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208:(a public high school specialising in sciences and humanities). As the financial situation of his family got steadily worse, the young Alberto decided to work in the local textile store. He felt trapped in that environment but tried to accept his fate, knowing his family situation. At the age of 17, bored during a quiet day at the shop, he started drawing lilies on a piece of fabric. The store owner saw the drawings and, annoyed but impressed, showed the ruined fabric to the boy's father.
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him early recognition, and in 1889 he gained a place in the “Salon official de
Santiago” (the official Santiago salon or exhibition hall). The following year he won a bronze medal at the annual salon contest, with more awards and recognition following quickly afterwards: in 1890, one of his paintings was featured in the
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He produced textured, subtle and simple landscapes using pinks and greens. His paintings of the spring are a faithful record of the morning light. The size of his canvases is particularly notable and is well above the average for the period. Experience of financial difficulties taught him to produce
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His painting evolved quickly thanks to the direction of Mochi and he began specializing in oil painting and using more and more sketches, drawing designs before starting on the painting itself. Most importantly, he was able to develop a personal style, the product of need and of effort. This earned
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His father was amazed at
Alberto's talent and decided that the boy was born to be an artist. He managed to convince his brother to let his son live in his house in the Chilean capital, Santiago so he could study simultaneously at the
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He taught his students in the same way he was taught himself, trying to encourage them to develop their own style. He was beloved by his students and pushed them to walk around
Santiago and visit the most famous places.
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Galaz, Gaspar and Milan Ivelic. 1981. La
Pintura en Chile desde la Colonia hasta 1981. Valparaíso: Universidad Católica de Valparaíso, Ediciones Universitarias. Museo Nacional de Bellas Artes.
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many paintings in a short time, so his work ended up being widely distributed around Chile. He liked to portray landscapes of everyday life in the capital city and began with Lo
Contador (now
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156:. He was a landscape painter and left an estimated 1,000 paintings. Highlights of his work include paintings of the snow-topped mountains in France and views of Paris.
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Alvarez
Uriquieta, Luis. 1928. La Pintura en Chile. Santiago de Chile: Imprenta la Ilustración. Conservación, restauración y estudios artísticos, Historia del Arte.
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Thanks to the support of the
Chilean government, he was able to travel regularly throughout Europe between 1901 and 1906, giving him the chance to visit
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Valenzuela González, Alvaro. 1968. 'Historia de la
Sociedad Científica de Valparaíso', Anales del Museo de Historia Natural de Valparaiso (1): 27–47.
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He died in
Santiago on July 23, 1925. Currently, most of his paintings are in private collections, but some of his most famous works are in the
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and had an extremely productive period, producing many paintings of Paris at dawn. In 1913, his efforts would win him an award at the
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in
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in Paris, something that few Latin American artists had achieved. Then, in 1891, he won an award at an exhibition in the
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high school in Santiago. In 1910, he married Julia Montero, a young student. After that he was hired to succeed
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1910 Gold Medal, Santiago International Exhibition, Museo Nacional de Bellas Artes, Santiago, Chile.
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Galaz, Gaspar AND Milán Ivelic, La pintura en Chile : desde la Colonia hasta 1981, 1981
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1920 Public Instruction Officer, given by the French government in recognition to his merit.
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as professor of painting at the School of Fine Arts, where he taught for a couple of years.
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1904 General Marcos Maturana award, Salón Oficial (the official hall), Santiago, Chile.
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1914 Silver Medal, Edwards award, Salón Oficial (the official hall), Santiago, Chile.
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1895 Medalla de Primera Clase en Paisaje, National Art Exhibition, Santiago, Chile.
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1894 Edwards award price, Exposición Nacional Artística (National Art Exhibition),
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Finally, in 1906, he returned home to Chile and was hired to teach drawing at the
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With no hesitation, he accepted the scholarship and went to France to study with
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Grandes Maestros de la pintura Chilena (Great Masters of the Chilean Painting).
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1900 Edwards award price, Salón Oficial (the official hall), Santiago, Chile.
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His personality was calm and serene and his main hobby was painting with
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ARTISTAS PLÁSTICOSCHILENOS, Chilean National Museum of Fine Arts Library
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1903 Medal of Honor, Salón Oficial (the official hall), Santiago, Chile.
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1896 General Maturana award, National Art Exhibition, Santiago, Chile.
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1924 It was awarded a place as member of the Society French Artist.
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1897 Edwards award price, National Art Exhibition, Santiago, Chile.
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La pintura en Chile : colección Luis Alvarez Urquieta, 1928
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and the Chilean government gave him a scholarship to study in
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given by the French government in recognition to his merit.
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Price, Salón Oficial (the official hall), Santiago, Chile.
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ROMERA R., ANTONIO, Historia de la pintura chilena, 1951.
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1912 Medal of the Society of French Artists, París hall,
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He studied at public school and went to high school at a
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La pintura en Chile durante el período Colonial, 1933.
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338:as well as France, where he continued to study.
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183:Valenzuela Llanos was born in the province of
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692:"Alberto Valenzuela llanos Biography"
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235:street in
165:Juan Mochi
146:Pedro Lira
51:1869-08-29
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676:March 25,
447:Argentina
323:in 1913.
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185:Colchagua
179:Biography
569:See also
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