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Three people are seen in the foreground: a couple walking toward the observer, and a working-class man peering off the bridge toward the train station. A dog walks away from the observer, and other individuals appear in the mid-background. The man of the couple is a
212:, according to contemporary social norms regarding women in public, especially in the area of the train station. Alternatively, the man has been thought to be Caillebotte himself, and the woman to be Caillebotte's companion, Anne-Marie Hagen. The
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is located behind the head of the man, which is far to the side of the picture, creating oblique perspective. Caillebotte was influenced by
Japanese art, especially the work of
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for a lower-class male prostitute in this unsavory neighborhood of Paris. However, Caillebotte's sexual orientation is not definitively known.
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269:, and by photography, then a burgeoning artistic field. In turn, this painted composition may have been an influence in photographer
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208:, an upper-class street observer. He is strolling with a woman dressed in black. She has often been interpreted to be a
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179:. The plaza is a large bridge joining six avenues, each named for a European capital, over the railroad yards at
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Caillebotte displayed this image at the impressionist exhibition of 1877, alongside his
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is looking past his companion in the direction of the other man. Feminist art historian
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Scissors, Paper, Stone: Expressions of Memory in
Contemporary Photographic Art
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has suggested that
Caillebotte, a lifelong bachelor, is signalling his own
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Gustave
Caillebotte and the Fashioning of Identity in Impressionist Paris
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Gustave
Caillebotte and the Fashioning of Identity in Impressionist Paris
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125 cm Ă— 181 cm (49 in Ă— 71 in)
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with this gaze. In this reading, Caillebotte is an upper-class man
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Impressionist Cats & Dogs: Pets in the
Painting of Modern Life
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measures 125 by 181 centimetres (49 in Ă— 71 in).
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589:Impressionism: Art, Leisure, and Parisian Society
198:is very prominent, visible in half of the image.
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257:Caillebotte, as in many of his works, employs
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536:"Musee des beaux-arts Rennes: Collections"
685:: A New Slant". In Broude, Norma (ed.).
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383:List of paintings by Gustave Caillebotte
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681:Varnedoe, Kirk (2002) . "Caillebotte's
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644:. Yale University Press. p. 144.
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366:Le Pont de l'Europe, Gare Saint-Lazare
244:Le Pont de l'Europe, Gare Saint-Lazare
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622:. McGill-Queen's Press. p. 367.
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137:completed in 1876. It is held by the
871:Art Institute of Chicago II, Chicago
295:- #90, Night View of Saruwaka-machi
164:The image shows pedestrians in the
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899:Paintings by Gustave Caillebotte
444:. Christies.com. 8 November 2012
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293:One Hundred Famous Views of Edo
16:Painting by Gustave Caillebotte
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317:Musée des beaux-arts de Rennes
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1:
854:Martial Caillebotte (brother)
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689:. Rutgers University Press.
571:. Rutgers University Press.
234:Rue de Paris, temps de pluie
152:, Switzerland. The finished
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586:Herbert, Robert L. (1991).
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177:8th arrondissement of Paris
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828:Portrait of Richard Gallo
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666:. Yale University Press.
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756:Les raboteurs de parquet
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788:Paris Street; Rainy Day
764:Young Man at His Window
343:Sur le Pont de l'Europe
183:. The view is from the
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780:Boating on the Yerres
594:Yale University Press
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139:Musée du Petit Palais
99:Musée du Petit Palais
914:Paintings in Geneva
772:Le Pont de l'Europe
736:Gustave Caillebotte
683:Le Pont de l'Europe
664:Gustave Caillebotte
330:Oil sketch, c. 1876
273:'s work from 1982,
135:Gustave Caillebotte
119:Le Pont de l'Europe
59:Gustave Caillebotte
33:Le Pont de l'Europe
909:Paintings of Paris
812:A Balcony in Paris
440:La femme Ă la rose
348:Kimbell Art Museum
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19:For bridges named
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874:(1990 photograph)
750:List of paintings
288:Utagawa Hiroshige
181:Gare Saint-Lazare
166:Place de l'Europe
124:The Europe Bridge
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40:The Europe Bridge
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542:on 2015-01-15
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523:Langford 2007
519:
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511:Varnedoe 2002
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499:Varnedoe 2002
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489:, p. 24.
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475:Langford 2007
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544:. Retrieved
540:the original
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487:Herbert 1991
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446:. Retrieved
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438:"Lot notes,
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362:Claude Monet
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239:Claude Monet
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218:Norma Broude
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128:oil painting
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919:Dogs in art
596:. pp.
463:Broude 2002
259:perspective
247: [
188: [
169: [
160:Description
142: [
102: [
893:Categories
696:0813530180
651:0300098731
607:0300050836
578:0813530180
557:References
546:2013-03-04
425:Rubin 2003
210:prostitute
130:by French
87:Dimensions
815:(1880–81)
807:(1878–79)
743:Paintings
271:Jeff Wall
267:Hiroshige
38:English:
662:(2000).
640:(2003).
618:(2007).
567:(2002).
377:See also
368:, 1877,
226:cruising
126:) is an
95:Location
863:Related
831:(1880s)
448:3 March
302:Gallery
214:flâneur
205:flâneur
196:trusses
175:in the
847:Family
839:(1884)
823:(1880)
799:(1878)
791:(1877)
783:(1877)
775:(1876)
767:(1876)
759:(1875)
693:
670:
648:
626:
604:
575:
345:(1877)
297:, 1856
261:. The
154:canvas
150:Geneva
110:Geneva
81:canvas
73:Medium
55:Artist
23:, see
389:Notes
275:Mimic
251:]
192:]
173:]
146:]
106:]
691:ISBN
668:ISBN
646:ISBN
624:ISBN
602:ISBN
573:ISBN
450:2013
237:and
68:1876
65:Year
598:312
241:'s
148:in
79:on
77:Oil
895::
600:.
592:.
364:,
290:,
249:nl
190:fr
171:fr
144:fr
108:,
104:fr
728:e
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699:.
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442:"
27:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
