401:, which emphasized the need for teachers to model learning rather than to impart knowledge, and that the lifelong creativity and enthusiasm of teachers is essential to inspiring students. To achieve this, teachers teach in teams and act as project leaders, helping to guide a process of discovery along with their students. Bern applied this principle to the YSW workshops, leading to the atmosphere of a learning community. Workshop teachers engage in an ongoing exchange with each other as well as with the participants, with flexible scheduling, project-based learning, and an emphasis on learning and playing by ear and other kinds of embodied knowledge, rather than score- or text-based knowledge. For this reason, workshop teachers are either artists with an ongoing practice of research and performance, or scholars who work closely with active artists. The Other Music Academy, the “parent” institution of YSW, operates year-round, also works to explore such topics in an empowering and empathetic way, not only with respect to Yiddish culture but to all of contemporary culture.
297:, a contemporary dance work created and directed by Steven Weintraub. The following year, Andreas Schmitges became Curator of YSW, with Bern continuing as Artistic Director. Under Schmitges’ curatorship, YSW rapidly expanded to include international youth exchange projects such as the Caravan Orchestra, the Kadya Choir, and the Triangle Orchestra, concerts in Erfurt, Eisenach and other cities and towns in Thuringia (YSW goes Thuringia), and a new emphasis on in-house productions of New Yiddish Culture. 2019 represented the pre-pandemic high point of this development, when, once again with the support of the Federal Cultural Foundation of Germany, Yiddish Summer Weimar was able to produce seven major original, international artistic projects in the framework of "The Weimar Republic of Yiddishland":
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and physical movement, organic connection between all stages of music making, and integration into the city and community." Special attention is also paid to issues of identity, authenticity, and intercultural interactions. While the courses investigate Jewish culture and traditions, they are open to non-Jewish participants who often make up a significant portion of attendees, coming not only from
Germany but a number of other countries.
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278:(Weimar Summer), Yiddish Summer Weimar introduced a special Festival Week featuring nightly concerts and a daytime program of free, hands-on introductory workshops open to everyone. Whereas concerts had previously taken place as part of the workshops, the Festival Week constituted a new platform for concerts, films and other public events in a concentrated period of time, and it remains a central feature of YSW.
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center dedicated to diversity, inclusion, individual and social empowerment and creativity. The OMA is the physical home base for
Yiddish Summer Weimar and all of its other projects. Peter Kleine, the current Lord Mayor of Weimar, is also a major supporter of both YSW and the OMA. The festival has received recognition and occasional support from the
251:. It was decided to create a new nonprofit organization to run the festival, called Other Music e.V. (changed in 2018 to Other Music Academy e.V.). At the same time, the festival was re-named Yiddish Summer Weimar (YSW). It has since grown to become one of the main Yiddish music and cultural festivals in Germany and worldwide.
353:
2023, it has returned to its pre-pandemic format of mixed indoors and outdoors venues, workshops, concerts, the
Festival Week and other special events. On average, more than 200 people attend one or more workshops each year, and approximately 10,000 attend its public events. Many of the workshop attendees return annually.
154:, dance and culture. It is known for its transcultural and transnational perspective which supports an international learning community, for the pedagogical approach of its founder, Alan Bern, and for its commitment to the creation and presentation of historically informed, contemporary Yiddish artistic production.
236:, which have operated as rural retreats. In 2005, Bern decided that workshops and concerts would be unified by an annual special topic, and committed the festival to a transcultural and transnational perspective, understanding Yiddish culture as fundamentally related to other cultures in a complex matrix.
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The festival's pedagogical approach has been developed by its founder Alan Bern, and distinguishes it from other annual Jewish or
Yiddish music workshops. The ethnomusicologist Phil Alexander has described it as having four main elements: "looseness of structure and process, continuity between music
364:
Stefan Wolf, the Lord Mayor of Weimar from 2006 to 2018, has been a major supporter of the festival. In 2009 Weimar gave the nonprofit organization a 33-year, low cost lease on an unused, former school building; it became the home of the Other Music
Academy (OMA), conceived as a new kind of cultural
352:
Since 2019, YSW has explicitly embraced a four-fold mission: the research, transmission, creation and presentation of historically-informed New
Yiddish Culture. In 2020 and 2021, YSW took place outdoors and in special formats due to the Covid pandemic and dance events were cancelled. In 2022 and
227:
In 2002 Draganović's role was taken over by
Stephanie Erben. Between 2000 and 2005, the festival grew from one week to four weeks through the addition of further week-long workshops dedicated to individual genres of Yiddish expressive culture and language. During this time, public evening jam
170:
and Brave Old World was invited back to teach a week-long workshop followed by a concert. Klezmer music, a genre originating in
Eastern Europe and repopularized in the United States in the 1980s, had become popular in Germany in the 1990s due to foreign artists such as Brave Old World,
228:
sessions in cafés became a prominent feature of the festival, giving students rich opportunities for informal learning and creating close connections with the general Weimar community. This integrated urban setting also distinguishes the festival from others such as
258:
and in partnership with the Jewish
Culture Festival in Kraków and the KlezMore Festival in Vienna, The Other Europeans brought together 14 musicians from the USA, Moldova, Bulgaria, Hungary, Germany and Belgium to explore the common repertoire of klezmer and
263:
musicians who were active in
Moldova from the 18th through the late 20th centuries. This project was given the Best Practices Award in Favor of the Roma Community award by the European Commission in 2010, and resulted in a CD released in 2011,
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In 2010, Erben left the organization and the festival management was taken over by a team that included Katrin Petlusch, Katrin Füllsack and Johannes Paul Gräßer. In 2013, in cooperation with the tourism initiative
142:, Germany. Starting as a 3-day workshop in 1998, it was officially founded in its current form in 2006 and has grown to become one of the most important festivals and educational organizations for
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was invited by the European Summer Academy to teach a 3-day workshop in Yiddish music and dance in Weimar, Germany, followed by a concert. The following year, the city of Weimar was designated a
1117:
Rubin, Joel (2014). "2. "With an Open Mind and with Respect": Klezmer as a Site of the Jewish Fringe in Germany in the Early Twenty-first Century.". In Hirsch, Lily E.; Frühauf, Tina (eds.).
210:, a non-profit organization that made it possible to apply for public funding for the festival. At the same time, Bern became the Artistic Director, and the festival was officially named
421:), 2012, focused on The Other Europeans project, while The Young Kadyas (2020) examined the Kadya Choir Project. Two other documentaries are still in production:
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187:. A number of American and ex-Soviet klezmer and Yiddish musicians settled in Germany during this time, including Alan Bern (in 1989) and
373:, the German Music Council, the city government of Weimar as well many other public agencies, private foundations and individuals.
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Because of the success of the 1999 Brave Old World workshop, the idea of an annual workshop and festival emerged. In 2000, the
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In 2016, YSW received project funding from the German Federal Cultural Foundation for the creation of two major new works:
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Gehler, Annett (3 Oct 2016). "Weimar-Preis für Musiker Alan Bern" (in German). Hamburg. DPA International (German).
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By 2006, the festival had outgrown both its original focus on klezmer music and the infrastructure provided by the
1159:
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Generationenübergreifender Jiddischismus: Skizzen kultureller Biographien der Familie Beyle Schaechter-Gottesman
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Generationenübergreifender Jiddischismus: Skizzen kultureller Biographien der Familie Beyle Schaechter-Gottesman
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1005:
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1842:
Gruber, Ruth Ellen (2009). "Beyond Virtually Jewish: New Authenticities and Real Imaginary Spaces in Europe".
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Besand, Anja (2020). "Ist das noch/schon politsche Bildung?". In Gloe, Markus; Oeftering, Tonio (eds.).
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Klausmann, Ulrike (2017). "Alan Bern und das Klezmer- Revival". In Meyer, Erik; Leggewie, Claus (eds.).
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is an annual summer institute and festival for Yiddish music, language and culture which takes place in
2003:
2775:
2755:
1396:
Eckstaedt, Aaron (1 January 2010). "Yiddish Folk Music as a Marker of Identity in Post-War Germany".
1776:"Forays into a Digital Yiddishland: Secular Yiddish in the Early Stages of the Coronavirus Pandemic"
254:
In 2008-9, YSW launched its first major international project, The Other Europeans. Funded by the
1267:
Reclaiming memory: urban regeneration in the historic Jewish quarters of Central European cities
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In developing the teaching method at YSW, Bern was inspired by his work in the mid-1980s with
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Klezmer's afterlife: an ethnography of the Jewish music revival in Poland and Germany
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369:, the Federal Cultural Foundation, the Ministries of Education and Culture of
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1682:"Israel celebrates its first 70 years of foundation: German-Israeli dialogue"
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Niran-Berlin, Ben (30 January 2012). "A Yiddish Revival on German Soil".
985:
Gottesman, Itzik (27 August 2010). "Ten Years of Yiddish Summer Weimar".
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a collaborative puppet theater production directed by Jenny Romaine, and
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2021: Wandering Stars: the Kiselgof-Makonovetskiy Digital Music Project
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Sounding Jewish in Berlin: klezmer music and the contemporary city
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Ben Refaʾel, Eliʿezer; Glöckner, Olaf; Sternberg, Yitzhak (2011).
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Sounding Jewish in Berlin: klezmer music and the contemporary city
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Sounding Jewish in Berlin: klezmer music and the contemporary city
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Sounding Jewish in Berlin: klezmer music and the contemporary city
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2016: Bobe Mayses? European Legends & Yiddish Border-Crossings
219:
28:
780:
720:
Andreas Schmitges (Yiddish dance, mandolin, guitar, musicologist)
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Violinist Craig Judelman performing on stage at the 2020 festival
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62:
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1200:(in German). Berlin: Universitätsverlag Potsdam. pp. 72–3.
1133:"Klezmer Musicians, Aficionados Converge on Home of Pied Piper"
674:
385:
204:, took over the festival management, under the umbrella of the
139:
58:
1093:. Ann Arbor: University of Michigan Press. 2016. p. 312.
2477:(in German). Berlin: Universitätsverlag Potsdam. p. 11.
1069:. Oxford New York, : Oxford University Press. pp. 86–7.
1547:"GILGUL-Transformation – Yiddish Dance for the 21st century"
1350:
1119:
Dislocated Memories: Jews, Music, and Postwar German Culture
409:
The festival has been appeared in various documentary films.
127:
1325:(in German) (1 ed.). Baden-Baden: Nomos. p. 54.
1933:"Two Works Explore Jewish Identity In Berlin And Europe"
1346:
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1342:
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Final concert of the Caravan Orchestra and Choir in 2022
921:. New York: Oxford University Press. pp. 223–268.
349:(led by Polina Shepherd, Daniel Kahn and Efim Chorny).
1269:. Krakow: International Cultural Centre. p. 115.
1091:
Three-way street: Jews, Germans, and the transnational
1546:
1339:
1044:. Stuttgart: J. B. Metzler Verlag. pp. 117–124.
917:
Alexander, Phil (2021). "6. Curating the Tradition".
757:
Josh Waletsky (singer, songwriting, Yiddish language)
344:
338:
328:
318:
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1707:"Month-long Yiddish festival kicks off in Germany".
1264:
1121:. New York: Oxford University Press. pp. 31–56.
1430:. Oxford: Oxford University Press. pp. 120–1.
1711:. Jerusalem. The Jerusalem Post Ltd. 15 July 2019.
1521:"Vielfältiges Programm beim Yiddish Summer MDR.DE"
1421:
1419:
1290:
1288:
1286:
1058:
819:2012: The Bridges of Ashkenaz: Ashkenaz I & II
754:Yuri Vedenyapin (Yiddish language, singer, guitar)
556:Walter Zev Feldman (cimbalom, musicology, history)
2627:. New York: Oxford University Press. p. 11.
1900:
1898:
834:2017: The Other Israel I: Seeing Unseen Diasporas
816:2011: Ashkenaz: the Jewish-German Cultural Matrix
742:Ilya Shneyveys (accordion, multi-instrumentalist)
692:Ethel Raim (singer, Yiddish folksong scholarship)
179:, as well as German groups like Kasbek, Aufwind,
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616:(singer, songwriting, translation, instrumental)
291:Bobe Mayses: Jewish Knights & Other Legends,
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2004:"Welcome to Yiddishland Documentary Australia"
1895:
1573:"Gilgul Dance Project - Yiddish Summer Weimar"
1265:Murzyn-Kupisz, Monika; Purchla, Jacek (2009).
661:Eftychia Mitritsa (singer, songwriting, piano)
619:Dov-Ber Kerler (Yiddish language, scholarship)
2200:
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580:Marine Goldwaser (clarinet, saxophone, flute)
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798:2005: Crossroads: New York to Constantinople
607:(accordion, piano, composition, scholarship)
589:Itzik Gottesman (Yiddish language, folklore)
432:
273:
246:
240:
211:
205:
195:
1835:
1323:Politische Bildung meets Kulturelle Bildung
1871:"A Hundred Years of Yiddish Song Mobility"
1478:"Monday Music: When Jews and Gypsies Play"
1425:
1369:
1353:Jews and Jewish education in Germany today
1178:
1000:
998:
996:
935:
739:Deborah Strauss (violin, accordion, dance)
2622:
2447:"Yiddish Summer Weimar archive - Artists"
2434:
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2370:
2333:
2300:
2263:
2224:
2155:
2104:
2087:"Yiddish Summer Weimar archive - Artists"
2066:
2049:"Yiddish Summer Weimar archive - Artists"
2022:
1886:
1807:
1591:
1395:
1157:
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1064:
1039:
984:
916:
586:Avery Gosfield (instrumental, musicology)
2786:Jewish organizations established in 2006
2464:
1773:
1475:
1164:. Oxford University Press. p. 199.
852:2023: Ottoman Musical Routes & Roots
840:2019: The Weimar Republic of Yiddishland
770:Janina Wurbs (Yiddish language, history)
384:
355:
280:
218:
1496:"LaRete Art Projects - Katrin Petlusch"
1245:
993:
849:2022: Greco-Turkish-Yiddish Connections
640:Tcha Limberger (singer, violin, guitar)
455:Helen (Khayele) Beer (Yiddish language)
16:Annual Jewish music festival in Germany
2748:
1868:
1841:
1830:
1320:
944:
550:Susi Evans (clarinetist, accordionist)
506:Mendy Cahan (Yiddish language, acting)
425:(2024, about the Semer Ensemble), and
2470:
1930:
1193:
1116:
1006:"Kulturpartner Yiddish Summer Weimar"
837:2018: The Other Israel II: New Spaces
658:Diana Matut (Yiddish scholar, singer)
625:Mark Kovnatskiy (violin, composition)
598:Steven Greenman (violin, composition)
404:
1907:"Philosophy - Yiddish Summer Weimar"
1476:Reynolds, Eileen (24 January 2012).
670:Katharina Müther (accordion, singer)
649:(trumpet, composition, instrumental)
643:Shura Lipovsky (singer, songwriting)
577:Suzanna Ghergus (piano, composition)
855:2024: Moldavian Yiddish Connections
686:Andrea Pancur (singer, songwriting)
680:Simon Neuberg (Yiddish scholarship)
13:
1869:Slobin, Mark (10 September 2021).
1774:Margolis, Rebecca (1 March 2021).
1656:"YSW Team - Yiddish Summer Weimar"
1355:. Boston: Brill. pp. 309–10.
1246:Eichler, Jeremy (29 August 2004).
1042:Global Pop: das Buch zur Weltmusik
667:Marcelo Moguilevsky (instrumental)
601:Tayfun Gutstadt (ney, oud, guitar)
553:Patrick Farrell (accordion, piano)
529:Silvia Czaranko (accordion, piano)
14:
2802:
2574:"YSW 2015 - Yidishkayt Revisited"
2416:"Artists - Yiddish Summer Weimar"
2352:"Yiddish Summer Weimar | Artists"
2315:"Yiddish Summer Weimar | Artists"
2282:"Artists - Yiddish Summer Weimar"
2245:"Artists - Yiddish Summer Weimar"
2206:"Faculty - Yiddish Summer Weimar"
2137:"Faculty - Yiddish Summer Weimar"
1630:"Artists - Yiddish Summer Weimar"
1248:"MUSIC; Klezmer's Final Frontier"
947:"History - Yiddish Summer Weimar"
559:Pesakh Fiszman (Yiddish language)
520:Efim Chorny (singer, composition)
493:Paul Brody (trumpet, composition)
1904:
1296:"Kultur- und Digitalbüro LaRete"
804:2007: Tradition and New Impulses
791:
767:Steven Weintraub (Yiddish dance)
732:Polina Shepherd (singer, piano,
655:Sasha Lurje (singer, percussion)
27:
2717:
2692:
2667:
2641:
2591:
2566:
2541:
2516:
2491:
2387:"Yiddish Summer Weimar Artists"
1996:
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1444:
1389:
1314:
1258:
1239:
1222:"LaRete Art Projects - mission"
1214:
1151:
989:. New York, N.Y. pp. 17–8.
542:Roswitha Dasch (singer, violin)
389:A 2017 workshop at the festival
2771:2006 establishments in Germany
2725:"Yiddish Summer Weimar - Home"
2700:"Yiddish Summer Weimar - Home"
2675:"Yiddish Summer Weimar - Home"
2649:"Yiddish Summer Weimar - Home"
2599:"Yiddish Summer Weimar - Home"
1749:"Yiddish Summer Weimar - Home"
1723:"Yiddish Summer Weimar - Home"
1426:Waligórska, Magdalena (2013).
1125:
1083:
945:Bern, Alan; Gräßer, Johannes.
786:Sayumi Yoshida (Yiddish dance)
776:(clarinet, piano, composition)
628:Sveta Kundish (cantor, singer)
622:Vassilis Ketentzoglou (guitar)
562:Benjy Fox-Rosen (bass, singer)
399:Coalition of Essential Schools
343:(led by Yuri Vedenyapin), and
1:
2422:. Yiddish Summer Weimar. 2015
2288:. Yiddish Summer Weimar. 2015
1931:Pines, Giulia (8 June 2012).
1636:. Yiddish Summer Weimar. 2015
1452:"The Other Europeans - WOMEX"
860:
810:2009: The Other Europeans, II
595:Johannes Paul Gräßer (violin)
532:Christina Crowder (accordion)
442:(singer, violin, songwriting)
807:2008: The Other Europeans, I
713:Beyle Schaechter-Gottesman (
583:Emil Goldschmidt (clarinet)
248:Kuratorium Schloß Ettersburg
207:Kuratorium Schloß Ettersburg
7:
2008:documentaryaustralia.com.au
1979:"Music for Memorial Events"
1709:The Jerusalem Post (Online)
592:Kryiakos Gouventas (violin)
458:Erik Bendix (Yiddish dance)
376:
345:
339:
329:
319:
305:
299:
168:European Capital of Culture
10:
2807:
2791:Music education in Germany
2766:Yiddish culture in Germany
2761:Music festivals in Germany
1958:Miami Jewish Film Festival
1792:10.1007/s12397-021-09379-x
1527:(in German). 2 August 2016
1500:www.larete-artprojects.net
1226:www.larete-artprojects.net
828:2015: Yidishkayt Revisited
779:Esther Wratschko (singer,
748:Jake Shulman-Ment (violin)
729:Merlin Shepherd (clarinet)
717:, songwriting, visual art)
317:(led by Amit Weisberger),
157:
1137:Jewish Telegraphic Agency
825:2014: New Yiddish Culture
760:Jeff Warschauer (cantor,
704:Adrian Receanu (clarinet)
695:Peter Ralchev (accordion)
689:Sofia Papazoglou (singer)
664:Sanne Möricke (accordion)
433:Selected past instructors
128:https://yiddishsummer.eu/
123:
113:
105:
90:50.9892722°N 11.3243972°E
68:
54:
35:
26:
21:
2729:ysw2023.yiddishsummer.eu
2704:ysw2022.yiddishsummer.eu
2679:ysw2021.yiddishsummer.eu
2653:ysw2020.yiddishsummer.eu
2623:Alexander, Phil (2021).
2603:ysw2016.yiddishsummer.eu
2578:archive.yiddishsummer.eu
2553:archive.yiddishsummer.eu
2528:archive.yiddishsummer.eu
2503:archive.yiddishsummer.eu
2451:archive.yiddishsummer.eu
2420:ysw2019.yiddishsummer.eu
2391:archive.yiddishsummer.eu
2356:archive.yiddishsummer.eu
2319:archive.yiddishsummer.eu
2286:ysw2017.yiddishsummer.eu
2249:ysw2016.yiddishsummer.eu
2210:ysw2023.yiddishsummer.eu
2141:ysw2022.yiddishsummer.eu
2091:archive.yiddishsummer.eu
2053:archive.yiddishsummer.eu
1753:ysw2021.yiddishsummer.eu
1727:ysw2020.yiddishsummer.eu
1634:ysw2018.yiddishsummer.eu
1577:ysw2016.yiddishsummer.eu
1385:. Jerusalem. p. 38.
1158:Alexander, Phil (2021).
1065:Alexander, Phil (2021).
1012:(in German). 8 July 2021
701:Abigale Reisman (violin)
683:Hannah Ochner (clarinet)
677:, singer, Yiddish dance)
631:Franka Lampe (accordion)
535:Matt Darriau (clarinet,
216:(Weimar Klezmer Weeks).
2393:. Yiddish Summer Weimar
2358:. Yiddish Summer Weimar
2321:. Yiddish Summer Weimar
2251:. Yiddish Summer Weimar
2212:. Yiddish Summer Weimar
2143:. Yiddish Summer Weimar
1844:Jewish Quarterly Review
1755:. Yiddish Summer Weimar
1729:. Yiddish Summer Weimar
1662:. Yiddish Summer Weimar
1579:. Yiddish Summer Weimar
822:2013: New Yiddish Music
710:(clarinet, scholarship)
610:Craig Judelman (violin)
472:Zilien Biret (clarinet)
2471:Wurbs, Janina (2018).
1983:holocaustmusic.ort.org
1410:10.3167/ej.2010.430103
1194:Wurbs, Janina (2018).
652:Danai Loukidi (violin)
500:and other instruments)
429:(2024, by Ros Horin).
418:
390:
361:
286:
274:
247:
241:
224:
212:
206:
196:
175:, Alex Jacobowitz and
95:50.9892722; 11.3243972
1911:Yiddish Summer Weimar
1551:GILGUL-Transformation
951:Yiddish Summer Weimar
751:Dilek Türkan (singer)
745:Adam Stinga (trumpet)
726:(violinist, composer)
574:(singer, songwriting)
419:Der Zerbrochene Klang
388:
359:
284:
222:
213:Klezmer Wochen Weimar
136:Yiddish Summer Weimar
22:Yiddish Summer Weimar
1888:10.3390/arts10030065
1383:The Jerusalem Report
698:Jonah Rayko (violin)
503:Marin Bunea (violin)
303:(led by Alan Bern),
300:Di megile fun Vaymar
48:Secular Jewish music
957:on 25 November 2018
423:Beyond All Memories
367:European Commission
320:Baym Cabaret Yitesh
86: /
1856:10.1353/jqr.0.0064
1780:Contemporary Jewry
461:Alan Bern (piano,
405:In popular culture
391:
362:
360:A square in Weimar
287:
225:
162:In 1998, the band
2484:978-3-86956-423-4
1553:. 8 November 2016
1437:978-0-19-931474-4
1362:978-90-04-20117-0
1207:978-3-86956-423-4
1171:978-0-19-006443-3
1139:. 8 November 1995
1076:978-0-19-006443-3
1051:978-3-476-02636-1
813:2010: Yidishkayt!
724:Cookie Segelstein
509:Miriam Camerini (
242:Kulturbüro LaRete
197:Kulturbüro LaRete
133:
132:
2798:
2776:Summer festivals
2756:Jewish festivals
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2010:. 16 August 2023
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953:. Archived from
942:
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932:
914:
774:Michael Winograd
496:Stuart Brotman (
475:Dan Blacksberg (
411:The Broken Sound
348:
342:
332:
330:Pleytim tsuzamen
322:
308:
302:
277:
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202:Julia Draganović
199:
181:Zupfgeigenhansel
152:Yiddish Language
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2524:"Home YSW 2011"
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801:2006: Basarabye
794:
789:
673:Sarah Myerson (
546:Christian Dawid
524:Adrienne Cooper
482:Kurt Bjorling (
435:
407:
379:
346:Shaydveg Vaymar
306:Arestantnlieder
275:Weimarer Sommer
164:Brave Old World
160:
94:
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1995:
1970:
1954:"Young Kadyas"
1945:
1923:
1894:
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1850:(4): 487–504.
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1686:deutschland.de
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440:Michael Alpert
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256:European Union
185:Karsten Troyke
173:The Klezmatics
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792:Annual topics
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81:11°19′27.83″E
78:50°59′21.38″N
71:
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2732:. Retrieved
2728:
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2707:. Retrieved
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2682:. Retrieved
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2527:
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2454:. Retrieved
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2209:
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2140:
2094:. Retrieved
2090:
2056:. Retrieved
2052:
2012:. Retrieved
2007:
1998:
1986:. Retrieved
1982:
1973:
1961:. Retrieved
1957:
1948:
1936:. Retrieved
1926:
1914:. Retrieved
1910:
1905:Bern, Alan.
1878:
1874:
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1847:
1843:
1837:
1826:
1786:(1): 71–98.
1783:
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1688:. 9 May 2018
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955:the original
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635:César Lerner
486:, cimbalom,
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148:Yiddish song
135:
134:
109:2006–present
106:Years active
44:Yiddish song
1482:The Forward
1302:(in German)
843:2020: Live!
614:Daniel Kahn
566:Isabel Frey
467:composition
427:Yiddishland
325:Michael Wex
311:Josh Dolgin
93: /
69:Coordinates
55:Location(s)
2750:Categories
2549:"YSW Home"
1010:MDR Kultur
861:References
734:Conducting
708:Joel Rubin
513:, singer,
488:musicology
230:KlezKanada
189:Joel Rubin
2499:"Welcome"
1881:(3): 65.
1800:1876-5165
764:, guitar)
537:saxophone
515:directing
511:rabbinics
463:accordion
395:Ted Sizer
371:Thuringia
200:, run by
118:Alan Bern
2734:24 March
2709:24 March
2684:24 March
2659:24 March
2608:24 March
2583:24 March
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1938:14 March
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1306:24 March
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1143:22 March
1016:23 March
762:mandolin
568:(singer)
526:(singer)
484:clarinet
477:trombone
450:Cimbalom
377:Pedagogy
333:(led by
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309:(led by
266:Splendor
245:and the
234:KlezKamp
114:Founders
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2781:Klezmer
2456:16 July
2096:16 July
2058:16 July
1916:16 July
1809:8290379
987:Forward
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315:Waxband
261:Lăutari
158:History
144:Klezmer
124:Website
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