352:
302:
As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the
University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to
257:
From
Australia Dyring travelled to Dominica where she married Atyeo. Atyeo was offered work in the USA and Dyring followed him there. They were not happy and neither was painting. In 1946 Dyring returned alone to Paris and they divorced in 1950. In Paris, she set up an apartment where she welcomed
33:
272:
She remained in contact with the Reeds right up until her death from Cancer in 1967 in
Wimbledon, London. After her death, friends acquired a studio in the Cite International des arts in Paris, and the Art Gallery of New South Wales grants two-month tenancies to artists each year.
116:
130:(10 February 1909 – 4 January 1967) was an Australian artist. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the
298:
While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris.
217:. Dyring's husband, Sam Atyeo, had an affair with Sunday Reed and later Dyring had an affair with Sunday's husband John. Much of what is known about Dyring's life comes from her life-long letters to Sunday Reed.
706:"Schedule 'B' National Memorials Ordinance 1928-1972 Street Nomenclature List of Additional Names with Reference to Origin: Commonwealth of Australia Gazette. Special (National : 1977 - 2012) - 8 Feb 1978"
186:
154:
in 1909, the third child of Carl Peter
Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. The family moved to
836:
254:, West Indies, and left Dyring in Vence. At the outbreak of war she was evacuated back to Australia via South Africa, where she painted and tried to study tribal art.
841:
811:
220:
She had a successful solo exhibition at
Riddell Gallery in Melbourne in June 1937. John and Sydney Reed purchased a work from this exhibition.
846:
601:
138:. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the
831:
174:
345:
826:
754:
440:
816:
856:
236:
851:
380:
806:
741:
427:
351:
163:
746:
432:
326:
505:
319:
139:
575:
227:. She disliked the work of contemporary American artists and sailed for France. In 1938 she was based in
312:
135:
209:, a suburb of Melbourne. Dyring became part of the artist community that developed around Heide, the
680:
554:
269:. She returned to Australia five times (until 1963) and exhibited in several cities on each visit.
258:
Australians and befriended a number of visiting
Australian artists. The apartment became known at
202:
201:
For several months in 1937 Dyring took charge of Heide, the home and garden of the art patrons
315:
holds many paintings and drawings, some acquired through the John and Sydney Reed collection.
821:
602:"Studios in Paris :: Opportunities for artists :: About us :: Art Gallery NSW"
541:
356:
182:
232:
801:
796:
533:
8:
479:
155:
736:
422:
768:
760:
750:
655:
454:
446:
436:
266:
206:
384:
151:
231:, taking advantage of Atyeo's contacts within the avant-garde. She studied at the
360:
705:
629:
240:
790:
764:
681:"Works matching "Moya Dyring" :: The Collection :: Art Gallery NSW"
450:
224:
772:
458:
210:
134:, named after the home of art collectors John and Sunday Reed, and now the
131:
189:
in
Melbourne. Bell and Atyeo encouraged her to experiment with modernism.
190:
120:
214:
213:
and developed a strong friendship with Sunday Reed and with the artist
32:
177:(NGV), Melbourne, from 1929 to 1932, where she met her future husband
181:
an artist who was a
Parisian resident. After NGV, Moya studied under
178:
159:
106:
341:
251:
86:
359:(left), and the director of the National Art Gallery of Victoria,
332:
The websites of these galleries include images of Dyring's works.
292:
which went into the Reed's collection, along with a cubist style
288:, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted
96:
223:
In August 1937, Dyring embarked for Panama, then travelled to
115:
247:
228:
170:
534:"Changing the landscape: the life and art of Moya Dyring"
265:
In 1961, Dyring curated the
Australian submission to the
281:
Dyring produced drawings, oil paintings and pastels.
246:In 1939, she and Atyeo set up house on a farm in
837:People educated at Firbank Girls' Grammar School
788:
250:, France. Atyeo later accepted a commission in
145:
164:Firbank Church of England Girls' Grammar School
842:National Gallery of Victoria Art School alumni
284:One of her earliest works (cubist in style),
162:, in 1920. Moya was educated (1917–1927) at
193:also studied at Bell's school at the time.
745:. Canberra: National Centre of Biography,
660:Item held by National Gallery of Australia
431:. Canberra: National Centre of Biography,
31:
531:
383:. Eva Breuer: art dealer. Archived from
373:
350:
114:
503:
294:Portrait of a Woman from the same year.
175:National Gallery of Victoria Art School
789:
812:20th-century Australian women artists
734:
420:
416:
414:
412:
410:
408:
406:
404:
402:
624:
622:
570:
568:
566:
564:
527:
525:
523:
13:
742:Australian Dictionary of Biography
653:
532:Cuthbert, Gaynor Patricia (2002).
428:Australian Dictionary of Biography
399:
14:
868:
737:"Dyring, Moya Claire (1909–1967)"
728:
619:
561:
520:
504:Wyndham, Susan (2 October 2004).
423:"Dyring, Moya Claire (1909–1967)"
322:, Canberra includes one drawing.
847:20th-century Australian painters
698:
673:
237:Académie de la Grande Chaumière
832:People from Brighton, Victoria
747:Australian National University
647:
594:
497:
472:
433:Australian National University
327:Art Gallery of New South Wales
306:
150:Moya Clare Dyring was born in
1:
366:
320:National Gallery of Australia
146:Early childhood and education
140:National Gallery of Australia
16:Australian artist (1909–1967)
827:People from Coburg, Victoria
173:in 1928, she studied at the
7:
857:20th-century women painters
187:Bourke Street Studio School
10:
873:
852:Australian modern painters
634:Heide Museum of Modern Art
580:Heide Museum of Modern Art
335:
313:Heide Museum of Modern Art
136:Heide Museum of Modern Art
817:Académie Colarossi alumni
807:Australian women painters
685:www.artgallery.nsw.gov.au
606:www.artgallery.nsw.gov.au
196:
102:
92:
82:
74:
58:
39:
30:
23:
348:is named in her honour.
276:
508:. Sydney Morning Herald
290:Portrait of Sunday Reed
735:Peers, Juliet (1996).
656:"Old mill the Aveyron"
549:Cite journal requires
421:Peers, Juliet (1996).
363:
329:holds multiple works.
124:
69:London, United Kingdom
630:"Portrait of a Woman"
357:Claude Bonin-Pissarro
354:
118:
484:St Catherines School
340:Dyring Place in the
205:and Sunday Reed, at
387:on 31 December 2012
109:(married 1941–1948)
582:. 3 September 2015
364:
233:Académie Colarossi
125:
756:978-0-522-84459-7
442:978-0-522-84459-7
355:Moya Dyring with
113:
112:
53:Coburg, Australia
864:
783:
781:
779:
722:
721:
719:
717:
702:
696:
695:
693:
691:
677:
671:
670:
668:
666:
651:
645:
644:
642:
640:
626:
617:
616:
614:
612:
598:
592:
591:
589:
587:
572:
559:
558:
552:
547:
545:
537:
529:
518:
517:
515:
513:
506:"Creative heart"
501:
495:
494:
492:
490:
476:
470:
469:
467:
465:
418:
397:
396:
394:
392:
377:
152:Coburg, Victoria
65:
50:10 February 1909
49:
47:
35:
21:
20:
872:
871:
867:
866:
865:
863:
862:
861:
787:
786:
777:
775:
757:
731:
726:
725:
715:
713:
704:
703:
699:
689:
687:
679:
678:
674:
664:
662:
652:
648:
638:
636:
628:
627:
620:
610:
608:
600:
599:
595:
585:
583:
574:
573:
562:
550:
548:
539:
538:
530:
521:
511:
509:
502:
498:
488:
486:
478:
477:
473:
463:
461:
443:
419:
400:
390:
388:
379:
378:
374:
369:
338:
309:
279:
199:
169:After visiting
148:
70:
67:
63:
54:
51:
45:
43:
26:
17:
12:
11:
5:
870:
860:
859:
854:
849:
844:
839:
834:
829:
824:
819:
814:
809:
804:
799:
785:
784:
755:
730:
729:External links
727:
724:
723:
697:
672:
654:Dyring, Moya.
646:
618:
593:
560:
551:|journal=
519:
496:
471:
441:
398:
371:
370:
368:
365:
361:Hal Missingham
337:
334:
308:
305:
278:
275:
267:Paris Biennale
198:
195:
158:, a suburb of
147:
144:
111:
110:
104:
100:
99:
94:
90:
89:
84:
83:Known for
80:
79:
76:
72:
71:
68:
66:(aged 57)
62:4 January 1967
60:
56:
55:
52:
41:
37:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
869:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
830:
828:
825:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
794:
792:
774:
770:
766:
762:
758:
752:
748:
744:
743:
738:
733:
732:
711:
707:
701:
686:
682:
676:
661:
657:
650:
635:
631:
625:
623:
607:
603:
597:
581:
577:
576:"Moya Dyring"
571:
569:
567:
565:
556:
543:
535:
528:
526:
524:
507:
500:
485:
481:
480:"Sunday Reed"
475:
460:
456:
452:
448:
444:
438:
434:
430:
429:
424:
417:
415:
413:
411:
409:
407:
405:
403:
386:
382:
381:"Moya Dyring"
376:
372:
362:
358:
353:
349:
347:
343:
333:
330:
328:
323:
321:
316:
314:
304:
300:
296:
295:
291:
287:
282:
274:
270:
268:
263:
261:
255:
253:
249:
244:
242:
238:
234:
230:
226:
225:New York City
221:
218:
216:
212:
208:
204:
194:
192:
188:
184:
180:
176:
172:
167:
165:
161:
157:
153:
143:
141:
137:
133:
129:
122:
117:
108:
105:
101:
98:
95:
91:
88:
85:
81:
77:
73:
61:
57:
42:
38:
34:
29:
22:
19:
822:Heide Circle
776:. Retrieved
740:
714:. Retrieved
712:. p. 11
709:
700:
688:. Retrieved
684:
675:
663:. Retrieved
659:
649:
637:. Retrieved
633:
609:. Retrieved
605:
596:
584:. Retrieved
579:
542:cite journal
510:. Retrieved
499:
487:. Retrieved
483:
474:
462:. Retrieved
426:
389:. Retrieved
385:the original
375:
339:
331:
324:
317:
310:
301:
297:
293:
289:
285:
283:
280:
271:
264:
259:
256:
245:
222:
219:
211:Heide Circle
200:
168:
166:, Brighton.
149:
132:Heide Circle
127:
126:
119:Portrait of
64:(1967-01-04)
18:
802:1967 deaths
797:1909 births
307:Collections
241:Andre Lhote
191:Sunday Reed
183:George Bell
128:Moya Dyring
121:Sunday Reed
75:Nationality
25:Moya Dyring
791:Categories
367:References
344:suburb of
303:her work.
215:Joy Hester
78:Australian
46:1909-02-10
765:1833-7538
451:1833-7538
286:Melanctha
260:Chez Moya
239:and with
179:Sam Atyeo
160:Melbourne
107:Sam Atyeo
773:70677943
690:14 March
665:14 March
639:14 March
611:14 March
459:70677943
346:Chisholm
342:Canberra
252:Dominica
156:Brighton
93:Movement
87:Painting
778:10 July
716:2 April
586:8 March
512:10 July
489:8 March
464:10 July
391:10 July
336:Tribute
207:Bulleen
185:in the
123:c. 1934
771:
763:
753:
457:
449:
439:
235:, the
197:Career
103:Spouse
97:Cubism
710:Trove
277:Works
248:Vence
229:Paris
171:Paris
780:2008
769:OCLC
761:ISSN
751:ISBN
718:2020
692:2021
667:2021
641:2021
613:2021
588:2021
555:help
514:2008
491:2021
466:2008
455:OCLC
447:ISSN
437:ISBN
393:2008
325:The
318:The
311:The
203:John
59:Died
40:Born
793::
767:.
759:.
749:.
739:.
708:.
683:.
658:.
632:.
621:^
604:.
578:.
563:^
546::
544:}}
540:{{
522:^
482:.
453:.
445:.
435:.
425:.
401:^
262:.
243:.
142:.
782:.
720:.
694:.
669:.
643:.
615:.
590:.
557:)
553:(
536:.
516:.
493:.
468:.
395:.
48:)
44:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
