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Zodiak Free Arts Lab

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Whether due to the Schaubühne's management calling for things to be toned down, or the restlessness of the West Berlin scene simply seeking other outlets for expression, has not been recorded, but the Zodiak lasted only a few months, closing in early 1969. Nevertheless, it earned a significant place
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The Zodiak itself was sub-divided into two main performance areas, one of which was painted completely white and the other completely black, and was filled with various instruments, amplifiers and speakers which people could more or less do with as they pleased. Here, musicians were allowed to
156:, a politically inspired and motivated theatre company. Hence, the Zodiak could not open until late in the evening after the theatre itself had closed, so that the theatrical performances would not be drowned out by the noise. 206:. While not quite reaching the status of being "house band," Tangerine Dream certainly played there frequently over a 3-month period, sometimes for five or six hours a night and for little or no payment, and the loud, 229:
history and is fondly remembered by all who were associated with it. In 1969 one of its founders, Conrad Schnitzler, joined Tangerine Dream for a while, playing on their first album,
146: 263: 122:, sometimes known as the "Zodiak Club" or "Zodiac Club", was a short-lived but highly influential experimental live music venue, founded in the then 172:
styles. Conventional forms of music were frowned upon: a phrase frequently used to describe the spirit of the times was that "songs were considered
255: 235:, released in 1970. After leaving Tangerine Dream, Schnitzler rejoined one of the Zodiak's other founders, Hans-Joachim Roedelius, together with 184: 145:
district of Berlin, near the corner of Großbeerenstraße. The main purpose of this building from 1962 until 1981 was as the first home of the
217:-style destruction of equipment. The club played an important role in the development of a style of music that would later be called 137:
The Zodiak Free Arts Lab was based in a large rented backroom area within a building in Hallesches Ufer, along the north bank of the
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relocated in 1981 to its present home in a former cinema (the Kino Universum, designed by architect
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Among the many artists and bands who passed through the Zodiak in their early days were
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As for the building that once housed the Zodiak, the
134:(born 1934), together with Boris Schaak (1942–2012). 46:. Unsourced material may be challenged and removed. 301: 194:, Per Sonore, Human Being, The Agitation (later 277:in nearby Stresemannstraße; it is now known as 126:in spring 1968 by German artists/musicians 106:Learn how and when to remove this message 302: 239:(born 1944), and formed his own band, 243:(name later anglicised to Cluster). 44:adding citations to reliable sources 15: 13: 183:, Geräusche (Noises), Plus/Minus, 14: 326: 284: 20: 262:. Its old home then became the 31:needs additional citations for 1: 147:Schaubühne am Halleschen Ufer 7: 10: 331: 264:Theater am Halleschen Ufer 202:and, most significantly, 296:, overview at Néosphères 213:sometimes climaxed with 132:Hans-Joachim Roedelius 55:"Zodiak Free Arts Lab" 232:Electronic Meditation 120:Zodiak Free Arts Lab 40:improve this article 315:Culture in Berlin 128:Conrad Schnitzler 116: 115: 108: 90: 322: 292: 272: 252:Erich Mendelsohn 211:improvised music 193: 166:psychedelic rock 160:experiment with 155: 130:(1937–2011) and 111: 104: 100: 97: 91: 89: 48: 24: 16: 330: 329: 325: 324: 323: 321: 320: 319: 300: 299: 290: 287: 266: 204:Tangerine Dream 187: 149: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 328: 318: 317: 312: 298: 297: 286: 285:External links 283: 279:Hebbel am Ufer 275:Hebbel Theater 260:Kurfürstendamm 256:Lehniner Platz 237:Dieter Moebius 196:Agitation Free 139:Landwehr Canal 114: 113: 28: 26: 19: 9: 6: 4: 3: 2: 327: 316: 313: 311: 308: 307: 305: 295: 289: 288: 282: 280: 276: 270: 265: 261: 257: 254:in 1926), in 253: 249: 244: 242: 238: 234: 233: 228: 222: 220: 216: 212: 209: 205: 201: 200:Klaus Schulze 197: 191: 186: 182: 181:Ash Ra Tempel 177: 175: 171: 167: 163: 157: 153: 148: 144: 140: 135: 133: 129: 125: 121: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: –  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 281:or "HAU 2". 258:, along the 245: 230: 223: 208:iconoclastic 178: 158: 136: 119: 117: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 294:Zodiak Club 291:(in French) 267: [ 227:German rock 188: [ 185:Curly Curve 170:avant-garde 150: [ 124:West Berlin 304:Categories 248:Schaubühne 66:newspapers 310:Krautrock 219:krautrock 174:bourgeois 162:free jazz 143:Kreuzberg 96:July 2016 241:Kluster 141:in the 80:scholar 82:  75:  68:  61:  53:  271:] 192:] 154:] 87:JSTOR 73:books 168:and 118:The 59:news 225:in 215:Who 198:), 176:." 42:by 306:: 269:de 221:. 190:de 164:, 152:de 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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West Berlin
Conrad Schnitzler
Hans-Joachim Roedelius
Landwehr Canal
Kreuzberg
Schaubühne am Halleschen Ufer
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free jazz
psychedelic rock
avant-garde
bourgeois
Ash Ra Tempel
Curly Curve
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Agitation Free
Klaus Schulze
Tangerine Dream
iconoclastic
improvised music

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