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mother, dated 26 November 1942. He described an improvisational exercise the children were given: a person entering a house in some fashion at some point in time and finding a letter on a table. "That's what we had to act out and he seemed to be very pleased. Then there was a long discussion about our performance and our prospects."
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Michael Trede described reading the diaries decades later, in which one passage relates what the
Marckwalds had said about their son; Trede realized that the son described was his old drama teacher. In Trede's memoir, the description of this moment is followed by an excerpt from a letter written to
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and the frequent performances continued. They were considered a welcome distraction, sometimes prepared by children or adult residents, sometimes by outsiders. Marckwald began organizing a theatre group and treated them as he had his professional adult actors, as Trede wrote in a letter to his
69:, where, because of restrictions on employment, Marckwald became the boilerman for the school and did gardening. His wife worked in the kitchen. Marckwald immediately formed a theatrical group at the school and began organizing plays. Among those in his theatre group were
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His father, Fritz
Marckwald (October 1871 – 14 September 1942) and mother were both baptized Protestant, but were nonetheless deported as Jews by the Nazis and perished in the
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Marckwald first worked as a businessman, then became a musician and played in a café. He then became an actor and then began directing. In 1929 and 1930, he worked with actor
251:(PDF) Paul Walter Jacob Archive, University of Hamburg, Walter-A.-Berendsohn-Forschungsstelle für deutsche Exilliteratur. (May 30, 1962). Retrieved October 31, 2011
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and his troops. They went to
Stockholm, but Marckwald was accused of being a communist and they were expelled to France. As war broke out, they fled to England.
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University of
Hamburg. Exilierte und verfolgte Theaterkünstler 1933-1945 (Exiled and persecuted theatrical artists 1933–1945). Retrieved October 31, 2011
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136:, England and become a haven for refugees, both pupils and staff. After England declared war on Germany, the school was evacuated to Trench Hall in
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in Berlin. He left
Germany in 1933, then went to Spain, where he became known as Guillermo Marckwald, and began directing films in
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as the political situation heated up. Accused of being a communist, he and his wife were forced to leave Sweden for France. As
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that one viewer stated was so professional that the performers did not seem like children. It was performed on 8 May 1943 in
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and was written up in the newspaper. Some productions were in German, others in
English. There were scenes from
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was a German actor and director in both theatre and film. He went to Spain in 1933, fleeing to
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317:(PDF) Unpublished. (1979), pp. 59, 62 Palo Alto, California. Manuscript archived at the
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ecomed verlagsgesellschaft AG & Co. KG, Landsberg, Germany (2003), pp. 104-106
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came to know them and wrote about them in his diary, published decades later in 1995,
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Telling
Stories: Postmodernism and the Invalidation of Traditional Narrative
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Performances were already a regular feature at Bunce Court, a German-Jewish
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his mother about
Wilhelm and Pilar Marckwald's arrival at Trench Hall.
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Fifteen Years: Lived among, with and for refugee children, 1933-1948
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Marckwald was born to a family related to the wife of painter
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Jewish emigrants from Nazi
Germany to the United Kingdom
355:"Tagebuchnotizen Victor Klemperers zum Transport 'V/5'"
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University Press of
America, Inc. (1997), p. xi.
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Arte y política en el cine de la República (1931-1939)
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148:Marckwald directed a production (in English) of
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357:Universitiet van Amsterdam,
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279:José María Caparrós Lera,
233:Retrieved October 5, 2011
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379:(2003), pp. 87-89
120:Theatre at Trench Hall
184:Hugo von Hofmannsthal
151:Lady Precious Stream
46:at the Stadttheater
31:Biographical details
319:Leo Baeck Institute
180:Der Tor und der Tod
160:George Bernard Shaw
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363:(in German)
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165:Saint Joan
156:Shrewsbury
142:Shropshire
98:Judenhaus
56:Barcelona
21:Stockholm
48:Koblenz
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