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Manimekalai

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and gave him the magic bowl. The epic refers to Sarasvati as the goddess of all things related to mind, and goddess of language, knowledge and arts. The magic begging bowl always fills up every day with mountains of food, which Aputra shares with the needy. The famine continues for 12 years in the Pandya kingdom, yet the bowl always fills up. Aputra, like a boy, mocks Indra because he has the magic bowl to help the needy. Indra takes revenge by making rains plentiful and showering everyone with so much prosperity that no needy were left. No one was poor, and Aputra felt frustrated that he had no one to donate food from his abundant magic bowl to. Then, one day, people of Java (Indonesia) met him. Indra was not generous to them, and many were dying of hunger in Java. Aputra left for Java in a ship. A storm hits the ship, and Aputra lands on Manipallavam island. Aputra died on that island. That is how the magic bowl came to be on that island, and why Manimekalai found the same bowl there.
527:, that is "Temple of Heaven" – monk gathering spaces with Buddhist mounds – to avoid being chased by the prince. A history of the "Temple of Heaven" follows along with their then-popular name "City of the Dead"; the epic recites the story of a Brahmin named Shankalan enters the mound by mistake at night and is confronted by a sorceress with a skull in her hand accompanied by screaming jackal-like noises, the Brahmin flees in terror, then dies in shock in front of his mother Gotami. The mother goes to the Champapati temple and prays, "take my life, let my son live". Champapati appears and says this was fate, his karma and he will be reborn. The mother questions the four Vedas, the goddess explains the Buddhist theory of 574:
information about her cycles of previous rebirths, including that prince Udayakumar in this life was the king and her husband in the last birth who was rude to a Buddhist monk, but you begged his forgiveness, donated food and obeyed the monk's orders. In this life, therefore, he is a frustrated prince while your merits have made you into a Buddhist nun. She informs her that Madhavi and Sudhamati were her sisters in previous lives, and are now her mother and friend in this life. She then guides her on how to be free of suffering and fears. The goddess asks Manimekalai to study the "deceitful theories of various religions", and teaches her magical mantras (
620:. A boy named Aputra is accused of stealing a cow, and the cows protect the boy by fighting Abhanjika and other Brahmins, killing one of the Brahmins. Aputra then meets and accuses the Brahmins of twisting the meaning of the Veda verses taught by Brahma born from the navel of Vishnu who holds a golden disc as his weapon. Aputra reminds the Brahmins that the greatest Vedic teachers such as Vasishtha and Agastya were born of low birth. Aputra is labeled as a cow-thief, and his begging bowl is filled with stones when he does his rounds. Aputra leaves the city and reaches Madurai. He sits with his begging bowl inside Madurai's Temple of 515:. There she joined a Jain monastery. Her father joined her, but one day after an accident her father was bleeding badly. The Jains kicked them both out, afraid that the blood will pollute them. She then became a nun at a Buddhist monastery, and that is where she met nun Manimekalai. The prince left unconvinced, resolving to meet Manimekalai's family to put pressure on her. Manimekalai then confesses she is confused because she wants to be a nun, yet she feels attracted to the prince. The goddess of the seas, Manimekhala, appears. She praises the Buddha, his wheel of dharma, meets the two Buddhist nuns. 542:
disappeared into the sky; a description of the ongoing festival continues, along with a mention of upset women, infidelities of their husbands, the tired and sleeping young boys and girls who earlier in the day had run around in their costumes of Hindu gods (Vishnu) and goddesses (Durga); Sudhamati walked through the sleeping city, when a stone statue spoke to her and told her that Manimekalai will return to the city in a week with a complete knowledge, like Buddha, of all her past births as well as yours. Sudhamati froze in fear seeing the stone statue talk and what it told her.
288:. Later, she takes the form and dress of a married woman in the neighborhood, as the prince pursues her. The husband sees the prince teasing her, and protects "his wife" – Manimekalai-in-hiding – by killing the prince. The king and queen learn of their son's death, order the arrest of Manimekalai, arrange a guard to kill her. Angels intervene and Manimekalai miraculously disappears as others approach her, again. The queen understands, repents. Manimekalai is set free. Manimekalai converts the prison into a hospice to help the needy, teaches the king the dharma of the 656:
unharmed by her fire because her husband is alive on the island of the Naga kingdom. The Nagas welcome him and give him a girl for pleasure. He refuses the girl, and teaches them the Buddha dharma about rebirths and merits. They prostrate before him and invite to take all the gold, diamonds and rubies in shipwrecks near their islands. Shaduvan collects a massive fortune from the wrecks and brings it back to Atirai. The monk teacher explains to Manimekalai that this was all because of merits earned and virtue in the past lives.
591:"cow of abundance"). It just happens that Manimekalai is near the lake on that very day, so she can go and get the magic bowl she is destined to receive. With that bowl, she will never run out of food to eat everyday, says Tivatilakai. Manimekalai visits the magical lake and gets the magic bowl. She chants the glory of the Buddha, prostrates before goddess Tivatilakai and the Buddha's footprints. The goddess tells her to meet Aravana Adigal to learn more about the magic bowl and the Buddha dharma. 700:
Manimekalai does not recognize him, frowns and refuses his affections. Then the prince arrives and tries his lines on her. She recognizes him, smiles but refuses him too. The "husband" overhears the prince, sees his frowning "wife" smiling at another man, assumes the worst, pulls out his sword and cuts the prince's body into two. The prince dies instantly. The "husband" learns who his wife really is, he is in sorrow. A Buddhist goddess comforts him.
388:, but likely in the 2nd- or 3rd century. According to Hikosaka, if some of the events mentioned in the epic partially related to actual historic Chola dynasty events, some portions of the Manimekalai should be dated after 890 CE. According to Paula Richman, the 6th-century dating by Kandaswami and Zvelebil are the most persuasive scholarly analysis of the evidence within the epic as well as the evidence in other Tamil and Sanskrit texts. 533:, mount Meru, and realms of rebirth. According to the epic, the feeble mind of Sudhamati barely understands but she feels that Goddess Manimekhala is right. The goddess then casts magic, plunges the two nuns into sleep, thereafter instantly transports Manimekalai alone through air to the island of Manipallavam where her oaths of being a nun would not be threatened by the prince's charms. 682:
promises her that he will. He confronts Manimekalai. She insists she is and wants to be a nun because the body and human desires are the source of all suffering. After her reply, she used the magic mantra she had learned to convert herself into a look-alike of Kayashandikai – the wife of Vidyadhara. She escapes the prince's pursuit.
795:, states Paula Richman, rather it is a literary work. The Buddhist author presents non-Buddhist schools in a form that shows them inconsistent or inferior to Buddhism. According to Zvelebil, this is "Buddhist propaganda" that ridicules the other. The epic mentions Vedic religion and their various epistemological theories ( 757:
worshipping Buddha's footprint. The teacher says that would be selfish and wrong, as who will protect the kingdom and world without him. His dharmic duty is to continue. Manimekalai meets him and tells the king that his kingdom suffers without him. He should be in his throne, while she will now spend her time in Vanci.
919:), mind (citra), goddesses, miracles, mantras, rebirth, merit-making, begging by monks and nuns, helping the poor and needy. The epic provides a view of religious rivalry between Buddhism and Jainism, where Buddhist ideas and propaganda are presented while Jainism is "attacked and ridiculed", according to Zvelebil. 850:. It is the only surviving Tamil Buddhist literary work, though commentary and secondary Tamil literature evidence suggests that there were other Buddhist epics and texts in the Tamil language at least till the 14th century. The reason for its survival, states Richman, is probably its status as the sequel to the 1027:). In another reference, in canto 17, lines 9 to 16, the epic talks about Rama being the incarnate of Trivikrama or Netiyon, and he building the setu with the help of monkeys who hurled huge rocks into the ocean to build the bridge. Further, canto 18, lines 19 to 26, refers to the illegitimate love of Indra for 509:
Sudhamati reminds him that Manimekalai is not interested in handsome men like him, because both Manimekalai and she are nuns. Sudhamati describes she is from Bengal, her father a Brahmin who tended fire , and they came to the south on a pilgrimage towards Kanyakumari, related to the journey of Rama in the
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Manimekalai learns more about the Aputra story from ascetic Aravana Adigal. Aputra lives in Madurai for many years, begging in the Lakshmi temple. In a particular year, there was famine in the Tamil region when god Indra became angry. During this period of suffering, one day goddess Sarasvati appears
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The goddess meets the prince and tells him to forget about Manimekalai because she is destined to live a monastic life; She then awakens and meets Sudhamati, tells her Manimekalai is safe on a distant island and to remind her mother Madhavi not to search and worry about her daughter; the goddess then
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is widely considered as an important text that provides insights into the life, culture and society of the Tamil regions (India and Sri Lanka) in the early centuries of the common era. The last cantos of the epic – particularly Canto 27 – are also a window into then extant ideas of Mahayana Buddhism,
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Manimekalai, her delicate beauty and extraordinary talents introduced in the epic; Kovalan and Kannaki remembered; Manimekalai's mother Madhavi and grandmother Chitrapati learn that Manimekali insists on being a nun, lead a religious life and that she will not dance or otherwise attend the festival;
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persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They teach her Buddhist mantras to free herself from fears. One angel helps her
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Manimekalai learns of the death of Udayakumara. She cries. She laments that her husband of "innumerable" previous births is dead because of her decisions, adding that the endless cycles of suffering would continue without her monastic ways. She hopes that Udayakumara will learn from all this in his
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Manimekalai disappears, travels through air to reach the island of Manipallavam. Aputra miraculously joins her on the island. They circumambulate the jeweled footprints of the Buddha on the island, then pay homage to it. The king meets his teacher and tells him he wants to renounce, spend his time
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Ascetic Adikal teaches the nuns about supernatural genies and the tale of trader Shaduvan and his wife Atirai. Shaduvan is reported dead in a sea storm. Atirai tries to kill herself by jumping into a pit with burning wood, but the fire did not harm her. She sees a goddess who tells her that she is
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Manimekalai enters crystal pavilion of the garden; Prince Udayakumara introduced, brave and beautiful; he is told about Manimekalai the dancer and her beauty; the prince heads to find her in the garden; he finds her, pursues her, her friend Sudhamati tries to block him, and he then asks why is she
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Manimekalai learns more Buddhist doctrines. She then puts the theory to practice, performs severe ascetic practices to end her cycles of rebirth and attain Nirvana. According to Anne Monius, this canto is best seen as one dedicated to the "coming of the future Buddha", not in the prophetic sense,
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Aravana Adigal meets the queen. She washes the feet of the Buddhist ascetic to honor him. The ascetic explains the Twelve Nidanas (causation links) doctrine of Buddhism, uses it to explain the loss of her son. He says past lives of her son made him behave inappropriately and led to his death. The
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Manimekalai's fear and worries vanished near the Buddha's footprints. Tears of joy rolled down her cheeks. She suddenly and miraculously remembers all her past lives along with the circumstances, and saddened by her numerous rebirths, her fathers and husbands. The epic mentions she meeting a sage
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Manimekalai goes to a city garden, away from the festival center, with her friend Sutamati; continued description of the Chola city, people and the festival, mentions a "Jain monk, naked and waving a fly-whisk to avoid hurting unseen fragile insect" as well as "Kalamukhas wearing oleander flower
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According to Shu Hikosaka – a scholar of Buddhism and Tamil literature, in Manimekalai "there are not only the doctrines of Mahayana Buddhism but also those of Hinayana Buddhism", in an era when monks of these traditions were staying together, sharing ideas and their ideologies had not hardened.
730:, then the errors of the prince and finally his death. The king thanks them, said he would have executed his son according to his dharma duty to protect the honor of women. He ordered the cremation of his dead son and the arrest of Manimekalai for the deception that caused the misunderstandings. 586:
A Buddhist protectress goddess Tiva-tilakai (Skt: Dvipa-tilaka) meets Manimekalai. The goddess says, only those who have amassed great merit in past lives and remained Buddhist over their many births are able to see and worship Buddha's footprints in their present life. Tivatilakai mentions that
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According to G John Samuel and others, based in part on the antiquity of the text and theories, it was believed that the epic was from an early Hinayana (Theravada) Buddhist school, but more recent studies suggest that the Buddhist epic Manimekalai belonged to an early form of Mahayana Buddhism
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The prison-turned-monastery adds a temple for the worship of Buddha. Udayakumara learns about it and that Manimekalai was behind the conversion. He goes to see her. While he was on his way, the husband of Kayashandikai-but-in-reality-Manimekalai goes to meet his wife. The husband reaches first.
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Prince Udayakumara visits the hospice of Manimekalai after her grandmother tells the prince where she is. He tells the grandmother how much he adores her, wants her. She says that it is his duty to return her to dance, music and householder role. The prince, driven by his desires and said duty
668:, states that they built a link to Sri Lanka, but a curse of an ascetic dissolved the bridge link. It also mentions stories of people fed from the magic bowl suddenly realizing their past lives. The hospice of Manimekalai is near a Temple of Heaven (Buddhist mounds, gathering place for monks). 555:
Manimekalai wakes up on the Manipallavam island. She finds herself alone, is confused and afraid. She weeps while walking on the beach, recalls her friend, her father Kovalan who was unjustly executed in Madurai, her mother and all loved ones. Then Manimekalai sees Buddha's footprint pedestal,
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A goddess appears and says that Buddha appeared when "goodness was no longer found among living beings, people have become deaf to wisdom and true knowledge". She circumambulates around the jeweled Buddha's pedestal clockwise three times. The goddess then meets Manimekalai and gives her more
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According to the epic, Manimekalai's beauty rivaled that of the goddess of fortune, Lakshmi as she hid in the crystal pavilion full of statues. Udayakumara sees her, falls for her instantly, wonders if she is real or a perfectly crafted statue. The more she avoids him, the more he wants her.
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The Buddhist ascetic tells the nun the story of a generous cow who helped the people of Java in the memory of Aputra. He presents the Buddhist theory of rebirth dependent on the merits earned in previous lives (karma). He recommends that Manimekalai and Sudhamati use the magic bowl in their
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The Buddhist monks learn about the killing of the prince. They ask Manimekalai what happened. She tells them everything. They hide the dead body of the prince, confine Manimekalai to her quarters. A monks delegation goes and meets the king. The Buddhist monks tell the king legends of
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Manimekalai in her new appearance continues to beg with her bowl and help others. She reaches the prison and meets the guards and then king, persuading him to convert the prison into a Buddhist monastery. The king releases all the prisoners, and converts the prison into a monastery.
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contains numerous Hindu Puranic legends, references to gods and goddesses in Hindu and Buddhist traditions, as well as the epic's author's summary sections on various schools of Buddhist, Hindu and Jain philosophies some of whose authors are generally dated to later centuries.
624:, the goddess of fortune. The worshippers of Lakshmi are kind and donate much food to the bowl of Aputra, which Aputra shares with the poor, the blind, the deaf and other needy people. The epic mentions the name Kanyakumari and it being a Hindu bathing pilgrimage site. 926:
is a significant Buddhist epic, given its unique status. The summary of Buddhist doctrine in it, particularly in Cantos 27, 29 and 30, present a Tamil literary writer's perspective of Buddhism before it likely died out in Tamil Nadu, in or about the 11th century.
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ascetic cautions everyone to follow dharma, behave according to it. Manimekalai prostrated before the ascetic and asked everyone gathered including the queen to follow the dharma. She resolves to go to the city of Vanci, after one visit to Manipallavam island.
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they obtained by churning the cosmic ocean . The nuns, so convinced, began roaming the streets of Puhar to beg. They then shared the food they collected in the magic bowl with the needy. The epic mentions kingdoms in the Himalayas, Kausambi and Ujjain.
976:, states Zvelebil, the ethics, and religious doctrines are served by the epic's storyline. Kannaki is a strong, inspiring tragic character that grabs the audience's interest. In contrast, Manimekalai is a rather feeble character, says Zvelebil. 2491: 1470: 1031:
the wife of Rishi Gautama(Pandian, 1931, p.149)(Aiyangar, 1927, p.28). This seems to indicate that the story of the Ramayana was familiar in the Tamil land since very early times and Rama was acknowledged as a God, even before the
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has been variously dated between the 2nd-century and early 9th century by Indian and non-Indian scholars, with early dates favored by Tamil scholars generally allied to the Tamil tradition. A part of the complication is that the
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The queen learns of her son's death. She sends an assassin to kill Manimekalai. Buddhist goddesses perform miracles that scares the queen. She asks the king to free the prisoner. Manimekalai comes out of the prison.
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magically disappear to an island while the prince tries to chase her, grants her powers to change forms and appear as someone else. On the island, she receives a magic begging bowl, which always gets filled, from
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According to a 1927 thesis of Rao Bahadur Krishnaswāmi Aiyangar, the Manimekalai contains "nothing that may be regarded as referring to any form of Mahayana Buddhism, particularly the Sunyavada as formulated by
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Manimekalai flies through air and arrives in the mountainous kingdom's capital Vanci. She first visits the temple of Kannaki and pays her homage to the goddess. The epic mentions the legend of Kalinga kingdom
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shining with jewels. She sees some people fighting near it. Buddha appears, orders them to cease fighting, to remember that the pedestal is for him alone and should be worshipped by sages and the powerful.
340:, as well as the history of interreligious rivalries and cooperation as practiced and understood by the Tamil population in a period of Dravidian–Aryan synthesis and as the Indian religions were evolving. 2671:
C. P. Rajendran and others, Geoarchaeological Evidence of a Chola-Period Tsunami from an Ancient Port at Kaveripattinam on the Southeastern Coast of India, Geoarchaeology: An International Journal, 2011.
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not in a monastery, why in the garden; Sudhamati says, body is simply a vessel of vices, born due to karma of past births; the prince tries to meet Manimekalai, she hides in the crystal pavilion.
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Manimekalai returns from the island. Back with her mother and friend Sudhamati in the Chola kingdom, she finds the old Buddhist ascetic Aravana Adigal after several efforts to locate him.
578:) to overcome sufferings of ascetic life and hunger. One of the mantras, says goddess, will let her change her appearance into another person and instantaneously travel through air. 1479:, pp. 130–132, 141–142, Quote: "Manimekalai preaches the Buddhist ideal of serving all living beings with detachment at the expense of Jainism which is attacked and ridiculed.. 2106:, pp. 141–142, Quote: "Manimekalai preaches the Buddhist ideal of serving all living beings with detachment at the expense of Jainism which is attacked and ridiculed.. 709:
next birth. A Buddhist genie appears, talks and comforts her. Others recommend that she go to Vanci (Chera kingdom) to learn more about religious traditions and Buddhism.
376:– a Tamil literature and history scholar, proposed mid 6th-century as the most informed dating, based on the linguistics, internal evidence, the dating of its twin-epic 826:
rather as nun Manimekalai joining the movement of the future Buddha as his chief disciple. The last canto, along with a few before it, are the epic's statement on the
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and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the
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is significantly inferior. The story of Manimekalai is overloaded with supernatural events, miraculous goddesses and reads like a propaganda pamphlet of Buddhism. In
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theory of Buddhism, as understood by its author, and how rebirths and future sufferings have links to past causes and present events in various realms of existence (
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There is no credible information available about the author or the date of its composition. Late sources suggest that the author Seethalai may have been a Buddhist
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named Brahma Dharma, being a Buddhist in the last birth, of Gandhara, Naganadu, the north city of Avanti, and other locations significant to Indian Buddhism.
940:". In contrast, in 1978, C.N. Kandaswami stated there is a lot of internal evidence that "Manimekalai explains Mahayana Buddhism, and champions its cause". 2520:
Cīttalai Cāttanār, Manimekhalai summary in Karl H. Potter ed., The Encyclopedia of Indian Philosophies, Volume IX: Buddhist philosophy from 350 to 600 A.D.
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Buddha was born in the month of Vaishaka on the longest day, and every year on Buddha's birthday near a lake a magic bowl appears, called Amrita Surabhi (
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and its place during that period, contemporary arts and culture, and the customs of the times. It presents the author's view of the Buddhist doctrine of
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proposed in 1927 that it was either composed "much earlier than AD 400" or "decisively to be a work of the fifth century at the earliest". In 1974,
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probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic
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Manimekhalai, with monk Adikal's wisdom, uses magic bowl to help people. She starts a hospice. The epic mentions Rama and Vishnu story from the
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in puritan terms is not an epic poem, but a grave disquisition on philosophy. He states that the three surviving Tamil epics including
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temple in Vanci (Chera kingdom), prays, listens to different religious scholars, and practices severe self-denial to attain
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influenced by ideas now attributed to scholars such as Vasubandhu, Dignaga, Buddhagosha, Buddhadatta and Dharmapala.
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with the collaboration of T.V. Gopala Iyer published a complete French translation, then an English translation.
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Manimekalai learns the story of Aputra – the first possessor of the magic bowl, and the Brahmin Abhanjika of
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A Buddhist woman's path to enlightenment : proceedings of a Workshop on the Tamil Narrative Manimekalai
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is a Buddhistic work of an "infant society sensitive to higher influences of life", and inferior to the
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Imagining a Place for Buddhism: Literary Culture and Religious Community in Tamil-Speaking South India
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Imagining a Place for Buddhism: Literary Culture and Religious Community in Tamil-Speaking South India
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Rao, S.R. "Marine archaeological explorations of Tranquebar-Poompuhar region on Tamil Nadu coast" in
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possession to help the hungry and needy, just like the gods tried to help the cause of good with the
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palm-leaf manuscripts were preserved and found in Hindu temples and monasteries along with those of
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Aravana Adikal - The Buddhist ascetic teacher (Adikal means "revered/venerable ascetic, saint")
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is Buddhist propaganda that "attacks and ridicules Jainism", according to Kamil Zvelebil.
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philosophies. This section and the rest of the epic are "not a philosophical" discussion
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Manimekalai - The daughter of Kovalan and Madhavi, who was born with bravery and virtues.
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A description of Goddess Manimekhala and her powers; she advises the nuns to go to the
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builds on human emotional themes and includes some sections praising Jains, while the
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The Encyclopedia of Indian Philosophies: Buddhist philosophy from 350 to 600 A.D.
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The Encyclopedia of Indian Philosophies: Buddhist philosophy from 350 to 600 A.D.
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The Encyclopaedia Of Indian Literature (Volume Five) (Sasay To Zorgot), Volume 5
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Paula Richman, "Cīttalai Cāttanār, Manimekhalai" summary in Karl H. Potter ed.,
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Paula Richman, "Cīttalai Cāttanār, Manimekhalai" summary in Karl H. Potter ed.,
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Underwater Exploration off Poompuhar and possible causes of its Submergence
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Manimekalai learns about the different schools of Buddhist, Hindu, Jain,
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According to a review by the Brahmin scholar Subrahmanya Aiyar in 1906,
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Aravana Adigal teaches Manimekalai the doctrines of the Buddha dharma.
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Udayakumara - The Chola prince, who was madly in love with Manimekalai.
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Women, branch stories, and religious rhetoric in a Tamil Buddhist text
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Women, Branch Stories, and Religious Rhetoric in a Tamil Buddhist Text
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is an anti-love story that starts off with supernatural elements. The
3349: 3107: 3064: 3013: 2742: 1015:, this epic also makes several references to the Ramayana, such as a 937: 594: 545: 491:
garlands and rudraksha mala, body smeared with ashes, acting madly".
141: 88: 3112: 1460: 1458: 1312: 1310: 1308: 3181: 1157: 1155: 900: 613: 511: 337: 280: 247: 93: 861:
The first abridged English translation and historical analysis of
473:
begins; a description of the Chola city, people and the festival.
396:
The Manimekalai builds on the characters of the oldest Tamil epic
3084: 2697: 2499:
The Cilappatikaram of Ilanko Atikal : an epic of South India
1455: 1305: 1245: 797: 788: 784: 621: 575: 422:
is a tragic love story that ultimately becomes supernatural. The
333: 329: 301: 292:. In the final five cantos of the epic, Buddhist teachers recite 272: 136: 2158:
G. John Samuel; Ār. Es Śivagaṇēśamūrti; M. S. Nagarajan (1998).
2109: 1954: 1346: 1152: 1083: 3079: 2592:
Manuscript, Print and Memory: Relics of the Cankam in Tamilnadu
2555: 1208: 1206: 1204: 1028: 987:, on the whole, have no plot and are not epic-genre texts. The 809:
Manimekalai visits Kanci, meets her mother and Aravana Adigal.
772: 719: 449:
Sudhamati - Manimekalai's most faithful and trustworthy friend.
384:
suggests that the text was composed after the first Tamil epic
289: 2522:, Motilal Banarsidass, pp. 457–462, with notes on 610–612 2300:
The three twins : the telling of a South Indian folk epic
3059: 1383: 1381: 1379: 827: 727: 672:
Cantos XVIII-XXV: Manimekalai meets Udayakumara, he is killed
617: 482:
more description of the Chola city, people and the festival.
470: 276: 1418: 1334: 1322: 1201: 3279: 2902: 2501:, New York: Columbia University Press, 1993. Series title: 2305: 1996: 1984: 1972: 1948: 1931: 1919: 1907: 1895: 1883: 1871: 1859: 1842: 1827: 1815: 1800: 1788: 1776: 1759: 1744: 1727: 1712: 1693: 1672: 1660: 1641: 1622: 1605: 1588: 1571: 1552: 1533: 1518: 1503: 1488: 1400: 1272: 1195: 1178: 964:, states Zvelebil, but in his view the literary quality of 1376: 2492:
South India Saiva Siddhanta Works Publishing Society Ltd.
2472:. New Delhi: Indira Gandhi National Centre for the Arts. 2079:, London, 1928, p.185, 201, Available at www.archive.org 1406: 1131: 1074: 418:
in focus, style and the propaganda in the two epics. The
2613:
The Smile of Murugan: On Tamil Literature of South India
2273:
Shattan, Merchant-Prince (1989). Daniélou, Alain (ed.).
2056: 2543:
Acta Universitatis Upsaliensis. Historia religionum 13
2512:, Vol. II, July 1991, pp. 6. Available online at 452:
Manimekalā - The sea goddess who protects the heroine.
2311:, translated by Alain Danielou, Penguin Books, 1993, 1125: 459: 2654:
Companion studies to the history of Tamil literature
2532:
Foreign and Comparative Studies. South Asian series
2376:, Annamalainagar : Annamalai University, 1978. 761:
Cantos XXVI-XXX: Manimekalai visits Vanci and Kanci
2567: 2404:A Dictionary of Indian Literature: Beginnings-1850 2379: 1441:. Chennai: Macmillan India Limited. pp. 7–9. 895:The epic gives much information on the history of 595:Cantos XII-XVII: Manimekalai returns, meets Adigal 546:Cantos VIII-XI: Manimekalai on Manipallavam island 279:prince Udayakumara. He pursues her. She, a nun of 300:and other ideas to her. She then goes to goddess 3413: 2588: 2488:Cattanar's Manimekalai translated from the Tamil 2140: 1100: 1098: 2168: 837: 2630: 2609: 2453:, London: Luzac & Co., 1928. Available at 2302:, Bloomington, Indiana University Press, 1982. 2198: 2103: 2035: 2008: 1476: 1464: 1316: 1284: 1251: 1212: 1161: 1089: 930: 2713: 2517: 2115: 2051:, London, 1928. Available at www.archive.org 2002: 1960: 1424: 1352: 1340: 1328: 1218: 1104: 1095: 995:that he calls as the work of a "Hindu poet". 616:(Hindu holy city) where Abhanjika taught the 2308:Manimekhalai: the dancer with the magic bowl 2275:Manimekhalai: The Dancer With the Magic Bowl 2174: 1224: 2530:, Syracuse University, 1988. Series title: 2428:. Asian Educational Services. p. 115. 2248:Aiyangar, Rao Bahadur Krishnaswami (1927). 2015:. Oxford University Press. pp. 88–89. 1291:. Oxford University Press. pp. 87–96. 216: 2720: 2706: 2444:Evolution and evaluation of epics in Tamil 2164:. Institute of Asian Studies. p. xvi. 2127:Rao Bahadur Krishnaswāmi Aiyangar (1927), 1439:Myths and Legends from India - Great Women 1278: 2400: 2181:. Institute of Asian Studies. p. 93. 1231:. Motilal Banarsidass. pp. 217–218. 1111:. Syracuse University Press. p. 22. 2976:Commentaries in Tamil literary tradition 2650: 2556:Subrahmanya V Subrahmanya Aiyar (1906). 2465: 2359:Buddhism in Tamilnadu: a new perspective 2356: 2266: 2247: 2213:University of Calcutta 1906, pp. 426-427 2178:Buddhism in Tamilnadu: A New Perspective 2161:Buddhism in Tamil Nadu: Collected Papers 1412: 883:There is also a Japanese translation by 317:the Five Great Epics of Tamil Literature 2272: 2222: 1138:. Pearson Education. pp. 238–239. 1075:Brajadulal Chattopadhyaya, ed. (2009). 3414: 2451:Manimekhalai in its historical setting 2421: 2251:Manimekhalai In Its Historical Setting 2209: 2207: 2194: 2192: 2190: 2188: 2129:Maṇimekhalai in its Historical Setting 2077:Maṇimekhalai in its Historical Setting 2049:Maṇimekhalai in its Historical Setting 1370:Maṇimekhalai in its Historical Setting 867:Maṇimekhalai in its Historical Setting 2928:World Classical Tamil Conference 2010 2701: 2550:Descriptive grammar of Cilappatikaram 2407:. New Delhi: Orient Longman Limited. 2295:, Madurai: Athirai Pathippakam, 1965. 1436: 998: 2503:Translations from the Asian classics 2380:Lal, Mohan; Sāhitya Akādemī (2001). 2374:Buddhism as expounded in Manimekalai 2361:, Madras: Institute of Asian Studies 2241: 2147:. Annamalai University. p. 394. 2144:Buddhism as Expounded in Manimekalai 1257: 469:The annual festival in the honor of 271:is also the name of the daughter of 172:Tamil history from Sangam literature 2446:, Madurai: Mathy Pathippakam, 1990. 2216: 2204: 2185: 2075:Rao Bahadur Krishnaswāmi Aiyangar, 2047:Rao Bahadur Krishnaswāmi Aiyangar, 13: 2727: 2422:Pillai, M. S. Purnalingam (1994). 2038:, pp. 140–142 with footnotes. 1132:Brajadulal Chattopadhyaya (2009). 460:Cantos I-VII: Manimekalai in Puhar 14: 3458: 3391:Ancient manuscript digitalisation 2675: 2351:, 28: 84–90. Available online at 1430: 865:by R. B. K. Aiyangar in 1928, as 2369:, Oxford: Clarendon Press, 1968. 1997:Alain Danielou (Translator) 1993 1985:Alain Danielou (Translator) 1993 1973:Alain Danielou (Translator) 1993 1949:Alain Danielou (Translator) 1993 1932:Alain Danielou (Translator) 1993 1920:Alain Danielou (Translator) 1993 1908:Alain Danielou (Translator) 1993 1896:Alain Danielou (Translator) 1993 1884:Alain Danielou (Translator) 1993 1872:Alain Danielou (Translator) 1993 1860:Alain Danielou (Translator) 1993 1843:Alain Danielou (Translator) 1993 1828:Alain Danielou (Translator) 1993 1816:Alain Danielou (Translator) 1993 1801:Alain Danielou (Translator) 1993 1789:Alain Danielou (Translator) 1993 1777:Alain Danielou (Translator) 1993 1760:Alain Danielou (Translator) 1993 1745:Alain Danielou (Translator) 1993 1728:Alain Danielou (Translator) 1993 1713:Alain Danielou (Translator) 1993 1694:Alain Danielou (Translator) 1993 1673:Alain Danielou (Translator) 1993 1661:Alain Danielou (Translator) 1993 1642:Alain Danielou (Translator) 1993 1623:Alain Danielou (Translator) 1993 1606:Alain Danielou (Translator) 1993 1589:Alain Danielou (Translator) 1993 1572:Alain Danielou (Translator) 1993 1553:Alain Danielou (Translator) 1993 1534:Alain Danielou (Translator) 1993 1519:Alain Danielou (Translator) 1993 1504:Alain Danielou (Translator) 1993 1489:Alain Danielou (Translator) 1993 1401:Alain Danielou (Translator) 1993 1273:Alain Danielou (Translator) 1993 1196:Alain Danielou (Translator) 1993 1179:Alain Danielou (Translator) 1993 3371:Standardisation of Tamil script 2537:Peter Schalk, editor-in-chief, 2285: 2229:. Madras: Saiva Siddhanta Works 2223:Pandian, Pichai Pillai (1931). 2151: 2134: 2121: 2084: 2069: 2041: 1358: 1135:A Social History of Early India 1077:A Social History of Early India 890: 873:but with altered terminology. 368:The colonial era Tamil scholar 2562:. London: The Edinburgh Press. 2386:. New Delhi: Sāhitya Akādemī. 1373:, London, 1928, pp. xxvi-xxvii 1068: 264:meter, arranged in 30 cantos. 1: 2571:Tamil Love Poetry and Poetics 2510:Journal of Marine Archaeology 2466:Panicker, K. Ayyappa (2003). 1061: 252:Kulavāṇikaṉ Seethalai Sataṉar 226:jewelled belt, girdle of gems 2637:, Otto Harrassowitz Verlag, 2469:A Primer of Tamil Literature 2094:New Delhi, 2003, pp.457–462. 1005:Ramayana in Tamil literature 951: 838:Manuscripts and translations 197:Manimekalai (disambiguation) 20: 7: 3245:Megalithic graffiti symbols 3004:Nālāyira Tivviya Pirapantam 2568:Takanobu Takahashi (1995). 2559:Calcutta review, Volume 123 2277:. New York: New Directions. 2131:, p. xxvii, p. 85, 104, 188 1039: 931:Buddhist School Affiliation 391: 10: 3463: 3386:Printing in Tamil language 2343:Gaur A. S. and Sundaresh, 1002: 922:According to Richman, the 414:is the anti-thesis of the 194: 125:Naalayira Divya Prabandham 3442:Tamil Buddhist literature 3422:Tamil-language literature 3363: 3342: 3316: 3288: 3237: 3194: 3157: 3141: 3098: 3047: 2984: 2943: 2936: 2915: 2890: 2874: 2846: 2805: 2798: 2735: 2589:Eva Maria Wilden (2014). 2401:Mukherjee, Sujit (1999). 2141:Cō. Na Kantacāmi (1978). 1999:, pp. xxiv, 163–172. 960:is more interesting than 407: 343: 308:(release from rebirths). 212: 182: 149: 116: 80: 38: 31: 23: 3133:Tamil Lexicon dictionary 2813:Bangalore Tamil dialects 2685:- Original Text in Tamil 2651:Zvelebil, Kamil (1992). 2254:. London: Luzac & Co 1391:New Delhi, 2003, pp.458. 1365:S. Krishnaswami Aiyangar 370:S. Krishnaswami Aiyangar 3437:Buddhism amongst Tamils 3381:Simplified Tamil script 3029:Thiruvilaiyadal Puranam 2631:Kamil Zvelebil (1974), 2610:Kamil Zvelebil (1973). 2449:Krishnaswami Aiyangar, 2331:Buddhism in South India 2326:Buddhism in South India 2324:Hisselle Dhammaratana, 2064:Buddhism in South India 2062:Hisselle Dhammaratana, 2009:Anne E. Monius (2001). 1437:Bhanu, Sharada (1997). 1285:Anne E. Monius (2001). 1228:Indian Kavya Literature 871:Buddhism in South India 105:Udayana Kumara Kaviyam 3118:Purapporul Venbamaalai 2923:World Tamil Conference 2518:Paula Richman (2003), 2460:Manimekalai as an Epic 2357:Hikosaka, Shu (1989), 2293:Studies in Manimekalai 2226:Cattanar's Manimekalai 1263:Mukherjee 1999, p. 277 1105:Paula Richman (1988). 3149:Yāḻpāna Vaipava Mālai 2818:Central Tamil dialect 2768:Proto-South Dravidian 2657:. BRILL. p. 73. 2595:. Walter de Gruyter. 2175:Shu Hikosaka (1989). 1225:A. K. Warder (1994). 1036:of the 12th century. 913:Dependent Origination 887:, published in 1991. 3447:Ancient Indian poems 3214:Indo-Aryan languages 3039:Tamil Ganaptya texts 2971:List of Sangam poets 2916:Global organizations 2486:P. Pandian (Bacon), 2337:4 March 2016 at the 1403:, pp. xvi–xvii. 1275:, pp. vii–xvii. 1198:, pp. xxi–xxiv. 195:For other uses, see 82:The Five Minor Epics 3427:Epic poems in Tamil 3219:Dravidian languages 3019:Tirumurukāṟṟuppaṭai 2497:R. Parthasarathy, 2367:Tamil Heroic Poetry 2199:Kamil Zvelebil 1974 2118:, pp. 457–462. 2104:Kamil Zvelebil 1974 2036:Kamil Zvelebil 1974 1987:, pp. 150–162. 1975:, pp. 141–149. 1963:, pp. 457–458. 1951:, pp. 126–141. 1934:, pp. 122–125. 1922:, pp. 114–122. 1910:, pp. 112–114. 1898:, pp. 111–112. 1886:, pp. 106–110. 1874:, pp. 101–106. 1477:Kamil Zvelebil 1974 1467:, pp. 141–142. 1465:Kamil Zvelebil 1974 1355:, pp. 610–611. 1319:, pp. 140–142. 1317:Kamil Zvelebil 1974 1254:, pp. 130–131. 1252:Kamil Zvelebil 1974 1213:Kamil Zvelebil 1974 1164:, pp. 140–141. 1162:Kamil Zvelebil 1974 1092:, pp. 140–143. 1090:Kamil Zvelebil 1974 177:Ancient Tamil music 101:Naga Kumara Kaviyam 3376:Tanittamil Iyakkam 3329:Tamil onomatopoeia 2956:Tamil books of Law 2574:. BRILL Academic. 2548:S.V. Subramanian, 2298:Brenda E.F. Beck. 2201:, pp. 141–142 2116:Paula Richman 2003 1961:Paula Richman 2003 1862:, pp. 93–100. 1425:Paula Richman 2003 1353:Paula Richman 2003 1341:Paula Richman 2003 1329:Paula Richman 2003 999:Ramayana Reference 438:Notable characters 352:and Tamil writer. 110:Yashodhara Kaviyam 3409: 3408: 3396:Formation of CICT 3190: 3189: 3167:Asthana Kolahalam 2951:Sangam literature 2911: 2910: 2693:- Romanised Tamil 2644:978-3-447-01582-0 2602:978-3-11-035276-4 2435:978-81-206-0955-6 2372:S.N. Kandaswamy, 2365:K. Kailasapathy, 2022:978-0-19-803206-9 1845:, pp. 87–93. 1830:, pp. 87–89. 1818:, pp. 83–87. 1803:, pp. 83–85. 1791:, pp. 76–83. 1779:, pp. 71–76. 1762:, pp. 67–71. 1747:, pp. 62–67. 1730:, pp. 59–62. 1715:, pp. 55–59. 1696:, pp. 52–55. 1675:, pp. 48–51. 1663:, pp. 43–48. 1644:, pp. 40–43. 1625:, pp. 37–39. 1608:, pp. 35–37. 1591:, pp. 30–35. 1574:, pp. 23–30. 1555:, pp. 18–23. 1536:, pp. 13–17. 1415:, pp. 91–94. 1298:978-0-19-803206-9 1238:978-81-208-0449-4 1145:978-81-317-1958-9 1118:978-0-915984-90-9 956:To some critics, 917:pratītyasamutpāda 905:Four Noble Truths 525:Chakravala-kottam 294:Four Noble Truths 281:Mahayana Buddhism 250:epic composed by 191: 190: 187: 118:Bhakti Literature 33:Sangam Literature 3454: 3303:Tamil honorifics 3034:Vinayagar Agaval 2999:Kampa Irāmāyaṉam 2961:Five Great Epics 2941: 2940: 2803: 2802: 2722: 2715: 2708: 2699: 2698: 2668: 2647: 2634:Tamil Literature 2627: 2606: 2585: 2563: 2523: 2483: 2439: 2425:Tamil Literature 2418: 2397: 2362: 2321: 2279: 2278: 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Natarajan, 2456: 2447: 2442:R. Kasirajan, 2440: 2434: 2419: 2413: 2398: 2392: 2377: 2370: 2363: 2354: 2341: 2322: 2317: 2303: 2296: 2287: 2284: 2281: 2280: 2265: 2240: 2215: 2203: 2184: 2167: 2150: 2133: 2120: 2108: 2096: 2083: 2068: 2055: 2040: 2028: 2021: 2001: 1989: 1977: 1965: 1953: 1936: 1924: 1912: 1900: 1888: 1876: 1864: 1847: 1832: 1820: 1805: 1793: 1781: 1764: 1749: 1732: 1717: 1698: 1677: 1665: 1646: 1627: 1610: 1593: 1576: 1557: 1538: 1523: 1508: 1493: 1481: 1469: 1454: 1447: 1429: 1427:, p. 611. 1417: 1405: 1393: 1375: 1357: 1345: 1343:, p. 610. 1333: 1331:, p. 458. 1321: 1304: 1297: 1277: 1265: 1256: 1244: 1237: 1217: 1215:, p. 141. 1200: 1183: 1166: 1151: 1144: 1124: 1117: 1094: 1082: 1066: 1065: 1063: 1060: 1059: 1058: 1056:Tamil Buddhism 1053: 1048: 1041: 1038: 1012:Silappatikaram 1003:Main article: 1000: 997: 993:Silappadikaram 970:Silappadikaram 962:Silappadikaram 953: 950: 932: 929: 892: 889: 878:Alain Daniélou 852:Silapathikaram 848:Silappadikaram 839: 836: 823: 822: 815: 814: 807: 806: 781: 780: 768: 767: 762: 759: 754: 753: 745: 744: 736: 735: 715: 714: 706: 705: 697: 696: 688: 687: 679: 678: 673: 670: 662: 661: 653: 652: 639: 638: 630: 629: 610: 609: 602: 601: 596: 593: 584: 583: 571: 570: 562: 561: 553: 552: 547: 544: 539: 538: 521: 520: 506: 505: 497: 496: 488: 487: 479: 478: 467: 466: 461: 458: 457: 456: 453: 450: 447: 444: 440: 439: 428:Silappadikaram 420:Silappadikaram 416:Silappadikaram 399:Silappatikaram 393: 390: 386:Silappadikaram 382:Alain Daniélou 378:Silappadikaram 374:Kamil Zvelebil 350:grain merchant 345: 342: 321:Cilappatikaram 298:Twelve Nidanas 257:Cilappatikaram 189: 188: 180: 179: 174: 168: 167: 162: 156: 155: 147: 146: 144: 139: 133: 132: 127: 121: 120: 114: 113: 111: 107: 106: 103: 97: 96: 91: 85: 84: 78: 77: 75: 69: 68: 63: 57: 56: 51: 49:Silappatikaram 45: 44: 36: 35: 29: 28: 15: 9: 6: 4: 3: 2: 3459: 3448: 3445: 3443: 3440: 3438: 3435: 3433: 3430: 3428: 3425: 3423: 3420: 3419: 3417: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3368: 3366: 3362: 3356: 3353: 3351: 3348: 3347: 3345: 3341: 3335: 3334:Tamil prosody 3332: 3330: 3327: 3325: 3322: 3321: 3319: 3315: 3309: 3306: 3304: 3301: 3299: 3298:Tamil grammar 3296: 3295: 3293: 3287: 3281: 3278: 3276: 3275:Tamil Braille 3273: 3271: 3270:Modern script 3268: 3266: 3263: 3261: 3258: 3256: 3253: 3251: 3248: 3246: 3243: 3242: 3240: 3236: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3210: 3207: 3205: 3202: 3201: 3199: 3193: 3183: 3180: 3178: 3175: 3173: 3170: 3168: 3165: 3164: 3162: 3156: 3150: 3147: 3146: 3144: 3140: 3134: 3131: 3129: 3126: 3124: 3121: 3119: 3116: 3114: 3111: 3109: 3106: 3105: 3103: 3097: 3091: 3088: 3086: 3083: 3081: 3078: 3076: 3073: 3071: 3068: 3066: 3063: 3061: 3058: 3056: 3053: 3052: 3050: 3046: 3040: 3037: 3035: 3032: 3030: 3027: 3025: 3022: 3020: 3017: 3015: 3012: 3010: 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2991: 2989: 2983: 2977: 2974: 2972: 2969: 2967: 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2948: 2946: 2942: 2939: 2935: 2929: 2926: 2924: 2921: 2920: 2918: 2914: 2904: 2901: 2899: 2898:Brahmin Tamil 2896: 2895: 2893: 2889: 2883: 2880: 2879: 2877: 2873: 2867: 2864: 2862: 2859: 2857: 2854: 2853: 2851: 2849: 2845: 2839: 2836: 2834: 2833:Madurai Tamil 2831: 2829: 2828:Madras Bashai 2826: 2824: 2821: 2819: 2816: 2814: 2811: 2810: 2808: 2804: 2801: 2797: 2789: 2786: 2784: 2783:Second Sangam 2781: 2779: 2776: 2775: 2774: 2773:Tamil Sangams 2771: 2769: 2766: 2764: 2761: 2759: 2756: 2754: 2751: 2749: 2746: 2744: 2741: 2740: 2738: 2734: 2730: 2723: 2718: 2716: 2711: 2709: 2704: 2703: 2700: 2694: 2692: 2688: 2686: 2684: 2680: 2679: 2670: 2666: 2664:90-04-09365-6 2660: 2656: 2655: 2649: 2646: 2640: 2636: 2635: 2629: 2625: 2623:90-04-03591-5 2619: 2615: 2614: 2608: 2604: 2598: 2594: 2593: 2587: 2583: 2581:90-04-10042-3 2577: 2573: 2572: 2566: 2561: 2560: 2554: 2551: 2547: 2544: 2540: 2536: 2533: 2529: 2525: 2521: 2516: 2514: 2511: 2507: 2504: 2500: 2496: 2493: 2489: 2485: 2481: 2479:81-207-2502-6 2475: 2471: 2470: 2464: 2461: 2457: 2455: 2452: 2448: 2445: 2441: 2437: 2431: 2427: 2426: 2420: 2416: 2414:81-250-1453-5 2410: 2406: 2405: 2399: 2395: 2393:81-260-1221-8 2389: 2385: 2384: 2378: 2375: 2371: 2368: 2364: 2360: 2355: 2353: 2350: 2346: 2342: 2340: 2336: 2333: 2332: 2327: 2323: 2320: 2318:9780811210980 2314: 2310: 2309: 2304: 2301: 2297: 2294: 2291:N. Balusamy, 2290: 2289: 2276: 2269: 2253: 2252: 2244: 2228: 2227: 2219: 2210: 2208: 2200: 2195: 2193: 2191: 2189: 2180: 2179: 2171: 2163: 2162: 2154: 2146: 2145: 2137: 2130: 2124: 2117: 2112: 2105: 2100: 2093: 2087: 2081: 2078: 2072: 2066:, Kandy, 1964 2065: 2059: 2053: 2050: 2044: 2037: 2032: 2024: 2018: 2014: 2013: 2005: 1998: 1993: 1986: 1981: 1974: 1969: 1962: 1957: 1950: 1945: 1943: 1941: 1933: 1928: 1921: 1916: 1909: 1904: 1897: 1892: 1885: 1880: 1873: 1868: 1861: 1856: 1854: 1852: 1844: 1839: 1837: 1829: 1824: 1817: 1812: 1810: 1802: 1797: 1790: 1785: 1778: 1773: 1771: 1769: 1761: 1756: 1754: 1746: 1741: 1739: 1737: 1729: 1724: 1722: 1714: 1709: 1707: 1705: 1703: 1695: 1690: 1688: 1686: 1684: 1682: 1674: 1669: 1662: 1657: 1655: 1653: 1651: 1643: 1638: 1636: 1634: 1632: 1624: 1619: 1617: 1615: 1607: 1602: 1600: 1598: 1590: 1585: 1583: 1581: 1573: 1568: 1566: 1564: 1562: 1554: 1549: 1547: 1545: 1543: 1535: 1530: 1528: 1520: 1515: 1513: 1505: 1500: 1498: 1490: 1485: 1478: 1473: 1466: 1461: 1459: 1450: 1448:0-333-93076-2 1444: 1440: 1433: 1426: 1421: 1414: 1413:Hikosaka 1989 1409: 1402: 1397: 1390: 1384: 1382: 1380: 1372: 1371: 1366: 1361: 1354: 1349: 1342: 1337: 1330: 1325: 1318: 1313: 1311: 1309: 1300: 1294: 1290: 1289: 1281: 1274: 1269: 1260: 1253: 1248: 1240: 1234: 1230: 1229: 1221: 1214: 1209: 1207: 1205: 1197: 1192: 1190: 1188: 1180: 1175: 1173: 1171: 1163: 1158: 1156: 1147: 1141: 1137: 1136: 1128: 1120: 1114: 1110: 1109: 1101: 1099: 1091: 1086: 1078: 1071: 1067: 1057: 1054: 1052: 1049: 1047: 1044: 1043: 1037: 1035: 1030: 1026: 1022: 1018: 1014: 1013: 1006: 996: 994: 990: 986: 982: 977: 975: 971: 967: 963: 959: 949: 945: 941: 939: 928: 925: 920: 918: 914: 910: 906: 902: 898: 888: 886: 881: 879: 874: 872: 868: 864: 859: 857: 853: 849: 845: 835: 833: 829: 820: 819: 818: 812: 811: 810: 804: 803: 802: 800: 799: 794: 790: 786: 778: 777: 776: 774: 765: 764: 758: 751: 750: 749: 742: 741: 740: 733: 732: 731: 729: 725: 721: 712: 711: 710: 703: 702: 701: 694: 693: 692: 685: 684: 683: 676: 675: 669: 667: 659: 658: 657: 650: 649: 648: 645: 636: 635: 634: 627: 626: 625: 623: 619: 615: 607: 606: 605: 599: 598: 592: 590: 581: 580: 579: 577: 568: 567: 566: 559: 558: 557: 550: 549: 543: 536: 535: 534: 532: 531: 526: 518: 517: 516: 514: 513: 503: 502: 501: 494: 493: 492: 485: 484: 483: 476: 475: 474: 472: 464: 463: 454: 451: 448: 445: 442: 441: 437: 436: 435: 433: 429: 425: 421: 417: 413: 408:சிலப்பதிகாரம் 405: 401: 400: 389: 387: 383: 379: 375: 371: 366: 363: 358: 353: 351: 341: 339: 335: 331: 326: 322: 318: 314: 309: 307: 303: 299: 295: 291: 287: 282: 278: 274: 270: 265: 263: 259: 258: 253: 249: 246: 242: 241: 236: 235: 210: 206: 205: 198: 193: 186: 181: 178: 175: 173: 170: 169: 166: 163: 161: 158: 157: 154: 153: 148: 145: 143: 140: 138: 135: 134: 131: 128: 126: 123: 122: 119: 115: 112: 109: 108: 104: 102: 99: 98: 95: 92: 90: 87: 86: 83: 79: 76: 74: 71: 70: 67: 64: 62: 59: 58: 55: 52: 50: 47: 46: 43: 42: 37: 34: 30: 27: 22: 19: 3250:Tamil-Brahmi 3128:Caturakarāti 3101:dictionaries 3099:Grammars and 2994:Cīrappurānam 2838:Nellai Tamil 2788:Third Sangam 2778:First Sangam 2758:Manipravalam 2753:Modern Tamil 2748:Middle Tamil 2690: 2682: 2653: 2633: 2612: 2591: 2570: 2558: 2549: 2542: 2538: 2531: 2527: 2519: 2509: 2502: 2498: 2487: 2468: 2459: 2450: 2443: 2424: 2403: 2382: 2373: 2366: 2358: 2348: 2344: 2330: 2325: 2307: 2299: 2292: 2286:Bibliography 2274: 2268: 2256:. Retrieved 2250: 2243: 2231:. Retrieved 2225: 2218: 2177: 2170: 2160: 2153: 2143: 2136: 2123: 2111: 2099: 2091: 2086: 2076: 2071: 2063: 2058: 2048: 2043: 2031: 2011: 2004: 1992: 1980: 1968: 1956: 1927: 1915: 1903: 1891: 1879: 1867: 1823: 1796: 1784: 1668: 1484: 1472: 1438: 1432: 1420: 1408: 1396: 1388: 1369: 1360: 1348: 1336: 1324: 1287: 1280: 1268: 1259: 1247: 1227: 1220: 1134: 1127: 1107: 1085: 1076: 1070: 1023:rather than 1016: 1010: 1008: 992: 988: 984: 980: 978: 973: 969: 965: 961: 957: 955: 946: 942: 934: 923: 921: 916: 909:ārya-satyāni 908: 894: 891:Significance 882: 875: 870: 866: 862: 860: 855: 851: 847: 844:Manimekhalai 843: 841: 831: 824: 816: 808: 805:Canto XXVIII 796: 792: 782: 769: 755: 746: 737: 716: 707: 698: 689: 680: 665: 663: 654: 643: 640: 631: 611: 603: 588: 585: 572: 563: 554: 540: 528: 524: 522: 510: 507: 498: 489: 480: 468: 431: 427: 423: 419: 415: 411: 397: 395: 385: 377: 367: 361: 356: 354: 347: 324: 320: 312: 310: 268: 266: 261: 255: 239: 238: 234:Manimekhalai 233: 232: 203: 202: 201: 192: 152:Tamil people 150: 117: 81: 53: 39: 18: 3123:Tolkāppiyam 3024:Thiruppugal 2823:Kongu Tamil 2691:Manimekalai 2683:Manimekalai 1025:Dhanushkodi 1021:Kanyakumari 989:Manimekalai 985:Manimekalai 981:Manimekalai 974:Manimekalai 966:Manimekalai 958:Manimekalai 924:Manimekalai 863:Manimekalai 779:Canto XXVII 734:Canto XXIII 724:Parashurama 677:Canto XVIII 432:Manimekalai 424:Manimekalai 412:Manimekalai 362:Manimekalai 357:Manimekalai 325:Manimekalai 313:Manimekalai 286:Manimekhala 269:Manimekalai 240:Manimekalai 204:Maṇimēkalai 73:Kundalakesi 66:Valayapathi 54:Manimekalai 3416:Categories 3260:Vatteluttu 2987:literature 2985:Devotional 2937:Literature 2891:Sociolects 2861:Batticaloa 2848:Sri Lankan 2490:, Madras: 2349:Puratattva 1062:References 1046:Tamil Jain 897:Tamil Nadu 813:Canto XXIX 766:Canto XXVI 743:Canto XXIV 713:Canto XXII 660:Canto XVII 608:Canto XIII 551:Canto VIII 315:is one of 267:The title 24:Topics in 16:Tamil epic 3317:Phonology 3289:Lexis and 3255:Koleḻuttu 3195:Tamil and 3108:Agattiyam 3065:Iraichchi 3014:Tirumurai 3009:Tēmpāvaṉi 2743:Old Tamil 2616:. BRILL. 1009:Like the 952:Reception 938:Nagarjuna 876:In 1989, 821:Canto XXX 752:Canto XXV 704:Canto XXI 686:Canto XIX 651:Canto XVI 628:Canto XIV 600:Canto XII 537:Canto VII 486:Canto III 142:Tirumurai 89:Neelakesi 3182:Yerambam 2944:Classics 2799:Dialects 2347:, 1998, 2335:Archived 1040:See also 901:Buddhism 695:Canto XX 666:Ramayana 637:Canto XV 582:Canto XI 560:Canto IX 530:samsaras 519:Canto VI 512:Ramayana 495:Canto IV 477:Canto II 392:The Epic 338:Hinduism 248:Buddhist 213:மணிமேகலை 94:Culamani 3291:grammar 3238:Scripts 3209:Sinhala 3204:English 3142:History 3085:Ullurai 2856:Negombo 2736:History 2534:no. 12. 2494:, 1989. 2258:30 July 2233:30 July 832:samsara 798:pramana 789:Carvaka 785:Ajivika 622:Lakshmi 614:Benares 576:Dharani 569:Canto X 504:Canto V 465:Canto I 334:Ajivika 330:Jainism 306:Nirvana 302:Kannaki 273:Kovalan 243:, is a 220:  137:Tevaram 3364:Events 3229:Korean 3113:Nannūl 3080:Thinai 3048:Poetry 2866:Jaffna 2806:Indian 2661:  2641:  2620:  2599:  2578:  2476:  2432:  2411:  2390:  2315:  2019:  1445:  1295:  1235:  1142:  1115:  1029:Ahalya 793:per se 773:Odisha 720:Vishnu 644:amrita 344:Author 336:, and 323:, the 290:Buddha 262:akaval 160:Sangam 3224:Malay 3075:Puram 3060:Venpa 3055:Kural 828:karma 728:Durga 618:Vedas 471:Indra 404:Tamil 277:Chola 245:Tamil 209:Tamil 185:edit 3355:Moḻi 3280:Arwi 3070:Akam 2903:Arwi 2659:ISBN 2639:ISBN 2618:ISBN 2597:ISBN 2576:ISBN 2474:ISBN 2430:ISBN 2409:ISBN 2388:ISBN 2313:ISBN 2260:2019 2235:2019 2017:ISBN 1443:ISBN 1293:ISBN 1233:ISBN 1140:ISBN 1113:ISBN 1017:setu 842:The 787:and 726:and 355:The 311:The 217:lit. 3350:ISO 3090:Ulā 911:), 854:or 834:). 775:). 589:lit 237:or 3418:: 2206:^ 2187:^ 1939:^ 1850:^ 1835:^ 1808:^ 1767:^ 1752:^ 1735:^ 1720:^ 1701:^ 1680:^ 1649:^ 1630:^ 1613:^ 1596:^ 1579:^ 1560:^ 1541:^ 1526:^ 1511:^ 1496:^ 1457:^ 1378:^ 1367:, 1307:^ 1203:^ 1186:^ 1169:^ 1154:^ 1097:^ 899:, 722:, 406:: 332:, 296:, 215:, 211:: 2721:e 2714:t 2707:v 2667:. 2626:. 2605:. 2584:. 2564:. 2545:. 2505:. 2482:. 2438:. 2417:. 2396:. 2262:. 2237:. 2025:. 1451:. 1301:. 1241:. 1181:. 1148:. 1121:. 915:( 907:( 771:( 402:( 229:' 223:' 207:( 199:.

Index

Tamil literature
Sangam Literature
Five Great Epics
Silappatikaram
Manimekalai
Civaka Cintamani
Valayapathi
Kundalakesi
Neelakesi
Culamani
Naga Kumara Kaviyam
Naalayira Divya Prabandham
Kamba Ramayanam
Tevaram
Tirumurai
Tamil people
Sangam
Sangam landscape
Tamil history from Sangam literature
Ancient Tamil music
edit
Manimekalai (disambiguation)
Tamil
Tamil
Buddhist
Kulavāṇikaṉ Seethalai Sataṉar
Cilappatikaram
Kovalan
Chola
Mahayana Buddhism

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