258:, which he remained until his death in 1954. In 1935, he became director of the Prentenkabinet (Print cabinet) of the University of Leiden. In 1942, during the German occupation of the Netherlands, he gave his resignation from the University: it was accepted in 1943, although he stayed as director of the Prentenkabinet. He retired as director of the Mauritshuis in 1945, only to return for one year in 1946–1947 when his successor suddenly left. He published a few more works, including a 1947 work on
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In between his career as an academic, director and writer of art historical books, he contributed to the organisation of exhibitions, was a member of different committees on Dutch
Museums and Dutch Heritage, and wrote articles for many magazines, including
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of art history at the
University of Leiden. In 1909, Martin succeeded Bredius as the director of the Mauritshuis, which he remained for 36 years. He published a second book on Gerrit Dou in 1912, together with E. W. Moes two parts of
216:(Old Netherlandic Images), with a revised reprint in 1921. It was aimed at collectors and contained advice on conservation and restoration. Meanwhile, he also published some sorks on 19th-century Dutch painters, including the 1915
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209:(Ancient painting in the Netherlands) in 1912 and 1914, and scientific catalogues of the Mauritshuis collection in 1914 and 1915.
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in 1877, the family moved to the
Netherlands. Wilhelm's two younger brothers, Herman Martin (1881–1968, director of the
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On 9 August 1906, he married Maria
Cornelia Visser. They had three daughters and one son. In 1907, Martin became
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189:, i.e. 17th-century Dutch painting. In 1904 he started giving private lessons at the University of Leiden.
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Wilhelm Martin successfully studied Arts at the
University of Leiden between 1894 and 1899, and became a
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and a 1950 picture book on Dutch painting of the second half of the seventeenth century.
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R.E.O. Ekkart, 'Martin, Wilhelm (1876–1954)', in
Biografisch Woordenboek van Nederland.
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251:(Dutch painting in the seventeenth century), appeared in two parts in 1935–1936.
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155:) and Hans Martin (1886–1964, a writer) were both born in the Netherlands.
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Stained glass window in honour of
Wilhelm Martin (Academy Building Leiden)
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beschouwd in verband met het schildersleven van zijn tijd
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177:Also in 1901, Martin became vice-director of the
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254:In 1934, he also became the director of the
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247:in 1924, 1926 and 1954. His major work,
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41:Relevant discussion may be found on the
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16:German-Dutch art historian (1876–1954)
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125:(20 June 1876 – 10 March 1954) was a
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390:Emigrants from the German Empire
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385:German male non-fiction writers
207:Oude Schilderkunst in Nederland
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395:Immigrants to the Netherlands
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335:Profile at Leiden University
330:Dictionary of Art Historians
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164:Het leven en de werken van
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236:Thérèse van Duyl-Schwartze
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212:In 1918, Martin published
181:museum in The Hague under
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375:People from QuakenbrĂĽck
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238:. 1851–1918. Gedenkboek
214:Alt-holländische Bilder
202:extraordinary professor
162:in 1901 with his study
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370:German art historians
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118:Wilhelm Martin (1933)
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365:Dutch art historians
243:He wrote studies on
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312:12 November 2013
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229:Johannes Bosboom
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62:"Wilhelm Martin"
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103:January 2022
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380:Mauritshuis
355:1954 deaths
350:1876 births
231:, 1817–1891
179:Mauritshuis
145:Karl Martin
141:QuakenbrĂĽck
344:Categories
280:References
166:Gerrit Dou
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326:Biography
245:Jan Steen
172:doctorate
43:talk page
274:Elsevier
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