Knowledge

With Our King and Queen Through India

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245: 237: 272:, London on 2 February 1912, with an accompaniment provided by a live orchestra of forty-eight pieces, a chorus of twenty-four, a twenty-piece fife and drum corps, and three bagpipes. The music echoed that played at the actual ceremonies in Delhi. The stage set featured a mock-up of the Taj Mahal, and there were elaborate lighting effects. Live commentary was provided by the Scala's stage manager 31: 212:
would be made up of different sets of the films, so that the show (a more accurate concept) was exhibited in several different lengths. Today only two reels survive, one showing a review of troops after the main ceremony and the other a procession in Calcutta from the end of the royal tour.
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We are lunching today with Georgie and May at Buckingham Palace. They both send you greetings. Last night we saw their journey to India. Kinemacolor is wonderfully interesting and very beautiful and gives one the impression of having seen it all in
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made a huge impact worldwide because of its colour, length and multi-media spectacle. It had a great appeal for middle class audiences that had previously avoided film shows because of their low social status, and it was exhibited before royalty.
34: 208:. Although it is commonly referred to as a single film, it is more accurate to think of it as a set of films documenting the royal visit to India in December 1911, with the Durbar ceremony as the centrepiece. Different showings of 33: 233:
and he took five camera operators with him: Joseph De Frenes, Albuin Mariner, Alfred Gosden, Hiram Horton and an unidentified fifth (possibly John Mackenzie).
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When the film was released, there had been several short black-and-white films of the Delhi Durbar made already by other companies.
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showing the state entry into Delhi. Kinemacolor films appear black-and-white - the colour effect occurs in projection
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One of the surviving sequences from the film, The Pageant Procession, has been released on the DVD set
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in 1908 as the first successful natural colour motion picture process. It was produced by Urban's
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Arrival and Reception of Their Imperial Majesties at Princep's Ghat Calcutta (30 December 1911)
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The full show was made up of several sections, according to the 1912 Kinemacolor catalogue:
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and their proclamation as Emperor and Empress of India. The film is often referred to as
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The Royal Procession passing from the Ridge to the King's Camp (Delhi, 7 December 1911)
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Description of complete show with colour illustrations from 1912 Kinemacolor catalogue
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praised the music, describing the band as "one of the best I have heard in London".
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British filmmakers had previously filmed the Delhi Durbar marking the coronation of
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Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925
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Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925
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Charles Urban: Pioneering the Non-Fiction Film in Britain and America, 1897-1925
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State Departure of Their Imperial Majesties (Delhi, 16 December 1911)
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The films were also shown at Buckingham Palace on 12 December 1912.
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Their Imperial Majesties' Departure from Calcutta (8 January 1912)
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Arrival at the Reception Tent, Delhi Fort (7 December 1911)
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The Concise Routledge Encyclopedia of the Documentary Film
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Arrival of Their Imperial Majesties at Selimgarh Station
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Kinemacolor e altre magie / Kinemacolor and Other Magic
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The Royal Review of 50,000 Troops (Delhi, 14 December)
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The State Garden Party at Delhi Fort (13 December 1911)
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Arrival of the Ruling Chiefs at Kingsway Station, Delhi
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Charles Urban (centre) and camera team at Delhi in 1911
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King Edward Memorial Ceremony (Delhi, 8 December 1911)
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The film records the 12 December 1911 celebrations in
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An article in the American periodical 263: 243: 235: 686:Documentary films about British royalty 260:in 1903 (which Edward did not attend). 648: 503: 620:With Our King and Queen Through India 497: 358:With Our King and Queen Through India 343:Preparations for the Calcutta Pageant 250:With Our King and Queen Through India 210:With Our King and Queen Through India 154:With Our King and Queen Through India 43:With Our King and Queen Through India 24:With Our King and Queen Through India 231:Natural Color Kinematograph Company 87:Natural Color Kinematograph Company 13: 636:Clip from surviving footage (2:12) 14: 737: 612: 408:List of early color feature films 268:The films were premiered at the 377:. The Empress wrote to her son 596: 547: 450: 221:The film showcased the use of 1: 696:Documentary films about India 418: 248:Frames from lost sequence of 225:, which had been launched by 216: 666:British silent feature films 7: 401: 396:Kinemacolor and Other Magic 10: 742: 508:. Routledge. p. 400. 671:British documentary films 135: 125: 115: 101:2 February 1912 92: 82: 60: 50: 28: 23: 726:Silent documentary films 605:(Cineteca Bologna, 2017) 578:McKernan, Luke (2013). 529:McKernan, Luke (2013). 479:McKernan, Luke (2013). 375:Empress Maria of Russia 349:The Pageant Procession 676:1912 documentary films 253: 241: 701:Silent films in color 379:Nicholas II of Russia 264:Release and reception 247: 239: 504:Aitken, Ian (2013). 721:1910s British films 681:Films shot in Delhi 205:The Durbar at Delhi 706:Lost British films 460:. charlesurban.com 438:. charlesurban.com 436:"The Delhi Durbar" 254: 242: 716:Early color films 661:1910s color films 589:978-0-85989-882-9 560:Munsey's Magazine 540:978-0-85989-882-9 515:978-0-415-59642-8 490:978-0-85989-882-9 279:Munsey's Magazine 182:which marked the 150: 149: 38: 733: 637: 606: 600: 594: 593: 575: 569: 568: 567:: 156–157. 1912. 551: 545: 544: 526: 520: 519: 501: 495: 494: 476: 470: 469: 467: 465: 454: 448: 447: 445: 443: 432: 381:about the show. 198:The Delhi Durbar 168:and made in the 162:documentary film 108: 106: 65:Joseph De Frenes 40: 39: 21: 20: 741: 740: 736: 735: 734: 732: 731: 730: 711:1912 lost films 646: 645: 635: 615: 610: 609: 601: 597: 590: 576: 572: 553: 552: 548: 541: 527: 523: 516: 502: 498: 491: 477: 473: 463: 461: 456: 455: 451: 441: 439: 434: 433: 426: 421: 404: 371:Queen Alexandra 266: 258:King Edward VII 219: 142: 118: 111: 104: 102: 95: 75: 71: 67: 46: 30: 17: 12: 11: 5: 739: 729: 728: 723: 718: 713: 708: 703: 698: 693: 688: 683: 678: 673: 668: 663: 658: 644: 643: 632: 627: 614: 613:External links 611: 608: 607: 595: 588: 570: 546: 539: 521: 514: 496: 489: 471: 449: 423: 422: 420: 417: 416: 415: 410: 403: 400: 354: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 296: 293: 290: 274:St John Hamund 265: 262: 218: 215: 173:additive color 164:. The film is 148: 147: 137: 133: 132: 127: 123: 122: 119: 116: 113: 112: 110: 109: 98: 96: 93: 90: 89: 84: 83:Distributed by 80: 79: 69:Albuin Mariner 62: 61:Cinematography 58: 57: 52: 48: 47: 41: 26: 25: 15: 9: 6: 4: 3: 2: 738: 727: 724: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 692: 689: 687: 684: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 653: 651: 642: 638: 633: 631: 628: 626: 622: 621: 617: 616: 604: 599: 591: 585: 581: 574: 566: 562: 561: 556: 550: 542: 536: 532: 525: 517: 511: 507: 500: 492: 486: 482: 475: 459: 453: 437: 431: 429: 424: 414: 411: 409: 406: 405: 399: 397: 392: 389: 387: 382: 380: 376: 372: 368: 364: 359: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 300: 297: 294: 291: 288: 287: 286: 283: 281: 280: 275: 271: 270:Scala Theatre 261: 259: 251: 246: 238: 234: 232: 228: 227:Charles Urban 224: 214: 211: 207: 206: 201: 200: 199: 193: 189: 185: 181: 176: 174: 171: 167: 163: 160: 156: 155: 145: 141: 138: 134: 131: 128: 124: 120: 114: 100: 99: 97: 91: 88: 85: 81: 78: 74: 73:Alfred Gosden 70: 66: 63: 59: 56: 55:Charles Urban 53: 49: 44: 27: 22: 19: 619: 598: 579: 573: 564: 558: 549: 530: 524: 505: 499: 480: 474: 462:. Retrieved 452: 440:. Retrieved 395: 393: 390: 384: 383: 357: 355: 284: 277: 267: 255: 249: 220: 209: 204: 203: 196: 195: 192:Mary of Teck 177: 157:(1912) is a 153: 152: 151: 117:Running time 94:Release date 77:Hiram Horton 42: 18: 555:"The Stage" 464:14 November 223:Kinemacolor 170:Kinemacolor 146:intertitles 121:150 minutes 51:Produced by 656:1912 films 650:Categories 442:8 February 419:References 367:Queen Mary 217:Production 184:coronation 105:1912-02-02 45:, fragment 175:process. 136:Languages 16:1912 film 691:George V 402:See also 363:George V 188:George V 641:YouTube 386:reality 159:British 144:English 126:Country 103: ( 586:  537:  512:  487:  166:silent 140:Silent 180:India 625:IMDb 584:ISBN 535:ISBN 510:ISBN 485:ISBN 466:2017 444:2015 373:and 190:and 639:on 623:at 202:or 186:of 652:: 565:48 563:. 557:. 427:^ 398:. 388:. 369:, 592:. 543:. 518:. 493:. 468:. 446:. 107:)

Index

Charles Urban
Joseph De Frenes
Albuin Mariner
Alfred Gosden
Hiram Horton
Natural Color Kinematograph Company
United Kingdom of Great Britain and Ireland
Silent
English
British
documentary film
silent
Kinemacolor
additive color
India
coronation
George V
Mary of Teck
The Delhi Durbar
Kinemacolor
Charles Urban
Natural Color Kinematograph Company


King Edward VII
Scala Theatre
St John Hamund
Munsey's Magazine
George V
Queen Mary

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