192:, art historian Leon Hertzberg (Leo), purchases the painting and some time afterwards befriends the artist, Bill Wechsler. Bill is, at this stage, an unknown artist, though as the novel progresses, so too does his career in the New York art scene. This is in part due to Leo's writing, which brings Bill's work into the public eye. Bill is married to Lucille, a highly strung poet, and Leo is married to Erica, a literary academic. The two couples become close and move into the same apartment block. Erica and Lucille fall pregnant around the same time and have sons, Mathew and Mark. The first half of the novel explores their quiet, domestic lives, through the eyes of Leo. Lucille and Bill separate after he forms a relationship with Violet, the model who posed for the painting which opens the text.
203:, in an interview with the author, as like a punch in the face and the pace of the novel accelerates after this point. Leo and Erica's son, Mathew, dies suddenly. Grief-stricken, Leo eventually loses Erica, who moves away for distance as well as work. Leo forms a close relationship with Bill's son Mark. Mark is, however, an insincere and somewhat amoral character, and a pattern is repeated between the two, of trust and betrayal, until Leo and the reader realise Mark is probably not capable of affection.
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Mark befriends performance and installation artist Teddy Giles, whose art is designed to shock, but seems empty and only designed to serve that one purpose. Bill eventually dies in his studio and Violet attempts to curtail her grief by cleaning manically. Leo becomes embroiled in a thriller-like plot
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had criticized several aspects of the novel including the author's "repetitive use of time transitions", but concluded that the novel is "another accomplished performance from…a writer of undeniable talent and someone from whom we can expect even better things in the future."
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that his "parental concerns seem banal, and his ambivalent speculations less than engaging". However, she concludes that the work "is a rare thing, a page turner written at full intellectual stretch, serious but witty, large-minded and morally engaged."
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A minor character throughout the novel, Lazlo
Finkelman, moves amongst similar circles to Teddy Giles and Mark, but with very different intentions and values. At the close of the novel, an aging Leo finds comfort in playing with Lazlo's young son.
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attempting to track down Mark who has become lost in Teddy Giles's scene. Leo finally professes his love for Violet. She tells him he can have her for one night, but that she's then moving away. He declines and returns to his apartment alone.
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reported on reviews from several publications with a rating scale for the novel out of "Love It", "Pretty Good", "Ok", and "Rubbish":
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in London. It is written from the point of view of Leo
Hertzberg, an art historian living in New York. The author herself grew up in
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