476:" In 2000 I started the series AK-47. At the time I thought I was expressing the violence to which people are subjected to in society because of inequality. The Slogan series is a continuation of AK-47, and it is also the result of my observation of our own surrounding society. Our era is full of dramatic events and fast changes, in the main avenues and narrow alleys slogans are pervasive and ever changing. These slogans are standard sentences taken from government documents that have come to dominate our public space. Their aim is to educate us, tell us how we must behave just like a parent talking to an elementary school child â in the same way the parents of the People lecture their immature children. "
416:" Urban expansion and its ambiguous spread fill us with excitement, unease and disquiet. Each and every corner of the city is a chaotic mess. Mounds of garbage are piling up and people eat, shit and sleep amongst the refuse. Children look for toys in the debris. River water runs ink black and stinks like hell, while plastic bags hang from tree branches and play catch on the grass, nodding and waving in the breeze like severed heads and hands. Men in pressing business suits enter the main gates of fancy hotels, while rivers of filth run from the hotelsâ rear. "
372:" Formally, I have been deeply influenced by Wu Guanzhong. I was shocked the first time I saw Wuâs paintings, he used red to paint green trees. We were all shocked and thought he was colorblind. We told him the tree was green and he replied: âThe tree is green, but canât we paint it with other colors? You should paint with the color that expresses your inner most feelings.â It was then that I realized that the portrayal of natural setting landscapes and objects didnât have to correspond to their actual form but could refer to my inner emotions. "
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407:. After returning to China in 1995, he witnessed the demolition of old alleys and neighborhoods, the forced relocation of the inhabitants and the propaganda to convince the citizens that âmodernizationâ is good and necessary. He then started to wander the streets by night, on his bicycle with a spray can, leaving on the walls condemned to demolition a head profile and his signature AK-47 and 18K.
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from portrait photos Zhang Dali found in a pile of abandoned photo studio archives, sold in bulk at the flea market. The acronym is not painted on the faces, but it is used to portray the faces themselves: violence is not âonâ people, it is the very material with which people are made of, not a washable coating, but integral part and connecting tissue of their existence.
471:, the capital was invaded by gigantic banners and boards of government propaganda slogans. Even though this feature has always been a part of Chinese urban and rural landscapes, so much so to become invisible to the passer-by eyes, in 2008 their presence was so ubiquitous to make Zhang Dali ponder on their meaning and on the subtle message implanted in people's head.
535:" Shadows are very intriguing and differ greatly in form. Besides shadowsâ ability to prove existence of material objects, shadows also carry their own intrinsic value and existence, not only as a reproduction or copy of the world of material things, but also as a type of âanti-matterâ marking the space material objects occupy under the sun.
562:) created in 2015 and 2016, represent a new stage of research and elaboration on the relevance of the human body as representative of a society and its dominant ideology. Bodies of common people, migrant laborers are shown to the public as classical statues made of marble, material associated to deities and heroes of the past.
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In this new form, they transmigrate from impermanence to permanence, at the same time detaching from their daily reality of ignorance and suffering. Zhang Dali captures the spark of eternity presented in the life of each and every person. It is not the appanage granted to royals and nobles, Sublimity
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in 1842 and quickly abandoned in favor of other more sophisticated photographic techniques. The characteristics of the cyanotype attract Zhang Dali for two reasons: it can not be altered or manipulated; it captures the image in a specific instant and it cannot be reproduced. The object and its shadow
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From the year 2000, he started a series of portraits emerging from the chromatic contrast of "AK-47"s' shades. The paintings are acrylic on vinyl, a material widely used for advertisement boards, a feature becoming an integral part of the
Beijingâs urban landscape in those years. The faces are copied
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This series of oil on paper paintings are representative of Zhang Dali's last university years (1986â1987) and of his search for contamination between eastern and western art. Zhang Dali has already decided that he wants to be a âcontemporary artistâ and not a
Chinese traditional painting artist. The
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was created in a seven-year span, from 2004 to 2011. Zhang Dali poses questions about the influence of new technologies on the visual mass culture and as a form of exercised power. The research on the history of image manipulation takes him to collecting thousands of illustrated volumes, magazines,
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This work consists of the archive created by Zhang Dali after seven years of researching and cataloging. It is made of 133 panels, each comparing images as published with different manipulations and/or their original negative. Image manipulation was born with photography itself. All over the world
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Zhang Dali's research on human bodies as a collective depository of an era continues in this series of sculptures, cast in fiberglass from migrant workers. From 2004 to 2010, he has reproduced the bodies of farmers coming into the city in search of work; they became the document of both a specific
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The material world shapes and controls our nervous system, and can make us feel agitated and troubled. When we keep calm and quiet we realize that the world under our control is only a small part of the universe, certainly not the whole. The shadows I document exist only for a very short time but
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In a project that will last a decade, Zhang Dali not only establishes a dialogue with the city's inhabitants, he also asks questions about the legitimacy of modernization, about the costs for the historical and cultural heritage, and the price of physical and psychological suffering. His graffiti
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These paintings in red, black and white are executed with oil colors, typical of western art, but on vertical paper with the dimensions and shapes, typical of
Chinese traditional scroll painting. The subject is figurative, precise elements can be recognized, but at the same time not realistic. It
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constitute an intrinsically bound couple and only in a precise instant. Zhang Dali has experimented with large size cyanotypes covering subjects such as natural landscapes, vegetations, and human bodies. This is one of the techniques the artist is still expanding and combining other materials.
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demands us to reflect on the present condition of a People who had lost the values of the wise men and heroes of the past, a People reduced to a sub-human state, cogs in a machine on which they have no control on, lacking ideals and without a purpose that goes beyond daily subsistence.
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seems like the representation of a dream, of a spiritual aspiration, of harmony between the natural and human worlds. The well-defined lines and the choice of colors refer to graphic art, which was also an essential part of Zhang's curriculum at the academy.
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in 1947. All over the world, the name AK-47 has become a symbol of wars, insurrections and gang criminality. Zhang Dali started to use this tag during the nineties in his graffiti as a synonym of the violence permeating the fast urbanization process.
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education he received at the
Central Academy of Fine Arts and Design in Beijing includes the study of European and Chinese classic art, and the study of the most influential movements of western art in the twentieth century, from Bauhaus to Pop Art.
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were the spark which became a great conflagration in the public debate on the significance, modes and finality of urban modernization. With his graffiti, Zhang Dali turned into a public intellectual renown in China and all over the world.
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throughout the 1990s. His works cross a multitude of techniques including painting, sculpture, photography, and installations. In the four decades of his career his works were shown in more than 300 exhibitions all over the world.
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period in the history of urbanization and a migration of unimaginable proportion. From the first exhibitions, the sculptures were hung upside down, to express the absence of control these people have on their lives. The name
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as a freelance artist (1987â1989) and started to show his works in independent exhibitions. He spent the years 1990â1995 in Italy, where he came into contact with graffiti art. He was the only graffiti artist in
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images are manipulated, in China such practices have been particularly pervasive since the foundation of the People's
Republic and is exposed in this work in its political and aesthetical significance.
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and newspapers from the years 1950s to 1980s. He had access to the archives of some of the most known state publication houses, where he compared negative films and images published in those years.
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395:, graffiti art presented itself as a means of dialogue between the artist and the people moving in the urban landscape. His first graffiti were painted in Bologna, and other European cities:
248:) characters painted by the city authorities to indicate that a building is scheduled for demolition. The appearance of these images became the subject of media debate in Beijing in 1998.
1112:âRE-INK: Invitational Exhibition of Contemporary Ink Wash Painting 2000 â 2012â, Hubei Museum of Art, Wuhan, Hubei, China; Today Art Museum, Beijing, China
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From 1995 to 1998 he spray-painted over 2000 giant profiles of his own bald head on buildings throughout
Beijing, placing the images alongside chÄi (
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through the photogram technique I capture them, so they can exist for a much longer time, in front of our eyes, and under our gaze. "
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In more recent years, his works were shown in large retrospective exhibitions such as: "From
Reality to Extreme Reality" at the
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Maurizio
Marinelli, 'Walls of Dialogue in the Chinese Space', China Information, No. 18, 2004, pp. 429â462. Available at:
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791:âZhang Dali: Image and Revision in New Chinese Photographyâ, Janet Wallace Fine Arts Center, Macalester College, St. Paul, MN
969:âAmbush on All Sides - An Alternative Intervention in Social Visionâ, Museum of Sichuan Fine Art Institute, Chongqing, China
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This is a series of portraits emerging from the repetition and color shade contrast of
Chinese characters, similar to the "
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Maurizio
Marinelli, 'Civilising the Citizens: Political Slogans and the Right to the City', Portal, Vol. 9, No. 3, 2012,
1035:âSudden Change of Idea â Chinese and German Conceptual Art Comparative Research Exhibitionâ, United Museum, Wuhan, China
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1435:âBetween Past and Future: New Photography and Video from Chinaâ, The Nasher Museum of Art at Duke University, Durham, NC
1417:âBetween Past and Future: New Photography and Video from Chinaâ, Smart Museum of Art, University of Chicago, Chicago, IL
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1411:âBetween Past and Future: New Photography and Video from Chinaâ, International Center of Photography, New York, NY
1302:âStairway to Heaven: From Chinese Streets to Monuments and Skyscrapersâ, Bates College Museum of Art, Lewiston, ME
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1320:âThe Avant-Garde in the â80s and â90s of the Last Century in Chinaâ, Groningen Museum, Groningen, The Netherlands
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667:âFrom Reality to Extreme Reality - Zhang Dali Retrospective Research Exhibitionâ, United Art Museum, Wuhan, China
446:, from whose name comes the abbreviation of AK (Avtomat Kalashnikova) and was produced for the first time in the
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1432:âBetween Past and Future: New Photography and Video from Chinaâ, Santa Barbara Museum of Art, Santa Barbara, CA
1183:âScenes from Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia College, Milledgeville, GA
1174:"Guanxi: Contemporary Chinese Artâ, Today Art Museum, Beijing, China; Guangdong Museum of Art, Guangzhou, China
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1239:âFrom New York to Beijing: Graffiti - Blogging in the Street - Blade and Zhang Daliâ, C-Space, Beijing, China
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He has shown work internationally in many exhibitions including the Museum of Modern Art (MoMA) in New York,
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1429:âBetween Past and Future: New Photography and Video from Chinaâ, Haus der Kulturen der Welt, Berlin, Germany
1161:âBody Double: The Figure in Contemporary Sculptureâ, The Meijer Gardens and Sculpture Park, Grand Rapids, MI
1004:âAn Exhibition about Exhibitions â Displaying Contemporary Art in the 1990sâ, OCAT Institute, Beijing, China
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1578:âW ÂČ+ Z ÂČ- Multi-media and video Exhibitionâ, Gallery of the National Academy of Fine Arts, Beijing, China
1078:âDe Heus-Zomers Collection of Chinese Contemporary Artâ, Museum Bojimans Van Beuningen, Rotterdam, Holland
1423:âBetween Past and Future: New Photography and Video from Chinaâ, Victoria & Albert Museum, London, UK
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Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 to 1995, while he was living in
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1420:âBetween Past and Future: New Photography and Video from Chinaâ, Museum of Contemporary Art, Chicago, IL
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Zhang Dali Demolition & Dialogue published by Courtyard Gallery, Beijing. Editor: Meg Maggio, 1999
1224:âZhang Dali: A Second Historyâ, 41st Edition of Les Recontres dâArles,â Espace Van Gogh, Arles, France
1171:âStart from the Horizon: Chinese Contemporary Sculpture Since 1978â, Sishang Art Museum, Beijing, China
1121:"Aura and Post Aura", The First Beijing Photography Biennale, China Millennium Monument, Beijing, China
1062:âChinese photography - twentieth century and beyondâ Three shadows photography art centreïŒBeijingïŒChina
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1542:âUnveiled Reality-Chinese Contemporary Photographyâ, Chulalongkom University Museum, Bangkok, Thailand
1215:âThe Original Copy: Photography of a Sculpture, 1839 to Todayâ, The Museum of Modern Art, New York, NY
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1264:"Calligraffiti: âWritingâ in Contemporary Chinese and Chicano Art", Pacific Asia Museum, Pasadena, CA
1155:âFaking It: Manipulating Photography Before Photoshopâ, The Metropolitan Museum of Art, New York, NY
1087:âChinese Contemporary Photographyâ, ArtScience Museum &Singapore Photography Festival, Singapore
985:âWorking on History. Chinese Photography and the Cultural Revolutionâ, State Museum, Berlin, Germany
642:âPermanence and Impermanence â New Works by Zhang Daliâ, Beijing Minsheng Art Museum, Beijing, China
1056:âGrain to pixel - A story of photography in Chinaâ, Shanghai center of photography, Shanghai, China
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1401:âChinese Contemporary Sculpture Exhibitionâ, Museum Beelden aan Zee, Scheveningen, The Netherlands
1109:âHot Pot: A Taste of Contemporary Chinese Artâ, Brattleboro Museum and Art Center, Brattleboro, VT
1084:âWest Says East Says â Chinese Contemporary Art Research Exhibitionâ, United Museum, Wuhan, China
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1426:âBetween Past and Future: New Photography and Video from Chinaâ, Seattle Art Museum, Seattle, WA
1342:âAll of our Tomorrows: The Culture of Camouflageâ, Kunstraum der UniversitĂ€t, LĂŒnenburg, Germany
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1370:âRadar: Selections from the Collection of Kent and Vicki Loganâ, Denver Art Museum, Denver, CO
1124:"World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
963:âThe Fuck Off Generation: Chinese Art In The Post-Mao Eraâ, Ethan Cohen Gallery, New York, USA
1180:âSpeech Mattersâ, The 54th International Art Exhibition of the Venice Biennale, Venice, Italy
889:âWash Painting Exhibition by Zhang Daliâ, Central Academy of Fine Arts Museum, Beijing, China
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657:âA Second Historyâ, MACBA - Museum of Contemporary Art Buenos Aires, Buenos Aires, Argentina
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1414:âBetween Past and Future: New Photography and Video from Chinaâ, Asia Society, New York, NY
794:âA Second Historyâ, Ferst Center for the Arts, Georgia Institute of Technology, Atlanta, GA
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http://www.homeshopbeijing.org/blog/wp-content/uploads/2009/03/marinelli_bj-dialogue_i.pdf
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1245:âReshaping History - Chinart from 2000-2009â, National Conference Center, Beijing, China
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1289:âTransforming Traditionsâ, Victoria H. Myhren Gallery, University of Denver, Denver, CO
1202:âThe Evolving Artâ, Academy of Arts & Design at Tsinghua University, Beijing, China
1103:âVoice of the Unseen: Chinese Independent Art 1797/Todayâ, Arsenale Nord, Venice, Italy
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1115:"Individual Growth â Momentum of Contemporary Art", Tianjin Art Museum, Tianjin, China
755:âPervasion: Works by Zhang Dali (1995-2008)â, He Xiangning Art Museum, Shenzhen, China
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1218:âExhibition Exhibitionâ, Castello di Rivoli Museo di Arte Contemporanea, Turin, Italy
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1492:âContemporary Chinese Photographyâ, Finland Museum of Photography, Helsinki, Finland
1158:âThe Unseenâ, The 4th Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
935:âBubble-Profile of Timeâ, Shanghai Urban Planning Exhibition Center, Shanghai, China
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1199:âSelf Cameraâ, Changwon Asia Art Festival, Seongsan Art Hall, Changwon, South Korea
982:âStreet generations(s) 40 years of urban artâ, La Condition Publique, Lille, France
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Shenzhen International Beach Sculpture Festival, Golden Sand Beach, Shenzhen, China
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739:âExtreme Realityâ, Tank Loft, Chongqing Contemporary Art Center, Chongqing, China
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and PĂ©kin Fine Arts in Beijing. He is represented by PĂ©kin Fine Arts in Beijing,
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1508:âArtistes Contemporains Chinoisâ, Musee des Tapisseries, Aix-en-Provence, France
1332:âRe-Imagining Asia: Asian Coordinatesâ, House of World Cultures, Berlin, Germany
1292:âFrom Style Writing to Art â Street Art Group Showâ, 18 Gallery, Shanghai, China
1212:âIs the World Real?â, 6th Lianzhou International Photo Festival, Lianzhou, China
1149:"OMEN 2012 â Chinese New Art," Shanghai Art Museum (Meishuguan), Shanghai, China
1118:âIncarnationsâ, Institut Confucius des Pays de la Loire dâAngers, Angers, France
1041:âART PARKâ, Art Beijing, Agricultural Exhibition Center of China, Beijing, China
966:âTravelers: Stepping into the Unknownâ, The National Museum of Art, Osaka, Japan
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1127:âSpectacle Reconstruction â Chinese Contemporary Artâ, MODEM, Debrecen, Hungary
926:âA Fairy Tale in Red Timesâ, National Gallery of Victoria, Melbourne, Australia
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972:âHerbstsalon â18 â BrĂŒcken Fremder FlĂŒsseâ, MDR TV Station, Magdeburg, Germany
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is a type of photogram, a photo produced without a camera. It was invented by
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1536:âHSIN: a visible spiritâ, Cypress College & BC Space Gallery, Cypress, CA
1457:âFestival Internazionale di Romaâ, L'Officina-Arte del Borghetto, Rome, Italy
1305:âFive Years of Duolunâ, Shanghai Duolun Museum of Modern Art, Shanghai, China
1227:âA Decade-Long Exposureâ, Central Academy of Fine Arts Museum, Beijing, China
1090:âPhotography in the Post Media Eraâ, Lianzhou Photo Festival, Lianzhou, China
1038:âThe Persistence of Imagesâ, Red Brick Factory Art District, Guangzhou, China
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1483:âCourtyard Gallery August Group Showâ, The Courtyard Gallery, Beijing, China
1261:"Quadrilogy: Conflicting Tales: Subjectivity", DAAD Gallery, Berlin, Germany
995:âAudacious â Contemporary Artists Speak Outâ, Denver Art Museum, Denver, USA
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1065:âA new dynasty - created in Chinaâ, Denmark Aros Art Museum, ARhus, Denmark
654:âZhang Dali â Worldâs Shadowsâ, Ludwisburg Kunstverein, Ludwisburg, Germany
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Zhang Dali, Demolition â Continuing Dialogue, February 1998 in Zhang Dali,
259:, Les Rencontres d'Arles festival in France (2010), 18Gallery in Shanghai,
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1308:âThe Revolution Continues: New Art From Chinaâ, Saatchi Museum, London, UK
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Golden Panda Photography Awards, Contemporary Image Museum, Chengdu, China
1311:âLogan Collectionâ, San Francisco Museum of Modern Art, San Francisco, CA
1270:âStairway to Heaven: From Chinese Streets to Monuments and Skyscrapersâ,
742:âZhang Dali: A Second Historyâ, Guangdong Museum of Art, Guangzhou, China
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http://epress.lib.uts.edu.au/journals/index.php/portal/article/view/2540
941:âGraffiti-The Prose of Freedomâ, China Check Art Museum, Beijing, China
758:âIl Sogno Proibito della Nuova Cinaâ, Palazzo Inghilterra, Turin, Italy
745:âZhang Dali Solo Showâ, Magda Danysz / Bund 18 Gallery, Shanghai, China
604:"AK-47 Di Zhang Dali", Art City, S. Giorgio in Poggiale, Bologna, Italy
1559:âChinese Artists Group Showâ, Chinese Contemporary Gallery, London, UK
1511:âThought Brand Meat Mincerâ, Dongsi 8 Tiao Performance, Beijing, China
685:âZhang Dali-permanent exhibitionâ, Automne Galerie, Bruxelles, Belgium
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Zhang Dali - Magda Danysz Gallery & 18 Gallery - Paris - Shanghai
904:âThe Logic of Paintingâ, Shijiazhuang Art Museum, Shijiazhuang, China
879:âZhang Dali: Pitture a Inchiostroâ, Galleria Studio 5, Bologna, Italy
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1081:âChinese Contemporary Photographyâ, Minsheng Museum, Shanghai, China
695:âSecond Historyâ, Luxun Academy of Fine Arts Museum, Shenyang, China
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1588:âLa Formazione della Terraâ, Goethe Institute Gallery, Turin, Italy
1467:âNew Photography from Chinaâ, The Courtyard Gallery, Beijing, China
1348:âChina Nowâ, Cobra Museum of Modern Art, Amsterdam, the Netherlands
810:âNew Works by Zhang Daliâ, Chinese Contemporary Gallery, London, UK
1489:âContemporary Chinese Photographyâ, Oulu Art Museum, Oulu, Finland
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1st Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China
1130:âSpectacle Reconstructionâ, Budapest Art Museum, Budapest, Hungary
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1611:âCollettiva Di Artisti Cinesiâ, Il Sigillo Gallery, Padova, Italy
1044:âPhotomonthâ, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
1032:âCommunity Implant Planâ, Chengdu Jinjiang Museum, Chengdu, China
614:"Beside City! Be Cityside!", Hefei Financial Harbor, Hefei, China
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1562:âChinese Contemporary Photographyâ, Lehman College, New York, NY
1539:âThe World Is Yours!â, Design Museum Performance, Beijing, China
1286:âCollisionâ, Central Academy of Fine Arts Museum, Beijing, China
859:âDialogue and Demolitionâ, The Courtyard Gallery, Beijing, China
1360:âPast Forwardâ, Oriental Vista Art Collections, Shanghai, China
1326:âExquisite Corpse: China Surrealâ, M97 Gallery, Shanghai, China
1133:âChinese Photographyâ, Galerie Paris-Beijing, Brussels, Belgium
1100:âFUCK OFF 2â, The Groeniger Museum, Groeningen, The Netherlands
1022:âChinascape: From Rural to Urbanâ, Spazioborgogno, Milan, Italy
781:âChinese Offspringâ, Chinese Contemporary Gallery, New York, NY
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1398:âThe Game of Realismâ, Beijing Commune Gallery, Beijing, China
1376:âFever Variationsâ, 6th Gwangju Biennale, Gwangju, South Korea
1317:âZhang Dali and Shen Shaominâ, Klein Sun Gallery, New York, NY
1177:âNew Photography 2011â, The Museum of Modern Art, New York, NY
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The 8th Dali International Photography Exposition, Dali, China
467:, but now belonging to the slogans. In the year preceding the
1517:âSerendipityâ, The Japan Foundation Asia Center, Tokyo, Japan
1438:âCritical Massâ, Chinese Contemporary Gallery, Beijing, China
1136:âOne Square Meter â Situationâ, Linda Gallery, Beijing, China
1007:âStreet Art â A Global Viewâ, CAFA Art Museum, Beijing, China
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exists in everyone and transforms the bodies into monuments.
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224:, where he graduated in 1987. After his studies, he moved to
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1106:âThe Nature of Thingsâ, Gallery Magda Danysz Shanghai, China
1053:âThe Civil Powerâ, Beijing Minsheng Art MuseumïŒBeijingïŒChina
1345:âUnexpected: Out of Controlâ, Ku Art Center, Beijing, China
1283:âImages from Historyâ, Shenzhen Art Museum, Shenzhen, China
869:âRivoluzione e Violenzaâ, Galleria Studio 5, Bologna, Italy
705:âZhang Dali Retrospectiveâ, Klein Sun Gallery, New York, NY
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1059:âParadise Bitchâ , White Rabbit Gallery, Sydney, Australia
998:âUtopias Heterotopiasâ, Wuzhen Silk Factory, Wuzhen, China
944:â180 Years of Photography in Chinaâ, Moca, Yinchuan, China
797:âZhang Dali: A Second Historyâ, Walsh Gallery, Chicago, IL
1329:âGo China!â, Groninger Museum, Groninger, The Netherlands
1323:âGuang Hua Roadâ, Michael Schultz Gallery, Beijing, China
1196:âRelationshipâ, Guangdong Museum of Art, Guangzhou, China
1010:âBusan Biennaleâ, Busan Museum of Art, Busan, South Korea
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Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
1751:â Vol.12, No.3, Fall 2000, pp. 749â768 accessed at
1598:âArte Deperibileâ, Spazio Cultura Navile, Bologna, Italy
1379:âRed Starâ, 798 Factory Red Star Gallery, Beijing, China
1357:âLa Cina Ăš vicinaâ, Mediterranea Gallery, Palermo, Italy
947:âA Confrontation of Ideasâ, Anren Biennale, Anren, China
585:"Zhang Dali per Fondantico", Fondanatico, Bologna, Italy
1568:âUrbanityâ, Wang Shou Temple Art Museum, Beijing, China
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NordArt 2019, Kunstwerk CarlshĂŒtte, BĂŒdelsdorf, Germany
771:âThe Road to Freedomâ, Red Star Gallery, Beijing, China
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Archive of Chinese Avant Garde Art, Cornell University
1221:âFour Dimensionsâ, Hong Kong Photo Festival, Hong Kong
1013:âVile Bodiesâ, White Rabbit Gallery, Sydney, Australia
910:âApneaâ, NL Museum (online exhibition), Beijing, China
807:âSublimationâ, Beijing Commune Gallery, Beijing, China
1621:âPittura su Cartaâ, Galleria Comunale, Ferrara, Italy
1451:âThe Logan Collectionâ, Denver Art Museum, Denver, CO
1280:âThe Very Conditionâ, Wall Art Museum, Beijing, China
907:âFour-Dimensional Sceneryâ, K-Gallery, Chengdu, China
836:âHeadlinesâ, Chinese Contemporary Gallery, London, UK
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Zhang Dali, Worldâs Shadows, Artistâs Statement, 2011
1441:âMe! Me! Me!â, The Courtyard Gallery, Beijing, China
1047:âDe/constructing Chinaâ, Asia Society, New York, USA
960:âArt From The Streetsâ, ArtScience Museum, Singapore
856:âDialogueâ, Chinese Contemporary Gallery, London, UK
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AK-47 is the name of an automatic rifle designed by
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1601:âZona Internazionaleâ, Neon Gallery, Bologna, Italy
1351:âRed Hotâ, Houston Museum of Fine Arts, Houston, TX
1267:âRe-imaging Asiaâ, The New Art Gallery, Walsall, UK
1248:âChinaâs Soulâ, Magda Danysz Gallery, Paris, France
1242:âRe-Visioning Historyâ, OV Gallery, Shanghai, China
1236:âAme de Chineâ, Magda Danysz Gallery, Paris, France
1019:âHistoricode â Scarsity and Supplyâ, Nanjing, China
49:. Unsourced material may be challenged and removed.
1645:âThree Men Showâ, Sun Yat Sen Park, Beijing, China
1473:International Photography Festival, Pingyao, China
1230:âDimensionalityâ, Red Star Gallery, Beijing, China
1186:âBlack and Whiteâ, Zero Art Museum, Beijing, China
1001:âSubjective Realityâ, SheShanMOCA, Shanghai, China
380:, Contemporary Chinese Art from 1980 to 1990, 2000
1395:âMayflyâ, Beijing Commune Gallery, Beijing, China
1258:âChasing Flamesâ, Klein Sun Gallery, New York, NY
1233:âGreat Performanceâ, Pace Beijing, Beijing, China
1016:âEnduring Magnetismâ, 1X3 Gallery, Beijing, China
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1486:âChina Art Nowâ, Singapore Art Museum, Singapore
1454:âChina-Germany Artâ, Factory 798, Beijing, China
1050:âWe are togetherâ, Taikoo Square, Chengdu, China
1745:Zhang Dali's Dialogue: Conversation with a City
1382:âGreat Performanceâ, Max Protetch, New York, NY
1530:âFood for Thoughtâ, Eindhoven, The Netherlands
846:âAK-47â, The Courtyard Gallery, Beijing, China
1527:âTransparence Opacite?â, Valle dâAosta, Italy
1505:âFuck Offâ, Eastlink Gallery, Shanghai, China
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820:âAK-47â, Galleria Il Traghetto, Venice, Italy
729:âNew Slogan,â Klein Sun Gallery, New York, NY
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1759:http://cin.sagepub.com/content/18/3/429.refs
833:âBeijingâs Faceâ, Base Gallery, Tokyo, Japan
1277:âChinese Printsâ, Pace Prints, New York, NY
1068:âAgitprop!â, Brooklyn Museum, New York, USA
480:Zhang Dali, Slogan Artistâs Statement, 2008
1663:The Making and Selling of Post-Mao Beijing
1314:âChina Goldâ, Musee Maillol, Paris, France
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1514:âFood as Artâ, Club Vogue, Beijing, China
1392:âWallâ, Millennium Museum, Beijing, China
1373:âChina Nowâ, Essl Museum, Vienna, Austria
823:âAK-47â, Galleria Gariboldi, Milan, Italy
679:"Square," Klein Sun Gallery, New York, NY
109:Learn how and when to remove this message
1565:11th Tallinn Triennial, Tallinn, Estonia
1152:âRazeâ, Peking Fine Arts, Beijing, China
1139:âAftermathâ, 21c Museum, Louisville, USA
920:âNew Art Historyâ, Moca, Yinchuan, China
358:Human World Red, Black, and White Series
1688:, Duke University Press, 2002, p. 189.
222:Central Academy of Fine Arts and Design
1830:
1354:âThree Unitaryâ, DDM, Shanghai, China
768:âSlogansâ, Kiang Gallery, Atlanta, GA
726:, Connecticut College, New London, CT
569:
1709:
1707:
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1703:
1701:
1545:âChinese Contemporary Photographyâ,
1533:âBeijing in Londonâ, ICA, London, UK
1495:âHot Potâ, Kunstnernes, Oslo, Norway
486:
253:International Center for Photography
47:adding citations to reliable sources
18:
1189:âThe Life and Death of Buildingsâ,
574:
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13:
558:These sculptures in white marble (
516:
14:
1864:
1774:
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1684:in Carol Appadurai Breckenridge,
1631:âWash Painting Salon in Pekingâ,
682:âSquareâ, K Space, Chengdu, China
1816:About Zhang Dali- Chinese Artist
23:
1811:Zhang Dali in The Strip Gallery
1732:Q & A: Zhang Dali interview
1721:
1714:Klein Sun Gallery, New York, NY
1191:Princeton University Art Museum
376:Zhang Dali in conversation for
34:needs additional citations for
1801:Zhang Dali - Klein Sun Gallery
1675:
1665:, Routledge, 2004, pp. 221â2.
1655:
722:âDemolition: Second Historyâ,
269:Institute of Contemporary Arts
202:
1:
1806:Zhang Dali at Pekin Fine Arts
1649:
553:
352:
1781:Zhang Dali â Saatchi Gallery
341:(2017), "Meta-morphosis" at
237:
7:
333:(2015), "Body and Soul" at
10:
1869:
1791:Zhang Dali - Kiang Gallery
894:Selected group exhibitions
469:2008 Beijing Olympic Games
176:
1796:Zhang Dali â Base Gallery
1272:Kansas City Art Institute
724:The Charles Shain Library
458:
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1848:Chinese graffiti artists
437:
213:) is an artist based in
1661:Anne-Marie Broudehoux,
662:PĂ©kin Fine Arts Gallery
422:Wuhan United Art Museum
387:Dialogue and Demolition
170:www.zhangdaliart.com/en
16:Chinese graffiti artist
551:
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607:"Monumental Nature",
532:
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220:Zhang trained at the
630:, The Hague, Holland
261:Magda Danysz Gallery
43:improve this article
1853:Artists from Harbin
1754:- subscription only
1734:, CNN, Dec 11, 2006
715:âWorldâs Shadowsâ,
444:Michail Kalashnikov
1821:2021-01-25 at the
664:, Hong Kong, China
597:"Meta-morphosis",
570:Exhibition history
427:2021-12-02 at the
325:2021-12-02 at the
1274:, Kansas City, MO
660:âUnder the Skyâ,
626:âBody and Soulâ,
548:
494:Chinese Offspring
487:Chinese Offspring
481:
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320:United Art Museum
301:Klein Sun Gallery
265:Courtyard Gallery
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611:, Beijing, China
601:, Bologna, Italy
575:Solo exhibitions
546:
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501:A Second History
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1547:Bard College
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179:Chinese name
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58:"Zhang Dali"
53:
41:Please help
36:verification
33:
1838:1963 births
283:, the 2006
183:family name
158:Nationality
125:Zhang Dali
99:August 2024
1832:Categories
1650:References
554:Permanence
353:Main works
263:in Paris,
195:Zhang Dali
69:newspapers
1743:Wu Hong,
523:cyanotype
401:Ljubljana
339:The Hague
238:Biography
1819:Archived
560:hanbaiyu
425:Archived
349:(2018).
323:Archived
177:In this
1761:or at:
1682:Wu Hung
393:Bologna
347:Bologna
297:Atlanta
231:Beijing
215:Beijing
199:Chinese
166:Website
161:Chinese
128:Chinese
83:scholar
1692:
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465:AK-47"
459:Slogan
405:Berlin
397:Vienna
273:London
207:Harbin
201::
181:, the
130::
85:
78:
71:
64:
56:
438:AK-47
331:Wuhan
313:Tokyo
289:Korea
211:China
188:Zhang
90:JSTOR
76:books
1690:ISBN
1667:ISBN
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592:2018
580:2019
521:The
431:2015
307:and
281:Oslo
148:Born
62:news
1747:in
345:in
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311:in
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255:in
203:ćŒ ć€§ć
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132:ćŒ ć€§ć
45:by
1834::
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197:(
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97:(
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39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
