205:
231:
128:
47:
193:
20:
219:
142:, he founded the "UniĂłn ArtĂstica", an organization devoted to promoting more exhibitions and, ultimately, creating the Museo Nacional de Bellas Artes de Chile, which was originally located on the second floor of the
119:, where little recognition was generally given to Latin American artists. But, despite his successes, he decided to return to Chile, as the time appeared ripe to create an artistic milieu comparable to that in Paris.
243:
446:
85:. He graduated in 1867, but gave up his plans for a legal career to pursue painting instead. In 1872, he won a medal at a competition celebrating the establishment of the
96:
Encouraged by this, he was able to obtain a grant to study in Europe, going there with his wife in the company of his friend and future brother-in-law,
59:
157:. Although he served as a Professor there, it remains unclear whether or not he ever took on the duties of the Directorship, which passed to
173:, the first Chilean woman to become a notable artist. He also compiled Chile's first "Biographical Dictionary of Painters" and translated
441:
411:
34:– 20 April 1912, Santiago) was a Chilean painter and art critic, who organized exhibitions that led to the establishment of the
416:
406:
161:
in 1900. While there, he was a mentor for promising new artists. Among the best known painters whose careers he supported are
138:
Soon after his arrival, he organized the first exposition devoted exclusively to
Chilean painters. Together with the sculptor
154:
63:
35:
426:
421:
143:
286:
436:
396:
356:
90:
431:
204:
100:. Upon arriving in Paris, he found himself in the middle of an artistic battle between Neoclassicism and
86:
401:
350:
230:
218:
55:
259:
360:
192:
78:
105:
146:. He also created a Salon, similar to the one in Paris, and helped establish a museum in the
365:
139:
391:
386:
67:
8:
320:
166:
97:
82:
112:
242:
115:, many of whose paintings he copied. Later, he received an "honorable mention" at the
303:
210:
31:
371:
174:
162:
158:
58:, Minister of the Court of Appeals. His primary education was received at the
380:
147:
116:
71:
46:
181:. Several historical paintings of his have been used on Chilean banknotes.
170:
101:
127:
264:
340:, Volume 6 of "Pintura chilena del siglo XIX", Origo Ediciones, 2008
19:
447:
Academic staff of the
Academy of Painting (Santiago, Chile)
111:
He lived in France from 1873 to 1884 and was influenced by
38:. He is best known for his eclectic portraits of women.
104:, but did not take sides. After some thought, he chose
54:
He was born into a wealthy family and his father was
62:. Pursuing an interest in art, he enrolled at the
378:
77:In 1862, he found a position in the workshop of
60:Instituto Nacional General José Miguel Carrera
153:In 1893, he was appointed Director of the
150:, where expositions were held until 1910.
126:
45:
18:
359:, with reverse image after Pedro Lira,
306:by Patience Schell @ Relics and Selves.
379:
122:
184:
155:Academy of Painting (Santiago, Chile)
64:Academy of Painting (Santiago, Chile)
36:Chilean National Museum of Fine Arts
367:Biographical Dictionary of Painters
316:
314:
312:
299:
297:
295:
282:
280:
66:, which was under the direction of
13:
330:
14:
458:
442:20th-century Chilean male artists
412:19th-century Chilean male artists
344:
309:
292:
277:
241:
229:
217:
203:
191:
338:Pedro Lira, El Maestro Fundador
16:Chilean painter and art critic
1:
417:20th-century Chilean painters
407:19th-century Chilean painters
353:@ Artistas Plásticos Chilenos
270:
28:Pedro Francisco Lira Rencoret
81:, while studying law at the
41:
7:
253:
87:Mercado Central de Santiago
10:
463:
144:National Congress Building
370:, complete text online @
427:20th-century war artists
422:19th-century war artists
336:Ana Francisca Allamand,
91:BenjamĂn Vicuña Mackenna
260:Marcos Segundo Maturana
361:Banco Central de Chile
135:
56:José Santos Lira Calvo
51:
24:
437:Chilean male painters
397:Artists from Santiago
132:FundaciĂłn de Santiago
130:
49:
22:
323:@ Profesor en LĂnea.
74:painter from Italy.
68:Alejandro Ciccarelli
432:Chilean war artists
224:Woman of the People
167:Pedro Reszka Moreau
123:Activities in Chile
108:to be his teacher.
106:Jules-Élie Delaunay
98:Alberto Orrego Luco
83:University of Chile
211:Diana the Huntress
185:Selected paintings
140:José Miguel Blanco
136:
52:
25:
23:Pedro Lira (1900s)
402:Portrait painters
357:500 Peso banknote
289:@ MCN BiografĂas.
179:Philosophy of Art
454:
324:
318:
307:
301:
290:
284:
245:
233:
221:
207:
195:
113:Eugène Delacroix
462:
461:
457:
456:
455:
453:
452:
451:
377:
376:
372:Memoria Chilena
347:
333:
331:Further reading
328:
327:
321:Brief Biography
319:
310:
304:Brief biography
302:
293:
287:Brief biography
285:
278:
273:
256:
249:
246:
237:
236:Woman with Pins
234:
225:
222:
213:
208:
199:
196:
187:
175:Hippolyte Taine
125:
89:, organized by
50:The Love Letter
44:
17:
12:
11:
5:
460:
450:
449:
444:
439:
434:
429:
424:
419:
414:
409:
404:
399:
394:
389:
375:
374:
363:
354:
346:
345:External links
343:
342:
341:
332:
329:
326:
325:
308:
291:
275:
274:
272:
269:
268:
267:
262:
255:
252:
251:
250:
247:
240:
238:
235:
228:
226:
223:
216:
214:
209:
202:
200:
198:On the Balcony
197:
190:
186:
183:
163:Pablo Burchard
159:Virginio Arias
124:
121:
43:
40:
30:(17 May 1845,
15:
9:
6:
4:
3:
2:
459:
448:
445:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
408:
405:
403:
400:
398:
395:
393:
390:
388:
385:
384:
382:
373:
369:
368:
364:
362:
358:
355:
352:
349:
348:
339:
335:
334:
322:
317:
315:
313:
305:
300:
298:
296:
288:
283:
281:
276:
266:
263:
261:
258:
257:
244:
239:
232:
227:
220:
215:
212:
206:
201:
194:
189:
188:
182:
180:
176:
172:
168:
164:
160:
156:
151:
149:
148:Quinta Normal
145:
141:
133:
129:
120:
118:
114:
109:
107:
103:
99:
94:
92:
88:
84:
80:
79:Antonio Smith
75:
73:
69:
65:
61:
57:
48:
39:
37:
33:
29:
21:
366:
337:
178:
171:Celia Castro
152:
137:
131:
110:
95:
76:
72:Neoclassical
53:
27:
26:
392:1912 deaths
387:1845 births
248:Gypsy Woman
102:Romanticism
381:Categories
351:Pedro Lira
271:References
265:Juan Mochi
70:, a noted
42:Biography
254:See also
32:Santiago
134:(1888)
117:Salon
169:and
177:'s
383::
311:^
294:^
279:^
165:,
93:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)
