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133:, who was among the artist's first patrons, being a close friend of the artist's father, Golding Constable. Wivenhoe Park is 200 acres (81 ha) of parkland, purchased by the Rebow family before 1734. Slater-Rebow commissioned several paintings from Constable, including a portrait of the general's seven-year-old daughter in 1812. She also figures in this painting, in a donkey cart to the left. This painting, finished in September 1816, earned the artist enough money to allow him to marry his long-time love, Mary Bicknell. They married in October 1816.
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165:. His landscapes are flooded by a silvery brilliant light in the water and air and in the sky, and are characterised by a special intensity that is such an important feature of this artist's works. Whereas his earlier paintings (e.g. Malvern Hall, 1809) tend to show more simple and symmetrical features, this painting shows Constable's turn to more sophisticated and complicated compositions.
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A pleasant sense of ease and harmony pervades this landscape of almost photographic clarity. The large areas of brilliant sunshine and cool shade, the rambling line of the fence, and the beautiful balance of trees, meadow, and river are evidence of the artist's creative synthesis of the actual
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John
Constable was born in Suffolk, and is known principally for his landscape paintings, especially the landscapes of the countryside where he spent his childhood. His paintings are now considered among the most popular and valuable in British art.
161:. Constable's art was rather unconventional for his time, and he loved simple things, a natural landscape without the ruins, dramatic effects or exalted, often excessive feelings, like the ones displayed in the paintings of his contemporary,
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subjects and aspects of life in the countryside, a "golden age" when people lived together in harmony with nature, a world on its way of disappearing when he painted his landscapes thanks to the beginning of the
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growth, of urban life's unpleasantness, which he contrasted to life in the
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The Story of
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The painting in the permanent collection, National
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648:Salisbury Cathedral from the Bishop's Grounds
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116:holds this painting as one of its highlights:
568:Weymouth Bay: Bowleaze Cove and Jordon Hill
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222:List of paintings by John Constable
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454:John Constable, Romantic painter
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770:Charles Golding Constable (son)
624:Hampstead Heath, with a Bonfire
252:from the original on 7 May 2015
153:. He was aware of the issue of
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151:Industrial Revolution
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688:Chain Pier, Brighton
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295:22 November
256:22 November
159:countryside
144:idyll, to
790:Categories
401:1854370707
228:References
64:Dimensions
498:Paintings
392:Constable
233:Citations
656:The Lock
250:Archived
216:See also
142:pastoral
109:Painting
72:Location
763:Related
289:nga.gov
138:bucolic
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121:site.
82:, USA
429:ISBN
396:ISBN
359:2014
333:2014
297:2014
258:2014
51:1816
48:Year
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
