Claude Monet - Knowledge

1240: 1544: 2971: 2762: 2777: 2663: 1198: 1671: 2992: 3067: 1162: 1048: 3229: 1218: 2747: 1332: 2810: 2367: 832: 2011: 2915: 3043: 1782: 2268: 2953: 2863: 1145: 3126: 1763: 1578: 1974: 1725: 2708: 2133: 3203: 2897: 1299: 1688: 1066: 2122: 1181: 2303: 1314: 3145: 2385: 2247: 1993: 1408: 3164: 1563: 1355: 1282: 1259: 3332: 3025: 2645: 2690: 1653: 2795: 2330: 2349: 3259: 1523: 2934: 3010: 2520:. Following his optical operation in 1923, Monet returned to his style from before a decade ago. He forwent garish colours or "coarse application" for emphasised colour schemes of blue and green. Whilst suffering from cataracts, his paintings were more broad and abstract—from the late 1880s onwards, he had simplified his compositions and sought subjects which could offer broad colour and tone. He increasingly used red and yellow tones, a trend that first started following his trip to Venice. Monet often travelled alone at this time—from France to Normandy to London; to the 1634: 8677: 2842: 2283: 1085: 1705: 2822: 2495:. He was to further use this study in the painting of the effects of mist and rain on the landscape. The study of the effects of atmosphere was to evolve into a number of series of paintings in which Monet repeatedly painted the same subject (such as his water lilies series) in different lights, at different hours of the day, and through the changes of weather and season. This process began in the 1880s and continued until the end of his life in 1926. In his later career, Monet "transcended" the Impressionist style and begun to push the boundaries of art. 2480:, spending much time on the River Seine in a little floating studio, were formative in his study of the effects of light and reflections. He began to think in terms of colours and shapes rather than scenes and objects. He used bright colours in dabs and dashes and squiggles of paint. Having rejected the academic teachings of Gleyre's studio, he freed himself from theory, saying "I like to paint as a bird sings." Boudin, Daubigny, Jongkind, Courbet, and Corot were among Monet's influences and he would often work in accordance with developments in 1744: 1124: 2723: 1959: 2878: 1800: 752: 1615: 1447: 1889: 2029: 941: 1596: 49: 1428: 1103: 2088: 2065: 3184: 2047: 1826: 9201: 353: 665: 613: 2558: 2437: 488:, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mother, but she died in January 1857 when he was sixteen years old, and he was sent to live with his childless, widowed but wealthy aunt, Marie-Jeanne Lecadre. He went on to study at the 2499: 2407: 1513:, who published an article on Monet. Despite his qualms, Monet's paintings were sold in America and contributed towards his financial security. In contrast to the last two decades of his career, Monet favoured working alone—and felt that he was always better when he did, having regularly "long for solitude, away from crowded tourist resorts and sophisticated urban settings". Such a desire was recurrent in his letters to Alice. 2532: 9213: 1006:". Conservative critics and the public derided the group, with the term initially being ironic and denoting the painting as unfinished. More progressive critics praised the depiction of modern life—Louis Edmond Duranty called their style a "revolution in painting". Leroy later regretted inspiring the name, as he believed that they were a group "whose majority had nothing impressionist". 2189:'s botched surgeries—stated that he would rather have poor sight and perhaps abandon painting than forego "a little of these things that I love". In 1919, Monet began a series of landscape paintings, "in full force" although he was not pleased with the outcome. By October the weather caused Monet to cease plein air painting and the next month he sold four of the eleven 2468:. From the 1870s onwards, he gradually moved away from suburban and urban landscapes—when they were depicted it was to further his study of light. Contemporary critics—and later academics—felt that with his choice of showcasing Belle Île, he had indicated a desire to move away from the modern culture of Impressionist paintings and instead towards 1385:, Monet discussed his revitalised interest: "I am working like never before on a new endeavour figures in plein air, as I understand them. This is an old dream, one that has always obsessed me and that I would like to master once and for all. But it is all so difficult! I am working very hard, almost to the point of making myself ill". 2550:

cataracts on his output has been a topic of discussion among academics; Lane et al. (1997) argues the occurrence of a deterioration from the late 1860s onwards led to a diminishing of sharp lines. Gardens were a focus throughout his art, becoming prominent in his later work, especially during the last decade of his life.

1404:. She died the next year. Her death, alongside financial difficulties—once having to leave his house to avoid creditors—afflicted Monet's career; Hoschedé had recently purchased several paintings but soon went bankrupt, leaving for Paris in hopes of regaining his fortune, as interest in the Impressionists dwindled. 932:

enable them to hire two servants and a gardener by 1872. Following the successful exhibition of some maritime paintings and the winning of a silver medal at Le Havre, Monet's paintings were seized by creditors, from whom they were bought back by a shipping merchant, Gaudibert, who was also a patron of Boudin.

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on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus, only about fifty people attended the ceremony. At his funeral, Clemenceau removed the black cloth draped over the coffin, stating: "No black for Monet!" and replaced

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noted, in 1874, that he was "little attracted by rustic scenes...He particularly drawn towards nature when it is embellished and towards urban scenes and for preference he paint flowery gardens, parks and groves." When depicting figures and landscapes in tandem, Monet wished for the landscape to not

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exhibited their work independently; they did so under the name the Anonymous Society of Painters, Sculptors and Engravers for which Monet was a leading figure in its formation. He was inspired by the style and subject matter of his slightly older contemporaries, Pissarro and Édouard Manet. The group,

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Under the Nazi regime, both in Germany from 1933 and in German-occupied countries until 1945, Jewish art collectors of Monet were looted by Nazis and their agents. Several of the stolen artworks have been returned to their rightful owners, while others have been the object of court battles. In 2014,

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The canvases dedicated to the water lilies evolved with the changes made to his garden. In addition, around 1905, Monet gradually modified his aesthetics by abandoning the perimeter of the body of water and therefore modifying perspective. He also changed the shape and size of his canvases by moving

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Monet made light the central focus of his paintings. To capture its variations, he would sometimes complete a painting in one sitting, often without preparation. He wished to demonstrate how light altered colour and perception of reality. His interest in light and reflection began in the late 1860s

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In 1899, he began painting the water lilies that would occupy him continuously for the next 20 years of his life, being his last and "most ambitious" sequence of paintings. He had exhibited this first group of pictures of the garden, devoted primarily to his Japanese bridge, in 1900. He returned to

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Monet wrote daily instructions to his gardener, precise designs and layouts for plantings, and invoices for his floral purchases and his collection of botany books. As Monet's wealth grew, his garden evolved. He remained its architect, even after he hired seven gardeners. Monet purchased additional

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Monet's study of the Seine continued. He submitted two paintings to the Salon in 1880, one of which was accepted. He began to abandon Impressionist techniques as his paintings utilised darker tones and displayed environments, such as the Seine river, in harsh weather. For the rest of the decade, he

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for $ 32 million to a Swiss buyer. The said Monet paintings, along with two others, were acquired by Imelda during her husband's presidency and allegedly bought using the nation's funds. Bautista's lawyer claimed that the aide sold the painting for Imelda but did not have a chance to give her

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The stylistic change was likely a by-product of the disorder and not an intentional choice. Monet would often work on large canvases due to the deterioration of his eyesight and by 1920 he admitted that he had grown too accustomed to broad painting to return to small canvases. The influence of his

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mentions Monet's financial worries, and tells him that both the stockbroker Theodore-Charles Gadala and Georges Clemenceau have purchased paintings. Monet's struggles with creditors ended following prosperous trips; he went to Bordighera in 1884, and brought back 50 landscapes. He travelled to the

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and Boudin. After developing methods for painting transient effects, Monet would go on to seek more demanding subjects, new patrons and collectors; his paintings produced in the early 1870s left a lasting impact on the movement and his peers—many of whom moved to Argenteuil as a result of admiring

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Monet and Camille were often in financial straits during this period—they were unable to pay their hotel bill during the summer of 1870 and likely lived on the outskirts of London as a result of insufficient funds. An inheritance from his father, together with sales of his paintings, did, however,

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Monet refined his palette in the 1870s, consciously minimising the use of darker tones and favouring pastel colours. This coincided with his softer approach, using smaller and more varied brush strokes. His palette would again undergo change in the 1880s, with more emphasis than before on harmony

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The family worked and built up the gardens, and Monet's fortunes began to change for the better as Durand-Ruel had increasing success in selling his paintings. The gardens were Monet's greatest source of inspiration for 40 years. In 1890, Monet purchased the house. During the 1890s, Monet built a

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After meeting Boudin, Monet dedicated himself to searching for new and improved methods of painterly expression. To this end, as a young man, he visited the Salon and familiarised himself with the works of older painters, and made friends with other young artists. The five years that he spent at

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Depictions of the water lilies, with alternating light and mirror-like reflections, became an integral part of his work. By the mid-1910s Monet had achieved "a completely new, fluid, and somewhat audacious style of painting in which the water-lily pond became the point of departure for an almost

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at 1000 francs but failed to sell it. The exhibition was open to anyone prepared to pay 60 francs and gave artists the opportunity to show their work without the interference of a jury. Another exhibition was held in 1876, again in opposition to the Salon. Monet displayed 18 paintings, including

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These canvases were created with great difficulty: Monet spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them. He continually postponed the Durand-Ruel exhibition until he was

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Monet has been described as "the driving force behind Impressionism". Crucial to the art of the Impressionist painters was the understanding of the effects of light on the local colour of objects, and the effects of the juxtaposition of colours with each other. His free flowing style and use of

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Monet's second wife, Alice, died in 1911, and his oldest son, Jean, who had married Alice's daughter, Blanche, Monet's particular favourite, died in 1914. Their deaths left Monet depressed, as Blanche cared for him. It was during this time that Monet began to develop the first signs of possible

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In 1887 and 1889 he displayed a series of paintings of Belle Île to rave reviews by critics. Monet chose the location in the hope of finding a "new aesthetic language that bypassed learned formulas, one that would be both true to nature and unique to him as an individual, not like anyone else."

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marked what was likely the first time Monet had cultivated a garden for the purpose of his art. The house and garden became the "single most important" motif of his final years in Argenteuil. For the next four years, he painted mostly in Argenteuil and took an interest in the colour theories of

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the following year. Around this time, he was trying to establish himself as a figure painter who depicted the "explicitly contemporary, bourgeois", an intention that continued into the 1870s. He did evolve his painting technique and integrate stylistic experimentation in his plein-air style—as

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to acceptance. Thereafter, he submitted works to the Salon annually until 1870, but they were accepted by the juries only twice, in 1866 and 1868. He sent no more works to the Salon until his single, final attempt in 1880. His work was considered radical, "discouraged at all official levels".

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in the past three months, the first time he had "synced as many paintings of the same site, carefully coordinating their scenes and temporalities". The paintings were well received by critics, who especially praised the way he captured the arrival and departures of the trains. By the fourth

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Speaking of Monet's body of work, Wildenstein said that it is "so extensive that its very ambition and diversity challenges our understanding of its importance". His paintings produced at Giverny and under the influence of cataracts have been said to create a link between Impressionism and

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From the 1880s onwards—and particularly in the 1890s—Monet's series of paintings of specific subjects sought to document the different conditions of light and weather. As light and weather changed throughout the day, he switched between canvases—sometimes working on as many as eight at one

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be a mere backdrop and the figures not to be dominate the composition. His dedication to such a portrayal of landscapes resulted in Monet reprimanding Renoir for defying it. He often depicted the suburban and rural leisure activities of Paris and as a young artist experimented with

2662: 2181:, from 1914 to 1918 to great financial success and he would later create works for the state. His work on the "cycle of paintings" mostly occurred around 1916 to 1921. Cataract surgery was once again recommended, this time by Clemenceau. Monet—who was apprehensive, following 3096:

Following his return from London, Monet painted mostly from nature, in his own garden; its water lilies, its pond and its bridge. From 22 November to 15 December 1900, another exhibition dedicated to him was held at the Durand-Ruel gallery, with around ten versions of the

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land with a water meadow. White water lilies local to France were planted along with imported cultivars from South America and Egypt, resulting in a range of colours including yellow, blue and white lilies that turned pink with age. In 1902, he increased the size of his

657:, from 1861 to 1862. His time in Algeria had a powerful effect on Monet, who later said that the light and vivid colours of North Africa "contained the gem of my future researches". Illness forced his return to Le Havre, where he bought out his remaining service and met 2165:

In the following years, his perception of colour suffered; his broad strokes were broader and his paintings were increasingly darker. To achieve his desired outcome, he began to label his tubes of paint, kept a strict order on his palette and wore a straw hat to negate

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in different conditions of light, weather and atmosphere. The paintings do not focus on the grand Medieval building, but on the play of light and shade across its surface, transforming the solid masonry. For this series, he experimented with creating his own frames.

2170:. He approached painting by formulating the ideas and features in his mind, taking the "motif in large masses" and transcribing them through memory and imagination. This was due to him being "insensitive" to the "finer shades of tonalities and colors seen close up". 2455:

and lasted throughout his career. During his first time in London, he developed an admiration for the relationship between the artist and motifs—for what he deemed the "envelope". He utilised pencil drawings to quickly note subjects and motifs for future reference.

1217: 2162:. He was prescribed new glasses and rejected cataract surgery for the right eye. The next year, Monet, encouraged by Clemenceau, made plans to construct a new, large studio that he could use to create a "decorative cycle of paintings devoted to the water garden". 1849:

and Gasny at Giverny. There was a barn that doubled as a painting studio, orchards and a small garden. The house was close enough to the local schools for the children to attend, and the surrounding landscape provided numerous natural areas for Monet to paint.

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On 1 April 1851, he entered Le Havre secondary school of the arts. He was an apathetic student who, after showing skill in art from young age, began drawing caricatures and portraits of acquaintances at age 15 for money. He began his first drawing lessons from

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describes the work as "a blizzard of white, grey, purplish paint ... a terrible blizzard of loss which will forever efface her features. In fact there can be very few death-bed paintings which have been so intensely felt or subjectively expressive."

907:'s surrounding area. He acquired a sailboat to paint on the river. In 1874, he signed a six-and-a-half year lease and moved into a newly built "rose-colored house with green shutters" in Argenteuil, where he painted fifteen paintings of his garden from a 1543: 538:

Frequently exhibited and successful during his lifetime, Monet's fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for a burgeoning group of artists.

2970: 1258: 2761: 2302: 461:, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to 3352:, following lengthy negotiations with the French government. Because his later works were ignored by artists, art historians, critics, and the public, few attended the showing. In the 1950s, Monet's later works were "rediscovered" by the 2223:

lenses, Monet was laudatory, although his left eye soon had to be entirely covered by a black lens. By 1925, his visual impairment was improved and he began to retouch some of his pre-operative works, with bluer water lilies than before.

1670: 6586: 3413:) has been stolen on two occasions, once in 1998 (in which the museum's curator was convicted of the theft and jailed for five years and two months, along with two accomplices) and again in August 2007. It was recovered in June 2008. 2433:—he believed that his only "merit lies in having painted directly in front of nature, seeking to render my impressions of the most fleeting effects" Wanting to "paint the air", he often combined modern life subjects in outdoor light. 1047: 5127: 1065: 778:. There he immersed himself in his work, although a temporary problem with his eyesight, probably related to stress, prevented him from working in sunlight. Monet loved his family dearly, painting many portraits of them such as 1476:

that his need to analyse colours was both a joy and a torment to him. He explained: "I one day found myself looking at my beloved wife's dead face and just systematically noting the colours according to an automatic reflex".

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paintings, despite his then-reluctance to relinquish his work. The series inspired praise from his peers; his later works were well received by dealers and collectors, and he received 200,000 francs from one collector.

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Monet's portrayal of landscapes emphasised industrial elements such as railways and factories; his early seascapes featured brooding nature depicted with muted colours and local residents. Critic, and friend of Monet,

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Monet's ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and the passing of the seasons. Among the best-known examples are his

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and influenced Bazille, Sisley, Renoir, and Pissarro. Monet is now the most famous of the Impressionists; as a result of his contributions to the movement, he "exerted a huge influence on late 19th-century art".

3125: 896:. In the spring of 1871, his works were refused authorisation for inclusion in the Royal Academy exhibition and police suspected him of revolutionary activities. That same year he learned of his father's death. 1144: 560:. He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians. On 20 May 1841, he was baptised in the local Paris church, 7634: 3228: 4605: 3445:(from the water lilies series) sold at Christie's 24 June 2008 auction in London for £40,921,250 ($ 80,451,178), nearly doubling the record for the artist. This purchase represented one of the top 20 4183: 3104:

In 1901, Monet enlarged the pond of his home by buying a meadow located on the other side of the Ru, the local watercourse. He then divided his time between work on nature and work in his studio.

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exhibition his involvement was by means of negotiation on Caillebotte's part. His last time exhibiting with the Impressionists was in 1882—four years before the final Impressionist exhibition.

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ended up opening on 6 May 1909. Comprising forty-eight paintings dating from 1903 to 1908, representing a series of landscapes and water lily scenes, this exhibition was once again a success.

1877:—to resolve his frustration. These series of paintings provided widespread critical and financial success; in 1898, 61 paintings were exhibited at the Petit gallery. He also began a series of 5699: 2010: 7639: 3290:, which had a pronounced influence on his art. The house and garden, along with the Museum of Impressionism, are major attractions in Giverny, which hosts tourists from all over the world. 2267: 5135: 1123: 2746: 8175: 1490:—who he would marry in 1892, following her husband's death the preceding year—a desire to die. In 1881, he moved with Alice and her children to Poissy and again sold his paintings to 1799: 3286:, the house and gardens were opened for visits in 1980, following restoration. In addition to souvenirs of Monet and other objects of his life, the house contains his collection of 2914: 3202: 3042: 6906: 2366: 1577: 1298: 1724: 7190: 7129: 7083: 5721: 2246: 1973: 1687: 6849: 2952: 2809: 1501:

In April 1883, looking out the window of the train between Vernon and Gasny, he discovered Giverny in Normandy. That same year his first major retrospective show was held.

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paintings it had acquired burn. The large scale nature of Monet's later paintings proved to be difficult for some museums, which resulted in their altering the framing.

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is an example of the "fundamental" Impressionist principle of depicting only that which is purely visible. Monet was fascinated with the effects of light, and painting

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Monet, with a scientific precision, has given us an unparalleled and unexcelled record of the passing of time as seen in the movement of light over identical forms.

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Monet, Renoir, Pissarro, Morisot, Cézanne and Sisley proceeded to experiment with new methods of depicting reality. They rejected the dark, contrasting lighting of

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focused on the elemental aspect of nature. His personal life influenced his distancing from the Impressionists. He returned to Étretat and expressed in letters to

1381:. His interest in the figure continued for the next four years—reaching its crest in 1877 and concluding altogether in 1890. In an "unusually revealing" letter to 4992: 1281: 5105: 4890: 2862: 7013: 4593: 6051: 473:, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the 4140: 3420:

was made for Claude Monet's 161st birthday, depicting the Google logo in Monet's signature style. It was the first Google Doodle made for someone's birthday.

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In 1877 a series of paintings at St-Lazare Station had Monet looking at smoke and steam and the way that they affected colour and visibility, being sometimes

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At his house, Monet met with artists, writers, intellectuals and politicians from France, England, Japan and the United States. In the summer of 1887 he met

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whose title was chosen to avoid association with any style or movement, were unified in their independence from the Salon and rejection of the prevailing

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In 1857, his mother died. He lived with his father and aunt, Marie-Jeanne Lecadre; Lecadre would be a source of support for Monet in his early art career.

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during the spectacular discovery of a hidden trove of art in Munich, a Monet that had belonged to a Jewish retail magnate was found in the suitcase of

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The dispute over the Monet is framed by the saga of Max Emden's persecution once the Nazis took power in 1933 and the seizure or sale of his property.

8488: 3377: 5695: 4479: 2933: 8039: 7816: 6823: 3575:, have been the object of restitution claims. "La Mare, Snow Effect" ("La Mare, effect de neige") was the object of a settlement with the heirs of 2669: 2348: 7036:"Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume: Owner: Fernand Halphen — Paris, France" 3163: 2877: 2384: 1677: 1372: 690:

Upon his return to Paris, with the permission of his father, he divided his time between his childhood home and the countryside and enrolled in

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helped change the perception of the paintings and inspire an appreciation that began to take shape in 1956–1957. The next year, a fire in the

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proved to be a struggle. Now "able to see the real colours", he began to destroy canvases from his pre-operative period. Upon receiving

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and grocery business, but Monet wanted to become an artist. His mother was a singer, and supported Monet's desire for a career in art.

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Dissatisfied with the limitations of Impressionism, Monet began to work on series of paintings displaying single subjects—haystacks,

7182: 6321: 5761: 5225: 5165: 3492:. Monet's documented attack of hysterical blindness is reimagined and cured through hypnosis by the dream collector, Julie Forette. 2282: 1704: 1562: 1102: 7113: 6981: 6879: 4805: 8676: 8576: 7975: 6845: 5880: 9263: 7316: 6547: 6443: 1392:, was born in 1878, after which Camille's health deteriorated further. In the autumn of that year, they moved to the village of 9288: 8119: 7702: 7664: 2729: 1845:, which provided him domestic stability he had not yet enjoyed. The house was situated near the main road between the towns of 5187: 3529:, previously owned by Henry and Maria Newman, stolen from a Berlin bank vault, settlement with the Metropolitan Museum of Art. 1930:

series that he had "reached the ultimate degree of abstraction and imagination joined to the real". This exhibition, entitled

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auction in New York on 6 May 2008. The previous record for a Monet painting stood at $ 36.5 million. A few weeks later,

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a painting of his wife, alongside other projects; the Gaudiberts were for two years "the most supportive of Monet's hometown

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series as homage to the French fallen soldiers. He became deeply dedicated to the decorations of his garden during the war.

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whose experimentation with figure painting out of doors intrigued him; the pair went on to frequently influence each other.

1228:, 1868–1869. Musée d'Orsay, Paris; one of Monet's early attempts at capturing the effect of snow on the landscape. See also 564:, as Oscar-Claude, but his parents called him simply Oscar. Despite being baptised Catholic, Monet later became an atheist. 8504: 7824: 7760: 5853: 1522: 1416: 1204: 800: 8254: 2591:, painted from different points of view and at different times of the day. Fifteen of the paintings were exhibited at the 2064: 503:. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was 8496: 8337: 8313: 8297: 8023: 8015: 7242: 6072: 5434:

Paul Durand-Ruel, "Letter to Claude Monet", Correspondence with Claude Monet, May–November 1884, accessed March 29, 2024.

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where Monet painted several "studies" of the harbor and the mouth of the Seine. Monet often painted alongside Renoir and

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displays the garden of the villa, and what some have argued to be Camille's grief upon learning of her father's death.

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exhibited. This same exhibition was organized in February 1901 in New York City, where it was met with great success.

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would help him break through into the Salon of 1866. He could not finish it in a timely manner and instead submitted

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Monet's home, garden, and water lily pond were bequeathed by Michel to the French Academy of Fine Arts (part of the

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1869, Metropolitan Museum of Art, New York; a small plein-air painting created with broad strokes of intense colour.

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When Durand-Ruel's previous support of Monet and his peers began to decline, Monet, Renoir, Pissarro, Sisley,

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Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends

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Daniel Wildenstein, Monet ou le Triomphe de l'Impressionnisme, Cologne, Taschen, 1996, p. 362

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Impressionism: A Centenary Exhibition, the Metropolitan Museum of Art, December 12, 1974-February 10, 1975

857: 9083: 8569: 8480: 8345: 8071: 7800: 6815: 4471: 3536: 3523:, formerly owned by Mrs. Fernand Halphen, taken by agents of the German Embassy in Paris on 10 July 1940. 3219: 3091: 2906: 2543: 1926: 1187: 1034: 794: 557: 532: 187: 9191: 9124: 9078: 8440: 7983: 7951: 7695: 7600: 7424: 7374: 7337: 7311: 4800: 3154: 3078: 2833: 1893: 1838: 1643: 1553: 1094: 516: 8445: 8405: 7864: 3349: 3341: 591: 9308: 9178: 8972: 8538: 8206: 8143: 7911: 7276:"Monet painting sold by Jewish owner after fleeing Nazis to be auctioned after settlement with heirs" 3375:

in Giverny—which had grown decrepit over fifty years—was restored and opened to the public. In 2004,

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For the third exhibition, on 5 April 1877, he selected seven paintings from the dozen he had made of

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became subjects of a legal case in New York against New York-based Vilma Bautista, one-time aide to

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and was impressed by Turner's treatment of light, especially in the works depicting the fog on the

524: 194: 8455: 8087: 8063: 7943: 3674: 2358: 2259: 2104: 2056: 1753: 951: 784:. This painting in particular shows the first signs of Monets' later famous impressionistic work. 725:, the "most important painting of Monet's early period". Having debuted at the Salon in 1865 with 9134: 9099: 8919: 8775: 8701: 8031: 7959: 6613: 5026: 3112:

satisfied with the works. After several postponements dating back to 1906, the exhibition titled

3054: 2597: 2574: 2132: 2121: 1694: 1624: 1341: 1075: 804:

respectively, the former being his "first sustained campaign of painting that involved tourism".

771: 766:—whom he had met two years earlier as a model for his paintings—gave birth to their first child, 710:, both of whom shared his desire to articulate new standards of beauty in conventional subjects. 658: 467:(outdoor) landscape painting. The term "impressionism" is derived from the title of his painting 7053: 6582: 6524: 4910: 4073: 3331: 787:

With help from the art collector Louis-Joachim Gaudibert, he reunited with Camille and moved to

9073: 8887: 8805: 8758: 8562: 8273: 8127: 7848: 7832: 7401: 6496: 5921: 3863: 3392: 3353: 3315:, following a formative experience at Giverny, paid homage to Monet's works created there with 3283: 3175: 2962: 2848: 2828: 2294: 779: 650: 201: 21: 6784: 3484:

A sympathetic portrait of Claude Monet can be found in R. W. Meek's historical fiction novels

1033:

and realist paintings, in favour of the pale tones of their peers' paintings such as those by

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The chronicle of impressionism: an intimate diary of the lives and world of the great artists

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The Beach at Sainte-Adresse from Monet Paintings and Drawings at the Art Institute of Chicago

3308: 1411: 699: 695: 680: 108: 7393: 6568: 6488: 4059: 3435:

near Paris, was bought by an anonymous telephone bidder for a record $ 41.4 million at

2605:, where he painted landmarks, landscapes, and seascapes, including a series of paintings in 876:, an encounter that would be decisive for his career. There he saw and admired the works of 9243: 9238: 8929: 8810: 8399: 7672: 7629: 7584:

Looking to Connect with European Paintings: Visual Approaches for Teaching in the Galleries

5799: 3361: 3245: 3073: 2888: 2394: 2376: 2178: 1983: 1791: 1056:

1858, private collection; an early work showing the influence of Corotà Sainte-Adresse and

535:

in his garden in Giverny that occupied him continuously for the last 20 years of his life.

8191: 7214:"Heirs battle estate over $ 30m Monet painting from Emden collection sold during Nazi era" 6636: 5786:

Khan, Soraya; Thornes, John E; Baker, Jacob; Olson, Donald W; Doescher, Russell L (2010).

3258: 1472:

Monet made a study in oils of his late wife. Many years later, he confessed to his friend

1457:

from left to right: Claude Monet, Alice Hoschedé, Jean-Pierre Hoschedé, Jacques Hoschedé,

8: 9052: 8904: 8691: 8611: 8224: 7888: 7880: 7784: 7776: 6311: 5753: 5592:. Christoph Becker, Kunsthaus Zürich ( ed.). Ostfildern-Ruit, Germany: Hatje Cantz. 5422: 5217: 5157: 2699: 2539: 2440: 1946: 1130: 1109: 980: 945: 849: 816: 595: 469: 314: 164: 128: 8992: 8450: 8387: 5803: 3001: 2654: 1813: 1809: 1605: 1495: 1466: 1421: 1363: 1114: 684: 9217: 9129: 9007: 8857: 8055: 7991: 7919: 7840: 7739: 7558: 7463: 6973: 6871: 6702: 6552: 6251: 6202: 6099: 6014: 5979: 5823: 5541: 5482: 4984: 4551: 4543: 4441: 4378: 4281: 3932: 3917:"The Face of Impressionism in 1870: Claude Monet's "Camille on the Beach at Trouville"" 3510: 3279: 2551: 2312: 2002: 1734: 1473: 1323: 1230: 1224: 908: 324: 9047: 9012: 8957: 8706: 8417: 6181: 6162: 5877: 4646:

The texts of seven police reports, written on 2 June – 9 October 1871 are included in

1397: 702:. Bazille eventually became his closest friend. In search of motifs, they traveled to 638: 489: 319: 121: 9119: 8987: 8967: 8934: 8800: 8795: 8631: 7604: 7550: 7515: 7496: 7455: 7428: 7405: 7394: 7378: 7359: 7341: 7306: 7250: 7121: 7114:"Plainte d'une famille juive contre UBS pour des oeuvres d'art pillées par les nazis" 6953: 6928: 6694: 6617: 6573: 6500: 6489: 6435: 6243: 6238: 6221: 6194: 6186: 6134: 6106: 6019: 6001: 5815: 5811: 5653: 5625: 5603: 5593: 5566: 5529: 5519: 5486: 5474: 5398: 5367: 5346: 5030: 4988: 4976: 4834: 4765: 4728: 4707: 4555: 4535: 4433: 4368: 4285: 4149: 4077: 4064: 3924: 3881: 3868: 3806: 3782: 3716: 3403:

noted that Monet's works after 1880 were increasingly receiving scholarly attention.

3372: 2588: 2159: 1921: 1716: 1662: 1446: 889: 864:. While living in London, Monet met his old friend Pissarro and the American painter 751: 626: 8962: 8369: 7275: 6206: 2460: 2182: 1487: 1382: 1002:(1872), a hazy depiction of Le Havre port and stylistic detour, he coined the term " 258: 9155: 8785: 8732: 8722: 8656: 8423: 8363: 7542: 7492: 7084:"Art - Le tableau de Monet attendait depuis 50 ans Le Nymphéas était là ...(photo)" 6578: 6233: 6176: 6009: 5991: 5807: 5466: 4968: 4527: 4425: 4069: 3873: 3465: 3400: 3300: 3193: 3138:, 1919. Monet's late series of water lily paintings are among his best-known works. 2592: 2488: 2425:

colour have been described as "almost ethereal" and the " of impressionist style";

2202: 1888: 1505: 1491: 1268: 1135: 873: 808: 763: 646: 642: 622: 493: 409: 403: 377: 235: 8641: 8606: 8411: 6161:

Lane, Russell; Carey, Nessay; Orrell, Richard; Moxley, Richard T. (8 March 1997).

5470: 4972: 4957:"Impressionism and the Standardization of Time: Claude Monet at Gare Saint-Lazare" 4107: 4105: 4103: 4101: 4099: 4097: 4095: 4093: 2554:

noted a "seamless" continuity in his paintings that was "enriched by innovation".

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in 1871, where he, influenced by his time with Dutch painters, mostly painted the

599: 504: 28: 9205: 9057: 9022: 8909: 8872: 8847: 8790: 8696: 8329: 7768: 6910: 6643: 6436:"Arrival of the Normandy Train, Gare Saint-Lazare – The Art Institute of Chicago" 6055: 5928: 5884: 5860: 5728: 4894: 4651: 4144: 3312: 2418: 2173:

Monet's output decreased as he became withdrawn, although he did produce several

2078: 1874: 1510: 881: 852:. During the war, he and his family lived in London and the Netherlands to avoid 820: 676: 449: 371: 329: 8982: 8621: 7396:

Hidden in the Shadow of the Master: the Model-wives of Cézanne, Monet, and Rodin

7334:

Masterpieces of Impressionism & Post-impressionism: The Annenberg Collection

3357: 959: 9037: 9002: 8997: 8924: 8877: 8842: 8651: 8636: 8543: 8183: 8047: 6283: 4657: 4090: 3576: 3428: 3324: 2734: 2174: 2167: 1401: 967: 877: 775: 691: 654: 583: 500: 496: 453:; 14 November 1840 – 5 December 1926) was a French painter and founder of 48: 6068: 4382: 4356: 3556: 940: 815:". Monet would later be financially supported by the artist and art collector 637:

From 1858 to 1860, Monet continued his studies in Paris, where he enrolled in

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time—usually spending an hour on each. In 1895, he exhibited 20 paintings of

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greenhouse and a second studio, a spacious building well lit with skylights.

1509:

Netherlands in 1886 to paint the tulips. He soon met and became friends with

1431: 1003: 707: 474: 454: 220: 86: 5607: 1427: 1271:, London. The left figure may be Camille, on the right possibly the wife of 975:. Monet gained a reputation as the foremost landscape painter of the group. 950:, 1872; the painting that gave its name to the style and artistic movement. 8939: 8616: 8381: 7856: 6732: 6023: 5649: 5281:"Claude Monet - The Beach at Trouville - NG3951 - National Gallery, London" 4583:

Charles Stuckey "Monet, a Retrospective", Hugh Lauter Levin Associates, 195

3669: 3506: 3336: 3304: 3170: 2514: 2448: 2430: 2253: 2186: 2158:. In 1913, Monet travelled to London to consult the German ophthalmologist 1859: 1846: 1830: 1825: 1389: 1078:, Pasadena, California; indicates the influence of Dutch maritime painting. 972: 885: 853: 603: 553: 463: 294: 6198: 5996: 5513: 1862:

by nearly 4000 square metres; the pond was enlarged in 1901 and 1910 with

664: 9168: 9042: 9017: 8862: 8626: 7152:"Heirs of Holocaust victim to get compensation from sale of looted Monet" 5587: 3267: 2557: 2481: 2469: 2228: 1901: 1478: 1138:, St. Petersburg; a study in the effect of sunlight and shadow on colour. 1030: 995: 963: 612: 576: 352: 7467: 7443: 5827: 5787: 4547: 4531: 4515: 4472:"What Did This $ 1.4M Painting Have To Do With Monet's Suicide Attempt?" 3936: 3916: 3391:

published a paper providing evidence that these were painted in situ at

2436: 1393: 8899: 7644: 6255: 6167: 4870:

The Chronicle of Impressionism: A Timeline History of Impressionist Art

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Jeffrey Meyers, "Monet in Algeria", pp 19–24 "History Today" April 2015

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the money. The Philippine government seeks the return of the painting.

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consisted of 42 canvases, his "largest and most unified series to date"

1155:("Jardin à Sainte-Adresse"), 1867, Metropolitan Museum of Art, New York 900: 893: 869: 7562: 7530: 7369:

Brettell, Richard; Hayes Tucker, Paul; Henderson Lee, Natalie (2009).

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Bailey, Colin B.; Rishel, Joseph J.; Rosenthal, Mark Lawrence (1989).

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Corot to Braque: French Paintings from the Museum of Fine Arts, Boston

4684: 4674: 4672: 3319:(1952). Monet has been called an "intermediary" between tradition and 2498: 788: 602:, who would encourage Monet to develop his techniques, teach him the " 7512:

Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self

7419:

Distel, Anne; Dayez, Anne; Hoog, Michel; Moffett, Charles S. (1974).

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paintings were an homage to the fallen French soldiers of World War I

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noted in a review of Monet's successful 1909 exhibition of the first

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installed all around to allow different perspectives to be captured.

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from rectangular stretchers to square and then circular stretchers.

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He married Camille on 28 June 1870, just before the outbreak of the

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Claude Monet, Joconde, Portail des collections des musées de France

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Claude Monet was born on 14 November 1840 on the fifth floor of 45

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and began a vast landscaping project, including a water-lily pond.

485: 481: 4213: 4211: 4209: 4207: 4205: 4203: 4201: 2531: 7368: 6289: 4663: 4111: 3559:, a French Jewish art dealer killed in a Nazi concentration camp. 3287: 2213: 2210: 1870: 1842: 1057: 978:

At the first exhibition, in 1874, Monet displayed, among others,

512: 104: 8554: 8402:(son-in-law, married Monet's step-daughters, Suzanne and Marthe) 6222:"What Monet Meant: Intention and Attention in Understanding Art" 5455:"Le Grand Tout: Monet on Belle-Île and the Impulse toward Unity" 1916:. Monet's final journey would be to Venice, with Alice in 1908. 7680: 7008: 6913:. Associated Press. 17 October 2013. Retrieved 17 October 2013. 4298: 4240: 4198: 3396: 2738: 2521: 1388:

In 1876, Camille Monet became seriously ill. Their second son,

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newsfromrussia.com, 5 November 2004. Retrieved 6 January 2007.

5980:"The effect of cataracts and cataract surgery on Claude Monet" 5734: 4596:

Les Impressionnistes, ces peintres français tapis dans Londres

3729: 3385:; 1904), sold for US$ 20.1 million. In 2006, the journal 3307:, respectively. His later works were a "major" inspiration to 807:

Several of his paintings had been purchased by Gaudibert, who

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London, Houses of Parliament. The Sun Shining through the Fog

2525: 1863: 1806:

Study of a Figure Outdoors: Woman with a Parasol, Facing Left

904: 861: 661:, who together with Boudin was an important mentor to Monet. 82: 7635:

Claude Monet, Ministère de la culture et de la communication

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Ex-Imelda Marcos aide on trial in NYC for selling Monet work

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it with a flower-patterned cloth. At the time of his death,

2231:, in which his younger son, Michel, served, Monet painted a 920:. For three years of the decade, he rented a large villa in 6950:

The Dream Collector, Book II Sabrine & Vincent van Gogh

6608:

Chilvers, Ian; Glaves-Smith, John (2009). "Monet, Claude".

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Falaise a Pourville soleil levant, 1897, private collection

1904:—in 1899 to produce a series that included 41 paintings of 433: 424: 415: 392: 6974:"Cornelius Gurlitt: Monet found in art hoarder's suitcase" 6495:(Paperback). Canberra: Rowman & Littlefield. pp. 6375: 6363: 6133:(10th Reiss ed.). Harcourt College Pub. p. 669. 3970: 3968: 3966: 3964: 3962: 3960: 3958: 3681: 3383:

Londres, le Parlement, trouée de soleil dans le brouillard

386: 6336: 6262: 5067: 5055: 5043: 4933: 4322: 4223: 4117: 3715:. Encyclopaedia Britannica. 1 January 1974. p. 347. 2517: 1498:, would become Monet's "preferred model", after Camille. 5854:

Color, Chemistry, and Creativity in Monet's Water Lilies

1246:

Le port de Trouville (Breakwater at Trouville, Low Tide)

1018:

which showcased multiple Impressionist characteristics.

1009:

The total attendance is estimated at 3500. Monet priced

7514:(2 ed.). University of Chicago Press. p. 66. 6925:

The Dream Collector, Book I Sabrine & Sigmund Freud

3955: 3479:

Japanese Footbridge over the Water-Lily Pond at Giverny

7418: 6657:"Virtual Monet Thumbnails Pg 1 | Special reports" 6403: 5622:

Monet and His Muse: Camille Monet in the Artist's Life

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In May 1927, 27 panel paintings were displayed in the

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The Art Newspaper - International art news and events

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Guardian News, 30 May 2002. Retrieved 6 January 2007.

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Two paintings from a series of grainstacks, 1890–91:

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provided short-lived relief. He eventually underwent

421: 389: 6899: 6897: 6607: 5887:". Metropolitan Museum of Art. Retrieved 6 June 2021 4637:, Éditions Jean-Paul Gisserot, 2002, pp. 38, 106-107 3797: 3795: 3693: 3622: 1465:, Michel Monet, Martha Hoschedé, Germaine Hoschedé, 998:

wrote a hostile review. Taking particular notice of

8441:

Fondation Monet – Giverny home, studio, and gardens

1938:He would ultimately make over 250 paintings of the 436: 430: 418: 412: 383: 380: 6098: 5696:"Monet's gardens a draw to Giverny and to his art" 5098:"Search the Collection » Norton Simon Museum" 4911:"The First Impressionist Exhibition, 1874 – Notes" 8489:Claude Monet Painting in His Garden at Argenteuil 6894: 6733:"Monet and Others Stolen in Museum Heist in Nice" 5128:"Musée d'Orsay: Claude Monet Women in the Garden" 4723:Fourny-Dargère, Sophie, and Claude Monet (1992). 3801:Fourny-Dargère, Sophie, and Claude Monet (1992). 3792: 3378:London, the Parliament, Effects of Sun in the Fog 2595:in 1891. In 1892 he produced twenty-six views of 717:, his first successful large-scale painting, and 9225: 8176:The Doge's Palace Seen from San Giorgio Maggiore 8040:Arrival of the Normandy Train, Gare Saint-Lazare 7817:The Road in Front of Saint-Simeon Farm in Winter 7594: 5931:Guggenheim Collection. Retrieved 6 January 2007. 4650:, the catalog of an exhibition in the Amsterdam 4304: 4246: 4217: 4148:. New Haven, Conn: Yale University Press. p. 5. 3735: 3549:, whose vast collection was looted by the Nazis. 3481:, is part of Monet's famed Water Lilies series. 2670:Arrival of the Normandy Train, Gare Saint-Lazare 2601:. Between 1883 and 1908, Monet travelled to the 2528:—in search of new and more challenging subjects. 1681:, 1875, National Gallery of Art, Washington D.C. 1349: 683:and Camille Doncieux, first wife of the artist, 8008:Woman with a Parasol – Madame Monet and Her Son 7243:"A Nazi Legacy Haunts a Museum's New Galleries" 6290:Brettell, Hayes Tucker & Henderson Lee 2009 6124: 6122: 4664:Brettell, Hayes Tucker & Henderson Lee 2009 4112:Brettell, Hayes Tucker & Henderson Lee 2009 3672:. "Monet: un œil... mais, bon Dieu, quel œil!" 1678:Woman with a Parasol - Madame Monet and Her Son 1373:Woman with a Parasol - Madame Monet and Her Son 7650:Union List of Artist Names, Getty Vocabularies 5646:Monet's Years at Giverny: Beyond Impressionism 5397:. New York: Pantheon Books. pp. 194–195. 5188:"Das Städel Museum – Kunstmuseum in Frankfurt" 4702:Poulet, Anne L.; Murphy, Alexandra R. (1979). 515:, also in northern France, where he purchased 8570: 7696: 7004:"Monet Landscape Found in Gurlitt's Suitcase" 6759:"French police recover stolen Monet painting" 6637:"Monet's masterpiece reaches record high bid" 4727:. New York: Konecky and Konecky. pp. 58, 64. 3521:La Seine à Asnières/Les Péniches sur la Seine 3516:Examples of Nazi-looted Monet works include: 1396:where they shared a house with the family of 1370:In 1875, he returned to figure painting with 8213: 6751: 6119: 5453:Athanassoglou-Kallmyer, Nina (3 July 2015). 5395:The Eyes of Claude Monet from Sense of Sight 5337: 5335: 3878:10.1093/benz/9780199773787.article.B00124536 3235:Reflections of Clouds on the Water-Lily Pond 3131: 1881:which portrayed the dawn hours of the river. 1307:, 1872. Metropolitan Museum of Art, New York 1292:, 1871, Metropolitan Museum of Art, New York 734: 718: 668: 126: 20:"Monet" redirects here. For other uses, see 7371:Nineteenth- and Twentieth-century Paintings 6610:A Dictionary of Modern and Contemporary Art 6566: 6388: 6369: 6226:The Journal of Aesthetics and Art Criticism 5643: 4905: 4903: 4880: 4878: 4629: 4627: 4625: 4623: 3609:conversely describes the exile as forceful. 3323:—his work has been examined in relation to 2769:Grainstacks in the Sunlight, Morning Effect 2445:Claude Monet Painting by the Edge of a Wood 2276:, 1916–1919, Sale Christie's New York, 1998 457:painting who is seen as a key precursor to 8577: 8563: 7703: 7689: 7486: 7211: 5915: 5740: 5560: 5546:: CS1 maint: location missing publisher ( 5084: 5061: 5049: 5021:Brigstocke, Hugh (2001). "Monet, Claude". 5020: 4954: 4939: 4579: 4577: 4331: 4234: 4123: 3861: 1438:second wife of Claude Monet and mother of 781:child with a cup, a portrait of Jean Monet 47: 7304: 7183:"Heirs to get share of looted Monet sale" 6725: 6680: 6583:10.1093/gao/9781884446054.article.T063148 6486: 6237: 6180: 6013: 5995: 5867:, 9 February 2021. Retrieved 6 June 2021 5332: 5158:"Claude Monet – Garden at Sainte-Adresse" 4864: 4862: 4826: 4760:(1st ed.). Greenwood Press. p. 4738: 4520:Bulletin of the Detroit Institute of Arts 4354: 4275: 4074:10.1093/gao/9781884446054.article.T059077 3914: 3652: 3650: 3628: 2800:Falaise a Pourville soleil levant, 1897, 7595:Tinterow, Gary; Loyrette, Henri (1994). 6096: 5561:Je Bradley, Alexander (6 October 2016). 5518:. Claude Monet, Éric Sander. Montreuil. 4900: 4875: 4620: 4509: 4507: 4505: 4503: 4501: 4499: 4497: 3805:. New York: Konecky and Konecky. p. 30. 3330: 3257: 2556: 2530: 2497: 2435: 2405: 1967:, 1895, Collection E. G. Buehrle, Zürich 1887: 1824: 1445: 1426: 1406: 1353: 939: 830: 823:, although creditors still pursued him. 750: 675:(right section), 1865–1866, Paris, with 663: 611: 7976:Argenteuil Basin with a Single Sailboat 7581: 7531:"Monet's Series: Repetition, Obsession" 7240: 6545: 6409: 6268: 6219: 6128: 5977: 5693: 4574: 4057: 4053: 4051: 4049: 4047: 4045: 4043: 4041: 4039: 4037: 4035: 4033: 4031: 4029: 4027: 4025: 4023: 4021: 4019: 4017: 4015: 4013: 4011: 4009: 4007: 4005: 4003: 2753:The Pyramides at Port-Coton, Sun Effect 2536:Rouen Cathedral, the Façade in Sunlight 1900:London—now residing at the prestigious 868:, and befriended his first and primary 826: 598:. In around 1858, he met fellow artist 507:, who introduced him to the concept of 273: 1892; died 1911) 250: 1870; died 1879) 9226: 8120:The Pyramides at Port-Coton, Rough Sea 7528: 7509: 7489:Techniques of the Great Masters of Art 7441: 7391: 7241:Hickley, Catherine (11 October 2021). 6765:from the original on 30 September 2020 6357: 5973: 5939: 5937: 5565:. United States: Blurb, Incorporated. 5448: 5446: 5444: 5442: 5440: 5392: 5016: 5014: 5012: 5010: 4950: 4948: 4859: 4586: 4411: 4350: 4348: 4346: 4344: 4342: 4340: 4271: 4269: 4267: 4265: 4263: 4261: 4259: 4257: 4255: 4001: 3999: 3997: 3995: 3993: 3991: 3989: 3987: 3985: 3983: 3974: 3857: 3855: 3853: 3851: 3849: 3847: 3845: 3843: 3841: 3839: 3699: 3687: 3647: 3644:, page 2, Yale University Press, 1998. 2730:The Pyramides at Port-Coton, Rough Sea 2714:Sailboats behind the needle at Etretat 1731:Flowers on the Riverbank at Argenteuil 1275:, whose beach scenes influenced Monet. 547: 8558: 7684: 7666:Impressionism: a centenary exhibition 7193:from the original on 15 February 2021 7162:from the original on 11 February 2021 7132:from the original on 14 February 2021 6984:from the original on 10 February 2021 6848:. Christies of London. 24 June 2008. 6813: 6156: 6154: 6152: 6150: 6092: 6090: 6069:"Kimbell Art Museum, Weeping Willows" 5971: 5969: 5967: 5965: 5963: 5961: 5959: 5957: 5955: 5953: 5781: 5779: 5639: 5637: 5624:. University of Chicago Press, 2010. 5585: 5563:The Gardens and House of Claude Monet 5511: 5291:from the original on 24 December 2013 5198:from the original on 24 December 2013 5108:from the original on 20 December 2013 4789: 4787: 4785: 4783: 4781: 4753: 4513: 4494: 4407: 4405: 4403: 3910: 3908: 3906: 3904: 3837: 3835: 3833: 3831: 3829: 3827: 3825: 3823: 3821: 3819: 3425:Le Pont du chemin de fer à Argenteuil 1892:Monet at work in the large studio at 1837:In 1883, Monet and his family rented 1377:after effectively abandoning it with 582:, wanted him to go into the family's 448: 8505:Portrait of the Painter Claude Monet 7825:On the Bank of the Seine, Bennecourt 7761:A Cart on the Snowy Road at Honfleur 7064:from the original on 7 February 2020 7016:from the original on 28 January 2021 6947: 6922: 6882:from the original on 11 October 2008 6852:from the original on 13 January 2009 6826:from the original on 2 December 2016 6546:Morelli, Vivian (28 February 2024). 6523:. Fondation-monet.fr. Archived from 6446:from the original on 5 November 2013 5764:from the original on 30 January 2022 5702:from the original on 2 February 2009 5228:from the original on 24 January 2022 5168:from the original on 30 January 2022 4921:from the original on 10 January 2014 4897:, Thames & Hudson, Limited, 1993 4808:from the original on 13 October 2004 4793: 4482:from the original on 23 January 2023 3921:Yale University Art Gallery Bulletin 3759:from the original on 9 February 2017 2609:. In London he painted four series: 2017:Water Lilies and the Japanese Bridge 1932:Waterlilies, a Series of Waterscape, 1417:Portrait of the Painter Claude Monet 1205:On the Bank of the Seine, Bennecourt 888:. He repeatedly painted the Thames, 632: 511:painting. From 1883, Monet lived in 8497:Claude Monet Painting in his Studio 8396:(step-daughter and daughter-in-law) 8024:The Studio Boat (Le Bateau-atelier) 8016:A Corner in the Garden at Montgeron 6816:"Record Price for Monet at Auction" 6795:from the original on 3 January 2023 6739:from the original on 21 August 2007 6415: 6037:Bailey, Rishel & Rosenthal 1989 5984:British Journal of General Practice 5943:Forge, Andrew, and Gordon, Robert, 5934: 5910:Bailey, Rishel & Rosenthal 1989 5714: 5682:Bailey, Rishel & Rosenthal 1989 5437: 5327:Bailey, Rishel & Rosenthal 1989 5023:The Oxford Companion to Western Art 5007: 4945: 4827:Brodskaya, Nathalia (1 July 2011). 4691:Bailey, Rishel & Rosenthal 1989 4679:Bailey, Rishel & Rosenthal 1989 4414:"Why Monet Gave up Figure Painting" 4337: 4252: 3980: 3452:In October 2013, Monet's paintings 3018:, 1908, Museum of Fine Arts, Boston 1698:, 1876, Museum of Fine Arts, Boston 1602:Coquelicots, La promenade (Poppies) 1504:In a letter sent to Monet in 1884, 13: 8513:Monet: The Mystery of the Orangery 7042:from the original on 14 June 2018. 6589:from the original on 17 April 2023 6324:from the original on 23 April 2021 6147: 6087: 5950: 5947:, page 224. Harry N. Abrams, 1989. 5776: 5634: 5345:. New York: Mallard Press. p. 16. 5278: 4955:Dombrowski, André (2 April 2020). 4847:from the original on 17 April 2023 4796:"Impressionism: Art and Modernity" 4778: 4400: 4355:Groom, Gloria; Shaw, Jill (2014), 3901: 3816: 3527:Le Repos Dans Le Jardin Argenteuil 3447:highest prices paid for a painting 3035:Fine Arts Museums of San Francisco 2587:His first series exhibited was of 2274:Water-Lily Pond and Weeping Willow 1338:Ships Riding on the Seine at Rouen 31:, another painter of the same era. 14: 9325: 9279:Deaths from lung cancer in France 8584: 7619: 7400:. Yale University Press. p. 7305:Auricchio, Laura (October 2004). 7094:from the original on 19 July 2021 6872:"Monet work auctioned for £40.9m" 4278:50 Modern Artists You Should Know 4186:from the original on 31 July 2020 3589:List of paintings by Claude Monet 1695:Madame Monet in a Japanese Kimono 9211: 9199: 8675: 8160:Le Jardin de l'artiste à Giverny 8136:The Valley of the Creuse, Sunset 7710: 7676:exhibition at Kimbell Art Museum 7569:from the original on 20 May 2021 7474:from the original on 2 June 2021 7319:from the original on 2 June 2021 7268: 7234: 7205: 7174: 7144: 7106: 7076: 7046: 7028: 6996: 6966: 6941: 6916: 6864: 6838: 6807: 6777: 6761:. artforum.com. 1 October 2009. 6713:from the original on 6 June 2021 6674: 6649: 6630: 6601: 6560: 6539: 6513: 6480: 6467: 6458: 6428: 6394: 6239:10.1111/j.1540-594X.2004.00150.x 6075:from the original on 3 June 2021 5834:from the original on 3 June 2021 5812:10.1111/j.1475-4762.2009.00913.x 5493:from the original on 5 June 2021 5218:"Claude Monet – La Grenouillère" 4995:from the original on 5 June 2021 4608:from the original on 2 June 2021 4562:from the original on 22 May 2021 4452:from the original on 6 June 2021 4389:from the original on 2 June 2021 3943:from the original on 2 June 2021 3713:The New Encyclopaedia Britannica 3571:, formerly in the collection of 3509:official dealers of looted art, 3388:Proceedings of the Royal Society 3227: 3201: 3182: 3162: 3143: 3124: 3065: 3041: 3023: 3008: 2990: 2979:The Houses of Parliament, London 2969: 2951: 2932: 2913: 2895: 2876: 2861: 2840: 2820: 2808: 2793: 2775: 2760: 2745: 2721: 2706: 2688: 2661: 2643: 2383: 2365: 2347: 2328: 2301: 2281: 2266: 2245: 2141:Monet in his garden at Giverny, 2131: 2120: 2111: 2086: 2063: 2045: 2027: 2009: 1991: 1972: 1957: 1798: 1780: 1761: 1742: 1723: 1703: 1686: 1669: 1651: 1632: 1613: 1594: 1584:The Artist's House at Argenteuil 1576: 1561: 1542: 1521: 1450:The Monet and Hoschedé families 1330: 1312: 1297: 1280: 1257: 1238: 1216: 1196: 1179: 1160: 1143: 1122: 1101: 1083: 1064: 1046: 935: 924:for a thousand francs per year. 727:La Pointe de la Hève at Low Tide 408: 376: 351: 7968:The Poppy Field near Argenteuil 7358:. London: Chatto & Windus. 7180: 6785:"Claude Monet's 161st Birthday" 6735:. artforum.com. 8 August 2007. 6304: 6295: 6274: 6213: 6061: 6042: 5870: 5846: 5746: 5694:Garrett, Robert (20 May 2007). 5687: 5614: 5579: 5554: 5505: 5428: 5411: 5386: 5377: 5356: 5272: 5240: 5210: 5180: 5150: 5120: 5090: 4820: 4747: 4717: 4696: 4640: 4464: 4168: 4159: 4129: 3771: 3678:, Number 131, série Arts. p. 14 3600: 3535:, stolen by Nazis in 1940 from 3495: 3085: 2976:Two paintings from a series of 2783:Grainstacks, end of day, Autumn 2021:Princeton University Art Museum 1550:Camille Monet on a Garden Bench 926:Camille Monet on a Garden Bench 911:perspective. Paintings such as 270: 247: 8749:First Impressionist Exhibition 8152:Champ d'avoine aux coquelicots 8080:Anglers on the Seine at Poissy 7655:Claude Monet at The Guggenheim 7588:The Metropolitan Museum of Art 7120:(in French). 18 October 2014. 6548:"Reviving a Japanese art form" 5731:, (retrieved 16 December 2013) 5279:London, The National Gallery. 4794:Samu, Margret (October 2004). 4276:Weidemann, Christiane (2017). 3862:Oxford Art (31 October 2011). 3741: 3705: 3663: 3634: 3275:was "technically unfinished". 2925:National Museum of Western Art 1072:Mouth of the Seine at Honfleur 731:Mouth of the Seine at Honfleur 499:, where he was a classmate of 1: 9289:French Impressionist painters 8915:Marc-Aurèle de Foy Suzor-Coté 8473:The Improvised Field Hospital 8196: 8104:Garden at Bordighera, Morning 7901: 7442:Easton, Elizabeth W. (2009). 7212:D'Arcy, David (8 July 2020). 6182:10.1016/S0140-6736(05)60177-8 5852:Muir, Kim; Sutherland, Ken. " 5471:10.1080/00043079.2015.1023158 5364:Dictionary of Artists' Models 5253:Museum of Fine Arts, Budapest 4973:10.1080/00043079.2020.1676129 4744:Charles F. Stuckey, pp. 11–16 4706:. Boston: The Museum. p. 92. 4357:"The Beach at Sainte-Adresse" 3615: 3262:Monet family grave at Giverny 3238: 3212: 2871:, 1893, Musée Marmottan Monet 2562: 2503: 2142: 2097: 2074: 1532: 1451: 1360:Camille Monet On Her Deathbed 1350:Death of Camille and Vétheuil 1305:Jean Monet On His Hobby Horse 866:James Abbott McNeill Whistler 839: 567:In 1845, his family moved to 54: 9254:20th-century French painters 9249:19th-century French painters 8168:San Giorgio Maggiore at Dusk 7660:Monet at Norton Simon Museum 7487:Januszczak, Waldema (1985). 6567:Bohm-Duchen, Monica (2003). 6317:Solomon R. Guggenheim Museum 5978:Gruener, Anna (1 May 2015). 5644:Wildenstein, Daniel (1978). 4305:Tinterow & Loyrette 1994 4247:Tinterow & Loyrette 1994 4218:Tinterow & Loyrette 1994 4176:"Musée d'Orsay: non_traduit" 3915:Greenberg, Susan D. (2001). 3736:Tinterow & Loyrette 1994 3594: 3050:San Giorgio Maggiore at Dusk 2959:Charing Cross Bridge, London 2675:The Art Institute of Chicago 2613:Houses of Parliament, London 741:The Woman in the Green Dress 713:During this time he painted 618:The Woman in the Green Dress 542: 529:paintings of Rouen Cathedral 7: 9264:École des Beaux-Arts alumni 9084:French impressionist cinema 8481:A Studio at Les Batignolles 8072:The Cliff Walk at Pourville 7801:The Beach at Sainte-Adresse 7582:Perkins, Elizabeth (2013). 6952:. NY, NY: Historium Press. 6927:. NY, NY: Historium Press. 6814:Vogel, Carol (6 May 2008). 5362:Jiminez, Jill Berk (2013). 4872:, Bulfinch Press Book, 1993 4833:. Parkstone International. 3582: 3486:The Dream Collector, Book I 3220:Nelson-Atkins Museum of Art 3092:Water Lilies (Monet series) 2907:Museum of Fine Arts, Boston 2628:Views of Westminster Bridge 2544:Williamstown, Massachusetts 2256:and Reflections of a Willow 1035:Jean-Baptiste-Camille Corot 1016:The Beach at Sainte-Adresse 948:(Impression, soleil levant) 795:The Beach at Sainte-Adresse 762:In 1867 his then-mistress, 645:in 1859. He was called for 558:9th arrondissement of Paris 10: 9330: 9125:Pennsylvania Impressionism 8673: 7984:The Grand Quai at Le Havre 7952:Resting Under a Lilac Bush 7601:Metropolitan Museum of Art 7425:Metropolitan Museum of Art 7375:Metropolitan Museum of Art 7338:Philadelphia Museum of Art 7312:Metropolitan Museum of Art 7307:"Claude Monet (1840–1926)" 7297: 6681:Pickvance, Ronald (1981). 6475:Claude Monet: Life and Art 5922:Biography for Claude Monet 5758:Metropolitan Museum of Art 5222:Metropolitan Museum of Art 5162:Metropolitan Museum of Art 4801:Metropolitan Museum of Art 3658:Claude Monet: Life and Art 3155:Metropolitan Museum of Art 3089: 3079:Indianapolis Museum of Art 2834:Philadelphia Museum of Art 2755:, 1886, Private collection 2415:Claude Monet in Argenteuil 2197:In 1922 a prescription of 1820: 1554:Metropolitan Museum of Art 1494:. Alice's third daughter, 1095:Metropolitan Museum of Art 1054:View at Rouelles, Le Havre 733:to large praise, he hoped 18: 16:French painter (1840–1926) 9299:Legion of Honour refusals 9259:20th-century male artists 9179:Pays des Impressionnistes 9148: 9092: 9066: 8973:Giovanni Battista Ciolina 8948: 8886: 8829: 8757: 8741: 8715: 8684: 8594: 8539:Pays des Impressionnistes 8531: 8464: 8433: 8356: 8235: 8144:Boating on the River Epte 7793:Regatta at Sainte-Adresse 7729: 7720: 5720:Art Gallery of Victoria, 4855:– via Google Books. 3781:. London: H Books. p. 3. 3777:Arnold, Matthias (2005). 3642:Monet in the 20th century 3569:Poppy Field near Vétheuil 3293: 2944:Thyssen-Bornemisza Museum 2869:Rouen Cathedral at sunset 2849:Poplars at the River Epte 2401: 2338:, between 1917 and 1919, 1999:Flowering Arches, Giverny 1982:, between 1914 and 1926, 1773:Thyssen-Bornemisza Museum 858:Charles-François Daubigny 533:paintings of water lilies 492:, and under the academic 470:Impression, soleil levant 359: 350: 345: 341: 337: 306: 302: 283: 226: 216: 154: 146: 138: 127: 115: 93: 64: 46: 39: 9115:Decorative Impressionism 9110:California Impressionism 8096:The Valley of the Nervia 7873:Houses on the Achterzaan 7809:Garden at Sainte-Adresse 7597:Origins of Impressionism 6846:"Le Bassin Aux Nymphéas" 6683:"Paris. Monet Symposium" 6642:17 December 2006 at the 6487:McAuliffe, Mary (2011). 5883:15 December 2013 at the 5865:Art Institute of Chicago 5727:16 December 2013 at the 5698:. Globe Correspondents. 4412:Wagner, Anne M. (1994). 4365:Art Institute of Chicago 3749:"Claude Monet Biography" 3427:, an 1873 painting of a 3253: 2984:Art Institute of Chicago 2802:Magnani-Rocca Foundation 2787:Art Institute of Chicago 2630:. Helen Gardner writes: 2039:Art Institute of Chicago 1588:Art Institute of Chicago 1289:Houses on the Achterzaan 1210:Art Institute of Chicago 1152:Garden at Sainte-Adresse 836:Portrait of Claude Monet 801:On the Bank of the Seine 694:'s studio, where he met 27:Not to be confused with 9135:Synthetic impressionism 9100:Amsterdam Impressionism 8925:Helen Galloway McNicoll 8776:Frederick Carl Frieseke 8406:Jacques-François Ochard 7960:The Seine at Argenteuil 7928:Boulevard des Capucines 7748:Le Déjeuner sur l'herbe 7529:Levine, Steven (1986). 7510:Levine, Steven (1994). 7448:The Burlington Magazine 6909:17 October 2013 at the 6687:The Burlington Magazine 6614:Oxford University Press 6569:"Objective Abstraction" 6301:Jennings (1986), p. 132 6163:"Claude Monet's vision" 6129:Gardner, Helen (1995). 5927:20 January 2007 at the 5417:Charles Merrill Mount. 5027:Oxford University Press 4060:"Monet, (Oscar-)Claude" 3416:On 14 November 2001, a 3407:Falaises près de Dieppe 3354:Abstract Expressionists 3288:Japanese woodcut prints 3282:) in 1966. Through the 3222:, Kansas City, Missouri 3055:National Museum Cardiff 2373:The Japanese Footbridge 1625:National Gallery of Art 1569:The Seine at Argenteuil 1342:National Gallery of Art 1076:Norton Simon Foundation 991:Boulevard des Capucines 758:, 1868, pastel on paper 736:Le déjeuner sur l'herbe 721:Le déjeuner sur l'herbe 671:Le déjeuner sur l'herbe 659:Johan Barthold Jongkind 592:Jacques-François Ochard 8806:Walter Elmer Schofield 8394:Blanche Hoschedé Monet 8216:Le Bassin Aux Nymphéas 8214: 8128:Study of Rocks; Creuse 7849:Interior, after Dinner 6220:Rollins, Mark (2004). 6101:Impressionist Painters 6097:Jennings, Guy (1986). 6049:Let the light shine in 5586:Monet, Claude (2004). 5512:Goetz, Adrien (2015). 5285:nationalgallery.org.uk 4138:Monet: Nature Into Art 4058:Isaacon, Joel (2003). 3545:, previously owned by 3475:Le Bassin aux Nympheas 3470:Le Bassin aux Nympheas 3458:Le Bassin aux Nympheas 3442:Le bassin aux nymphéas 3345: 3284:Fondation Claude Monet 3263: 3176:Honolulu Museum of Art 3134:Le Bassin Aux Nymphéas 3132: 2963:Saint Louis Art Museum 2903:The Seine Near Giverny 2636: 2568: 2546: 2509: 2451: 2421: 2355:The Rose Walk, Giverny 2295:Columbus Museum of Art 1896: 1879:Mornings on the Seine, 1834: 1646:, Otterlo, Netherlands 1469: 1459:Blanche Hoschedé Monet 1443: 1440:Blanche Hoschedé Monet 1424: 1367: 955: 918:Michel Eugène Chevreul 860:lived in self-imposed 845: 819:, Bazille and perhaps 759: 735: 719: 687: 669: 653:(African Hunters), in 629: 594:, a former student of 22:Monet (disambiguation) 9314:Artists from Normandy 9304:Artists from Le Havre 9033:Władysław Podkowiński 8771:William Merritt Chase 8662:Pierre-Auguste Renoir 8456:Musée Marmottan Monet 8112:Haystack Near Giverny 8088:Stormy Sea at Étretat 8064:Portrait of Père Paul 8000:The Train in the Snow 7944:The Seine at Asnières 7936:Lilac Bush in the Sun 7897:Regatta at Argenteuil 7674:Monet: The Late Years 7392:Butler, Ruth (2008). 7354:Berger, John (1985). 7187:www.timesofisrael.com 5997:10.3399/bjgp15X684949 5393:Berger, John (1985). 5383:Berger (1985), p. 194 5366:. Routledge. p. 165. 5341:Milner, Frank (1991) 4893:17 April 2023 at the 4757:The History of France 4754:Haine, Scott (2000). 4143:17 April 2023 at the 3675:Découvertes Gallimard 3640:House, John, et al.: 3567:, and his 1880 work, 3334: 3309:Objective abstraction 3301:twentieth-century art 3261: 2696:The Cliffs at Etretat 2632: 2561:Monet in his studio, 2560: 2534: 2502:Monet in his studio, 2501: 2439: 2409: 2359:Musée Marmottan Monet 2336:House Among the Roses 2260:Musée Marmottan Monet 2105:Musée Marmottan Monet 2057:Musée Marmottan Monet 1891: 1828: 1754:Musée Marmottan Monet 1644:Kröller-Müller Museum 1449: 1430: 1412:Pierre-Auguste Renoir 1410: 1357: 1265:La plage de Trouville 952:Musée Marmottan Monet 943: 834: 754: 696:Pierre-Auguste Renoir 667: 649:and served under the 615: 562:Notre-Dame-de-Lorette 531:(1892–1894), and the 9294:French male painters 8940:Robert Wakeham Pilot 8930:James Wilson Morrice 8811:John Henry Twachtman 8446:Musée de l'Orangerie 8400:Theodore Earl Butler 8338:San Giorgio Maggiore 8314:Houses of Parliament 8298:Charing Cross Bridge 7630:Museum of Modern Art 7012:. 5 September 2014. 6980:. 5 September 2014. 6948:Meek, R. w. (2024). 6923:Meek, R. w. (2023). 6423:Art through the Ages 6131:Art through the Ages 6054:25 July 2008 at the 5788:"Monet at the Savoy" 5620:Mathews Gedo, Mary. 5423:Simon & Schuster 4633:Dominique Lobstein, 4516:"Monet's "Gladioli"" 4514:House, John (2003). 4135:House, John (1986). 3553:Haystacks at Giverny 3505:, the son of one of 3454:L'Eglise de Vétheuil 3393:St. Thomas' Hospital 3362:Museum of Modern Art 3350:Musée de l'Orangerie 3342:Musée de l'Orangerie 3246:Museum of Modern Art 3074:San Giorgio Maggiore 2940:Charing Cross Bridge 2921:Morning on the Seine 2889:J. Paul Getty Museum 2677:, a part of Monet's 2651:La Gare Saint-Lazare 2619:Charing Cross Bridge 2395:Kunstmuseum Den Haag 2377:Museum of Modern Art 2205:in 1923. Persistent 1984:Museum of Modern Art 1910:Charing Cross bridge 1792:Aberdeen Art Gallery 1769:The Thaw at Vétheuil 899:The family moved to 827:Exile and Argenteuil 517:a house and property 480:Monet was raised in 9274:Burials in Normandy 9269:Painters from Paris 9053:Philip Wilson Steer 8905:William Blair Bruce 8692:Gustave Caillebotte 8612:Gustave Caillebotte 7889:Impression, Sunrise 7881:Windmill at Zaandam 7833:L'Enfant a la tasse 7785:Woman in the Garden 7777:Women in the Garden 7060:. 7 February 2020. 7054:"Met To Sell Monet" 6521:"Historical record" 6360:, pp. 866–867. 5859:6 June 2021 at the 5804:2010Area...42..208K 5754:"Water Lilies 1919" 5743:, p. 270, 306. 4532:10.1086/DIA23183126 3464:, wife of dictator 3031:Grand Canal, Venice 3016:Grand Canal, Venice 2700:Clark Art Institute 2639:Series of paintings 2593:Galerie Durand-Ruel 2540:Clark Art Institute 2441:John Singer Sargent 2427:Impression, Sunrise 1947:John Singer Sargent 1914:House of Parliament 1839:a house and gardens 1788:La Falaise à Fécamp 1750:Vétheuil in the Fog 1529:Effet de Brouillard 1517:Paintings 1873–1886 1250:Museum of Fine Arts 1131:Woman in the Garden 1110:Women in the Garden 1042:Paintings 1858–1872 1011:Impression: Sunrise 1000:Impression, Sunrise 981:Impression, Sunrise 946:Impression, Sunrise 850:Franco-Prussian War 817:Gustave Caillebotte 651:Chasseurs d'Afrique 596:Jacques-Louis David 548:Birth and childhood 525:series of haystacks 315:Gustave Caillebotte 165:Impression, Sunrise 129:Beaux-Arts de Paris 9162:The Impressionists 9130:Post-Impressionism 9008:Konstantin Korovin 8858:Frederick McCubbin 8702:Henry O. Havemeyer 8521:The Impressionists 8056:Beach in Pourville 7992:Snow at Argenteuil 7920:The Seine at Rouen 7740:View from Rouelles 7247:The New York Times 6822:. New York Times. 6820:The New York Times 6553:The New York Times 5419:Monet, a biography 5138:on 14 January 2015 4317:Distel et al. 1974 4282:Prestel Publishing 4180:www.musee-orsay.fr 3511:Hildebrand Gurlitt 3411:Cliffs Near Dieppe 3346: 3340:on display in the 3280:Institut de France 3264: 2569: 2552:Daniel Wildenstein 2547: 2510: 2452: 2422: 2313:Kimball Art Museum 2003:Phoenix Art Museum 1897: 1835: 1735:Pola Museum of Art 1474:Georges Clemenceau 1470: 1444: 1425: 1368: 1324:Walters Art Museum 1231:Snow at Argenteuil 956: 846: 760: 756:Three Cows Grazing 688: 630: 450:[klodmɔnɛ] 366:Oscar-Claude Monet 325:Georges Clemenceau 69:Oscar-Claude Monet 9187: 9186: 9120:Neo-Impressionism 8988:Antoine Guillemet 8968:Marie Bracquemond 8935:Laura Muntz Lyall 8801:Theodore Robinson 8796:Lilla Cabot Perry 8632:Armand Guillaumin 8552: 8551: 8516:(2000 video game) 8251:Cliffs at Étretat 8244:Gare Saint-Lazare 8192:Nymphéas en fleur 7723:List of paintings 7521:978-0-226-47543-1 7502:978-1-5771-7190-4 7454:(1281): 866–867. 7444:"Monet: New York" 7411:978-0-300-14953-1 7384:978-1-5883-9349-4 7364:978-0-7011-3006-0 7347:978-0-8763-3079-1 7280:www.lootedart.com 6959:978-1-962465-34-2 6934:978-1-962465-13-7 6574:Oxford Art Online 6506:978-1-4422-0928-2 6271:, p. 73, 88. 6140:978-0-15-501141-0 6112:978-0-7064-2660-1 6105:. Octopus Books. 5630:978-0-226-28480-4 5525:978-2-35340-217-5 5404:978-0-679-73722-3 5260:on 8 January 2015 4771:978-0-313-30328-9 4693:, pp. 46–48. 4478:. 2 August 2012. 4374:978-0-86559-269-8 4065:Oxford Art Online 3977:, pp. 65–75. 3887:978-0-19-989991-3 3869:Oxford Art Online 3722:978-0-85229-290-7 3503:Cornelius Gurlitt 3468:, after she sold 2883:Rouen Cathedral, 2680:Gare Saint-Lazare 2179:French Government 2160:Richard Liebreich 1922:Claude Roger-Marx 1717:Barnes collection 1712:Le Bateau-atelier 1663:Barnes collection 1659:Camille au métier 1627:, Washington D.C. 1023:Gare Saint-Lazare 994:. The art critic 838:, Carolus-Duran, 633:Paris and Algeria 627:Kunsthalle Bremen 363: 362: 208:List of paintings 180:London Parliament 139:Years active 87:Kingdom of France 9321: 9309:People from Eure 9216: 9215: 9204: 9203: 9202: 9195: 9164:(2006 TV series) 9156:Wilfrid de Glehn 9028:Nadežda Petrović 8993:Nazmi Ziya Güran 8892: 8835: 8786:Alphonse Maureau 8763: 8733:Ambroise Vollard 8723:Paul Durand-Ruel 8679: 8657:Camille Pissarro 8602:Frédéric Bazille 8588: 8579: 8572: 8565: 8556: 8555: 8424:Paul Durand-Ruel 8388:Suzanne Hoschedé 8364:Camille Doncieux 8219: 8201: 8198: 7906: 7903: 7714: 7705: 7698: 7691: 7682: 7681: 7645:Monet at Giverny 7614: 7591: 7578: 7576: 7574: 7525: 7506: 7493:The Quarto Group 7483: 7481: 7479: 7438: 7415: 7399: 7388: 7351: 7328: 7326: 7324: 7291: 7290: 7288: 7286: 7272: 7266: 7265: 7263: 7261: 7238: 7232: 7231: 7226: 7224: 7209: 7203: 7202: 7200: 7198: 7178: 7172: 7171: 7169: 7167: 7148: 7142: 7141: 7139: 7137: 7110: 7104: 7103: 7101: 7099: 7088:L'Orient-Le Jour 7080: 7074: 7073: 7071: 7069: 7050: 7044: 7043: 7032: 7026: 7025: 7023: 7021: 7000: 6994: 6993: 6991: 6989: 6970: 6964: 6963: 6945: 6939: 6938: 6920: 6914: 6901: 6892: 6891: 6889: 6887: 6878:. 24 June 2008. 6868: 6862: 6861: 6859: 6857: 6842: 6836: 6835: 6833: 6831: 6811: 6805: 6804: 6802: 6800: 6781: 6775: 6774: 6772: 6770: 6755: 6749: 6748: 6746: 6744: 6729: 6723: 6722: 6720: 6718: 6678: 6672: 6671: 6669: 6667: 6653: 6647: 6634: 6628: 6627: 6612:(2nd ed.). 6605: 6599: 6598: 6596: 6594: 6564: 6558: 6557: 6543: 6537: 6536: 6534: 6532: 6517: 6511: 6510: 6494: 6484: 6478: 6471: 6465: 6462: 6456: 6455: 6453: 6451: 6432: 6426: 6421:Gardner, Helen. 6419: 6413: 6407: 6401: 6398: 6392: 6389:Wildenstein 1978 6386: 6373: 6370:Wildenstein 1978 6367: 6361: 6355: 6334: 6333: 6331: 6329: 6308: 6302: 6299: 6293: 6287: 6281: 6280:Jennings, p. 130 6278: 6272: 6266: 6260: 6259: 6241: 6217: 6211: 6210: 6184: 6158: 6145: 6144: 6126: 6117: 6116: 6104: 6094: 6085: 6084: 6082: 6080: 6065: 6059: 6046: 6040: 6034: 6028: 6027: 6017: 5999: 5990:(634): 254–255. 5975: 5948: 5941: 5932: 5919: 5913: 5907: 5888: 5874: 5868: 5850: 5844: 5843: 5841: 5839: 5783: 5774: 5773: 5771: 5769: 5750: 5744: 5738: 5732: 5718: 5712: 5711: 5709: 5707: 5691: 5685: 5679: 5664: 5663: 5641: 5632: 5618: 5612: 5611: 5583: 5577: 5576: 5558: 5552: 5551: 5545: 5537: 5515:Monet at Giverny 5509: 5503: 5502: 5500: 5498: 5459:The Art Bulletin 5450: 5435: 5432: 5426: 5415: 5409: 5408: 5390: 5384: 5381: 5375: 5360: 5354: 5339: 5330: 5324: 5301: 5300: 5298: 5296: 5276: 5270: 5269: 5267: 5265: 5256:. 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His father, a 452: 447: 443: 442: 439: 438: 435: 432: 427: 426: 423: 420: 417: 414: 407: 399: 398: 395: 394: 391: 388: 385: 382: 375: 355: 309: 274: 272: 251: 249: 236:Camille Doncieux 157: 132: 131: 100: 79:14 November 1840 78: 76: 59: 56: 51: 37: 36: 32: 25: 9329: 9328: 9324: 9323: 9322: 9320: 9319: 9318: 9284:French atheists 9224: 9223: 9222: 9210: 9200: 9198: 9190: 9188: 9183: 9144: 9088: 9062: 9058:Eliseu Visconti 9048:Joaquín Sorolla 9023:Francisco Oller 9013:Martín Malharro 8958:Eugène Baudouin 8950: 8944: 8910:William Brymner 8890: 8888: 8882: 8873:Arthur Streeton 8848:E. Phillips Fox 8833: 8831: 8825: 8791:Willard Metcalf 8761: 8759: 8753: 8737: 8711: 8707:Ernest Hoschedé 8697:Victor Chocquet 8680: 8671: 8590: 8586: 8583: 8553: 8548: 8527: 8508:(1875 painting) 8500:(1874 painting) 8484:(1870 painting) 8476:(1865 painting) 8460: 8429: 8418:Ernest Hoschedé 8390:(step-daughter) 8352: 8330:Le Palais Ducal 8306:Waterloo Bridge 8282:Rouen Cathedral 8231: 8199: 7904: 7865:La Grenouillère 7725: 7716: 7712: 7709: 7622: 7617: 7611: 7572: 7570: 7522: 7503: 7477: 7475: 7435: 7412: 7385: 7348: 7322: 7320: 7300: 7295: 7294: 7284: 7282: 7274: 7273: 7269: 7259: 7257: 7239: 7235: 7222: 7220: 7210: 7206: 7196: 7194: 7179: 7175: 7165: 7163: 7150: 7149: 7145: 7135: 7133: 7112: 7111: 7107: 7097: 7095: 7082: 7081: 7077: 7067: 7065: 7052: 7051: 7047: 7034: 7033: 7029: 7019: 7017: 7002: 7001: 6997: 6987: 6985: 6972: 6971: 6967: 6960: 6946: 6942: 6935: 6921: 6917: 6911:Wayback Machine 6902: 6895: 6885: 6883: 6870: 6869: 6865: 6855: 6853: 6844: 6843: 6839: 6829: 6827: 6812: 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4430:10.2307/3046059 4410: 4401: 4392: 4390: 4375: 4353: 4338: 4332:Januszczak 1985 4330: 4323: 4315: 4311: 4303: 4299: 4292: 4274: 4253: 4245: 4241: 4235:Januszczak 1985 4233: 4224: 4216: 4199: 4189: 4187: 4174: 4173: 4169: 4164: 4160: 4145:Wayback Machine 4134: 4130: 4124:Januszczak 1985 4122: 4118: 4110: 4091: 4084: 4056: 3981: 3973: 3956: 3946: 3944: 3913: 3902: 3892: 3890: 3888: 3864:"Monet, Claude" 3860: 3817: 3800: 3793: 3776: 3772: 3762: 3760: 3747: 3746: 3742: 3738:, pp. 417. 3734: 3730: 3723: 3711: 3710: 3706: 3698: 3694: 3686: 3682: 3668: 3664: 3655: 3648: 3639: 3635: 3627: 3623: 3618: 3613: 3605: 3601: 3597: 3585: 3565:Le Palais Ducal 3543:Au Parc Monceau 3498: 3395:over the river 3313:Ellsworth Kelly 3296: 3256: 3249: 3241: 3232: 3223: 3215: 3206: 3197: 3187: 3178: 3167: 3158: 3148: 3139: 3129: 3094: 3088: 3081: 3070: 3061: 3046: 3037: 3028: 3019: 3013: 3004: 2995: 2986: 2974: 2965: 2956: 2947: 2937: 2928: 2918: 2909: 2900: 2891: 2881: 2872: 2866: 2857: 2845: 2836: 2825: 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M. W. Turner 842: 829: 821:Gustave Courbet 745:Pavé de Chailly 715:Women in Garden 677:Gustave Courbet 639:Académie Suisse 635: 550: 545: 494:history painter 490:Académie Suisse 445: 429: 411: 402: 401: 379: 370: 369: 330:Sergei Shchukin 320:Ernest Hoschedé 307: 279: 276: 268: 264: 261: 253: 245: 241: 238: 212: 172:Rouen Cathedral 155: 122:Académie Suisse 111: 102: 98: 97:5 December 1926 89: 80: 74: 72: 71: 70: 60: 57: 42: 33: 26: 19: 17: 12: 11: 5: 9327: 9317: 9316: 9311: 9306: 9301: 9296: 9291: 9286: 9281: 9276: 9271: 9266: 9261: 9256: 9251: 9246: 9241: 9236: 9221: 9220: 9208: 9185: 9184: 9182: 9181: 9176: 9171: 9166: 9158: 9152: 9150: 9146: 9145: 9143: 9142: 9137: 9132: 9127: 9122: 9117: 9112: 9107: 9102: 9096: 9094: 9090: 9089: 9087: 9086: 9081: 9076: 9070: 9068: 9064: 9063: 9061: 9060: 9055: 9050: 9045: 9040: 9038:Valentin Serov 9035: 9030: 9025: 9020: 9015: 9010: 9005: 9003:Max Liebermann 9000: 8998:Dominique Lang 8995: 8990: 8985: 8980: 8975: 8970: 8965: 8963:Olga Boznańska 8960: 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8350: 8342: 8334: 8326: 8322:Le Grand Canal 8318: 8310: 8302: 8294: 8286: 8278: 8270: 8262: 8248: 8239: 8237: 8233: 8232: 8230: 8229: 8221: 8211: 8207:Weeping Willow 8203: 8188: 8184:Le Grand Canal 8180: 8172: 8164: 8156: 8148: 8140: 8132: 8124: 8116: 8108: 8100: 8092: 8084: 8076: 8068: 8060: 8052: 8048:Waves Breaking 8044: 8036: 8028: 8020: 8012: 8004: 7996: 7988: 7980: 7972: 7964: 7956: 7948: 7940: 7932: 7924: 7916: 7908: 7893: 7885: 7877: 7869: 7861: 7853: 7845: 7837: 7829: 7821: 7813: 7805: 7797: 7789: 7781: 7773: 7765: 7757: 7744: 7735: 7733: 7727: 7726: 7721: 7718: 7717: 7708: 7707: 7700: 7693: 7685: 7679: 7678: 7670: 7662: 7657: 7652: 7647: 7642: 7637: 7632: 7621: 7620:External links 7618: 7616: 7615: 7609: 7592: 7579: 7547:10.2307/778519 7526: 7520: 7507: 7501: 7484: 7439: 7433: 7416: 7410: 7389: 7383: 7366: 7356:The White Bird 7352: 7346: 7329: 7301: 7299: 7296: 7293: 7292: 7267: 7233: 7204: 7173: 7143: 7105: 7090:. 4 May 1999. 7075: 7045: 7027: 6995: 6965: 6958: 6940: 6933: 6915: 6893: 6863: 6837: 6806: 6776: 6750: 6724: 6673: 6648: 6629: 6622: 6600: 6559: 6538: 6512: 6505: 6479: 6466: 6457: 6427: 6414: 6412:, pp. 35. 6402: 6393: 6374: 6362: 6335: 6312:"Claude Monet" 6303: 6294: 6292:, pp. 65. 6282: 6273: 6261: 6232:(2): 175–188. 6212: 6146: 6139: 6118: 6111: 6086: 6060: 6041: 6029: 5949: 5933: 5914: 5912:, pp. 58. 5889: 5869: 5845: 5798:(2): 208–216. 5775: 5745: 5733: 5722:Monet's Garden 5713: 5686: 5684:, pp. 57. 5665: 5658: 5633: 5613: 5598: 5589:Monet's garden 5578: 5571: 5553: 5524: 5504: 5465:(3): 323–341. 5436: 5427: 5410: 5403: 5385: 5376: 5355: 5331: 5329:, pp. 54. 5302: 5271: 5239: 5209: 5179: 5149: 5132:musee-orsay.fr 5119: 5089: 5087:, p. 258. 5066: 5064:, p. 158. 5054: 5052:, p. 276. 5042: 5035: 5006: 4944: 4942:, p. 192. 4932: 4899: 4874: 4858: 4839: 4819: 4777: 4770: 4746: 4737: 4716: 4695: 4683: 4681:, pp. 52. 4668: 4666:, pp. 66. 4656: 4639: 4619: 4585: 4573: 4493: 4463: 4424:(4): 613–629. 4399: 4383:j.ctt1vjqpmr.1 4373: 4336: 4334:, p. 126. 4321: 4319:, p. 131. 4309: 4307:, p. 419. 4297: 4290: 4284:. p. 20. 4251: 4249:, p. 420. 4239: 4237:, p. 154. 4222: 4220:, p. 418. 4197: 4167: 4158: 4128: 4126:, p. 304. 4116: 4114:, pp. 63. 4089: 4082: 3979: 3954: 3900: 3886: 3815: 3791: 3770: 3740: 3728: 3721: 3704: 3702:, p. 202. 3692: 3680: 3662: 3646: 3633: 3629:Auricchio 2004 3620: 3619: 3617: 3614: 3612: 3611: 3598: 3596: 3593: 3592: 3591: 3584: 3581: 3577:Richard Semmel 3561: 3560: 3550: 3540: 3537:Paul Rosenberg 3530: 3524: 3497: 3494: 3429:railway bridge 3373:Monet's garden 3364:would see the 3295: 3292: 3266:Monet died of 3255: 3252: 3251: 3250: 3233: 3226: 3224: 3207: 3200: 3198: 3188: 3181: 3179: 3168: 3161: 3159: 3149: 3142: 3140: 3130: 3123: 3121: 3090:Main article: 3087: 3084: 3083: 3082: 3071: 3064: 3062: 3047: 3040: 3038: 3029: 3022: 3020: 3014: 3007: 3005: 2996: 2989: 2987: 2975: 2968: 2966: 2957: 2950: 2948: 2938: 2931: 2929: 2919: 2912: 2910: 2901: 2894: 2892: 2882: 2875: 2873: 2867: 2860: 2858: 2846: 2839: 2837: 2826: 2819: 2817: 2814: 2807: 2805: 2799: 2792: 2790: 2781: 2774: 2772: 2766: 2759: 2757: 2751: 2744: 2742: 2735:Pushkin Museum 2727: 2720: 2718: 2712: 2705: 2703: 2694: 2687: 2685: 2667: 2660: 2658: 2649: 2642: 2640: 2538:, c. 1892–94, 2491:and sometimes 2461:Théodore Duret 2403: 2400: 2399: 2398: 2389: 2382: 2380: 2371: 2364: 2362: 2353: 2346: 2344: 2334: 2327: 2325: 2321:Weeping Willow 2309:Weeping Willow 2307: 2300: 2298: 2290:Weeping Willow 2287: 2280: 2278: 2272: 2265: 2263: 2251: 2244: 2242: 2241:Late paintings 2234:Weeping Willow 2183:Honoré Daumier 2140: 2139: 2130: 2129: 2128: 2119: 2118: 2117: 2116: 2115: 2113: 2110: 2109: 2108: 2092: 2085: 2083: 2069: 2062: 2060: 2051: 2044: 2042: 2033: 2026: 2024: 2015: 2008: 2006: 1997: 1990: 1988: 1978: 1971: 1969: 1963: 1956: 1954: 1912:and 19 of the 1822: 1819: 1818: 1817: 1804: 1797: 1795: 1786: 1779: 1777: 1767: 1760: 1758: 1748: 1741: 1739: 1729: 1722: 1720: 1709: 1702: 1700: 1692: 1685: 1683: 1675: 1668: 1666: 1657: 1650: 1648: 1638: 1631: 1629: 1619: 1612: 1610: 1600: 1593: 1591: 1582: 1575: 1573: 1567: 1560: 1558: 1548: 1541: 1539: 1527: 1520: 1518: 1488:Alice Hoschedé 1402:uterine cancer 1383:Théodore Duret 1358:Claude Monet, 1351: 1348: 1347: 1346: 1336: 1329: 1327: 1318: 1311: 1309: 1303: 1296: 1294: 1286: 1279: 1277: 1263: 1256: 1254: 1244: 1237: 1235: 1222: 1215: 1213: 1202: 1195: 1193: 1185: 1178: 1176: 1166: 1159: 1157: 1149: 1142: 1140: 1128: 1121: 1119: 1107: 1100: 1098: 1091:The Green Wave 1089: 1082: 1080: 1070: 1063: 1061: 1052: 1045: 1043: 968:Berthe Morisot 937: 934: 878:John Constable 828: 825: 776:Sainte-Adresse 692:Charles Gleyre 634: 631: 584:ship-chandling 549: 546: 544: 541: 501:Auguste Renoir 497:Charles Gleyre 361: 360: 357: 356: 348: 347: 343: 342: 339: 338: 335: 334: 333: 332: 327: 322: 317: 310: 304: 303: 300: 299: 298: 297: 292: 285: 281: 280: 278: 277: 266: 262: 259:Alice Hoschedé 257: 256: 254: 243: 239: 234: 233: 230: 228: 224: 223: 218: 214: 213: 211: 210: 205: 198: 191: 184: 176: 168: 160: 158: 152: 151: 148: 147:Known for 144: 143: 140: 136: 135: 134: 133: 124: 117: 113: 112: 103: 101:(aged 86) 95: 91: 90: 81: 68: 66: 62: 61: 52: 44: 43: 40: 15: 9: 6: 4: 3: 2: 9326: 9315: 9312: 9310: 9307: 9305: 9302: 9300: 9297: 9295: 9292: 9290: 9287: 9285: 9282: 9280: 9277: 9275: 9272: 9270: 9267: 9265: 9262: 9260: 9257: 9255: 9252: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9232: 9231: 9229: 9219: 9214: 9209: 9207: 9197: 9196: 9193: 9180: 9177: 9175: 9172: 9170: 9167: 9165: 9163: 9159: 9157: 9154: 9153: 9151: 9147: 9141: 9138: 9136: 9133: 9131: 9128: 9126: 9123: 9121: 9118: 9116: 9113: 9111: 9108: 9106: 9105:Boston School 9103: 9101: 9098: 9097: 9095: 9091: 9085: 9082: 9080: 9077: 9075: 9072: 9071: 9069: 9065: 9059: 9056: 9054: 9051: 9049: 9046: 9044: 9041: 9039: 9036: 9034: 9031: 9029: 9026: 9024: 9021: 9019: 9016: 9014: 9011: 9009: 9006: 9004: 9001: 8999: 8996: 8994: 8991: 8989: 8986: 8984: 8981: 8979: 8978:Lovis Corinth 8976: 8974: 8971: 8969: 8966: 8964: 8961: 8959: 8956: 8955: 8953: 8947: 8941: 8938: 8936: 8933: 8931: 8928: 8926: 8923: 8921: 8918: 8916: 8913: 8911: 8908: 8906: 8903: 8901: 8898: 8897: 8895: 8893: 8885: 8879: 8876: 8874: 8871: 8869: 8866: 8864: 8861: 8859: 8856: 8854: 8853:Elioth Gruner 8851: 8849: 8846: 8844: 8841: 8840: 8838: 8836: 8828: 8822: 8821:J. Alden Weir 8819: 8817: 8816:Robert Vonnoh 8814: 8812: 8809: 8807: 8804: 8802: 8799: 8797: 8794: 8792: 8789: 8787: 8784: 8782: 8781:Childe Hassam 8779: 8777: 8774: 8772: 8769: 8768: 8766: 8764: 8756: 8750: 8747: 8746: 8744: 8740: 8734: 8731: 8729: 8728:Georges Petit 8726: 8724: 8721: 8720: 8718: 8714: 8708: 8705: 8703: 8700: 8698: 8695: 8693: 8690: 8689: 8687: 8683: 8678: 8668: 8667:Alfred Sisley 8665: 8663: 8660: 8658: 8655: 8653: 8650: 8648: 8645: 8643: 8642:Édouard Manet 8640: 8638: 8635: 8633: 8630: 8628: 8625: 8623: 8620: 8618: 8615: 8613: 8610: 8608: 8607:Eugène Boudin 8605: 8603: 8600: 8599: 8597: 8593: 8589: 8587:Impressionism 8580: 8575: 8573: 8568: 8566: 8561: 8560: 8557: 8545: 8542: 8540: 8537: 8536: 8534: 8530: 8524:(2006 series) 8523: 8522: 8518: 8515: 8514: 8510: 8507: 8506: 8502: 8499: 8498: 8494: 8491: 8490: 8486: 8483: 8482: 8478: 8475: 8474: 8470: 8469: 8467: 8463: 8457: 8454: 8452: 8451:Musée d'Orsay 8449: 8447: 8444: 8442: 8439: 8438: 8436: 8432: 8425: 8422: 8419: 8416: 8413: 8412:Eugène Boudin 8410: 8407: 8404: 8401: 8398: 8395: 8392: 8389: 8386: 8383: 8380: 8377: 8374: 8372:(second wife) 8371: 8368: 8365: 8362: 8361: 8359: 8355: 8348: 8347: 8343: 8340: 8339: 8335: 8332: 8331: 8327: 8324: 8323: 8319: 8316: 8315: 8311: 8308: 8307: 8303: 8300: 8299: 8295: 8292: 8291: 8290:Mount Kolsaas 8287: 8284: 8283: 8279: 8276: 8275: 8271: 8268: 8267: 8263: 8260: 8256: 8255:Massachusetts 8253:(1885–1886 - 8252: 8249: 8246: 8245: 8241: 8240: 8238: 8234: 8227: 8226: 8222: 8218: 8217: 8212: 8209: 8208: 8204: 8194: 8193: 8189: 8186: 8185: 8181: 8178: 8177: 8173: 8170: 8169: 8165: 8162: 8161: 8157: 8154: 8153: 8149: 8146: 8145: 8141: 8138: 8137: 8133: 8130: 8129: 8125: 8122: 8121: 8117: 8114: 8113: 8109: 8106: 8105: 8101: 8098: 8097: 8093: 8090: 8089: 8085: 8082: 8081: 8077: 8074: 8073: 8069: 8066: 8065: 8061: 8058: 8057: 8053: 8050: 8049: 8045: 8042: 8041: 8037: 8034: 8033: 8029: 8026: 8025: 8021: 8018: 8017: 8013: 8010: 8009: 8005: 8002: 8001: 7997: 7994: 7993: 7989: 7986: 7985: 7981: 7978: 7977: 7973: 7970: 7969: 7965: 7962: 7961: 7957: 7954: 7953: 7949: 7946: 7945: 7941: 7938: 7937: 7933: 7930: 7929: 7925: 7922: 7921: 7917: 7914: 7913: 7909: 7899: 7898: 7894: 7891: 7890: 7886: 7883: 7882: 7878: 7875: 7874: 7870: 7867: 7866: 7862: 7859: 7858: 7854: 7851: 7850: 7846: 7843: 7842: 7838: 7835: 7834: 7830: 7827: 7826: 7822: 7819: 7818: 7814: 7811: 7810: 7806: 7803: 7802: 7798: 7795: 7794: 7790: 7787: 7786: 7782: 7779: 7778: 7774: 7771: 7770: 7766: 7763: 7762: 7758: 7756:) (1865–1867) 7755: 7751: 7749: 7745: 7742: 7741: 7737: 7736: 7734: 7732: 7728: 7724: 7719: 7715: 7706: 7701: 7699: 7694: 7692: 7687: 7686: 7683: 7677: 7675: 7671: 7668: 7667: 7663: 7661: 7658: 7656: 7653: 7651: 7648: 7646: 7643: 7641: 7638: 7636: 7633: 7631: 7627: 7624: 7623: 7612: 7610:9780870997174 7606: 7602: 7598: 7593: 7589: 7585: 7580: 7568: 7564: 7560: 7556: 7552: 7548: 7544: 7540: 7536: 7532: 7527: 7523: 7517: 7513: 7508: 7504: 7498: 7494: 7490: 7485: 7473: 7469: 7465: 7461: 7457: 7453: 7449: 7445: 7440: 7436: 7434:9780870990977 7430: 7426: 7422: 7417: 7413: 7407: 7403: 7398: 7397: 7390: 7386: 7380: 7376: 7372: 7367: 7365: 7361: 7357: 7353: 7349: 7343: 7339: 7335: 7330: 7318: 7314: 7313: 7308: 7303: 7302: 7281: 7277: 7271: 7256: 7252: 7248: 7244: 7237: 7230: 7219: 7215: 7208: 7192: 7188: 7184: 7177: 7161: 7157: 7153: 7147: 7131: 7127: 7123: 7119: 7115: 7109: 7093: 7089: 7085: 7079: 7063: 7059: 7058:archive.today 7055: 7049: 7041: 7037: 7031: 7015: 7011: 7010: 7005: 6999: 6983: 6979: 6975: 6969: 6961: 6955: 6951: 6944: 6936: 6930: 6926: 6919: 6912: 6908: 6905: 6900: 6898: 6881: 6877: 6873: 6867: 6851: 6847: 6841: 6825: 6821: 6817: 6810: 6794: 6790: 6786: 6780: 6764: 6760: 6754: 6738: 6734: 6728: 6712: 6708: 6704: 6700: 6696: 6692: 6688: 6684: 6677: 6662: 6658: 6652: 6645: 6641: 6638: 6633: 6625: 6623:9780199239665 6619: 6615: 6611: 6604: 6588: 6584: 6580: 6576: 6575: 6570: 6563: 6555: 6554: 6549: 6542: 6526: 6522: 6516: 6508: 6502: 6498: 6493: 6492: 6483: 6476: 6470: 6461: 6445: 6441: 6437: 6431: 6424: 6418: 6411: 6406: 6397: 6391:, p. 11. 6390: 6385: 6383: 6381: 6379: 6372:, p. 12. 6371: 6366: 6359: 6354: 6352: 6350: 6348: 6346: 6344: 6342: 6340: 6323: 6319: 6318: 6313: 6307: 6298: 6291: 6286: 6277: 6270: 6265: 6257: 6253: 6249: 6245: 6240: 6235: 6231: 6227: 6223: 6216: 6208: 6204: 6200: 6196: 6192: 6188: 6183: 6178: 6175:(9053): 734. 6174: 6170: 6169: 6164: 6157: 6155: 6153: 6151: 6142: 6136: 6132: 6125: 6123: 6114: 6108: 6103: 6102: 6093: 6091: 6074: 6070: 6064: 6057: 6053: 6050: 6045: 6039:, p. 84. 6038: 6033: 6025: 6021: 6016: 6011: 6007: 6003: 5998: 5993: 5989: 5985: 5981: 5974: 5972: 5970: 5968: 5966: 5964: 5962: 5960: 5958: 5956: 5954: 5946: 5940: 5938: 5930: 5926: 5923: 5918: 5911: 5906: 5904: 5902: 5900: 5898: 5896: 5894: 5886: 5882: 5879: 5873: 5866: 5862: 5858: 5855: 5849: 5833: 5829: 5825: 5821: 5817: 5813: 5809: 5805: 5801: 5797: 5793: 5789: 5782: 5780: 5763: 5759: 5755: 5749: 5742: 5737: 5730: 5726: 5723: 5717: 5701: 5697: 5690: 5683: 5678: 5676: 5674: 5672: 5670: 5661: 5659:9780810913363 5655: 5651: 5647: 5640: 5638: 5631: 5627: 5623: 5617: 5609: 5605: 5601: 5599:3-7757-1439-1 5595: 5591: 5590: 5582: 5574: 5572:9781367106147 5568: 5564: 5557: 5549: 5543: 5535: 5531: 5527: 5521: 5517: 5516: 5508: 5492: 5488: 5484: 5480: 5476: 5472: 5468: 5464: 5460: 5456: 5449: 5447: 5445: 5443: 5441: 5431: 5424: 5420: 5414: 5406: 5400: 5396: 5389: 5380: 5373: 5372:1-135-95914-5 5369: 5365: 5359: 5352: 5351:9780792455066 5348: 5344: 5338: 5336: 5328: 5323: 5321: 5319: 5317: 5315: 5313: 5311: 5309: 5307: 5290: 5286: 5282: 5275: 5259: 5255: 5254: 5249: 5243: 5227: 5223: 5219: 5213: 5197: 5193: 5192:Städel Museum 5189: 5183: 5167: 5163: 5159: 5153: 5137: 5133: 5129: 5123: 5107: 5103: 5099: 5093: 5086: 5081: 5079: 5077: 5075: 5073: 5071: 5063: 5058: 5051: 5046: 5038: 5036:9780198662037 5032: 5028: 5024: 5017: 5015: 5013: 5011: 4994: 4990: 4986: 4982: 4978: 4974: 4970: 4967:(2): 91–120. 4966: 4962: 4958: 4951: 4949: 4941: 4936: 4920: 4916: 4912: 4906: 4904: 4896: 4892: 4889: 4888: 4881: 4879: 4871: 4865: 4863: 4846: 4842: 4840:9781780422978 4836: 4832: 4831: 4823: 4807: 4803: 4802: 4797: 4790: 4788: 4786: 4784: 4782: 4773: 4767: 4763: 4759: 4758: 4750: 4741: 4734: 4733:9781568522487 4730: 4726: 4720: 4713: 4712:0-87846-134-5 4709: 4705: 4699: 4692: 4687: 4680: 4675: 4673: 4665: 4660: 4653: 4649: 4643: 4636: 4630: 4628: 4626: 4624: 4607: 4603: 4599: 4597: 4589: 4580: 4578: 4561: 4557: 4553: 4549: 4545: 4541: 4537: 4533: 4529: 4526:(1/2): 8–17. 4525: 4521: 4517: 4510: 4508: 4506: 4504: 4502: 4500: 4498: 4481: 4477: 4473: 4467: 4451: 4447: 4443: 4439: 4435: 4431: 4427: 4423: 4419: 4415: 4408: 4406: 4404: 4388: 4384: 4380: 4376: 4370: 4366: 4362: 4358: 4351: 4349: 4347: 4345: 4343: 4341: 4333: 4328: 4326: 4318: 4313: 4306: 4301: 4293: 4291:9783791383385 4287: 4283: 4279: 4272: 4270: 4268: 4266: 4264: 4262: 4260: 4258: 4256: 4248: 4243: 4236: 4231: 4229: 4227: 4219: 4214: 4212: 4210: 4208: 4206: 4204: 4202: 4185: 4181: 4177: 4171: 4162: 4155: 4154:9780300043617 4151: 4147: 4146: 4142: 4139: 4132: 4125: 4120: 4113: 4108: 4106: 4104: 4102: 4100: 4098: 4096: 4094: 4085: 4083:9781884446054 4079: 4075: 4071: 4067: 4066: 4061: 4054: 4052: 4050: 4048: 4046: 4044: 4042: 4040: 4038: 4036: 4034: 4032: 4030: 4028: 4026: 4024: 4022: 4020: 4018: 4016: 4014: 4012: 4010: 4008: 4006: 4004: 4002: 4000: 3998: 3996: 3994: 3992: 3990: 3988: 3986: 3984: 3976: 3971: 3969: 3967: 3965: 3963: 3961: 3959: 3942: 3938: 3934: 3930: 3926: 3922: 3918: 3911: 3909: 3907: 3905: 3889: 3883: 3879: 3875: 3871: 3870: 3865: 3858: 3856: 3854: 3852: 3850: 3848: 3846: 3844: 3842: 3840: 3838: 3836: 3834: 3832: 3830: 3828: 3826: 3824: 3822: 3820: 3812: 3811:9781568522487 3808: 3804: 3798: 3796: 3788: 3787:9781904950004 3784: 3780: 3774: 3758: 3754: 3753:biography.com 3750: 3744: 3737: 3732: 3724: 3718: 3714: 3708: 3701: 3696: 3689: 3684: 3677: 3676: 3671: 3670:Patin, Sylvie 3666: 3659: 3653: 3651: 3643: 3637: 3630: 3625: 3621: 3608: 3603: 3599: 3590: 3587: 3586: 3580: 3578: 3574: 3570: 3566: 3558: 3554: 3551: 3548: 3547:Ludwig Kainer 3544: 3541: 3538: 3534: 3531: 3528: 3525: 3522: 3519: 3518: 3517: 3514: 3512: 3508: 3504: 3493: 3491: 3487: 3482: 3480: 3476: 3471: 3467: 3463: 3462:Imelda Marcos 3459: 3455: 3450: 3449:at the time. 3448: 3444: 3443: 3438: 3434: 3431:spanning the 3430: 3426: 3421: 3419: 3418:Google Doodle 3414: 3412: 3408: 3404: 3402: 3398: 3394: 3390: 3389: 3384: 3380: 3379: 3374: 3369: 3367: 3363: 3359: 3355: 3351: 3343: 3339: 3338: 3333: 3329: 3326: 3325:postmodernism 3322: 3318: 3314: 3310: 3306: 3302: 3291: 3289: 3285: 3281: 3276: 3274: 3269: 3260: 3247: 3236: 3230: 3225: 3221: 3210: 3204: 3199: 3195: 3191: 3185: 3180: 3177: 3174:, 1917–1919, 3173: 3172: 3165: 3160: 3156: 3152: 3146: 3141: 3136: 3135: 3127: 3122: 3119: 3118: 3117: 3115: 3109: 3105: 3102: 3100: 3093: 3080: 3076: 3075: 3068: 3063: 3060: 3056: 3052: 3051: 3044: 3039: 3036: 3032: 3026: 3021: 3017: 3011: 3006: 3003: 3002:Musée d'Orsay 2999: 2993: 2988: 2985: 2981: 2980: 2972: 2967: 2964: 2961:, 1899–1901, 2960: 2954: 2949: 2945: 2941: 2935: 2930: 2926: 2922: 2916: 2911: 2908: 2904: 2898: 2893: 2890: 2886: 2885:Morning Light 2879: 2874: 2870: 2864: 2859: 2855: 2851: 2850: 2843: 2838: 2835: 2831: 2830: 2823: 2818: 2811: 2806: 2803: 2796: 2791: 2788: 2785:, 1890–1891, 2784: 2778: 2773: 2770: 2763: 2758: 2754: 2748: 2743: 2740: 2736: 2732: 2731: 2724: 2719: 2715: 2709: 2704: 2701: 2697: 2691: 2686: 2682: 2681: 2676: 2672: 2671: 2664: 2659: 2656: 2655:Musée d'Orsay 2652: 2646: 2641: 2638: 2637: 2635: 2631: 2629: 2625: 2621: 2620: 2615: 2614: 2608: 2604: 2603:Mediterranean 2600: 2599: 2594: 2590: 2585: 2582: 2578: 2576: 2559: 2555: 2553: 2545: 2541: 2537: 2533: 2529: 2527: 2523: 2519: 2516: 2515:warm and cold 2500: 2496: 2494: 2490: 2485: 2483: 2479: 2473: 2471: 2467: 2462: 2456: 2450: 2446: 2442: 2438: 2434: 2432: 2428: 2420: 2416: 2412: 2411:Édouard Manet 2408: 2396: 2393:, 1920–1925, 2392: 2386: 2381: 2378: 2375:, 1920–1922, 2374: 2368: 2363: 2360: 2357:, 1920–1922, 2356: 2350: 2345: 2341: 2337: 2331: 2326: 2322: 2318: 2314: 2310: 2304: 2299: 2296: 2292: 2291: 2284: 2279: 2275: 2269: 2264: 2261: 2258:(1916–1919), 2257: 2255: 2248: 2243: 2240: 2239: 2238: 2236: 2235: 2230: 2225: 2222: 2219: 2215: 2212: 2208: 2204: 2200: 2195: 2192: 2188: 2184: 2180: 2176: 2171: 2169: 2163: 2161: 2157: 2134: 2123: 2112:Failing sight 2106: 2095: 2089: 2084: 2080: 2072: 2066: 2061: 2058: 2054: 2048: 2043: 2040: 2036: 2030: 2025: 2022: 2019:, 1897–1899, 2018: 2012: 2007: 2004: 2000: 1994: 1989: 1985: 1981: 1975: 1970: 1966: 1965:In the Garden 1960: 1955: 1952: 1951: 1950: 1948: 1943: 1941: 1937: 1933: 1929: 1928: 1923: 1917: 1915: 1911: 1907: 1903: 1895: 1890: 1886: 1883: 1880: 1876: 1872: 1867: 1865: 1861: 1855: 1851: 1848: 1844: 1840: 1832: 1827: 1815: 1814:Musée d'Orsay 1811: 1807: 1801: 1796: 1793: 1789: 1783: 1778: 1774: 1770: 1764: 1759: 1755: 1751: 1745: 1740: 1736: 1732: 1726: 1721: 1718: 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1067: 1062: 1059: 1055: 1049: 1044: 1041: 1040: 1039: 1036: 1032: 1027: 1024: 1019: 1017: 1012: 1007: 1005: 1004:Impressionism 1001: 997: 993: 992: 987: 983: 982: 976: 974: 969: 965: 961: 953: 949: 947: 942: 936:Impressionism 933: 929: 927: 923: 919: 914: 910: 906: 902: 897: 895: 891: 887: 883: 879: 875: 871: 867: 863: 859: 855: 851: 837: 833: 824: 822: 818: 814: 810: 805: 803: 802: 797: 796: 792:evidenced by 790: 785: 783: 782: 777: 773: 769: 765: 757: 753: 749: 746: 742: 737: 732: 728: 723: 722: 716: 711: 709: 708:Alfred Sisley 705: 701: 697: 693: 686: 685:Musée d'Orsay 682: 678: 673: 672: 666: 662: 660: 656: 652: 648: 644: 640: 628: 624: 620: 619: 614: 610: 607: 605: 601: 600:Eugène Boudin 597: 593: 587: 585: 581: 578: 574: 570: 565: 563: 559: 555: 540: 536: 534: 530: 527:(1890–1891), 526: 520: 518: 514: 510: 506: 505:Eugène Boudin 502: 498: 495: 491: 487: 483: 478: 476: 472: 471: 466: 465: 460: 456: 455:impressionism 451: 441: 405: 397: 373: 367: 358: 354: 349: 344: 340: 336: 331: 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Retrieved 3752: 3743: 3731: 3712: 3707: 3695: 3690:, chapter 6. 3683: 3673: 3665: 3657: 3641: 3636: 3624: 3602: 3568: 3564: 3562: 3555:belonged to 3552: 3542: 3532: 3526: 3520: 3515: 3499: 3496:Nazi looting 3489: 3485: 3483: 3478: 3474: 3469: 3457: 3453: 3451: 3440: 3424: 3422: 3415: 3410: 3406: 3405: 3386: 3382: 3376: 3370: 3366:Water Lilies 3365: 3358:André Masson 3347: 3337:Water Lilies 3335: 3317:Tableau Vert 3316: 3305:abstract art 3297: 3277: 3272: 3265: 3234: 3209:Water Lilies 3208: 3190:Water Lilies 3189: 3171:Water Lilies 3169: 3151:Water Lilies 3150: 3120:Water lilies 3114:Les Nymphéas 3113: 3110: 3106: 3103: 3099:Water Lilies 3098: 3095: 3086:Water lilies 3072: 3048: 3030: 3015: 2997: 2977: 2958: 2939: 2920: 2902: 2884: 2868: 2847: 2827: 2782: 2768: 2752: 2728: 2713: 2695: 2678: 2668: 2650: 2633: 2627: 2623: 2617: 2610: 2596: 2586: 2573: 2570: 2548: 2535: 2511: 2486: 2474: 2457: 2453: 2449:Tate Britain 2444: 2431:en plein air 2426: 2423: 2414: 2390: 2372: 2354: 2335: 2320: 2308: 2288: 2273: 2254:Water Lilies 2252: 2232: 2226: 2196: 2191:Water Lilies 2190: 2187:Mary Cassatt 2172: 2164: 2152: 2094:Water Lilies 2093: 2071:Water Lilies 2070: 2053:Water Lilies 2052: 2035:Water Lilies 2034: 2016: 1998: 1979: 1964: 1944: 1939: 1935: 1931: 1927:Water Lilies 1925: 1918: 1898: 1882: 1878: 1868: 1860:water garden 1856: 1852: 1836: 1831:water garden 1805: 1787: 1768: 1749: 1730: 1710: 1693: 1676: 1658: 1639: 1620: 1601: 1583: 1568: 1549: 1528: 1503: 1500: 1484: 1471: 1435: 1415: 1387: 1379:The Luncheon 1378: 1371: 1369: 1359: 1337: 1319: 1304: 1287: 1264: 1245: 1229: 1223: 1203: 1186: 1168:The Luncheon 1167: 1150: 1129: 1108: 1090: 1071: 1053: 1028: 1020: 1015: 1010: 1008: 999: 989: 986:The Luncheon 985: 979: 977: 960:Paul Cézanne 957: 944: 930: 925: 912: 898: 856:. Monet and 854:conscription 847: 835: 809:commissioned 806: 799: 793: 786: 780: 761: 755: 744: 740: 730: 726: 714: 712: 689: 636: 616: 608: 604:en plein air 588: 566: 554:rue Laffitte 551: 537: 521: 508: 479: 468: 462: 365: 364: 200: 193: 188:Water Lilies 186: 179: 171: 163: 156:Notable work 99:(1926-12-05) 41:Claude Monet 34: 9244:1926 deaths 9239:1840 births 9218:Visual Arts 9169:Louis Leroy 9067:Other media 9043:Max Slevogt 9018:Henry Moret 8863:Tom Roberts 8742:Exhibitions 8627:Edgar Degas 8595:Originators 8349:(1897–1926) 8341:(1908–1912) 8317:(1900–1905) 8309:(1900–1904) 8301:(1899–1904) 8285:(1892–1894) 8200: 1914 7905: 1872 6450:15 December 6358:Easton 2009 5295:22 December 5264:22 December 5202:21 December 5142:18 December 5112:18 December 4602:Le Monde.fr 3975:Levine 1986 3700:Butler 2008 3688:Levine 1994 3557:René Gimpel 3399:. In 1981, 3303:and modern 3273:Waterlilies 3268:lung cancer 3242: 1920 2982:, 1900–01, 2566: 1920 2507: 1920 2493:translucent 2482:avant-garde 2466:still lifes 2311:, 1918–19, 2229:World War I 2146: 1917 2101: 1915 1940:Waterlilies 1902:Savoy Hotel 1536: 1872 1492:Durand-Ruel 1479:John Berger 1455: 1880 996:Louis Leroy 973:academicism 964:Edgar Degas 922:Saint-Denis 843: 1867 58: 1899 9228:Categories 9079:Literature 8900:Henri Beau 8832:Australian 8465:Portrayals 8376:Jean Monet 7912:Springtime 7841:The Magpie 7197:8 February 7166:8 February 7136:8 February 7098:8 February 7068:8 February 7020:8 February 6988:8 February 6830:19 January 6531:19 January 6473:P. Tucker 6168:The Lancet 5706:13 October 4925:10 January 4486:23 January 4190:2 February 3763:7 February 3656:P. Tucker 3616:References 3437:Christie's 3248:, New York 3157:, New York 2478:Argenteuil 2319:, Monet's 2317:Fort Worth 2214:spectacles 2199:mydriatics 1986:, New York 1980:Agapanthus 1621:Argenteuil 1556:, New York 1463:Jean Monet 1320:Springtime 1252:, Budapest 1225:The Magpie 901:Argenteuil 894:Green Park 870:art dealer 772:legitimate 75:1840-11-14 8414:(teacher) 8408:(teacher) 8269:(1890–91) 8266:Haystacks 7860:(1868–73) 7852:(1868-69) 7731:Paintings 7555:0162-2870 7541:: 65–75. 7460:0007-6287 7255:0362-4331 7126:1423-3967 6799:2 January 6769:1 October 6699:0007-6287 6440:artic.edu 6248:0021-8529 6191:0140-6736 6006:0960-1643 5820:0004-0894 5542:cite book 5534:920833948 5487:193179280 5479:0004-3079 5248:"Artwork" 4989:219796908 4981:0004-3079 4556:189077027 4540:0011-9636 4438:0004-3079 3929:0084-3539 3923:: 66–73. 3595:Footnotes 3573:Max Emden 3371:In 1978, 3321:modernism 2589:haystacks 2470:primitive 2340:Albertina 2207:cyanopsia 2156:cataracts 1812:), 1886, 1136:Hermitage 909:panoramic 890:Hyde Park 577:wholesale 556:, in the 543:Biography 509:plein air 464:plein air 459:modernism 346:Signature 308:Patron(s) 195:Haystacks 142:1865–1926 116:Education 9206:Painting 9093:See also 8889:Canadian 8760:American 8426:(dealer) 8420:(patron) 7567:Archived 7472:Archived 7468:40601290 7317:Archived 7191:Archived 7160:Archived 7130:Archived 7118:Le Temps 7092:Archived 7062:Archived 7040:Archived 7014:Archived 6982:Archived 6978:BBC News 6907:Archived 6880:Archived 6876:BBC News 6850:Archived 6824:Archived 6793:Archived 6763:Archived 6743:8 August 6737:Archived 6711:Archived 6640:Archived 6587:Archived 6477:, p. 224 6444:Archived 6442:. 1877. 6425:. p. 669 6322:Archived 6207:12528818 6073:Archived 6052:Archived 6024:25918321 5925:Archived 5881:Archived 5857:Archived 5832:Archived 5828:27801462 5762:Archived 5725:Archived 5700:Archived 5608:56966754 5491:Archived 5289:Archived 5232:11 April 5226:Archived 5196:Archived 5172:11 April 5166:Archived 5106:Archived 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1868, 1134:, 1867, 1093:, 1866, 1074:, 1865, 1031:romantic 916:chemist 913:Gladioli 704:Honfleur 641:and met 625:, 1866, 580:merchant 573:Normandy 569:Le Havre 486:Normandy 482:Le Havre 284:Children 217:Movement 150:Painting 9192:Portals 9149:Related 9140:The Ten 8951:artists 8891:artists 8834:artists 8762:artists 8716:Dealers 8685:Patrons 8532:Related 8434:Museums 8274:Poplars 7769:Camille 7628:at the 7535:October 7298:Sources 7285:30 June 7260:30 June 7223:30 June 7156:Haaretz 6886:24 June 6856:24 June 6256:1559201 6199:9078229 6015:4408507 5800:Bibcode 4654:(1986). 4446:3046059 3490:Book II 2927:, Tokyo 2852:, 1891 2683:series. 2227:During 2211:aphakic 1871:poplars 1843:Giverny 1821:Giverny 1756:, Paris 1737:, Japan 1608:, Paris 1496:Suzanne 1366:, Paris 1117:, Paris 1058:Courbet 954:, Paris 813:patrons 789:Étretat 655:Algeria 513:Giverny 446:French: 275: 267: 263: 252: 244: 240: 227:Spouses 202:Poplars 105:Giverny 8492:(1873) 8357:People 8333:(1908) 8325:(1908) 8293:(1895) 8277:(1891) 8259:Moscow 8247:(1877) 8236:Series 8228:(1919) 8220:(1919) 8210:(1918) 8202:–1917) 8187:(1908) 8179:(1908) 8171:(1908) 8163:(1900) 8155:(1890) 8147:(1890) 8139:(1889) 8131:(1889) 8123:(1886) 8115:(1884) 8107:(1884) 8099:(1884) 8091:(1883) 8083:(1882) 8075:(1882) 8067:(1882) 8059:(1882) 8051:(1881) 8043:(1877) 8035:(1876) 8027:(1876) 8019:(1876) 8011:(1875) 8003:(1875) 7995:(1875) 7987:(1874) 7979:(1874) 7971:(1873) 7963:(1873) 7955:(1873) 7947:(1873) 7939:(1873) 7931:(1873) 7923:(1872) 7915:(1872) 7892:(1872) 7884:(1871) 7876:(1871) 7868:(1869) 7844:(1868) 7836:(1868) 7828:(1868) 7820:(1867) 7812:(1867) 7804:(1867) 7796:(1867) 7788:(1866) 7780:(1866) 7772:(1866) 7764:(1865) 7754:Moscow 7750:(Paris 7743:(1858) 7607: 7573:20 May 7563:778519 7561: 7553: 7518: 7499: 7478:31 May 7466: 7458: 7431: 7408: 7381: 7362: 7344: 7323:6 June 7253: 7124: 7009:Artnet 6956: 6931: 6789:Google 6717:6 June 6707:880522 6705: 6697: 6666:5 June 6620: 6593:3 June 6503: 6328:6 June 6254: 6246: 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