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In 1802, the
Utrecht council member and archivist Petrus van Musschenbroek rediscovered the manuscript in the possession of Timot de Jongh, the pastor of the Old Roman church in Utrecht's Hoek. Van Musschenbroek's colleague, Hendrik van Wijn, had described the manuscript in his 1805 book "Huiszittend
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describes a biding of wooden boards covered in brown leather, unmarked except for the date 1574. This is likely the year when the valuable binding was removed. The binding was replaced again in 1830 when it was acquired by the
National Library of the Netherlands, and once more in 1949 with a calfskin
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The manuscript returned to the
Netherlands between 1656 and 1688, namely to Utrecht. In 1688, it was in the possession of the Geertekerk according to a note written by Joannes Lindeborne. Lindeborn was the pastor at St. Nicolaas and had been a student and rector at Vosmeer's seminary in Cologne. It
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in the Liber
Generationis. A space above the first line 'XPI FILII DAVID FILII ABRAHAM' is clearly visible, where the text has been removed and brought to the preceding pages. The page likely originally began: ‘INC EVANG SCDM MATTHEUM / LIBER GENERATIONIS / IHU XPI FILII DAVID FILII ABRAHAM'. The
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The left miniature on folio 214 verso shows Dirk and
Hildegard underneath an arched structure with the open gospel book lying on an altar. The exterior of the abbey (certainly a fictional representation) is depicted as an architectural frame for the event. The text in the upper lefthand corner
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of 20 lines measuring 156 by 126 mm. Its original binding was made of oak boards covered in gold and set with gemstones, which is described in the "Rijmkroniek van
Holland" (Rhyming Chronicle of Holland) that was written around 1300. In another description from 1805,
428:, the abbot of Egmond and bishop of Haarlem. The manuscript was handed over in 1578 to Pieter van Driel, the tax collector of Haarlem, along with a number of other valuable items. In 1583, Van Mierlo transferred its possession to Hendrik Bercheyk, from the
340:. The text on the following page was adjusted to reproduce the first letters of the text in large, decorative letters. It is still possible to see places where the original text was taken out, for example folio 19 recto, at the beginning of the
172:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
264:, and where it remained for six centuries. It is most famous for being the earliest surviving manuscript showing scenes with Dutch people and buildings, and represents one of the oldest surviving
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The manuscript later came into the hands of the
Frisian count Dirk II, who had its binding richly gilded and decorated with gemstones. He also added two miniatures paintings, in a
360:, in the back of the manuscript. These depict him and his consort, Hildegard of Flanders, giving the manuscript to the Egmond Abbey. The miniature paintings were likely added in
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parchment after it appeared that the previous hard-glued spine caused damage. Its current binding is made of white goat's skin and dates to a restoration in 1995.
420:. It was recorded in the abbey's inventory in 1571. In 1573, the abbey was looted and destroyed, but the Egmond Gospels had already been transported to safety in
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J.H. Hofman, Iets Nieuws met wat Ouds, over
Egmonds Graaflijk Evangelieboek in: Dietsche Warande. Nieuwe reeks. Deel 2. C.L. van Langenhuysen, Amsterdam 1879
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Leven" ("Domestic Life"). The manuscript had also been identified in 1720 by a previous pastor of the Old Roman church, Willibrord Kemp.
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removed text was rewritten in decorative letters on the added folios 17v, 18r, and 19v. At this time the manuscript's current
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This book was given by Dirk and his wife
Hildegard to the merciful father Adalbert, so that he will think of them in eternity
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Content in this edit is translated from the existing Dutch
Knowledge article at ]; see its history for attribution.
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Illumination on fol. 214v of the Egmond Gospels with Dirk II and Hildegard presenting the codex to Egmond Abbey
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The Egmond Gospels remained in Cologne with the Dominicans until 1604. In that year Van Mierlo's successor,
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of the diocese of Haarlem. The manuscript was likely kept at the seminary Vosmeer founded in Cologne.
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The manuscript was written in the third quarter of the 9th century in northwestern France, likely in
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is likely that Lindeborn brought the manuscript to Utrecht after the seminary was closed in 1683.
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Summe Deus rogito miserans conserva benigne, hos tibi quo iugitur formulari digne laborent
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and may have replaced the original canon tables, or have been the first ones themselves.
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Meesterlijke middeleeuwen: Miniaturen van Karel de Grote tot Karel de Stoute, 800-1475
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Around 900, eight folios were added to the manuscript, two at the beginning of each
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folios measuring 232 by 207 mm. Its Latin text is written in a single column of
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Dirk and his wife implore St Adalbert to intercede for them with Christ
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to the source of your translation. A model attribution edit summary is
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Hendrik van Wijn, Huiszittend leven, Vol II, Amsterdam, 1817, p.340.
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The recto side shows Dirk kneeling and Hildegard lying in
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between 975-988, while the gift itself took place in 975.
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to this revision, which may differ significantly from the
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and accompanied by illustrations. It is named after the
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The manuscript was kept at the Egmond Abbey until the
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349:were also added. These seven folios precede the
443:took it into his possession after he was made
372:Hoc textum dedit almo patri Teodricus habendum
190:accompanying your translation by providing an
152:Click for important translation instructions.
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375:Necne sibi coniuncta simul Hildgardis amore
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