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Yan Lianke

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886:神实主义) is a Yan coinage. Although it has been characterized as a literary device by some critics, it can more accurately be understood as a blending of certain stylistic, formal, and narrative (or storytelling) elements to create a singular literary reality that is divergent from traditional realist representations. Yan has described it as a “creative process” whose aim is to “surpass realism.” According to University of Alberta scholar, Haiyan Xie, “mythorealism incorporates both Chinese and Western literary elements while remaining primarily grounded in Chinese cultural and literary tradition.” Such a rendering involves rejecting traditional narrative practices, for example linearity, logical cause-and-effect relationships, and, to a certain degree, verisimilitude itself. In Yan's own words: 347: 555: 544: 833:
causal relations" and "inner causal relations" in the plots of fiction. He considers this a "new discovery" of fiction writing, and designates it a "Mytho-realism" of Chinese literature. This is the first attempt from a Chinese writer active in the international literary circles to contribute to the theoretical discussions of Realism in the global context. This view of his has been discussed in the academe internationally.
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to break norms, and his capacity to create new literary norms that have differentiate him from other Chinese writers. It is in this connection that he describes himself as "a traitor of literary writing". His is a pioneer of 20th Century Chinese literature, and is the only Chinese writer who has gained international acclaim without any support, either strategic or financial, of the Chinese Government.
66: 751:. The characters in these works are "Chinese through-and-through". Their plots are depictions of a reality that is "Chinese through-and-through", but filled with imaginative "possibilities" and "mytho-realist" "impossibilities", which express his vision of his China being a "dark", "desperate" place where the idea of "future" only brings "anxieties". 891:
cause-and-effect links, but rather relies on human souls, minds … and the authors’ extraordinary fabrications based on reality… . Imaginations, metaphors, myths, legends, dreams, fantasy, demonization, and transplantation born from everyday life and social reality can all serve as mythorealist methods and channels.
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Yan's body of creative works include not only fiction, but also a number of lyrical essays which read in contrast to his fiction. While his fiction is characterized by an acute sense of contemporaneity, rich imagination and a compelling creative impulse, his essays are characterised by a conventional
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In the area of critical and theoretical writings, Yan Lianke is the most prolific and vocal among contemporary Chinese writers. Not all writers and critics agree with his views, but he is widely recognised as being unique among contemporary Chinese writer in terms of his persistence in reflecting on
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In terms of the contents, Yan's fictions have all shown tremendous anxieties in his vision of "the Chinese people", Chinese reality and history. In terms of generic treatment, every one of his novels has displayed a new structure and linguistic style. To many it is his diverse styles, his readiness
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around 2000. The depictions of Chinese history and reality in these novels are characterised by a sharp edge which is simultaneously profound, absurd and carnivalesque. Yan's protagonists are strange in behavior, and psychologically twisted and complex. This represents another major change in Yan's
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In his analysis of certain of Yan’s post-Maoist works, Weijie Song, Associate Professor of Chinese Literature at Rutgers – New Brunswick, writes that “…Yan’s imaginative configurations of literary settings, from the metamorphosis of his hometown in Henan Province (in particular the Balou Mountains
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is an exegesis of his re-discovery of 19th and 20th century Chinese literature and world literature. The book is characterised by his personal style of argument and rationality. It is also in this book that he advocates the differentiation of "full causal relations", "zero causal relations", "half
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Yan started publishing in 1979. So far the body of works he has produced includes 15 novels, more than 50 novellas, more than 40 short stories, 3 extended essays, 5 collection of essays, 6 collections of literary criticisms, and about a dozen TV and film scripts, amount to over 10 million Chinese
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and his other collections of essays mostly depict the daily life of the Chinese people, and nature in the four seasons, in a lyricism that comes across familiar to Chinese readers. The styles of his fiction and that of his essays are so different that it is difficult to reconcile them as the same
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Thus, mythorealism is a literary alchemy of sorts—simultaneously a creative process and stylistic mode—that seeks to reshape reality and infuse it with elements of spiritual mythology and magical occurrences. It pulls from a variety of sources and traditions, both within and without the writer’s
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Yan is the only contemporary Chinese creative writer who has systematically published critical appreciations of 19th and 20th century literatures. These include numerous speeches and dialogues he has given and participated in around the globe, and various pieces of theoretical writings. They are
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to create a Chinese literature endowed with the modern spirit of world literature, and differentiate themselves from Western Surrealism, Absurdism and Magical Realism, and that is modern and belongs to the East. In this sense, Yan can be appreciated as a writer of world literature. His novels
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A number of his fictions are set in the natural environment of Balou Mountain. It has become the most important setting of Yan's literary world, and the most noted fictional landscape created in Chinese literature. This is particularly true with the publication of the "Balou Mountain Series"
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His early writings are mostly Realist pieces heavily influenced by 19th century Realism. But towards the end of the 1990s his style displayed a major change. His subsequent works are more infused with wild imagination and creative allegories. His sometimes myth-like dramatic plots are often
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Mythorealism … abandons the seemingly logical relations of real life and explores a “nonexistent” truth, an invisible truth, and a truth concealed by truth. Mythorealism keeps a distance from any prevailing realism. The mythorealist connection with reality does not lie in straightforward
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and Northwestern villages) to the transfiguration of post-Maoist Beijing (especially the construction and destruction of his former home in that city, called ‘Garden No. 711’), illustrate his grotesque, comic, spectacular, miserable, absurd, and deformed literary world.”
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rates Yan's writings highly, and rates him one among the great writers in the world. The same writer suggests that Yan distinguishes himself with his sophisticated insights on the society expressed in his fictions, and that his writings often shows a devastating humour.
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is more influential, since it represents an attempt of a Chinese writer to review and research on in a comprehensive manner the dissemination and impacts of 20th century world literature on China. It can be used as a research reference or a writing guide.
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have been translated into a number of languages and distributed widely in the Americas, Europe and the Australia. Almost all these translations have attracted attention and critical acclaim for the novels in their respective literary markets. Further,
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body of works by a single writer. His non-fiction works have created an image of the author in both positive and negative light, so that the author becomes a figure who is rich and multi-faceted in his personality.
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characters. However, because of both the controversial nature of and the Chinese government's ban on his works, a considerable part of this body of works has not been published in China. These include the novels
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Cf. Xie, Haiyan. “Interpreting Mythorealism: Disenchanted Shijing and Spiritual Crisis in Yan Lianke’s Ballad, Hymn, Ode.” Modern Chinese Literature and Culture, Vol. 34, No. 1, 2022, pp. 32-65.
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Xie, Haiyan. “Interpreting Mythorealism: Disenchanted Shijing and Spiritual Crisis in Yan Lianke’s Ballad, Hymn, Ode.” Modern Chinese Literature and Culture, Vol. 34, No. 1, 2022, pp. 32-65.
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In 2016 Yan was appointed visiting professor of Chinese Culture by the Hong Kong University of Science Technology to teach writing courses. The course material is collected in
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attempts to lowball the true value, and he demolished the house in hopes of raising the land value, not realizing that the value came from the structure being Yan's house.
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trying to survive with little outside help. Yan visited people with AIDS and even lived with villagers for periods of time to make sure the novel was accurate.
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Province, central China. Though he lives in Beijing, he has said that his heart remains in Henan, and he has based numerous works on life in Henan, including
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style from his earlier works. They often provoke surprise in his readers and critics, and debates and controversies at the time of their publication.
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in 2005. The Chinese government ordered the publisher to recall all 40,000 copies of the magazine, which in turn created huge demand for the novel.
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in 1985 with a degree in politics and education. In 1991, he graduated from the People's Liberation Army Art Institute with a degree in literature.
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Song, Weijie. “Yan Lianke’s Mythorealist Representation of the Country and the City.” Modern Fiction Studies, Vol. 62, No. 4, 2016, pp. 644–58.
87: 844:. They contain his analyses of and arguments about the most influential writers of world literature in the 19th and 20th centuries. Of the two 156: 2767: 2935: 2719: 2460: 718:
suggests that Yan possesses both the talent for writing great works and the courage to confront difficult issues. The Japanese magazine
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considers Yan and his writings important setters of standard for Chinese literature and freedom of expression.
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has also received critical acclaim. Its translations in other languages have been equally popular. A writer of
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was published in Hong Kong in 2006, where it was again banned by the Chinese government for its content.
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twice. His style is described as experimental and surreal, employing a self-described "mythorealism".
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He published his first short story in 1979. He has published 14 novels and over 40 short stories.
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that states a Knowledge editor's personal feelings or presents an original argument about a topic.
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aesthetic of the Chinese essay which comes across as gentle, lyrical, and showing much finesse.
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Being Alive is Not Just an Instinct. An interview with Yan Lianke about "Dream of Ding Village"
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His childhood house was demolished by a farmer who believed that Yan's offers of money were
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for them. The book is a commentary on the choices people were forced to make during the
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Lianke, Yan. Discovering Fiction. Trans. by Carlos Rojas. Duke University Press, 2022.
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Lianke, Yan. Discovering Fiction. Trans. by Carlos Rojas. Duke University Press, 2022.
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was published in 2011 in Taiwan. It was also around the same time when he advocated a
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https://www.newyorker.com/magazine/2018/10/15/yan-liankes-forbidden-satires-of-china
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The Witch's Red Chopsticks: A Dialogue between a Writer and a Literature Ph.D.
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Yellow Earth and Green Grass: Yan Lianke's Essays on Family and Feelings
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Deconstruction and Juxtaposition: Speeches on Literature by Yan Lianke
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Revolutionary Romanticism: Representative Short Stories of Yan Lianke
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The Scholar Returns: Novellas by Yan Lianke (Volume Two) 1991-1993
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Waxing and Waning: A Second Look on the Legendary Slut Pan Jinlian
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Balou Mountains: Novellas by Yan Lianke (Volume Three) 1993-1996
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My Reality, My -isms: A Dialogue with Yan Lianke on Literature
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Geisha Blossoms: Novellas by Yan Lianke (Volume One) 1988-1990
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Yan became "sensitive" in China at the time of publication of
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from the article and its talk page, especially if potentially
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describes him as a master of satire with a rich imagination.
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https://www.euppublishing.com/doi/abs/10.3366/mclc.2022.0004
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Chinese novelist Yan Lianke describes quarantine in Beijing
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personal reflection, personal essay, or argumentative essay
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The Most Difficult Thing about Writing is to Stay Confused
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The title is a reference to a phrase originally coined by
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Walking on Other People's Path: Reflections of Yan Lianke
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These works are his practice of his avowed aspiration in
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Henan University; People's Literature Army Arts College
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Silence and Rest: Chinese Literature in My Experience
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2001 Lu Xun Literary Prize for "Years Months Days" (
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Yan Lianke in Black and White: Novella in Four Books
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Awaking in the Cherry Garden: Novellas by Yan Lianke
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that commemorated the death of the red army soldier
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extended its fame to Africa, being shortlisted with
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The Four Books by Yan Lianke cover art and synopsis
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Yan Lianke in Black and White: Essays in Four Books
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Transgression without Borders: Essays by Yan Lianke
563:LiteratureXcange Festival in Aarhus (Denmark 2024) 638:. He entered the army in 1978. He graduated from 2943: 1798:The Wit and the Soul: Yan Lianke's Reading Notes 666:allegorical depictions of the human conditions. 2871:"Inaugural RSL International Writers Announced" 2557:. October 15, 2018. Vol. 94. Issue 32, 30-36. 2388:, shortlisted in the Belles-Lettres Category. 2326: 2296: 2287: 2220: 2193: 2166: 2139: 2110: 2079: 2048: 2023: 977: 476: 462: 2992:Academic staff of Renmin University of China 2914:Discussion of Two Novels about Blood Selling 1888:A Load of BS: Yan Lianke's Overseas Speeches 690:. He openly challenged what he described as 53:Learn how and when to remove these messages 2334:2005 Asia Weekly 10 Best Novels award for 345: 155:about living persons that is unsourced or 2524:"Yan Lianke's Forbidden Satires of China" 2401:2021 Newman Prize for Chinese Literature 1503:Works by Contemporary Writers: Yan Lianke 614:in 2014 and has been shortlisted for the 306:Learn how and when to remove this message 288:Learn how and when to remove this message 226:Learn how and when to remove this message 106:Learn how and when to remove this message 16:Chinese novelist and satirist (born 1958) 3002:21st-century Chinese short story writers 2997:20th-century Chinese short story writers 2454: 2452: 2450: 2448: 2446: 2444: 1988:This is a partial list of Yan's novels. 963: 846:Twelve Lectures on 20th Century Writings 842:Twelve Lectures on 20th Century Writings 838:Twelve Lectures on 19th Century Writings 822:Selected Overseas Speeches of Yan Lianke 423:Lu Xun Literary Prize, Franz Kafka Prize 927:the cult of personality of Chairman Mao 716:The Frankfurt Christian Science Monitor 415:fiction, prose, script, literacy theory 2944: 2881:from the original on December 25, 2021 2680: 1929:Thoughts by One Person on Three Rivers 2851:from the original on 12 February 2021 2630:https://www.jstor.org/stable/26421892 2441: 2276: 799: 697:In France, the French translation of 2683:"and the [censored] was Mao" 2517: 2515: 2513: 2487: 1710: 1007: 908: 237: 117: 59: 18: 2845:"Yan Lianke wins Newman Prize 2021" 2765: 2722:from the original on 12 August 2016 2521: 2458: 2382:Grand Prix of Literary Associations 1983: 1309:Short story and novella collections 853:methodologies of creative writing. 13: 1689:Representative Works of Yan Lianke 1620:Representative Works of Yan Lianke 1573:Representative Works of Yan Lianke 652: 14: 3028: 3007:20th-century Chinese male writers 2897: 2510: 2310:, "The Best Ten Books Award" for 1552:Dream of the People of Yao Valley 34:This article has multiple issues. 2977:21st-century Chinese translators 2972:20th-century Chinese translators 2967:Chinese male short story writers 2662:from the original on 9 June 2016 1846:(co-authored with Zhang Xuexin) 1091:Crystal Yellow in Life and Death 553: 542: 242: 122: 64: 23: 2904:Yan Lianke at The Susijn Agency 2863: 2837: 2815: 2804:from the original on 2018-04-04 2790: 2778:from the original on 2014-05-27 2759: 2748:from the original on 2019-06-09 2734: 2704: 2693:from the original on 2021-12-19 2674: 2644: 2635: 2622: 2536:from the original on 2018-11-01 2500:from the original on 2017-02-26 2471:from the original on 2016-03-04 1659:耙耬山脉 :閻連科中篇小說編年 1993-1996﹙第3輯﹚ 1649:中士還鄉 :閻連科中篇小說編年 1991-1993﹙第2輯﹚ 1639:藝妓芙蓉 :閻連科中篇小說編年 1988-1990﹙第1輯﹚ 1389:Collected Stories by Yan Lianke 982:) is a novel about people with 877: 42:or discuss these issues on the 3017:Short story writers from Henan 2613: 2604: 2591: 2582: 2563: 2547: 2481: 2393:Man Booker International Prize 2371:Dream of the Red Chamber Award 2360:Man Booker International Prize 2288: 1763:(Co-authored with Liang Hong) 1669:桃園春醒:閻連科中篇小說編年 1996-2009﹙第4輯﹚ 1275:Want to Sleep Together Quickly 1078:The Last Female Educated Youth 788:' English translation for the 616:Man Booker International Prize 579: 521: 507: 477: 463: 1: 2459:Toy, Mary-Anne (2007-07-28), 2434: 1375:Collected Works of Yan Lianke 867:My Father's Generation and Me 2936:An Interview with Yan Lianke 2909:Yan Lianke at Paper Republic 1919:His Words Scatter on the Way 1831:My Father's Generation and I 1630:Awaking in the Cherry Garden 1336:Stories of the Neighbourhood 133:biography of a living person 7: 2932:written by Riccardo Moratto 2875:Royal Society of Literature 2681:Shaikh, Ian (May 2, 2008). 2522:Fan, Jiayang (2018-10-15). 2488:Cody, Edward (2007-07-09), 2412: 2406:Royal Society of Literature 1976:December of Two Generations 1840:我的現實,我的主義:閻連科文學對話錄﹙與張學昕合著﹚ 1037: 818:Tearing Apart and Piling Up 268:the claims made and adding 160:must be removed immediately 10: 3033: 2712:"The Explosion Chronicles" 914: 657: 317: 3012:21st-century male writers 2327: 2297: 2221: 2194: 2167: 2140: 2111: 2080: 2049: 2024: 1998: 1993: 1934: 1893: 1870: 1836: 1813: 1780: 1757:巫婆的紅筷子:作家與文學博士對話錄﹙與梁鴻合著﹚ 1743: 1635: 1612: 1579: 1544: 1521: 1472: 1122: 978: 917:Serve the People! 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Retrieved 2527: 2502:, retrieved 2493: 2483: 2473:, retrieved 2464: 2396: 2385: 2374: 2366:, shortlist. 2363: 2345: 2335: 2322: 2311: 2305: 2260: 2251: 2250: 2234: 2226: 2207: 2199: 2180: 2172: 2153: 2145: 2124: 2116: 2101:Julia Lovell 2093: 2085: 2070:Carlos Rojas 2062: 2054: 2029: 1999: 1994: 1987: 1975: 1962: 1954:(4 volumes) 1951: 1941: 1928: 1918: 1908: 1887: 1877: 1864: 1854: 1843: 1830: 1820: 1807: 1797: 1787: 1774: 1760: 1750: 1737: 1704:(4 volumes) 1701: 1688: 1675: 1672: 1662: 1652: 1642: 1629: 1619: 1606: 1596: 1586: 1572: 1561: 1551: 1538: 1528: 1515: 1502: 1499:當代作家文庫 閻連科卷 1489: 1479: 1466: 1453: 1440: 1427: 1414: 1401: 1388: 1377:(5 volumes) 1374: 1361: 1348: 1335: 1300: 1287: 1274: 1259: 1246: 1233: 1220: 1207: 1192: 1177: 1172: 1162: 1149: 1139: 1129: 1116: 1103: 1090: 1077: 1064: 1026: 1022: 1018: 1014: 1011: 1001: 995: 992:Albert Camus 987: 971: 970:Yan's novel 969: 964: 957: 943: 920: 909: 898: 894: 889: 883: 881: 878:Mythorealism 871:House No.711 870: 866: 864: 860: 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1140:Cock Fight 997:The Plague 954:Zhang Side 946:Mao Zedong 572:Yan Lianke 516:Wade–Giles 508:Yán Liánkē 448:Yan Lianke 431:Zhai Lisha 380:Occupation 363:1958-08-24 339:Yan Lianke 262:improve it 186:newspapers 39:improve it 2377:, winner. 2355:, winner. 1616:閻連科小說精選集 1385:閻連科小說自選集 790:GPLA 2017 720:The World 647:bad faith 266:verifying 138:citations 45:talk page 2879:Archived 2849:Archived 2802:Archived 2776:Archived 2746:Archived 2720:Archived 2691:Archived 2660:Archived 2574:Archived 2571:Camer.be 2534:Archived 2498:archived 2469:archived 2413:See also 2055:Shou Huo 1915:他的話一路散落 1905:寫作最難是糊塗 1074:最後一名女知青 1000:(1947). 958:Huacheng 703:Le Monde 436:Children 318:In this 164:libelous 2782:May 27, 2726:16 June 2666:16 June 2465:The Age 2252:Xinjing 1878:No. 711 1874:711 號園 933:, is a 658:Fiction 584:Beijing 576:Chinese 391:Chinese 375:, China 260:Please 200:scholar 82:Please 2419:Hu Jia 2173:Si Shu 2012:Title 2006:Title 1897:閻連科散文 1817:閻連科散文 1603:朝着東南走 1548:瑤溝人的夢 1535:母親是條河 1454:Marrow 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