass media theorists 2656:Peter Christopherson 1486:"NewMediaStudies.nl" 1010:Extinction Rebellion 328:fellowship from the 314:Princeton University 88:Princeton University 3144:American socialists 2830:Direction ov Travel 2239:. February 2, 2019. 2145:"Technorealism FAQ" 2101:. Media-ecology.org 1161:Life Inc. The Movie 1077:Michael Avon Oeming 765:, February 5, 2019. 504:Mark Crispin Miller 353:Robert Anton Wilson 318:Master of Fine Arts 254:New York University 3229:Internet theorists 3209:Critical theorists 3189:American radio DJs 3086:Snowflake/Illusive 2758:Mouth of the Night 2120:"Who is the CCLE?" 1556:. Voidspace.org.uk 1302:"Douglas Rushkoff" 1207:Team Human Podcast 1073:Aleister and Adolf 655:Playing the Future 546:The Social Dilemma 420:board of directors 334:Utrecht University 312:He graduated from 190:(or media virus), 110:Utrecht University 3194:Cyberpunk writers 3139:American bloggers 3116: 3115: 2990: 2989: 2774:Allegory and Self 2734:Dreams Less Sweet 2588:Genesis P-Orridge 2503:Project Gutenberg 2461:, 18 October 2022 2237:strategy+business 1964:. PBS. 2004-11-09 1598:. PBS. 2009-03-24 1461:The Devil's Candy 1304:. The Daily Beast 1179:Merchants of Cool 1125:978-0-9729529-3-4 1112:978-1-4012-1063-2 1097:978-1-78116-019-0 1084:978-1-50670-104-2 1060:978-1-57322-702-5 1047:978-1-887128-90-2 983:978-1-903083-24-6 954:978-0-345-39774-4 932:978-1-57322-764-3 919:978-1-57322-829-9 906:978-1-4000-5139-7 886:978-0-06-075869-1 858:978-1-4000-6689-6 845:978-1-935928-16-4 837:978-1-935928-15-7 797:978-0-393-65169-0 784:978-0-393-88106-6 762:Strategy+Business 710:corporate culture 641:computer networks 365:Genesis P-Orridge 162: 161: 67:New York City, US 62:February 18, 1961 16:(Redirected from 3251: 2958: 2957: 2878:Cathedral Engine 2846:Cold Dark Matter 2750:Those Who Do Not 2626:Douglas Rushkoff 2569: 2562: 2555: 2546: 2545: 2531:Douglas Rushkoff 2527: 2512:Internet Archive 2486: 2485: 2483:Official website 2469: 2468: 2467: 2466: 2453: 2447: 2446: 2444: 2443: 2432: 2426: 2425: 2423: 2422: 2411: 2405: 2404: 2402: 2401: 2390: 2384: 2383: 2381: 2380: 2365: 2359: 2358: 2356: 2355: 2344: 2338: 2337: 2335: 2334: 2323: 2317: 2316: 2314: 2313: 2298: 2292: 2289: 2283: 2282: 2280: 2279: 2268: 2262: 2261: 2259: 2258: 2247: 2241: 2240: 2229: 2223: 2222: 2220: 2219: 2208: 2202: 2201: 2199: 2198: 2183: 2177: 2176: 2174: 2173: 2162: 2156: 2155: 2153: 2152: 2141: 2135: 2134: 2132: 2131: 2116: 2110: 2109: 2107: 2106: 2095: 2089: 2088: 2086: 2085: 2072: 2066: 2065: 2063: 2062: 2051: 2045: 2044: 2042: 2041: 2029: 2023: 2022: 2020: 2019: 2007: 2001: 2000: 1998: 1997: 1982: 1973: 1972: 1970: 1969: 1958: 1952: 1951: 1949: 1948: 1933: 1927: 1926: 1924: 1923: 1912: 1906: 1905: 1903: 1902: 1891: 1885: 1884: 1882: 1881: 1870: 1864: 1863: 1861: 1860: 1845: 1839: 1838: 1836: 1835: 1824: 1815: 1814: 1812: 1811: 1796: 1790: 1789: 1787: 1786: 1771: 1765: 1764: 1762: 1761: 1746: 1740: 1739: 1737: 1736: 1725: 1719: 1718: 1716: 1715: 1704: 1698: 1697: 1695: 1694: 1683: 1677: 1676: 1674: 1673: 1662: 1656: 1655: 1653: 1652: 1638: 1632: 1631: 1629: 1628: 1613: 1607: 1606: 1604: 1603: 1592: 1586: 1585: 1583: 1582: 1571: 1565: 1564: 1562: 1561: 1549: 1543: 1542: 1540: 1539: 1524: 1518: 1517: 1515: 1514: 1503: 1497: 1496: 1494: 1493: 1482: 1476: 1475: 1455: 1449: 1448: 1446: 1445: 1434: 1428: 1427: 1424:Encyclopedia.com 1416: 1410: 1409: 1407: 1395: 1389: 1388: 1386: 1384: 1369: 1363: 1362: 1360: 1359: 1344: 1338: 1337: 1335: 1334: 1319: 1313: 1312: 1310: 1309: 1298: 1292: 1291: 1289: 1288: 1277: 1271: 1270: 1268: 1267: 1252: 1246: 1245: 1243: 1242: 1226: 1140:. 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novels 1064: 1063: 1062: 1049: 1033: 1030: 1029: 1028: 1022: 1003: 1000: 999: 998: 996:978-0385303316 985: 970: 968:978-0345390462 956: 943: 921: 908: 895: 888: 875: 872:David Mathison 860: 847: 825: 823:978-1591844761 812: 810:978-1617230172 799: 786: 771: 768: 767: 766: 751: 748: 746: 743: 729: 726: 717: 714: 682: 679: 670: 667: 624: 621: 615: 612: 610: 607: 598: 595: 540: 537: 500:media literacy 485:public company 456: 453: 373:Grant Morrison 304: 301: 299: 296: 288:Thilo Sarrazin 192:digital native 184:media theorist 169:media theorist 160: 159: 149: 148: 144: 143: 140: 136: 135: 132: 128: 127: 125:American media 122: 118: 117: 85: 81: 80: 73: 69: 68: 53: 49: 48: 45: 37: 36: 33: 26: 9: 6: 4: 3: 2: 3256: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3205: 3202: 3200: 3197: 3195: 3192: 3190: 3187: 3185: 3182: 3180: 3177: 3175: 3172: 3170: 3167: 3165: 3162: 3160: 3157: 3155: 3152: 3150: 3147: 3145: 3142: 3140: 3137: 3135: 3134:Living people 3132: 3130: 3127: 3126: 3124: 3109: 3106: 3104: 3101: 3100: 3098: 3094: 3087: 3083: 3080: 3076: 3073: 3069: 3066: 3062: 3059: 3055: 3052: 3048: 3045: 3041: 3038: 3034: 3031: 3030:Just Drifting 3027: 3026: 3024: 3020: 3013: 3012: 3008: 3005: 3004: 3000: 2999: 2997: 2993: 2982: 2981: 2977: 2974: 2973: 2969: 2968: 2966: 2963: 2959: 2952: 2951: 2947: 2944: 2943: 2939: 2936: 2935: 2931: 2928: 2927: 2923: 2920: 2919: 2915: 2912: 2911: 2907: 2904: 2903: 2899: 2896: 2895: 2891: 2888: 2887: 2883: 2880: 2879: 2875: 2872: 2871: 2867: 2864: 2863: 2862:A Hollow Cost 2859: 2856: 2855: 2851: 2848: 2847: 2843: 2840: 2839: 2835: 2832: 2831: 2827: 2824: 2823: 2819: 2816: 2815: 2811: 2807: 2806: 2802: 2800: 2799: 2795: 2794: 2792: 2791: 2787: 2785: 2783: 2779: 2776: 2775: 2771: 2768: 2767: 2763: 2760: 2759: 2755: 2752: 2751: 2747: 2744: 2743: 2739: 2736: 2735: 2731: 2728: 2727: 2723: 2722: 2720: 2718:Studio albums 2716: 2710: 2707: 2705: 2702: 2700: 2697: 2694: 2692: 2689: 2687: 2684: 2682: 2679: 2677: 2674: 2672: 2669: 2667: 2664: 2662: 2659: 2657: 2654: 2652: 2651:Monte Cazazza 2649: 2647: 2644: 2642: 2639: 2637: 2636:Rose McDowall 2634: 2632: 2631:Drew McDowall 2629: 2627: 2624: 2622: 2619: 2617: 2614: 2612: 2609: 2607: 2604: 2602: 2599: 2597: 2594: 2593: 2590: 2589: 2585: 2584: 2581: 2577: 2570: 2565: 2563: 2558: 2556: 2551: 2550: 2547: 2540: 2536: 2535:Triangulation 2532: 2529: 2526: 2522: 2518: 2515: 2513: 2509: 2506: 2504: 2500: 2497: 2495: 2491: 2488: 2484: 2479: 2478: 2460: 2459: 2452: 2437: 2431: 2416: 2410: 2395: 2389: 2375:on 2008-05-26 2374: 2370: 2364: 2349: 2343: 2328: 2322: 2308:on 2009-10-16 2307: 2303: 2297: 2288: 2273: 2267: 2252: 2246: 2238: 2234: 2228: 2213: 2207: 2193:on 2009-07-17 2192: 2188: 2182: 2167: 2161: 2146: 2140: 2126:on 2009-10-08 2125: 2121: 2115: 2100: 2094: 2080: 2079: 2071: 2056: 2050: 2036:. Boing Boing 2035: 2028: 2013: 2006: 1992:on 2009-11-08 1991: 1987: 1981: 1979: 1963: 1957: 1943:on 2008-12-02 1942: 1938: 1932: 1917: 1911: 1896: 1890: 1875: 1869: 1855:. 30 May 2006 1854: 1850: 1844: 1829: 1823: 1821: 1806:on 2009-04-17 1805: 1801: 1795: 1781: 1777: 1770: 1756:on 2009-03-08 1755: 1751: 1745: 1730: 1724: 1709: 1703: 1688: 1682: 1667: 1661: 1647: 1643: 1637: 1622: 1618: 1612: 1597: 1591: 1576: 1570: 1555: 1548: 1534:on 2016-05-16 1533: 1529: 1523: 1508: 1502: 1487: 1481: 1473: 1471:9780786741830 1467: 1463: 1462: 1454: 1439: 1433: 1425: 1421: 1415: 1406: 1401: 1394: 1379: 1375: 1368: 1354:on 2012-07-12 1353: 1349: 1343: 1329:on 2011-05-30 1328: 1324: 1318: 1303: 1297: 1282: 1276: 1262: 1258: 1251: 1236: 1232: 1225: 1223: 1218: 1208: 1205: 1202: 1198: 1195: 1194: 1184: 1180: 1176: 1172: 1168: 1164: 1162: 1158: 1155: 1154: 1149: 1146: 1142: 1139: 1135: 1134: 1131:Documentaries 1126: 1122: 1119: 1115: 1113: 1109: 1106: 1105: 1100: 1098: 1094: 1091: 1087: 1085: 1081: 1078: 1074: 1070: 1069: 1061: 1057: 1054: 1050: 1048: 1044: 1040: 1039:Exit Strategy 1036: 1035: 1032:Fiction works 1025: 1023:9780141991443 1019: 1015: 1011: 1006: 1005: 1002:Book chapters 997: 993: 990: 986: 984: 980: 977: 976: 971: 969: 965: 961: 957: 955: 951: 948: 944: 941: 940:0-00-654879-2 937: 933: 929: 926: 922: 920: 916: 913: 909: 907: 903: 900: 896: 894:A Demos Essay 893: 889: 887: 883: 880: 876: 873: 869: 865: 861: 859: 855: 852: 848: 846: 842: 838: 834: 830: 826: 824: 820: 817: 813: 811: 807: 804: 800: 798: 794: 791: 787: 785: 781: 778: 774: 773: 764: 763: 758: 754: 753: 742: 739: 735: 725: 723: 713: 711: 707: 703: 699: 696:In his book, 694: 692: 688: 678: 676: 666: 664: 659: 656: 651: 649: 644: 642: 638: 634: 629: 620: 606: 603: 594: 592: 588: 587:Team Humanity 584: 580: 576: 572: 568: 564: 560: 556: 555:Sherry Turkle 552: 551:Nicholas Carr 548: 547: 536: 534: 530: 526: 522: 518: 513: 512:Smith College 509: 505: 501: 497: 492: 490: 486: 482: 477: 473: 468: 466: 462: 452: 450: 446: 445: 440: 435: 433: 429: 425: 421: 417: 413: 408: 406: 402: 401: 395: 392: 388: 384: 382: 378: 374: 370: 369:Ralph Metzner 366: 362: 358: 357:Ralph Abraham 354: 350: 349:Paul Krassner 346: 342: 341:Timothy Leary 337: 335: 331: 327: 326:post-graduate 323: 319: 315: 311: 295: 293: 289: 285: 281: 277: 276:David Graeber 273: 272:Steven Pinker 269: 268: 263: 259: 255: 251: 247: 242: 240: 239: 234: 233: 229: 225: 224: 219: 218: 213: 212: 207: 206: 201: 197: 193: 189: 185: 180: 178: 174: 170: 166: 157: 150: 145: 141: 137: 133: 129: 126: 123: 119: 115: 111: 107: 102: 98: 93: 89: 86: 82: 78: 74: 70: 64:(age 63) 54: 50: 43: 38: 31: 19: 3009: 3001: 2978: 2970: 2961: 2948: 2940: 2932: 2924: 2916: 2908: 2900: 2892: 2884: 2876: 2870:AL โ€“ OR โ€“ AL 2868: 2860: 2852: 2844: 2836: 2828: 2820: 2812: 2803: 2796: 2788: 2782:At Stockholm 2780: 2772: 2764: 2756: 2748: 2740: 2732: 2724: 2699:Stephen Kent 2695:Conrad Black 2625: 2611:John Balance 2586: 2534: 2521:Open Library 2463:, retrieved 2457: 2451: 2440:. 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Retrieved 1235:The Guardian 1234: 1206: 1196: 1178: 1166: 1160: 1151: 1144: 1137: 1117: 1102: 1089: 1072: 1053:Ecstasy Club 1052: 1038: 1013: 988: 973: 959: 946: 924: 911: 898: 891: 878: 868:Be The Media 867: 863: 850: 828: 815: 802: 789: 776: 760: 745:Bibliography 737: 733: 731: 719: 716:Social media 697: 695: 684: 674: 672: 662: 660: 654: 652: 647: 645: 637:chaos theory 632: 630: 626: 617: 604: 600: 590: 586: 582: 579:Jaron Lanier 544: 542: 532: 520: 493: 469: 458: 442: 436: 432:Neil Postman 415: 409: 404: 398: 396: 386: 385: 338: 306: 270:, following 265: 243: 236: 230: 221: 215: 211:The Guardian 209: 203: 200:cyberculture 181: 164: 163: 3129:1961 births 3103:Discography 2742:A Pagan Day 2676:Marc Almond 2621:David Tibet 2606:Bobby Bones 2490:Appearances 1577:. 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Index

Rushkoff
Douglas Rushkoff at 2023 SXSW
graphic novelist
Princeton University
BA
California Institute of the Arts
MA
American Film Institute
Utrecht University
PhD
American media
rushkoff.com
media theorist
cyberpunk
open-source
media theorist
viral media
digital native
social currency
cyberculture
The New York Times Syndicate
The Guardian
Arthur
Discover
online magazines
Daily Beast
TheFeature
City University of New York
The New School University
New York University

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