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In 1827, he enlisted as a pilot on a
British merchant ship to learn navigation. Upon his return he began work at the family bank, but spent much of his time decorating the account books with ornamentation. His family then placed him with the banking firm of
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Voyage de Paris à la mer : description historique des villes, bourgs et sites sur le parcours du chemin de fer et des bords de la Seine / par Jules Janin...
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When he still very young his father, Étienne-Louis Morel, moved the family to Paris to open a bank. He was enrolled at the prestigious
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He briefly studied with several artists, and made trips to Italy, but his career began in earnest in 1830, when he accompanied an
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and threatened to destroy the wealthiest part of the city. In 1840, he painted a scene depicting the remains of
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Alain
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in 1844 to distinguish himself from a businessman of the same name. Morel-Fatio subsequently moved to
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In 1845, he married Louise Françoise Aimée
Ernestine du Chastel (1815-1876), the daughter of
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118:; 17 January 1810 – 2 March 1871) was a French painter and politician who served as the
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in 1833 with great success. He would be a regular exhibitor there from that time on.
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and was appointed as the curator of the naval and ethnographic sections of the
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and debarked in
Istanbul, where he witnessed a fire that broke out in
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In 1849, he was appointed Deputy
Curator at the Naval Museum in the
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195:(then known as the Collège Royal de Bourbon).
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221:and witnessed the actions of naval commander
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312:in 1853. In 1854, he took part in the
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142:marine art
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130:Normandy
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