736:(1565–1570), Veronese arranged the architecture to run mostly parallel to the picture plane, accentuating the processional character of the composition. The artist's decorative genius was to recognize that dramatic perspectival effects would have been tiresome in a living room or chapel, and that the narrative of the picture could best be absorbed as a colorful diversion. These paintings offer little in the representation of emotion; rather, they illustrate the carefully composed movement of their subjects along a primarily horizontal axis. Most of all they are about the incandescence of light and color. The exaltation of such visual effects may have been a reflection of the artist's personal well-being, for in 1565 Veronese married Elena Badile, the daughter of his first master, and by whom he would eventually have a daughter and four sons.
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437:, named Gabriele, and his wife Caterina. He was their fifth child. It was common for surnames to be taken from a father's profession, and thus Veronese was known as Paolo Spezapreda. He later changed his name to Paolo Caliari, because his mother was the illegitimate daughter of a nobleman called Antonio Caliari. His earliest known painting is signed "P. Caliari F., "the first known instance in which he used this surname", and after using "Paolo Veronese" for several years in Venice, after about 1575 he resumed signing his paintings as "Paolo Caliari". He was often called "Paolo Veronese" before the last century to distinguish him from another painter from Verona, "Alessandro Veronese", now known as
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851:(1563) had directed Veronese to freely include as many human figures as would fit in the banquet scene. In contrast, a decade later, Veronese encountered legal, religious constraints that determined the suitability (theological, political, sociological) of who and what he depicted in a painting—thus, on 18 July 1573, Veronese was summoned before the
480:; both were leading painters in Verona. An altarpiece painted by Badile in 1543 includes striking passages that were most likely the work of his fifteen-year-old apprentice; Veronese's precocious gifts soon surpassed the level of the workshop, and by 1544 he was no longer residing with Badile. Although trained in the culture of
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and Venice, is at the right with the
Blessed Virgin Mother and the Christ child in the center. In contrast to Italian works of a century earlier the infant is rendered convincingly as an infant. What makes one stop and take notice in this painting is the infant's reaching out to St. Justina, since a
862:
The tribunal's interrogation of
Veronese was cautionary, rather than punitive; political, rather than judicial; nonetheless, Veronese explained to the Inquisitiors that "we painters take the same liberties as poets and madmen" in telling a story. Although the Inquisition's tribunal ordered Veronese
711:. The contract also specified that the painting should include as many figures as possible. There are a number of portraits (including those of Titian and Tintoretto, as well as a self-portrait of Veronese) staged upon a canvas surface nearly ten meters wide. The scene, taken from the New Testament
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wrote of
Veronese's strengths and weaknesses: "He is notable above all as a colorist who used a range of bright hues with a boldness unmatched in his time and scarcely equaled since", but because his use of color "was often calculated to create a harmonious overall effect rather than to single out
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wrote in 1860, that
Veronese was the greatest colorist who ever lived—greater than Titian, Rubens, or Rembrandt because he established the harmony of natural tones in place of the modeling in dark and light that remained the method of academic chiaroscuro. Delacroix wrote that Veronese made light
788:, the painting was to replace a Titian painting burnt in a fire; Veronese's oversized (5.55m x 12.80m) replacement depicted a Last Supper banquet scene that included German soldiers, dwarves, and animals – the human and animal exotica usual to Veronese's representational narratives. Artistically,
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Monastery, on the eponymous small island across from Saint Mark's, in Venice. The contract insisted on the huge size (to cover 66 square meters), and that the pigment and colors should be of premium quality. For example, the contract specified that the blues should contain the precious mineral
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He has always been appreciated for "the chromatic brilliance of his palette, the splendor and sensibility of his brushwork, the aristocratic elegance of his figures, and the magnificence of his spectacle", but his work has been felt "not to permit expression of the profound, the human, or the
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His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and
792:
indicates
Veronese's technical development in using intense and luminous colors for texture, attention to narrative coherence, the acute representation of human emotion, and the psychologically subtle interplay occurring among the characters who crowd the scene.
633:(for which he was awarded a prize judged by Titian and Sansovino) that established him as a master among his Venetian contemporaries. Already these works indicate Veronese's mastery in reflecting both the subtle foreshortening of the figures of
653:, which would not be concluded until 1570. Owing to its scattered composition and lack of focus, however, it was not his most successful refectory mural. In the late 1550s, during a break in his work for San Sebastiano, Veronese decorated the
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This innovation could not be better described. Veronese’s bright outdoor harmonies enlightened and inspired the whole nineteenth century. He was the foundation of modern painting. But whether his style is in fact naturalistic, as the
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of the Late–Renaissance, for an artist, painting crowd scenes had acquired political ramifications regarding who and what appeared in a religious painting commissioned from him, regardless of the patron or patroness.
1172:(also called dal Friso; 1559–1611), that remained active for a decade or so after his death in Venice in 1588, signing their work "Haeredes Pauli" ("Heirs of Paolo"), and continuing to use his drawings. According to
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the main protagonists", his paintings convey little narrative drama. According to Hope, "the effect is sumptuous, seductive but ultimately excessive and a little monotonous, rather like a visit to a patisserie."
1176:, "The role of the workshop seems to have increased steadily, and after 1580 it is rare that we can feel confident that Veronese's was the sole hand involved". Among his pupils were his contemporary
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sublime", and of the "great trio" he has often been the least appreciated by modern criticism. Nonetheless, "many of the greatest artists ... may be counted among his admirers, including
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931:(1573) is "by far, the most important source for our knowledge of his art" because "it gave rein to joy, made beauty majestic, made laughter, itself, more festive".
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723:. The foreground celebration, a frieze of figures painted in the most shimmering finery, is flanked by two sets of stairs leading back to a terrace, Roman
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3603:"Paolo Veronese (Paolo Caliari): Mars and Venus United by Love (10.189) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art"
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to repaint the last-supper scene, he opposed their remedy to his theological offences, yet was compelled to re-title the painting from the sacramental
566:; it was as a painter of ceiling frescos that he would initially make his mark in Venice, where he based himself permanently from the following year.
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Painting Studi sopra la storia della pittura italiana dei secoli xiv e xv e della scuola pittorica veronese dai medi tempi fino tutto il secolo xviii
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had given legal authority to Roman
Catholic doctrine in Venice, which was a new, political development for an artist such as Veronese. In the
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In his late teens he painted works for important churches in Verona, and in 1551 he was commissioned by the
Venetian branch of the important
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baby of this age would normally limit his gaze to his mother. Completing the work is St. Elizabeth, the cousin of Mary and mother of
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425:, then the largest possession of Venice on the mainland. The census in Verona attests that Veronese was born sometime in 1528 to a
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515:; only fragments of the frescos remain, but they seem to have been important in establishing his reputation. The description by
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2003:
665:. The frescoes were designed to unite humanistic culture with Christian spirituality; wall paintings included portraits of the
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Theosophical authors have identified Paolo
Veronese with the Master of Wisdom or Mahatma known as "The Venetian," who is the
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to explain the presence of what Church doctrine considered characters, animals, and indecorum extraneous to an image of the
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thought, or a most subtle and beautiful imaginative invention must remain a question for each age to answer for itself.
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Weller van Hook, "Some
Artistic Labours of the Lord of the Cultural System," The Theosophist (December, 1921), 277
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without violent contrasts, "which we are always told is impossible, and maintained the strength of hue in shadow".
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871:. That an artist, such as Veronese, had successfully perdured against the Inquisition's implied accusation of
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Veronese moved to Venice in 1553 after obtaining his first state commission, ceilings in fresco decorating the
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715:, II, 1–11, represents the first miracle performed by Jesus, the making of wine from water, at a marriage in
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are especially famous, and he was also the leading
Venetian painter of ceilings. Most of these works remain
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3577:"Paolo Veronese | The Consecration of Saint Nicholas | NG26 | The National Gallery, London"
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Veronese was one of the first painters whose drawings were sought by collectors during his lifetime.
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3654:"[remastered]: VENUS DISARMING CUPID, Paolo Veronese, 2013.50 | Worcester Art Museum"
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805:(1573) featured people and animals that the Inquisition perceived as heretical. The Inquisitors'
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318:, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the
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In addition to the ceiling creations and wall paintings, Veronese also produced altarpieces (
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3440:"File:The Family of Darius before Alexander by Paolo Veronese 1570.jpg – Wikimedia Commons"
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By 1556 Veronese was commissioned to paint the first of his monumental banquet scenes, the
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found no heresy, yet ordered Paolo Veronese to re-title the painting something other than
8:
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698:, painted in 1562–1563, was also collaboration with Palladio. It was commissioned by the
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Madonna and Child with St. Elizabeth, the Infant St. John the Baptist, and St. Justina
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Madonna and Child with St. Elizabeth, the Infant St. John the Baptist, and St. Justina
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3394:, painted 1566–67, entered the collection of the Rijksmuseum in Amsterdam in 1952.
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2018:
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Le maraviglie dell'arte ovvero le vite degli illustri pittori Veneti e dello stato
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An artist's biography of Paolo Veronese was included in the second edition of the
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1530:
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332:, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
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in the 16th century. Known as a supreme colorist, and after an early period with
760:, located on the left. The artist delicately balances the forms of the extended
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1192:. The Caliari family continued and another Paolo Caliari published the first
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readily noticed Veronese's irreligiosity. By the 1570s, the theology of the
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613:, in the new rooms replacing those lost in the fire of 1547. His panel of
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nearly a century later mentions that one of the mythological subjects was
503:. In the same year he worked on the decoration of the Villa Soranzo near
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950:’s modern assessment of Paolo Veronese’s artistic achievement is that:
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Durer to Veronese: Sixteenth-Century Painting in the National Gallery
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The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600
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depicting the Christ character and the events of his life; and the
780:, a last-supper painting for the rear wall of the refectory at the
629:(1556–57). It was these ceiling paintings and those of 1557 in the
488:, he soon developed his own preference for a more radiant palette.
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Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
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910:, with improved coverage of the painters of the Venetian school.
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and renders them using a superb balance of warm and cool colors.
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family to paint the altarpiece for their chapel in the church of
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359:
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Pedrocco, Filippo: "Veronese", page 3. SCALA Group S.p.A., 1998.
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Wisdom and Strength: The Biography of a Renaissance Masterpiece
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Lives of the Most Excellent Painters, Sculptors, and Architects
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311:
291:
71:
52:
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repeated this information in her "Ascended Masters" teachings.
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485:
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Holy Family with Saint Catherine and Saint John the Baptist
3733:
Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
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Holy Family with Saint Catherine and Saint John the Baptist
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He headed a family workshop, including his younger brother
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depictions of the characters lacked the piousness usual to
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Titian, Veronese, Tintoretto: Rivals in Renaissance Venice
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A decade earlier, the Benedictine monks who commissioned
499:, which was then being entirely rebuilt to the design of
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3749:, MFA Publications, Museum of Fine Arts, Boston, 2009,
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Prophet, Mark L., and Prophet, Elizabeth Clare, (2003).
3549:
Hope, Charles (8 May 2014). "At the National Gallery",
875:, indicated he had the discreet political support of a
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Veronese took his usual name from his birthplace of
193:
3398:, De Vecchi, Pierluigi, pages 104–5. Rizzoli, 2004.
925:painters. Ridolfi said that Veronese's painting of
202:
3641:Masterworks in Berlin: A City's Paintings Reunited
3348:in the following pages on the influence of Romano.
3889:. Vol. 20 (11th ed.). pp. 965–966.
767:
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3361:, page 125. National Gallery Publications, 1999.
817:Given the subject of the painting, the biblical
344:(1565–1570). Oil on canvas, 236.2cm × 475.9 cm,
180:(1528 – 19 April 1588), known as
3997:Portrait of Iseppo da Porto and his son Adriano
3208:Portrait of Iseppo da Porto and his son Adriano
3566:, page 262. Stewart, Tabori & Chang, 1987.
3119:
774:In 1573 Veronese completed the commission for
3914:
3328:"Temptation of St Anthony by VERONESE, Paolo"
3225:
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3139:is based on the story of Veronese's painting
661:, a newly finished building by the architect
4157:The Feast in the House of Simon the Pharisee
4109:The Feast in the House of Simon the Pharisee
3859:with link to images of many of his paintings
3790:, 2nd ed. 1997, Cambridge University Press,
3762:, National Gallery Catalogues (new series):
3643:, page 270. Little, Brown and Company, 1996.
3273:
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3248:
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913:A fuller biography of Veronese had to await
3766:, 2008, National Gallery Publications Ltd,
3308:, page 206. Giunti Gruppo Editoriale, 2000.
3921:
3907:
3851:Art view; Homage to a Gentleman of Verona
3624:
3437:
3220:
2682:Christ in the Garden Supported by an Angel
739:Also painted between 1565 and 1570 is his
3732:
3266:
3241:
2779:The People of Myra Welcoming St. Nicholas
615:Jupiter Hurling Thunderbolts at the Vices
4029:Portrait of a Young Man Wearing Lynx Fur
3873:
3857:Veronese biography on Web Gallery of Art
3579:. Nationalgallery.org.uk. Archived from
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954:The French had no doubts, as the critic
886:
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677:
588:
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394:
334:
4141:Resurrection of the Widow of Nain's Son
3977:Minerva between Geometry and Arithmetic
3166:
3136:Monty Python Live at the Hollywood Bowl
1126:), paintings on mythological subjects (
1001:The Sacrificial Death of Marcus Curtius
472:By 1541, Veronese was apprenticed with
4413:
3842:69 artworks by or after Paolo Veronese
3148:An imaginary Veronese painting called
1674:Giustiniana Giustiniani with Her Nurse
784:, Castello, Venice. Originally titled
4133:The Family of Darius Before Alexander
3902:
3737:. Penguin Books Ltd. pp. 550–60.
3629:. Googlebooks. pp. 337–338, 343.
3396:Veronese: Gods, Heroes and Allegories
3357:Penny, 331; Dunkerton, Jill, et al.:
2030:The Family of Darius before Alexander
1515:Jesus among the Doctors in the Temple
733:The Family of Darius before Alexander
645:Villa Barbaro and refectory paintings
521:The Family of Darius before Alexander
341:The Family of Darius before Alexander
281:
3304:Bussagli, Marco: "The XVI Century",
1209:Category:Paintings by Paolo Veronese
1113:
4269:Saint Anthony Preaching to the Fish
4237:Mars and Venus with Cupid and a Dog
3865:– Biographical article in the 1911
3778:The Art of Paolo Veronese 1528–1588
3711:. Summit University Press. p. 274.
3156:of the award-winning comics series
3152:is prominently featured in a story
2156:Die Madonna mit der Familie Cuccina
298:of religion and mythology, such as
13:
4229:Judith with the Head of Holofernes
4221:Mystic Marriage of Saint Catherine
3969:Mystic Marriage of Saint Catherine
3928:
3460:Dunkerton, et al., page 111, 1999.
2280:The Supper of St Gregory the Great
1120:The Consecration of Saint Nicholas
782:Basilica di Santi Giovanni e Paolo
730:In the refectory paintings, as in
554:, France), which Veronese painted
416:
14:
4492:
4402:✻ attributed to Veronese's studio
4181:Allegory of the Battle of Lepanto
3835:
3807:, National Gallery London, 2014,
3605:. Metmuseum.org. 4 September 2013
2706:St. Anthony Preaching to the Fish
2432:Venus, Mars and Love with a Horse
2408:Mystical Marriage of St Catherine
1499:62.52 x 54.49" (158.8 x 138.4 cm)
1202:
625:on the ceiling for the church of
536:Guglielmo Gonzaga, Duke of Mantua
283:[ˈpaːoloveroˈneːze,-eːse]
4053:Saint John the Baptist Preaching
4013:Portrait of a Gentleman in a Fur
3945:The Conversion of Mary Magdalene
2902:Baptism and Temptation of Christ
2496:Chelsea and Westminster Hospital
1641:The Resurrection of Jesus Christ
1297:The Conversion of Mary Magdalene
1160:(1538–1598) as well as his sons
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558:. He doubtless used his time in
455:The Conversion of Mary Magdalene
390:
254:
186:
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31:
4101:Allegory of Wisdom and Strength
3780:, National Gallery of Art, 1988
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3344:Penny, 331; Freedberg, 551 and
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3320:
1978:Allegory of Wisdom and Strength
1878:(San Zaccaria Altarpiece; 1564)
1016:Juno Showering Gifts on Venetia
979:Allegory of Wisdom and Strength
607:Sala dei Tre Capi del Consiglio
4205:The Martyrdom of Saint Justina
4197:The Feast in the House of Levi
4173:Portrait of Agostino Barbarigo
3972:(New Haven; c. 1547–1550)
3708:The Masters and Their Retreats
3311:
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3232:
3142:The Feast in the House of Levi
3095:David with the Head of Goliath
2880:Portrait of Agostino Barbarigo
2384:Ceres Renders Homage to Venice
2309:The Feast in the House of Levi
928:The Feast in the House of Levi
869:The Feast in the House of Levi
802:The Feast in the House of Levi
790:The Feast in the House of Levi
777:The Feast in the House of Levi
769:The Feast in the House of Levi
538:, commissioned an altarpiece,
307:The Feast in the House of Levi
112:The Feast in the House of Levi
1:
4436:16th-century Italian painters
4149:Madonna and Child with Saints
4117:The Martyrdom of Saint George
3726:
3086:Museum Boijmans Van Beuningen
2506:Mars and Venus United by Love
1774:Madonna Enthroned with Saints
1750:St John the Baptist Preaching
1018:, c. 1554–1556, Doge's Palace
882:
617:for the former is now in the
459:
403:
4451:Italian Renaissance painters
4431:16th-century Venetian people
3953:Bevilacqua-Lazise Altarpiece
3735:Painting in Italy, 1500–1600
3041:Montreal Museum of Fine Arts
2926:Portrait of a Venetian Woman
2360:The Martyrdom of St. Justine
1844:National Gallery of Scotland
1378:St. Mark Crowning the Virtue
1326:The Temptation of St Anthony
637:and the heroism of those by
599:Sala dei Consiglio dei Dieci
548:Musée des Beaux-Arts de Caen
534:, great-uncle of the ruling
294:, known for extremely large
7:
4125:Portrait of Daniele Barbaro
4093:Allegory of Virtue and Vice
3961:Lament over the Dead Christ
3894:Gallery at Museum Syndicate
3625:Bernasconi, Cesare (1864).
3391:Portrait of Daniele Barbaro
3198:List of Orientalist artists
3186:
3120:Veronese in popular culture
2220:Museum of Fine Arts of Lyon
2170:Gemäldegalerie Alte Meister
2146:Gemäldegalerie Alte Meister
2080:Portrait of Daniele Barbaro
2004:Allegory of Virtue and Vice
1726:Virgin in Glory with Saints
1609:Gemäldegalerie Alte Meister
934:In 2014, the art historian
747:, San Diego). In this work
651:Feast in the House of Simon
593:House of Veronese in Venice
507:, with his fellow Veronese
288:Italian Renaissance painter
16:Italian Renaissance painter
10:
4497:
4456:Italian Mannerist painters
3027:Christ Crowned with Thorns
2530:Hermes, Herse and Aglaulus
2520:Metropolitan Museum of Art
2481:The Resurrection of Christ
2244:Metropolitan Museum of Art
2132:The Resurrection of Christ
1953:Martyrdom of St. Sebastian
1848:National Gallery of Canada
1716:Staatliche Kunstsammlungen
1670:Bacchus Giving Wine to Men
1206:
1132:Metropolitan Museum of Art
1076:Saint Jerome in the Desert
1046:Nobleman in Hunting Attire
1031:Saturn (Time) and Historia
986:
314:, a generation older, and
37:Self-portrait, 1558–1563,
4399:
4372:Giovanni Francesco Caroto
4358:
4303:Duke of Buckingham series
4287:
3936:
3875:Rossetti, William Michael
3514:Transcript of the hearing
3419:Bussagli, page 207, 2000.
1655:San Francesco della Vigna
1230:
1227:
1224:
1221:
1218:
1215:
1196:on his ancestor in 1888.
1178:Giovanni Battista Zelotti
857:Last Supper of the Christ
853:Venetian Holy Inquisition
569:
562:to study the ceilings by
540:Temptation of St. Anthony
509:Giovanni Battista Zelotti
497:San Francesco della Vigna
478:Giovanni Francesco Caroto
166:
161:
157:
141:
137:
119:
97:
89:
79:
60:
45:
30:
23:
4037:Christ Among the Doctors
3672:"San Gerolamo penitente"
3658:archive.worcesterart.org
3213:
2730:The Vision of St. Helena
2672:Kunsthistorisches Museum
2632:Christ and the Centurion
2570:Sala dell'Anticollegio,
2196:Kunsthistorisches Museum
1541:Assumption of the Virgin
1508:Worcester, Massachusetts
1402:Coronation of the Virgin
525:National Gallery, London
444:
4446:Italian Roman Catholics
4245:Susannah and the Elders
3886:Encyclopædia Britannica
3678:. Musei Civici di Pavia
3676:La Pinacoteca Malaspina
3564:Paintings in the Louvre
3540:Rearick, page 14, 1988.
3472:Rearick, page 13, 1988.
3442:. Commons.wikimedia.org
3410:Rearick, page 10, 1998.
3379:Rearick, page 75, 1988.
3370:Rearick, page 50, 1998.
3295:Rearick, page 20, 1988.
3180:Elizabeth Clare Prophet
2793:Gallerie dell'Accademia
2422:Gallerie dell'Accademia
2398:Gallerie dell'Accademia
2324:Gallerie dell'Accademia
2270:Gallerie dell'Accademia
1901:Martyrdom of St. George
1891:Gallerie dell'Accademia
1840:Dulwich Picture Gallery
1788:Gallerie dell'Accademia
1182:Giovanni Antonio Fasolo
944:Paintings in the Louvre
921:, a compilation of the
727:, and a brilliant sky.
3551:London Review of Books
3512:Rearick, p. 104 1988.
3503:Rearick, p. 104, 1988.
2230:Portrait of a Sculptor
1929:Being Led to Martyrdom
1876:Holy Family and Saints
1354:Zeus ousting the Vices
983:
971:
961:
897:
814:
691:
594:
586:
469:
413:
349:
310:(1573). Included with
4441:Italian male painters
4213:Bathsheba at her Bath
4189:Adoration of the Magi
4085:Petrobelli Altarpiece
3989:Venus Disarming Cupid
3880:"Paul Veronese"
3868:Catholic Encyclopedia
3519:15 April 2012 at the
3494:Rearick, p. 14, 1988.
3174:Head of the Third Ray
2754:Judith and Holofernes
2335:Adoration of the Magi
1915:San Giorgio in Braida
1852:Blanton Museum of Art
1825:Petrobelli altarpiece
1488:Venus Disarming Cupid
1237:Arachne or Dialectics
1186:Sigismondo de Stefani
976:
962:
952:
893:Perseus and Andromeda
890:
813:, the original title.
799:
681:
621:. He then painted a
592:
577:
452:
398:
338:
4476:Trompe-l'œil artists
4466:Painters from Verona
4461:Painters from Venice
4310:The Finding of Moses
4296:The Allegory of Love
4261:Cephalus and Procris
3824:, Hutchinson, 1990,
3741:Ilchman, Frederick,
3167:Veronese in religion
2803:Apotheosis of Venice
2646:Toledo Museum of Art
2181:The Finding of Moses
2106:The Allegory of Love
2069:Timken Museum of Art
1557:San Giovanni e Paolo
1503:Worcester Art Museum
1342:Musée des Beaux-Arts
1122:, 1561–62, London's
1061:Allegory of Painting
879:patron of the arts.
758:St. John the Baptist
745:Timken Museum of Art
704:San Giorgio Maggiore
605:) and the adjoining
411:Castelvecchio Museum
400:Deposition of Christ
4128:(c. 1556–1567)
4077:The Wedding at Cana
4024:(c. 1559–1560)
4016:(c. 1550–1560)
3150:La Morte dil Cesare
2993:Pavia Civic Museums
2979:Penitent St. Jerome
2955:Susanna in the Bath
2916:Pinacoteca di Brera
2893:Museum of Fine Arts
2744:Pinacoteca Vaticana
2696:Pinacoteca di Brera
2065:40-7/8 x 62-1/4 in.
1927:Mark and Marcellian
1799:The Wedding at Cana
1632:Museum of Fine Arts
1595:The Wedding at Cana
1434:Portrait of a Woman
848:The Wedding at Cana
835:Counter-Reformation
684:The Wedding at Cana
301:The Wedding at Cana
105:The Wedding at Cana
74:, Venetian Republic
55:, Venetian Republic
3801:Salomon, Xavier F.
3562:Gowing, Lawrence:
3238:Freedburg, 550–551
3017:Museum of Grenoble
2853:The Conversion of
2622:Seattle Art Museum
2557:The Rape of Europa
2544:Fitzwilliam Museum
1664:Decoration of the
1136:Portrait of a Lady
1134:), and portraits (
984:
898:
827:Roman Catholic art
815:
692:
595:
587:
470:
414:
350:
4481:Catholic painters
4408:
4407:
4378:Benedetto Caliari
4224:(Venice; c. 1575)
3286:Penny, 333 Note 1
3117:
3116:
2855:Saint Pantaleimon
2720:Galleria Borghese
2255:Battle of Lepanto
2206:Bathsheba Bathing
1764:Galleria Borghese
1619:Portrait of a Man
1263:Leda and the Swan
1168:, and his nephew
1130:, 1578, New York
1114:Working practices
1106:Leda and the Swan
956:Théophile Gautier
839:Venetian republic
751:, a patroness of
700:Benedictine monks
623:History of Esther
601:(the Hall of the
530:In 1552 Cardinal
439:Alessandro Turchi
435:Venetian language
296:history paintings
246:
240:-zay, -zee
175:
174:
68:(aged 59–60)
4488:
4384:Gabriele Caliari
4346:
4338:Smith collection
4327:
4253:Venus and Adonis
4112:(Turin; c. 1565)
4064:(Augsburg; 1562)
4061:Venus and Adonis
4021:Supper at Emmaus
3923:
3916:
3909:
3900:
3899:
3890:
3882:
3776:Rearick, W. R.,
3738:
3720:
3703:
3697:
3694:
3688:
3687:
3685:
3683:
3668:
3662:
3661:
3650:
3644:
3637:
3631:
3630:
3621:
3615:
3614:
3612:
3610:
3599:
3593:
3592:
3590:
3588:
3583:on 22 March 2009
3573:
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3447:
3438:United Kingdom.
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3261:
3255:
3252:
3239:
3236:
3230:
3227:
3109:Lobkowicz Palace
3073:Supper at Emmaus
3064:National Gallery
2828:Siege of Scutari
2608:Venus and Adonis
2583:Venus and Adonis
2446:Galleria Sabauda
2350:National Gallery
2122:National Gallery
2045:National Gallery
2019:Frick Collection
1993:Frick Collection
1701:Venus and Adonis
1676:and other scenes
1578:
1568:Supper at Emmaus
1550:
1524:
1470:
1444:
1411:
1335:
1314:National Gallery
1307:
1289:Ajaccio, Corsica
1277:
1213:
1212:
1124:National Gallery
1102:
1087:
1072:
1057:
1042:
1027:
1012:
997:
631:Marciana Library
544:Mantua Cathedral
501:Jacopo Sansovino
484:then popular in
467:National Gallery
464:
461:
408:
405:
346:National Gallery
326:Late Renaissance
285:
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39:Hermitage Museum
35:
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4487:
4486:
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4471:Sibling artists
4411:
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4409:
4404:
4403:
4395:
4354:
4288:Painting series
4283:
3932:
3927:
3838:
3760:Penny, Nicholas
3729:
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3704:
3700:
3695:
3691:
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3639:Eisler, Colin:
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3521:Wayback Machine
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3169:
3131:The Last Supper
3122:
3003:Noli me tangere
2945:Alte Pinakothek
2618:224.5 x 168.275
2475:St. Petersburg
1694:Maser, Treviso
1688:Villa Barbaro,
1576:
1548:
1522:
1468:
1442:
1409:
1333:
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1275:
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1190:Anselmo Canneri
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1048:, Villa Barbaro
1043:
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1033:, Villa Barbaro
1028:
1019:
1013:
1004:
998:
989:
948:Lawrence Gowing
923:Venetian School
885:
865:The Last Supper
811:The Last Supper
786:The Last Supper
772:
696:Wedding at Cana
663:Andrea Palladio
647:
572:
513:Anselmo Canneri
462:
447:
419:
417:Birth and names
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132:Venetian School
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4375:
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4366:Antonio Badile
4362:
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4355:
4353:
4352:
4306:
4300:
4291:
4289:
4285:
4284:
4282:
4281:
4273:
4272:(c. 1580–1585)
4265:
4264:(c. 1580–1584)
4257:
4256:(Madrid; 1580)
4249:
4241:
4233:
4225:
4217:
4209:
4208:(c. 1570–1575)
4201:
4193:
4185:
4177:
4169:
4165:Venus and Mars
4161:
4153:
4152:(c. 1565–1570)
4145:
4137:
4129:
4121:
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4105:
4097:
4089:
4081:
4073:
4072:(c. 1562–1565)
4065:
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4009:
4001:
3993:
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3933:
3930:Paolo Veronese
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3897:
3896:
3891:
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3860:
3854:
3849:
3837:
3836:External links
3834:
3833:
3832:
3815:
3813:978-1857095531
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3774:
3757:
3755:978-0878467396
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3485:, p. 30, 1999.
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1383:
1380:
1374:
1373:
1370:
1365:
1362:
1359:
1356:
1350:
1349:
1344:
1339:
1336:
1331:
1328:
1322:
1321:
1316:
1311:
1308:
1303:
1300:
1292:
1291:
1286:
1281:
1278:
1273:
1270:
1259:
1258:
1253:
1251:Palazzo Ducale
1248:
1245:
1242:
1239:
1233:
1232:
1229:
1226:
1223:
1220:
1217:
1204:
1203:Selected works
1201:
1174:Nicholas Penny
1170:Luigi Benfatto
1128:Venus and Mars
1115:
1112:
1111:
1110:
1104:
1097:
1095:
1089:
1082:
1080:
1074:
1067:
1065:
1059:
1052:
1050:
1044:
1037:
1035:
1029:
1022:
1020:
1014:
1007:
1005:
1003:, c. 1550–1552
999:
992:
988:
985:
967:Impressionists
908:Giorgio Vasari
884:
881:
771:
766:
667:Barbaro family
646:
643:
627:San Sebastiano
603:Council of Ten
583:San Sebastiano
571:
568:
532:Ercole Gonzaga
474:Antonio Badile
446:
443:
418:
415:
392:
389:
182:Paolo Veronese
173:
172:
164:
163:
159:
158:
155:
154:
152:Barbaro family
145:
139:
138:
135:
134:
121:
117:
116:
101:
95:
94:
91:
90:Known for
87:
86:
81:
77:
76:
70:
62:
58:
57:
51:
47:
43:
42:
36:
28:
27:
25:Paolo Veronese
24:
15:
9:
6:
4:
3:
2:
4493:
4482:
4479:
4477:
4474:
4472:
4469:
4467:
4464:
4462:
4459:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4418:
4416:
4398:
4391:
4390:Carlo Caliari
4388:
4385:
4382:
4379:
4376:
4373:
4370:
4367:
4364:
4363:
4361:
4357:
4350:
4343:
4339:
4335:
4331:
4324:
4320:
4316:
4312:
4311:
4307:
4304:
4301:
4298:
4297:
4293:
4292:
4290:
4286:
4279:
4278:
4274:
4271:
4270:
4266:
4263:
4262:
4258:
4255:
4254:
4250:
4247:
4246:
4242:
4239:
4238:
4234:
4231:
4230:
4226:
4223:
4222:
4218:
4215:
4214:
4210:
4207:
4206:
4202:
4199:
4198:
4194:
4191:
4190:
4186:
4183:
4182:
4178:
4175:
4174:
4170:
4167:
4166:
4162:
4160:(Milan; 1570)
4159:
4158:
4154:
4151:
4150:
4146:
4143:
4142:
4138:
4135:
4134:
4130:
4127:
4126:
4122:
4119:
4118:
4114:
4111:
4110:
4106:
4103:
4102:
4098:
4095:
4094:
4090:
4087:
4086:
4082:
4079:
4078:
4074:
4071:
4070:
4066:
4063:
4062:
4058:
4055:
4054:
4050:
4047:
4046:
4045:La Bella Nani
4042:
4039:
4038:
4034:
4031:
4030:
4026:
4023:
4022:
4018:
4015:
4014:
4010:
4007:
4006:
4002:
3999:
3998:
3994:
3991:
3990:
3986:
3983:
3979:
3978:
3974:
3971:
3970:
3966:
3963:
3962:
3958:
3955:
3954:
3950:
3947:
3946:
3942:
3941:
3939:
3935:
3931:
3924:
3919:
3917:
3912:
3910:
3905:
3904:
3901:
3895:
3892:
3888:
3887:
3881:
3876:
3872:
3870:
3869:
3864:
3863:Paolo Caliari
3861:
3858:
3855:
3853:
3850:
3847:
3843:
3840:
3839:
3831:
3827:
3823:
3819:
3818:Watson, Peter
3816:
3814:
3810:
3806:
3802:
3799:
3797:
3793:
3789:
3785:
3784:Rosand, David
3782:
3779:
3775:
3773:
3769:
3765:
3761:
3758:
3756:
3752:
3748:
3744:
3740:
3736:
3731:
3730:
3718:
3714:
3710:
3709:
3702:
3693:
3677:
3673:
3667:
3659:
3655:
3649:
3642:
3636:
3628:
3620:
3604:
3598:
3582:
3578:
3572:
3565:
3559:
3552:
3546:
3537:
3531:Penny, p. 333
3528:
3522:
3518:
3515:
3509:
3500:
3491:
3484:
3478:
3469:
3467:
3457:
3441:
3434:
3425:
3416:
3407:
3405:
3397:
3393:
3392:
3385:
3376:
3367:
3360:
3354:
3347:
3341:
3333:
3329:
3323:
3314:
3307:
3301:
3292:
3283:
3274:
3272:
3270:
3260:
3251:
3249:
3247:
3245:
3235:
3226:
3224:
3219:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3190:
3181:
3178:
3175:
3171:
3170:
3161:
3160:
3155:
3151:
3147:
3144:
3143:
3138:
3137:
3132:
3128:
3124:
3123:
3112:
3110:
3107:
3104:
3102:Oil on canvas
3101:
3098:
3096:
3093:
3092:
3088:
3085:
3082:
3080:Oil on canvas
3079:
3076:
3074:
3071:
3070:
3066:
3063:
3060:
3058:Oil on canvas
3057:
3054:
3052:
3049:
3048:
3044:
3042:
3039:
3036:
3034:Oil on canvas
3033:
3030:
3028:
3025:
3024:
3020:
3018:
3015:
3012:
3010:Oil on canvas
3009:
3006:
3004:
3001:
3000:
2996:
2994:
2991:
2988:
2986:Oil on canvas
2985:
2982:
2980:
2977:
2976:
2972:
2970:
2967:
2964:
2962:Oil on canvas
2961:
2958:
2956:
2953:
2952:
2948:
2946:
2943:
2941:117.3 × 100.8
2940:
2938:Oil on canvas
2937:
2934:
2931:
2930:La Bella Nani
2927:
2924:
2923:
2919:
2917:
2914:
2911:
2909:Oil on canvas
2908:
2905:
2903:
2900:
2899:
2895:
2892:
2889:
2887:Oil on canvas
2886:
2883:
2881:
2878:
2877:
2873:
2871:
2868:
2865:
2863:Oil on canvas
2862:
2859:
2857:
2856:
2851:
2850:
2846:
2844:
2843:Doge's Palace
2841:
2838:
2836:Oil on canvas
2835:
2832:
2830:
2829:
2825:
2824:
2820:
2818:
2817:Doge's Palace
2815:
2812:
2810:Oil on canvas
2809:
2806:
2804:
2801:
2800:
2796:
2794:
2791:
2789:diameter: 198
2788:
2786:Oil on canvas
2785:
2782:
2780:
2777:
2776:
2772:
2770:
2769:Palazzo Rosso
2766:
2763:
2761:Oil on canvas
2760:
2757:
2755:
2752:
2751:
2747:
2745:
2742:
2739:
2737:Oil on canvas
2736:
2733:
2731:
2728:
2727:
2723:
2721:
2718:
2715:
2713:Oil on canvas
2712:
2709:
2707:
2704:
2703:
2699:
2697:
2694:
2691:
2689:Oil on canvas
2688:
2685:
2683:
2680:
2679:
2675:
2673:
2670:
2667:
2665:Oil on canvas
2664:
2661:
2659:
2658:
2654:
2653:
2650:Toledo, Ohio
2649:
2647:
2644:
2641:
2639:Oil on canvas
2638:
2635:
2633:
2630:
2629:
2625:
2623:
2620:
2617:
2615:Oil on Canvas
2614:
2611:
2609:
2606:
2605:
2601:
2599:
2596:
2593:
2591:Oil on canvas
2590:
2587:
2585:
2584:
2580:
2579:
2575:
2573:
2572:Doge's Palace
2569:
2566:
2564:Oil on canvas
2563:
2560:
2558:
2555:
2554:
2550:
2547:
2545:
2542:
2539:
2537:Oil on canvas
2536:
2534:(1576?–1584?)
2533:
2531:
2528:
2527:
2523:
2521:
2518:
2515:
2513:Oil on canvas
2512:
2509:
2507:
2504:
2503:
2499:
2497:
2493:
2490:
2488:Oil on canvas
2487:
2484:
2482:
2479:
2478:
2474:
2472:
2468:
2465:
2463:Oil on canvas
2462:
2459:
2457:
2454:
2453:
2449:
2447:
2444:
2441:
2439:Oil on canvas
2438:
2435:
2433:
2430:
2429:
2425:
2423:
2420:
2417:
2415:Oil on canvas
2414:
2411:
2409:
2406:
2405:
2401:
2399:
2396:
2393:
2391:Oil on canvas
2390:
2387:
2385:
2382:
2381:
2377:
2375:
2372:
2369:
2367:Oil on canvas
2366:
2363:
2361:
2358:
2357:
2353:
2351:
2348:
2345:
2343:Oil on canvas
2342:
2339:
2337:
2336:
2332:
2331:
2327:
2325:
2322:
2319:
2317:Oil on canvas
2316:
2313:
2311:
2310:
2306:
2305:
2301:
2299:
2295:
2292:
2289:
2287:Oil on canvas
2286:
2283:
2281:
2278:
2277:
2273:
2271:
2268:
2265:
2263:Oil on canvas
2262:
2259:
2257:
2256:
2252:
2251:
2247:
2245:
2242:
2239:
2237:Oil on canvas
2236:
2234:(1550?–1585?)
2233:
2231:
2228:
2227:
2223:
2221:
2218:
2215:
2213:Oil on canvas
2212:
2209:
2207:
2204:
2203:
2199:
2197:
2194:
2191:
2189:Oil on canvas
2188:
2186:(1570?–1575?)
2185:
2183:
2182:
2178:
2177:
2173:
2171:
2168:
2165:
2163:Oil on canvas
2162:
2159:
2157:
2154:
2153:
2149:
2147:
2144:
2141:
2139:Oil on canvas
2138:
2135:
2133:
2130:
2129:
2125:
2123:
2120:
2117:
2115:Oil on canvas
2114:
2111:
2108:
2107:
2103:
2102:
2098:
2096:
2093:
2090:
2088:Oil on canvas
2087:
2084:
2082:
2081:
2077:
2076:
2072:
2070:
2067:
2064:
2062:Oil on canvas
2061:
2058:
2056:
2053:
2052:
2048:
2046:
2043:
2041:236.2 × 475.9
2040:
2038:Oil on canvas
2037:
2034:
2032:
2031:
2027:
2026:
2022:
2020:
2017:
2015:219.1 x 169.5
2014:
2012:Oil on canvas
2011:
2008:
2006:
2005:
2001:
2000:
1996:
1994:
1991:
1988:
1986:Oil on canvas
1985:
1982:
1980:
1979:
1975:
1974:
1970:
1968:
1965:
1962:
1960:Oil on canvas
1959:
1956:
1954:
1951:
1950:
1946:
1944:
1941:
1938:
1936:Oil on canvas
1935:
1932:
1930:
1928:
1923:
1922:
1918:
1916:
1913:
1910:
1908:Oil on canvas
1907:
1904:
1902:
1899:
1898:
1894:
1892:
1889:
1886:
1884:Oil on canvas
1883:
1880:
1877:
1874:
1873:
1870:
1869:Austin, Texas
1866:
1862:
1858:
1855:
1853:
1849:
1845:
1841:
1838:
1835:
1833:Oil on canvas
1832:
1829:
1827:
1826:
1822:
1821:
1817:
1815:
1812:
1809:
1807:Oil on canvas
1806:
1803:
1801:
1800:
1796:
1795:
1791:
1789:
1786:
1783:
1781:Oil on canvas
1780:
1777:
1775:
1772:
1771:
1767:
1765:
1762:
1759:
1757:Oil on canvas
1756:
1753:
1751:
1748:
1747:
1743:
1741:
1738:
1735:
1733:Oil on canvas
1732:
1729:
1727:
1724:
1723:
1719:
1717:
1714:
1711:
1709:Oil on canvas
1708:
1705:
1703:
1702:
1698:
1697:
1693:
1691:
1687:
1684:
1681:
1678:
1675:
1671:
1667:
1666:Villa Barbaro
1663:
1662:
1658:
1656:
1653:
1650:
1648:Oil on canvas
1647:
1644:
1642:
1639:
1638:
1634:
1631:
1628:
1626:Oil on canvas
1625:
1622:
1620:
1617:
1616:
1612:
1610:
1607:
1604:
1602:Oil on canvas
1601:
1598:
1596:
1593:
1592:
1588:
1586:
1583:
1580:
1577:Oil on canvas
1575:
1572:
1570:
1569:
1565:
1564:
1560:
1558:
1555:
1552:
1549:Oil on canvas
1547:
1544:
1542:
1539:
1538:
1534:
1532:
1529:
1526:
1523:Oil on canvas
1521:
1518:
1516:
1513:
1512:
1509:
1506:
1504:
1501:
1498:
1496:Oil on canvas
1495:
1492:
1490:
1489:
1485:
1484:
1480:
1478:
1475:
1472:
1469:Oil on canvas
1467:
1464:
1462:
1459:
1458:
1454:
1452:
1449:
1446:
1443:Oil on canvas
1441:
1438:
1435:
1431:
1430:
1429:La Bella Nani
1426:
1425:
1421:
1419:
1416:
1413:
1410:Oil on canvas
1408:
1405:
1403:
1400:
1399:
1395:
1393:
1390:
1387:
1385:Oil on canvas
1384:
1381:
1379:
1376:
1375:
1371:
1369:
1366:
1363:
1361:Oil on canvas
1360:
1357:
1355:
1352:
1351:
1348:
1345:
1343:
1340:
1337:
1334:Oil on canvas
1332:
1329:
1327:
1324:
1323:
1320:
1317:
1315:
1312:
1309:
1306:Oil on canvas
1304:
1301:
1299:
1298:
1294:
1293:
1290:
1287:
1285:
1282:
1279:
1276:Oil on canvas
1274:
1271:
1268:
1264:
1261:
1260:
1257:
1256:Venice, Italy
1254:
1252:
1249:
1246:
1243:
1240:
1238:
1235:
1234:
1214:
1210:
1200:
1197:
1195:
1191:
1187:
1183:
1179:
1175:
1171:
1167:
1163:
1159:
1154:
1152:
1148:
1145:
1141:
1137:
1133:
1129:
1125:
1121:
1107:
1101:
1096:
1092:
1086:
1081:
1077:
1071:
1066:
1062:
1056:
1051:
1047:
1041:
1036:
1032:
1026:
1021:
1017:
1011:
1006:
1002:
996:
991:
990:
981:
980:
975:
970:
968:
960:
957:
951:
949:
945:
940:
937:
932:
930:
929:
924:
920:
919:Carlo Ridolfi
916:
911:
909:
905:
904:
895:
894:
889:
880:
878:
874:
870:
866:
860:
858:
854:
850:
849:
843:
840:
836:
832:
828:
824:
820:
812:
808:
807:investigation
804:
803:
798:
794:
791:
787:
783:
779:
778:
770:
765:
763:
759:
754:
750:
746:
742:
737:
735:
734:
728:
726:
722:
718:
714:
710:
705:
701:
697:
690:
687:, 1562–1563,
686:
685:
680:
676:
674:
673:
668:
664:
660:
656:
655:Villa Barbaro
652:
642:
640:
636:
632:
628:
624:
620:
616:
612:
611:Doge's Palace
608:
604:
600:
591:
584:
580:
576:
567:
565:
564:Giulio Romano
561:
557:
553:
549:
545:
541:
537:
533:
528:
526:
522:
518:
517:Carlo Ridolfi
514:
510:
506:
502:
498:
494:
489:
487:
483:
479:
475:
468:
457:
456:
451:
442:
441:(1578–1649).
440:
436:
432:
428:
424:
412:
401:
397:
391:Life and work
388:
386:
382:
378:
374:
370:
364:
362:
361:
356:
347:
343:
342:
337:
333:
331:
327:
323:
322:
317:
313:
309:
308:
303:
302:
297:
293:
289:
284:
276:
275:
269:
251:
242:
241:
228:
183:
179:
178:Paolo Caliari
170:
165:
160:
156:
153:
149:
146:
140:
136:
133:
129:
125:
122:
118:
114:
113:
107:
106:
102:
96:
92:
88:
85:
82:
78:
73:
64:19 April 1588
63:
59:
54:
48:
44:
40:
34:
29:
22:
19:
4308:
4294:
4275:
4267:
4259:
4251:
4243:
4235:
4227:
4219:
4211:
4203:
4195:
4187:
4179:
4171:
4163:
4155:
4147:
4139:
4131:
4123:
4115:
4107:
4099:
4091:
4083:
4075:
4067:
4059:
4051:
4043:
4035:
4027:
4019:
4011:
4005:Annunciation
4003:
3995:
3987:
3981:
3975:
3967:
3959:
3951:
3943:
3929:
3884:
3866:
3844: at the
3821:
3804:
3787:
3777:
3763:
3746:
3742:
3734:
3707:
3701:
3692:
3682:17 September
3680:. Retrieved
3675:
3666:
3657:
3648:
3640:
3635:
3626:
3619:
3607:. Retrieved
3597:
3585:. Retrieved
3581:the original
3571:
3563:
3558:
3550:
3545:
3536:
3527:
3508:
3499:
3490:
3482:
3477:
3456:
3444:. Retrieved
3433:
3424:
3415:
3395:
3389:
3384:
3375:
3366:
3358:
3353:
3345:
3340:
3331:
3322:
3313:
3305:
3300:
3291:
3282:
3259:
3234:
3157:
3149:
3140:
3134:
3127:Monty Python
3094:
3072:
3050:
3026:
3002:
2978:
2954:
2929:
2925:
2901:
2879:
2870:San Pantalon
2852:
2826:
2802:
2778:
2767:Galleria di
2753:
2729:
2705:
2681:
2655:
2642:99.2 × 130.8
2631:
2607:
2581:
2556:
2529:
2505:
2494:The Chapel,
2480:
2455:
2431:
2407:
2383:
2359:
2333:
2307:
2294:Monte Berico
2279:
2253:
2229:
2205:
2179:
2155:
2131:
2104:
2078:
2054:
2028:
2002:
1976:
1952:
1924:
1900:
1875:
1823:
1797:
1773:
1749:
1725:
1699:
1673:
1669:
1640:
1618:
1594:
1566:
1540:
1514:
1486:
1461:Annunciation
1460:
1439:(1555–1560?)
1433:
1427:
1401:
1377:
1353:
1325:
1295:
1262:
1236:
1198:
1155:
1135:
1127:
1119:
1117:
1105:
1090:
1075:
1060:
1045:
1030:
1015:
1000:
977:
963:
953:
943:
941:
936:Charles Hope
933:
926:
914:
912:
901:
899:
891:
868:
864:
861:
846:
844:
816:
810:
800:
789:
785:
775:
773:
768:
743:(now in the
740:
738:
731:
729:
713:Book of John
709:lapis-lazuli
695:
693:
682:
672:trompe-l'œil
670:
650:
648:
639:Michelangelo
622:
614:
606:
598:
596:
578:
555:
546:(now at the
539:
529:
520:
490:
471:
453:
430:
420:
399:
365:
358:
351:
339:
319:
305:
299:
181:
177:
176:
110:
103:
99:Notable work
66:(1588-04-19)
18:
4426:1588 deaths
4421:1528 births
4232:(1575–1580)
4176:(1571–1572)
4144:(1565–1570)
4136:(1565–1570)
3982:attribution
3948:(1545–1548)
3481:Dunkerton,
3428:Louvre 1993
3306:Italian Art
3229:Rosand, 107
3203:Orientalism
3159:100 Bullets
3051:Sitting dog
3037:75.5 x 57.3
2540:232.4 × 173
2516:205.7 × 161
2460:(1576–1582)
2320:555 × 1,280
2109:four scenes
2095:Rijksmuseum
2091:121 × 105.5
2085:(1565–1567)
2059:(1565–1570)
2035:(1565–1570)
1989:214.6 × 167
1836:Now divided
1679:(1560–1561)
1330:(1552–1553)
1310:163.5 × 117
1302:(1545–1548)
1284:Musée Fesch
1180:and later,
1144:chiaroscuro
917:(1648), by
906:(1568), by
896:, 1576–1578
831:Inquisition
819:Last Supper
762:Holy Family
749:St. Justina
493:Giustiniani
463: 1548
427:stonecutter
407: 1547
321:cinquecento
304:(1563) and
274:-see
124:Renaissance
80:Nationality
4415:Categories
4349:Washington
3830:009174637X
3796:0521565685
3772:1857099133
3727:References
3717:0972040242
3332:www.wga.hu
3277:Penny, 331
3254:Penny, 333
3089:Rotterdam
2668:109 × 90.5
2240:110.5 × 89
2099:Amsterdam
2073:San Diego
1225:Size (cm)
1207:See also:
883:Assessment
823:humanistic
725:colonnades
431:spezapreda
324:" and the
316:Tintoretto
286:), was an
4380:(brother)
4323:Liverpool
4299:(c. 1570)
4280:(c. 1585)
4248:(c. 1580)
4240:(c. 1580)
4184:(c. 1572)
4104:(c. 1565)
4096:(c. 1565)
4088:(c. 1563)
4056:(c. 1562)
4048:(c. 1560)
4040:(c. 1560)
4008:(c. 1556)
4000:(c. 1555)
3992:(c. 1550)
3964:(c. 1548)
3937:Paintings
3077:1565–1570
3045:Montreal
3021:Grenoble
2965:198 × 198
2912:245 × 450
2896:Budapest
2866:277 x 160
2839:904 × 579
2813:904 × 579
2764:195 × 176
2740:166 × 134
2594:212 × 191
2567:240 × 303
2549:Cambridge
2524:New York
2491:273 × 156
2471:Hermitage
2466:147 × 115
2418:337 × 241
2394:309 × 328
2378:Florence
2370:103 × 113
2346:356 × 320
2266:169 × 137
2248:New York
2216:191 × 224
2166:167 × 416
2142:136 × 104
2118:191 × 191
2023:New York
1997:New York
1911:426 × 305
1887:328 × 188
1865:Edinburgh
1830:(c. 1563)
1810:677 × 994
1784:339 × 191
1720:Augsburg
1712:123 × 174
1635:Budapest
1629:120 × 102
1605:207 × 457
1581:241 × 415
1573:1559–1560
1553:340 × 455
1527:236 × 430
1493:(1555 c.)
1481:Florence
1473:193 × 291
1447:119 × 103
1388:330 × 317
1364:650 × 330
1338:198 × 151
1194:monograph
1158:Benedetto
1153:survive.
1108:, c. 1585
1078:, c. 1584
982:, c. 1565
877:patrician
635:Correggio
585:(1556–57)
482:Mannerism
381:Delacroix
348:, London.
330:Mannerism
290:based in
162:Signature
143:Patron(s)
128:Mannerism
4374:(master)
4368:(master)
4277:Lucretia
3980:(1550) (
3877:(1911).
3805:Veronese
3609:28 April
3587:28 April
3553:. p. 22.
3517:Archived
3446:28 April
3187:See also
3129:sketch "
2692:80 × 108
2657:Lucretia
2626:Seattle
2302:Vicenza
2174:Dresden
2150:Dresden
1613:Dresden
1219:Created
1166:Gabriele
1138:, 1555,
1091:Lucretia
946:(1987),
702:for the
279:Italian:
120:Movement
93:Painting
84:Venetian
4359:Related
4319:Dresden
4305:(1590s)
4168:(1570s)
3133:" from
3113:Prague
3083:66 × 79
3061:44 × 82
3031:c. 1585
2989:80 x 95
2949:Munich
2890:60 × 48
2874:Venice
2847:Venice
2821:Venice
2797:Venice
2783:(1582?)
2758:(1580?)
2734:(1580?)
2710:(1580?)
2686:(1580?)
2676:Vienna
2662:(1580s)
2636:(1580?)
2612:(1580?)
2602:Madrid
2576:Venice
2510:(1578?)
2500:London
2485:(1578?)
2442:47 × 47
2436:(1575?)
2426:Venice
2412:(1575?)
2402:Venice
2364:(1573?)
2354:London
2328:Venice
2298:Vicenza
2274:Venice
2260:(1572?)
2210:(1575?)
2200:Vienna
2160:(1570?)
2136:(1570?)
2126:London
2049:London
1971:Venice
1947:Venice
1919:Verona
1895:Venice
1861:Dulwich
1792:Venice
1778:(1562?)
1754:(1562?)
1744:Venice
1730:(1562?)
1706:(1561+)
1659:Venice
1623:(1560?)
1599:(1560?)
1561:Venice
1545:(1558?)
1535:Madrid
1465:(1555?)
1422:Venice
1382:(1554?)
1358:(1553?)
1267:subject
1222:Medium
1151:ricordi
1147:modelli
1093:, 1580s
1063:, 1560s
987:Gallery
721:Galilee
609:in the
579:St Mark
556:in situ
505:Treviso
433:in the
377:Tiepolo
373:Watteau
360:in situ
108:(1563)
4334:Madrid
4216:(1575)
4200:(1573)
4192:(1573)
4120:(1566)
4080:(1563)
4032:(1560)
3956:(1548)
3846:Art UK
3828:
3811:
3794:
3770:
3753:
3715:
3483:et al.
3346:passim
3099:(1575)
2997:Pavia
2973:Paris
2969:Louvre
2920:Milan
2860:(1587)
2833:(1585)
2807:(1585)
2773:Genoa
2700:Milan
2588:(1580)
2561:(1580)
2450:Turin
2388:(1575)
2374:Uffizi
2340:(1573)
2314:(1573)
2284:(1572)
2112:(1570)
2009:(1565)
1983:(1565)
1957:(1565)
1933:(1565)
1905:(1564)
1867:&
1857:Ottawa
1818:Paris
1814:Louvre
1804:(1563)
1682:Fresco
1645:(1560)
1589:Paris
1585:Louvre
1519:(1558)
1477:Uffizi
1455:Paris
1451:Louvre
1406:(1555)
1396:Paris
1392:Louvre
1372:Paris
1368:Louvre
1319:London
1244:Fresco
1241:(1520)
1228:Owner
1216:Title
1188:, and
1140:Louvre
873:heresy
821:, the
689:Louvre
619:Louvre
570:Venice
560:Mantua
423:Verona
385:Renoir
383:, and
369:Rubens
355:Verona
312:Titian
292:Venice
115:(1573)
72:Venice
53:Verona
4392:(son)
4386:(son)
4342:Turin
4315:Dijon
3743:et al
3214:Notes
3067:Oslo
2748:Rome
2724:Rome
2598:Prado
2551:, UK
2456:Pietà
2224:Lyon
1925:Sts.
1768:Rome
1690:Maser
1531:Prado
1231:City
1162:Carlo
753:Padua
659:Maser
486:Parma
445:Youth
429:, or
4330:Lyon
3848:site
3826:ISBN
3809:ISBN
3792:ISBN
3768:ISBN
3751:ISBN
3713:ISBN
3684:2022
3611:2014
3589:2014
3448:2014
3388:The
3125:The
2469:The
1881:1564
1347:Caen
1164:and
1149:and
717:Cana
694:The
552:Caen
542:for
511:and
245:also
234:VERR
61:Died
49:1528
46:Born
3745:.,
3154:arc
1651:...
942:In
867:to
657:in
550:in
387:".
238:NAY
236:-ə-
4417::
4347:,
4340:,
4336:,
4332:,
4328:,
4321:,
4317:,
3883:.
3820:,
3803:,
3786:,
3674:.
3656:.
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3403:^
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465:,
460:c.
458:,
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402:,
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375:,
371:,
277:,
259:eɪ
256:/-
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250:US
243:,
218:,-
215:eɪ
209:eɪ
197:ɛr
150:,
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206:n
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191:ˌ
188:/
184:(
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