498:, an account of her seizure disorder, Hustvedt states her need to view her symptom not "through a single-window" but "from all angles." These multiple perspectives do not resolve themselves into a single view but rather create an atmosphere of ambiguity and flux. Hustvedt presents the reader with characters whose minds are inseparable from their bodies and their environments and whose sense of self is situated on the threshold between the conscious and unconscious. Her characters often suffer traumatic events that disrupt the rhythms of their lives and lead to disorientation and a discontinuity of their identities. Hustvedt's concern with embodied identity manifests itself in her investigation of gender roles and interpersonal relations. Both her fiction and nonfiction highlight the dynamics of the gaze and questions of ethics in art.
251:
33:
431:
1304:"Three Emotional Stories", a lecture given at Pain, Poetry and Perception: A Symposium on the Convergence of Neuroscience, Literature, and Psychoanalysis at Georgetown University. Jointly sponsored by The Baltimore Washington Center for Psychoanalysis and the Department of Psychiatry Georgetown University Hospital. (With Joseph LeDoux and Michael Jasnow) Georgetown University. October 30, 2010.
331:, is an exploration of language and identity in the novel, with particular emphasis on Dickens's metaphors of fragmentation, his use of pronouns, and their relation to a narrative, dialogical conception of self. She refers in the dissertation to thinkers who influenced her later writing, including
543:
Hustvedt is the 2012 recipient of the
Gabarron International Award for Thought and Humanities. In 2014, she received an honorary doctorate from the University of Oslo. She received honorary doctorates from the Université Stendhal-Grenoble, France, in 2015, and from Gutenberg University-Mainz,
378:
1990 and 1991. Since then she has continued to write fiction and publish essays on the intersections between philosophy, psychoanalysis, and neuroscience. She also writes regularly about visual art. Hustvedt gave the third annual
Schelling lecture on aesthetics at the
1369:
Caroline
Rosenthal, "The Inadequacy of Symbolic Surfaces: Urban Space, Art and Corporeality in Siri Hustvedt's What I Loved," in ed. Caroline Rosenthal, New York and Toronto Novels after Postmodernism Explorations of the Urban (Rochester, N.Y: Camden House, 2011),
1273:] is a Psychoanalyst: An Exploration of the Relationship Between Psychoanalysis and Literature" Fifth Annual Lecture, The Friends of the Newman Library, Baruch College with the Postgraduate Center for Mental Health Library Advisory Committee. November 4, 2005.
450:. In her visits to European and German universities, she has given readings from her works and contributed to the interdisciplinary dialogue between the humanities and the sciences, notably in a keynote lecture and panel discussion on the relationship between the
1380:
Hubert Zapf, "Narrative, Ethics, and Post Modern Art in Siri
Hustvedt's What I Loved," in Astrid Erll, Hubert Grabes and Ansgar Nunning, eds., Ethics in Culture: The Dissemination of Values through Literature and Other Media (Berlin: de Gruyter),
522:
in France for best foreign book of the year. It was also short-listed for
Waterstone's Literary Fiction Award in England and the Barcelona Bookseller's Award in Spain. It won the Prix des libraires du Quebec in Canada for best book of 2003.
1872:
1376:
Anna
Thiemann "Shaking Patterns of Diagnosis: Siri Hustvedt and Charlotte Perkins Gilman," in Carmen Birkle and Johanna Heil, eds., Communication Disease: Cultural Representations of American Medicine (Winter: Heidelberg, 2013),
1365:
Elizabeth Kovac, "Violated
Securities: Symptoms of a Post 9/11 Zeitgeist in Siri Hustvedt's The Sorrows of an American,' in eTransfers: A Postgraduate ejournal for Comparative Literature and Cultural Studies, issue 2
1313:"I Wept for Four Years and When I Stopped I was Blind." Keynote lecture for Réunion d'Hiver de la Societé de Neurophysiologie Clinique de Langue Française: Neurophysiologie de L'hystérie. Paris, January 21, 2012.
1945:
1295:"Embodied Visions: What Does it Mean to Look at a Work of Art?" The Third Annual Schelling Lecture. Akademie der Bildenden KĂŒnste (The Academy of Fine Arts) in Munich, Germany. January 27, 2010.
186:(born February 19, 1955) is an American novelist and essayist. Hustvedt is the author of a book of poetry, seven novels, two books of essays, and several works of non-fiction. Her books include
540:
In 2015, Hustvedt was appointed as a lecturer in psychiatry at the Dewitt
Wallace Institute for the History of Psychiatry, Department of Psychiatry, Weill Medical School of Cornell University.
1384:
Gianna Zocco."The Art of
Watching: The Literary Motif of the Window and its Potential for Meta Fiction in Contemporary Literature, Trans revue de literature generals et compare, 16 (2013).
2041:
755:, bilingual edition English-German, published as part of a series of the annual Schelling Lectures delivered at the Akademie der Bildenden KĂŒnste in Munich; Deutscher Kunst Verlag, 2010
1726:
1359:
Christian
Knirsch, "In a Time Warp: The Issue of Chronology in Siri Hustvedt's The Blindfold," Current Objectives of Postgraduate American Studies, vol. 11 (2010): (no pagination).
1738:
1217:
13 (2), 2011 (with peer review: Vittorio Gallese, dept. of neuroscience, University of Parma and Richard Kessler, Adults and Children with Learning Disabilities, Inc. New York)
1307:"Borderlands: First, Second, and Third Person Adventures in Crossing Disciplines" Keynote lecture for Gutenberg Fellowship. Gutenberg University, Mainz, Germany, June 4, 2012.
1301:
Inaugural lecture in series: Neuro Culture: Body and Brain in Cultural Perspective. CUNY Graduate Center for the Study of Women and Society. New York City, September 28, 2010.
999:, 2006. Revised version for catalogue essay, "Kiki Smith: Bound and Unbound,"Kiki Smith: Wellspring, RepĂšres, Cahiers d'art contemporain, no. 139, Galerie Lelong, Paris, 2007.
1316:"Kierkegaard's Pseudonyms and the Truths of Fiction." Keynote Lecture at International Kierkegaard Conference at Ceremonial Hall, the University of Copenhagen, May 6, 2013.
1373:
Henderikus J. Stam, "The Neurosciences and the Search for a Unified Psychology: The Science and Aesthetics of a Single Framework," Frontiers in Psychology 6 (2015):1467.
2464:
2034:
1702:
458:. In 2013, she delivered the opening keynote address at an international conference on SĂžren Kierkegaard in Copenhagen on the occasion of his 200th birthday.
1337:
Johanna Hartmann, Christine Marks, and Hubert Zapf, Zones of Focused Ambiguity in Siri Hustvedt Works: Interdisciplinary Essays (Berlin: De Gruyter, 2016).
1319:"Embodied Visions: What Does it Mean to Look at a Work of Art?" The Third Annual Schelling Lecture. Academie der Bildenen KĂŒnste, Munich. January 27, 2010.
1940:
1652:
1408:
1356:
Alise Jameson. "Pleasure and Peril: Dynamic Forces of Power and Desire in Siri Hustvedt's The Blindfold," Studies in the Novel, vol. 42, issue 4 (2010).
2027:
1677:
1527:
479:
demonstrates her intellectual range across several disciplines. In 2012, she received the International Gabarron Prize for Thought and Humanities.
606:
963:"Necessary Leaps" (catalogue essay). Richard Allen Morris: Retrospective 1958â2004. Museum Haus Lange. Krefeld, Germany: 2004. Reprinted in
2399:
2484:
2479:
1310:"Philosophy Matters in Brain Matters." Lecture at International Neuroethics Conference. Brain Matters 3. Cleveland, Ohio. October 24, 2012.
1285:"The Drama of Perception: Looking at Morandi." Sunday Lectures at the Met. Metropolitan Museum of Art, New York City. September 21, 2008.
1334:
Johanna Hartmann, Literary Visuality in Siri Hustvedt's Work: Phenomenological Perspectives (Wurtsburg: Konigshausen and Neumann, 2016).
2429:
1553:
1972:
1600:
563:, in 1981, and they married the following year. They lived together in Brooklyn, New York, until his death in 2024. Their daughter,
2504:
2499:
2454:
2404:
1850:
Ljungberg, Christina. "Triangular Strategies: Cross-Mapping the Curious Spaces of Siri Hustvedt, Paul Auster and Sophie Calle." In
1824:
Embodied Visions: What Does It Mean to Look at a Work of Art? / Mit dem Korper sehen: Was bedeutet es, ein Kunstwerk zu betrachten?
2459:
1811:
1340:
Christine Marks, I am Because You Are: Relationality in the Work of Siri Hustvedt (Winter: Heidelberg University Press, 2014).
2424:
1958:
2494:
2489:
2007:
370:
After finishing her dissertation, Hustvedt began writing prose. Two stories of the four that would become her first novel,
2409:
1353:
Asbjorn Gronstad. "Ekphrasis Refigured: Writing Seeing in Siri Hustvedt's What I Loved," Mosaic, vol. 45, issue 3 (2012).
308:. Hustvedt lived in poverty during her college years, and resorted to an emergency loan from the university to survive.
2019:
1739:"Siri Hustvedt recogerĂĄ el premio a la trayectoria literaria en los Premios Openbank de Literatura by Vanity Fair 2024"
470:
2469:
2449:
2439:
706:
1627:
1298:
Conversation with the Harvard neuroscientist Hans Breiter. Brain Wave series at Rubin Museum of Art. March 10, 2010.
2434:
1678:"The Gabarron > Awards > Awards > Awards 2012 > Winners > Thought and Humanities > Press Release"
1282:"Looking at Painting." Museo de Arte Latinoamericano de Buenos Aires: MALBA, Buenos Aires, Argentina. April 7, 2006
575:
1798:
1855:
1860:
Marks, Christine. "I am because you are": Relationality in the Works of Siri Hustvedt. Heidelberg: Winter, 2014.
2419:
1843:
Bronfen, Elisabeth. "Gendering Curiosity: The Double Games of Siri Hustvedt, Paul Auster and Sophie Calle." In
648:
228:
2444:
1013:"Why Goya" published in Spanish as "Francisco de Goya o los equivos." Fundacion Amigos Museo del Prado (2008)
294:, she decided that she wanted to make literature her profession after finishing it. Hustvedt graduated from
380:
32:
2103:
1070:: The Truth is Always Gray." Essay for catalogue of the Eli Broad Collection of Art in Los Angeles (2013).
2474:
2051:
1946:
Video conference from Baruch College, CUNY (2005), Siri Hustvedt gives a reading of her work in progress
462:
446:
Hustvedt is a scholar and intellectual who engages with fundamental questions of contemporary ethics and
2156:
1531:
1292:
about Jung's Red Book. The Red Book Dialogues. The Rubin Museum of Art. New York City, October 26, 2009.
2186:
2085:
1199:
628:
545:
391:
206:
1995:
1998:
The 39th Annual Sigmund Freud Lecture. The Sigmund Freud Foundation, Vienna. May 6, 2011. YouTube.
1863:
Marks, Christine. "Hysteria, Doctor-Patient Relations, and Identity Boundaries in Siri Hustvedt's
250:
2315:
2129:
1996:"Freud's Playground: Some Thoughts on the Art and Science of Subjectivity and Intersubjectivity."
1765:
551:
In 2024, Hustvedt received the Openbank Literature Award by Vanity Fair for her literary career.
271:
2280:
2414:
1989:
454:
and literature at the 2012 annual conference of the German Association for American Studies in
2125:
1930:
906:
1903:, edited by Astrid Erll, Herbert Grabes and Angsar NĂŒnning. Berlin: de Gruyter, 2008, 171â94.
1827:
1579:
534:
435:
267:
263:
58:
2097:
2001:
1977:
1935:
1931:
Audio: Siri Hustvedt in conversation with Paul Auster at the Key West Literary Seminar, 2007
1557:
1343:
Corinna Sophie Reipen, Visuality in the Works of Siri Hustvedt (New York: Peter Lang, 2014).
1109:. Eds. Michael Ondaatje, Michael Redhill, Linda and Esta Spalding. London: Bloomsbury, 2001.
2394:
1884:
Wegener, Susanne. "Die 'Kulturelle Initiation' der Lily Dahl: IdentitÀt in Siri Hustvedt's
1362:
Christian Knirsch, "The Story of a Migraineur: Black Holes in Siri Hustvedt's The Blindfold
1098:. Eds. Luc Sante and Melissa Pierson. New York: Granta Books, 1999. Reprinted as essay for
820:
90:
1213:"Three Emotional Stories: Reflections on Memory, the Imagination, Narrative and the Self.
332:
8:
2141:
299:
242:
were international bestsellers. Her work has been translated into over thirty languages.
86:
2351:
2119:
2049:
1181:
The Journal of the Philoctetes Center for the Multidisciplinary Study of the Imagination
2198:
2109:
1879:
Die unsÀgliche Lust des Schauens: Die Konstruktion der Geschechter im voyeurischen Text
1289:
488:
2232:
1773:
765:
with photographs by Reza. Madrid: La Fabrica, 2011. French edition by Actes Sud, 2011
702:
466:
290:
2168:
2135:
1953:
266:, speaking both English and Norwegian. Siri attended public school in her hometown,
2174:
1017:
1003:
494:
Her works pose questions about the nature of identity, selfhood and perception. In
411:
336:
304:
295:
81:
77:
2363:
2327:
2250:
2216:
2150:
1901:
Ethics in Culture: The Dissemination of Values through Literature and Other Media
1459:
1035:
917:
882:
845:. Ed. Richard Ford. New York: Houghton Mifflin, 1990. 105â126. Also reprinted in
407:
387:
344:
324:
286:
2192:
2180:
285:, where she read various works of classic literature. Particularly impressed by
2226:
2162:
2081:
1256:. Eds. Lisa Appignanesi, Rachel Holmes, and Susie Orbach. London: Virago, 2013.
1179:"Excursions to the Islands of the Happy Few" (on expert culture). Philoctetes:
815:
571:
364:
340:
259:
155:
2075:
1967:
1925:
1910:, edited by Martin Modlinger and Phillip Sonntag. Berlin: Peter Lang AG, 2011.
1276:
Portland Arts & Lectures. Conversation with Paul Auster, January 24, 2006.
1056:, Babcock Galleries, New York, and the Greenville County Museum of Art (2011).
2388:
2369:
2286:
2268:
2256:
2210:
2204:
2113:
1992:
Fundacion Amigos del Museo del Prado. Prado Museum, Madrid. February 8, 2007.
1777:
1501:, ed. Richard Ford (New York: Houghton Mifflin. 1990), 105â26; "Houdini," in
1279:
Gallery talk on Kiki Smith. The Walker Art Center, Minneapolis, March 9, 2006
1067:
935:
574:, calling for his release after his arrest in Switzerland in relation to his
564:
419:
352:
348:
145:
849:. Eds. Elyse Cheney and Wendy Hubbert. New York: Doubleday, 1996. 20â48.
814:
A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of
2357:
2321:
2262:
2220:
620:
484:
451:
447:
430:
360:
356:
234:
196:
323:
She completed her PhD in English at Columbia in 1986. Her dissertation on
282:
2345:
2333:
2274:
2238:
1906:
Zapf, Hubert. "Trauma, Narrative and Ethics in Recent American Fiction."
560:
519:
461:
Hustvedt has published essays and papers in academic journals, including
403:
119:
1895:
Zapf, Hubert. "Narrative, Ethics, and Postmodern Art in Siri Hustvedt's
2091:
992:
439:
415:
510:
was made into a movie by the French filmmaker Claude Miller. The film
302:
as a graduate student in 1978. Her first published work was a poem in
946:
927:"Heaven's Alphabet" (on Russian avant-garde book exhibition at MoMA)
298:
with a B.A. in history in 1977. She moved to New York City to attend
1908:
Other People's Pain: Narratives of Trauma and the Question of Ethics
1847:, edited by Annegret Heitmann et al. Berlin: Schmidt, 2000, 283â302.
1149:
New York Stories: The Best of the City Section of The New York Times
2013:
1266:
Guest lecturer at the New York Studio School: 2000, 2003, and 2007.
1978:
Siri Hustvedt interview "Art is a Memory" on the Louisiana Channel
1194:
46: Special Issue on Psychoanalysis and the Media (2010): 224â234.
2244:
514:
won The International Critics Prize at the Berlin Film Festival.
1766:"Paul Auster, the Patron Saint of Literary Brooklyn, Dies at 77"
1045:"Embodied Visions: What Does it Mean to Look at a Work of Art,"
1954:
Audio clip of Siri Hustvedt in The Writer's Craft, Eye on Books
1852:
Mapping Liminalities: Thresholds in Cultural and Literary Texts
1061:
Frauen: Picasso, Beckmann, de Kooning at Pinakothek der Moderne
1059:"A Woman Looking at Men Looking at Women." Catalogue essay for
847:
The Literary Insomniac: Stories and Essays for Sleepless Nights
399:
275:
1920:
170:
2304:
1968:
Siri Hustvedt video interview (Dropping Knowledge) in YouTube
1703:"Siri Hustvedt: Honorary doctor 2014 â Faculty of Humanities"
1505:, ed. Alice Adams (New York: Houghton Mifflin, 1991), 209â27.
1116:. Ed. Ulrich Baer. New York: New York University Press, 2002.
1027:"Truth and Rightness" (catalogue essay for Gerhard Richter).
970:"Duccio di Buoninsegna at the Met." "La Vierge et l'Enfant."
857:. Ed. Alice Adams. New York: Houghton Mifflin, 1991. 209â227.
753:
Embodied Visions: What Does it Mean to Look at a Work of Art?
455:
398:. In 2011, she delivered the annual Sigmund Freud lecture in
374:, were published in literary magazines and later included in
1140:
Introduction. "Personal and Impersonal Words." Henry James,
2064:
1926:
Audio: Siri Hustvedt at the Key West Literary Seminar, 2007
1154:"Variations on Desire: A Mouse, A Dog, Buber, and Bovary."
897:. Eds. Karen Wright and Martin Gayford, 1999. Reprinted in
769:
570:
In 2009, Hustvedt signed a petition in support of director
537:
and won the 2015 Los Angeles Times Book Prize for Fiction.
1628:"The winners of the Los Angeles Times Book Prizes are ..."
394:
in New York and published a volume of essays on painting:
2004:
Neuropsychoanalysis Conference, Berlin. June 23â26, 2011.
1052:"Margaret Bowland's Theatrum Mundi," catalogue essay for
1105:
Essay on Bohumil Hrabel's I Served the King of England.
977:"Goya's Bodies: The Living, the Dead, and the Ghostly."
788:. Ed. George Plimpton. New York: Norton, 1990. 582â5833.
402:, one of a distinguished list of speakers that includes
1854:, edited by Lucy Kay et al. Bern: Lang, 2007, 111â35.
1252:"Underground Sexism: What was that you just said?" In
1151:. New York: New York University Press, 2005. 135â138.
853:"Houdini." Fiction 9 (1990): 144â162. Reprinted in
746:
722:, translated by Siri Hustvedt and David McDuff (1998)
1959:
Audio clip of Siri Hustvedt talking about her novel
1869:
Gender Forum. An Internet Journal for Gender Studies
254:
Hustvedt at LiteratureXchange Festival, Denmark 2019
2010:
The Southbank Centre lecture, London. June 12, 2012
527:was also shortlisted for The Femina Prize in 2011.
1091:. Ed. Philip Lopate. New York: Random House, 1999.
567:(born 1987), is a singer/songwriter and actress.
487:, and she received an honorary doctorate from the
1460:"Figures of Dust: A Reading of Our Mutual Friend"
281:She started writing at 13 after a family trip to
2386:
1801:(in French). La RĂšgle du jeu. November 10, 2009.
1121:Conjunctions 41, Two Kingdoms: The Dualism Issue
1114:110 Stories: New York Writers After September 11
693:A Woman Looking at Men Looking at Women â Essays
1936:Interview with Siri Hustvedt in Identity Theory
1799:"Signez la pétition pour Roman Polanski !"
1245:"Philosophy Matters in Brain Matters" Seizure:
329:Figures of Dust: A Reading of Our Mutual Friend
2465:People educated at the Bergen Cathedral School
1190:"Reflections on a More or Less Hidden Being."
1107:Lost Classics: Writers on Books Loved and Lost
1082:Tributes: American Writers on American Writers
669:Mysteries of the Rectangle: Essays on Painting
544:Germany, in 2016. In 2019 she was awarded the
2035:
1260:
1144:. New York: Barnes and Nobles Classics, 2005.
1126:"Extracts from a Story of the Wounded Self."
1087:"A Plea for Eros." Brick, 1997. Reprinted in
1074:
16:American novelist, essayist, poet (born 1955)
2014:"The Big Think Interview with Siri Hustvedt"
1941:Interview with Siri Hustvedt in The Guardian
1235:, nos. 174â175, Spring Summer (2012): 59â78.
1210:, nos. 170â171, Spring Summer (2012): 35â53.
1031:, ed. Markus Heinselmann, Hatje Cantz, 2009.
320:, appeared in 1982 with Station Hill Press.
1515:The Shaking Woman or A History of My Nerves
681:The Shaking Woman or A History of My Nerves
496:The Shaking Woman or A History of My Nerves
212:The Shaking Woman or A History of My Nerves
2042:
2028:
1983:
1448:(Barrytown, NY: Station Hill Press, 1982).
501:
31:
2305:Princess of Asturias Award for Literature
1845:Bi-TextualitÀt: Inszenierungen des Paares
1409:"Siri Hustvedt:'I'm writing for my life'"
1054:Excerpts from the Great American Songbook
740:Fragments for a History of the Human Body
701:Simon & Schuster (December 7, 2021),
1763:
1457:
1203:, Ormen, Norstedts Forlag, Sweden, 2010.
1172:(Denmark) January 8, 2009. Reprinted in
1133:"Some Musings on the Word Scandinavia,"
1029:Gerhard Richter: Overpainted Photographs
770:Publications in journals and anthologies
429:
249:
2065:Prince of Asturias Award for Literature
1625:
1528:"Film page of the Berlin Film Festival"
1406:
861:
798:"Eclipse," "Hermaphroditic Parallels."
262:and a Norwegian mother, and grew up in
134: 1982; died 2024)
2387:
1881:. Freiberg im Breisgau: Rombach, 1996.
1653:"Siri Hustvedt Is Writing to Discover"
1601:"Prix Femina 2011: premiÚre sélection"
1096:O.K. You Mugs: Writers on Movie Actors
1089:The Art of the Essay: The Best of 1999
1080:"Gatsby's Glasses." Conjunctions: 29.
742:, edited by Ferber, Nadof, Tazi (1998)
2303:
2063:
2023:
1650:
1034:"The Drama of Perception: Looking at
733:
699:Mothers, Fathers, and Others - Essays
518:was on the initial shortlist for the
467:Seizure: European Journal of Epilepsy
200:(2003), for which she is best known,
2400:American people of Norwegian descent
2052:Prince or Princess of Asturias Award
2002:"Conversation with Antonio Damasio."
1499:The Best American Short Stories 1990
1402:
1400:
1398:
1347:
1016:"The Enchanted and Demonic World of
945:"The Pleasures of Bewilderment" (on
843:The Best American Short Stories 1990
2485:21st-century American women writers
2480:20th-century American women writers
1963:in The Writer's Craft, Eye on Books
1626:Kellogg, Carolyn (April 19, 2015).
1580:"Prix des libraires du Quebec page"
1458:Hustvedt, Siri (February 6, 1986).
720:Fyodor Dostoyevsky: A Writer's Life
13:
1973:Siri Hustvedt migraine blog in NYT
1644:
1554:"Berlin Film Festival Awards Page"
1187:, no. 166â167; Spring Summer 2010.
1094:"Franklin Pangborn: An Apologia."
905:"The Man with the Red Crayon" (on
747:Original foreign book publications
14:
2516:
2430:People from Northfield, Minnesota
2008:"Why one story and not another?'"
1914:
1651:Reese, Hope (February 22, 2019).
1517:(New York: Henry Holt, 2009), 73.
1395:
559:Hustvedt met her husband, writer
270:, and received a degree from the
1727:Princess-of-Asturias-awards 2019
1503:Best American Short Stories 1991
1407:Hicklin, Aaron (March 3, 2019).
1288:Conversation with psychoanalyst
1002:"The Places that Scare You" (on
984:"Old Pictures" (on photography)
855:Best American Short Stories 1991
823:. New York: D.A.P., 2001. 93â98.
554:
2505:21st-century American essayists
2500:20th-century American essayists
2455:21st-century American novelists
2405:20th-century American novelists
2146:1991: The people of Puerto Rico
1816:
1805:
1791:
1757:
1731:
1720:
1695:
1670:
1619:
1593:
1572:
1269:"When the Protaganist [
895:The Penguin Book of Art Writing
258:Daughter of American professor
131:
2460:American expatriates in Norway
1764:Williams, Alex (May 1, 2024).
1546:
1520:
1508:
1491:
1474:
1451:
1439:
1426:
784:81(1981): 136â137 Reprinted.
712:
576:1977 charge for statutory rape
1:
1484:30 (1989): 80â98; "Houdini,"
1388:
1197:"Stig Dagerman." Foreword to
656:
316:A small collection of poems,
245:
101:Novels, poetry, short stories
2425:Novelists from New York City
1886:The Enchantment of Lily Dahl
1323:
1247:European Journal of Epilepsy
725:Six poems by Tor Ulven from
614:The Enchantment of Lily Dahl
386:She has also given talks at
381:Academy of Fine Arts, Munich
192:The Enchantment of Lily Dahl
7:
2495:21st-century American poets
2490:20th-century American poets
1192:Contemporary Psychoanalysis
1183:, vol.1 2007. Reprinted in
934:"Remembering in Color" (on
759:The Eight Voyages of Sinbad
475:. Her collection of essays
469:, Neuropsychoanalysis, and
463:Contemporary Psychoanalysis
376:Best American Short Stories
10:
2521:
2410:Columbia University alumni
2086:Gonzalo Torrente Ballester
1948:The Sorrows of an American
1837:
1328:
1261:Lectures and conversations
1112:"The World Trade Center."
1075:Essays on various subjects
867:"Vermeer's Annunciation."
827:
786:The Paris Review Anthology
629:The Sorrows of an American
599:
546:Princess of Asturias Award
512:La Chambre des Magiciennes
396:Mysteries of the Rectangle
392:Metropolitan Museum of Art
207:The Sorrows of an American
2310:
2299:
2070:
2059:
1470:– via Google Books.
687:Living, Thinking, Looking
586:
477:Living, Thinking, Looking
425:
311:
220:Living, Thinking, Looking
168:
163:
151:
141:
113:
105:
97:
73:
65:
42:
30:
23:
2470:American women essayists
2450:American women novelists
2440:Novelists from Minnesota
1890:PhiN: Philologie im Netz
1254:Fifty Shades of Feminism
1168:"My Inger Christensen,"
1130:(Norway), November 2004.
1100:The Criterion Collection
774:
581:
483:was long-listed for the
472:Clinical Neurophysiology
2435:St. Olaf College alumni
1984:Interviews and lectures
1921:Siri Hustvedt's Website
956:"Finding Goya's Head."
881:"Not Just Bottles" (on
874:"Ghosts at the Table."
761:, published in Spanish
533:was longlisted for the
502:Awards and recognitions
1877:ĂhlschlĂ€ger, Claudia.
916:"Double Exposure" (on
901:, London: DK, 2001.
805:"Haiku" (on Chardin).
763:Ocho Viajes Con Simbad
649:Memories of the Future
636:The Summer Without Men
525:The Summer Without Men
443:
255:
240:The Summer Without Men
229:Memories of the Future
216:The Summer Without Men
2420:Writers from Brooklyn
1828:Deutscher Kunstverlag
1462:. Columbia University
1231:"Freud's Playground"
1135:Lettre Internationale
729:. Writ, no. 18, 1986.
535:2014 Man Booker Prize
520:Prix Femina Ătranger
436:Heidelberg University
433:
268:Northfield, Minnesota
264:Northfield, Minnesota
253:
59:Northfield, Minnesota
2445:American women poets
2281:Antonio Muñoz Molina
1812:Simon & Schuster
1607:. September 16, 2011
1560:on September 3, 2011
1432:"Weather Markings",
1161:"My Father Myself."
1137:, Denmark: 08, 2005.
1024:, February 21, 2009.
972:Nouvelle Observateur
931:, July, August 2002.
862:Essays on visual art
821:Jonathan Safran Foer
791:"Broken Geometry."
780:"Weather Markings."
278:, Norway, in 1973.
2142:Arturo Uslar Pietri
2126:Carmen MartĂn Gaite
1436:81 (1981): 136â137.
1228:, February 18, 2012
1215:Neuropsychoanalysis
802:87 (1983): 129â130.
300:Columbia University
87:Columbia University
2475:American feminists
2199:Augusto Monterroso
2130:JosĂ© Ăngel Valente
2110:Mario Vargas Llosa
2098:Pablo GarcĂa Baena
1770:The New York Times
1497:"Mr. Morning," in
1290:Beverley Zabriskie
1249:22 (2013) 169â173.
1222:The New York Times
1206:"The Real Story."
1165:104 (2008): 56â75.
1158:41 (2007) 213â221.
1084:, (1997): 265â275.
1010:, October 6, 2007.
991:"Insides Out" (on
974:. August 18, 2005.
899:Writers on Artists
795:12 (1981): 69â73.
734:Translation editor
489:University of Oslo
444:
390:in Madrid and the
256:
2382:
2381:
2378:
2377:
2295:
2294:
2157:Claudio RodrĂguez
2050:Laureates of the
1892:32 (2005): 50â67.
1657:Publishers Weekly
1631:Los Angeles Times
1348:Selected articles
981:93 (2005): 34â59.
953:91 (2003): 85â93.
837:30 (1989): 80â98.
642:The Blazing World
531:The Blazing World
481:The Blazing World
442:, Germany in 2011
333:SĂžren Kierkegaard
291:David Copperfield
224:The Blazing World
181:
180:
106:Years active
53:February 19, 1955
2512:
2352:Emmanuel CarrĂšre
2301:
2300:
2175:Francisco Umbral
2120:Camilo José Cela
2061:
2060:
2044:
2037:
2030:
2021:
2020:
1831:
1820:
1814:
1809:
1803:
1802:
1795:
1789:
1788:
1786:
1784:
1761:
1755:
1754:
1752:
1750:
1735:
1729:
1724:
1718:
1717:
1715:
1713:
1699:
1693:
1692:
1690:
1688:
1674:
1668:
1667:
1665:
1663:
1648:
1642:
1641:
1639:
1637:
1623:
1617:
1616:
1614:
1612:
1597:
1591:
1590:
1588:
1586:
1576:
1570:
1569:
1567:
1565:
1556:. Archived from
1550:
1544:
1543:
1541:
1539:
1530:. Archived from
1524:
1518:
1512:
1506:
1495:
1489:
1478:
1472:
1471:
1469:
1467:
1455:
1449:
1443:
1437:
1434:The Paris Review
1430:
1424:
1423:
1421:
1419:
1404:
1018:Annette Messager
1004:Louise Bourgeois
833:"Mr. Morning."
809:, Summer (2000).
800:The Paris Review
782:The Paris Review
412:Jessica Benjamin
337:Emile Benveniste
305:The Paris Review
296:St. Olaf College
272:Cathedral School
177:
174:
172:
135:
133:
78:St. Olaf College
56:
52:
50:
37:Hustvedt in 2014
35:
21:
20:
2520:
2519:
2515:
2514:
2513:
2511:
2510:
2509:
2385:
2384:
2383:
2374:
2364:Haruki Murakami
2328:Adam Zagajewski
2316:Leonardo Padura
2306:
2291:
2251:Margaret Atwood
2217:Fatema Mernissi
2187:Francisco Ayala
2151:Francisco Nieva
2066:
2055:
2048:
2016:April 14, 2010.
1986:
1917:
1873:Online journal.
1840:
1835:
1834:
1822:Siri Hustvedt,
1821:
1817:
1810:
1806:
1797:
1796:
1792:
1782:
1780:
1762:
1758:
1748:
1746:
1745:. March 4, 2024
1737:
1736:
1732:
1725:
1721:
1711:
1709:
1701:
1700:
1696:
1686:
1684:
1676:
1675:
1671:
1661:
1659:
1649:
1645:
1635:
1633:
1624:
1620:
1610:
1608:
1599:
1598:
1594:
1584:
1582:
1578:
1577:
1573:
1563:
1561:
1552:
1551:
1547:
1537:
1535:
1534:on May 13, 2008
1526:
1525:
1521:
1513:
1509:
1496:
1492:
1488:(1990): 144â62.
1480:"Mr. Morning,"
1479:
1475:
1465:
1463:
1456:
1452:
1444:
1440:
1431:
1427:
1417:
1415:
1405:
1396:
1391:
1350:
1331:
1326:
1263:
1170:Jyllands Posten
1119:"Being a Man."
1077:
1063:. Munich (2012)
1047:The Yale Review
1040:The Yale Review
997:Modern Painters
986:Modern Painters
979:The Yale Review
967:. Winter, 2004.
965:Modern Painters
960:. Winter, 2003.
958:Modern Painters
951:The Yale Review
942:, Autumn, 2002.
940:Modern Painters
924:, Summer, 2002.
922:Modern Painters
918:Gerhard Richter
913:, Spring, 2000.
911:Modern Painters
889:, Winter, 1998.
887:Modern Painters
883:Giorgio Morandi
878:, Summer, 1997.
876:Modern Painters
871:, Spring, 1996.
869:Modern Painters
864:
830:
777:
772:
749:
736:
727:Vanishing Point
718:Kjetsaa, Geir.
715:
675:A Plea for Eros
659:
602:
589:
584:
557:
548:in Literature.
504:
428:
408:Juliet Mitchell
345:Mikhail Bakhtin
325:Charles Dickens
314:
248:
202:A Plea for Eros
169:
158:
137:
129:
125:
122:
85:
57:
54:
48:
46:
38:
26:
17:
12:
11:
5:
2518:
2508:
2507:
2502:
2497:
2492:
2487:
2482:
2477:
2472:
2467:
2462:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2380:
2379:
2376:
2375:
2373:
2372:
2366:
2360:
2354:
2348:
2342:
2336:
2330:
2324:
2318:
2311:
2308:
2307:
2297:
2296:
2293:
2292:
2290:
2289:
2283:
2277:
2271:
2265:
2259:
2253:
2247:
2241:
2235:
2229:
2227:Claudio Magris
2223:
2213:
2207:
2201:
2195:
2189:
2183:
2177:
2171:
2169:Carlos Bousoño
2165:
2163:Carlos Fuentes
2159:
2153:
2147:
2144:
2138:
2136:Ricardo GullĂłn
2132:
2122:
2116:
2106:
2104:Ăngel GonzĂĄlez
2100:
2094:
2088:
2082:Miguel Delibes
2078:
2071:
2068:
2067:
2057:
2056:
2054:for Literature
2047:
2046:
2039:
2032:
2024:
2018:
2017:
2011:
2005:
1999:
1993:
1985:
1982:
1981:
1980:
1975:
1970:
1965:
1956:
1951:
1943:
1938:
1933:
1928:
1923:
1916:
1915:External links
1913:
1912:
1911:
1904:
1893:
1882:
1875:
1861:
1858:
1848:
1839:
1836:
1833:
1832:
1815:
1804:
1790:
1756:
1730:
1719:
1694:
1669:
1643:
1618:
1592:
1571:
1545:
1519:
1507:
1490:
1482:Ontario Review
1473:
1450:
1446:Reading to You
1438:
1425:
1393:
1392:
1390:
1387:
1386:
1385:
1382:
1378:
1374:
1371:
1367:
1363:
1360:
1357:
1354:
1349:
1346:
1345:
1344:
1341:
1338:
1335:
1330:
1327:
1325:
1322:
1321:
1320:
1317:
1314:
1311:
1308:
1305:
1302:
1299:
1296:
1293:
1286:
1283:
1280:
1277:
1274:
1267:
1262:
1259:
1258:
1257:
1250:
1243:
1238:"On Reading."
1236:
1229:
1218:
1211:
1204:
1195:
1188:
1177:
1166:
1159:
1152:
1145:
1142:The Bostonians
1138:
1131:
1124:
1117:
1110:
1103:
1092:
1085:
1076:
1073:
1072:
1071:
1064:
1057:
1050:
1043:
1032:
1025:
1014:
1011:
1000:
989:
982:
975:
968:
961:
954:
943:
932:
925:
914:
891:
890:
879:
872:
863:
860:
859:
858:
839:
838:
835:Ontario Review
829:
826:
825:
824:
816:Joseph Cornell
812:"Nine Boxes."
810:
803:
796:
789:
776:
773:
771:
768:
767:
766:
756:
748:
745:
744:
743:
735:
732:
731:
730:
723:
714:
711:
710:
709:
696:
690:
684:
678:
672:
666:
658:
655:
654:
653:
645:
639:
633:
625:
617:
611:
601:
598:
597:
596:
593:Reading to You
588:
585:
583:
580:
572:Roman Polanski
556:
553:
503:
500:
427:
424:
365:Julia Kristeva
341:Roman Jakobson
318:Reading to You
313:
310:
260:Lloyd Hustvedt
247:
244:
179:
178:
166:
165:
161:
160:
156:Lloyd Hustvedt
153:
149:
148:
143:
139:
138:
127:
123:
118:
117:
115:
111:
110:
107:
103:
102:
99:
95:
94:
75:
71:
70:
67:
63:
62:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
2517:
2506:
2503:
2501:
2498:
2496:
2493:
2491:
2488:
2486:
2483:
2481:
2478:
2476:
2473:
2471:
2468:
2466:
2463:
2461:
2458:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2436:
2433:
2431:
2428:
2426:
2423:
2421:
2418:
2416:
2415:Living people
2413:
2411:
2408:
2406:
2403:
2401:
2398:
2396:
2393:
2392:
2390:
2371:
2370:Ana Blandiana
2367:
2365:
2361:
2359:
2355:
2353:
2349:
2347:
2343:
2341:
2340:Siri Hustvedt
2337:
2335:
2331:
2329:
2325:
2323:
2319:
2317:
2313:
2312:
2309:
2302:
2298:
2288:
2287:John Banville
2284:
2282:
2278:
2276:
2272:
2270:
2269:Leonard Cohen
2266:
2264:
2260:
2258:
2257:Ismail Kadare
2254:
2252:
2248:
2246:
2242:
2240:
2236:
2234:
2230:
2228:
2224:
2222:
2218:
2214:
2212:
2211:Arthur Miller
2208:
2206:
2205:Doris Lessing
2202:
2200:
2196:
2194:
2190:
2188:
2184:
2182:
2178:
2176:
2172:
2170:
2166:
2164:
2160:
2158:
2154:
2152:
2148:
2145:
2143:
2139:
2137:
2133:
2131:
2127:
2123:
2121:
2117:
2115:
2114:Rafael Lapesa
2111:
2107:
2105:
2101:
2099:
2095:
2093:
2089:
2087:
2083:
2079:
2077:
2073:
2072:
2069:
2062:
2058:
2053:
2045:
2040:
2038:
2033:
2031:
2026:
2025:
2022:
2015:
2012:
2009:
2006:
2003:
2000:
1997:
1994:
1991:
1988:
1987:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1962:
1957:
1955:
1952:
1950:
1949:
1944:
1942:
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1922:
1919:
1918:
1909:
1905:
1902:
1898:
1894:
1891:
1887:
1883:
1880:
1876:
1874:
1870:
1866:
1862:
1859:
1857:
1856:Google Books.
1853:
1849:
1846:
1842:
1841:
1829:
1825:
1819:
1813:
1808:
1800:
1794:
1779:
1775:
1771:
1767:
1760:
1744:
1740:
1734:
1728:
1723:
1708:
1704:
1698:
1683:
1679:
1673:
1658:
1654:
1647:
1632:
1629:
1622:
1606:
1602:
1596:
1581:
1575:
1559:
1555:
1549:
1533:
1529:
1523:
1516:
1511:
1504:
1500:
1494:
1487:
1483:
1477:
1461:
1454:
1447:
1442:
1435:
1429:
1414:
1410:
1403:
1401:
1399:
1394:
1383:
1379:
1375:
1372:
1368:
1364:
1361:
1358:
1355:
1352:
1351:
1342:
1339:
1336:
1333:
1332:
1318:
1315:
1312:
1309:
1306:
1303:
1300:
1297:
1294:
1291:
1287:
1284:
1281:
1278:
1275:
1272:
1268:
1265:
1264:
1255:
1251:
1248:
1244:
1242:: 49, (2011).
1241:
1237:
1234:
1230:
1227:
1226:Sunday Review
1223:
1220:"Flashbacks"
1219:
1216:
1212:
1209:
1205:
1202:
1201:
1196:
1193:
1189:
1186:
1182:
1178:
1175:
1171:
1167:
1164:
1160:
1157:
1153:
1150:
1147:"Look Away."
1146:
1143:
1139:
1136:
1132:
1129:
1125:
1123:(2003) 71â76.
1122:
1118:
1115:
1111:
1108:
1104:
1101:
1097:
1093:
1090:
1086:
1083:
1079:
1078:
1069:
1068:Anselm Kiefer
1065:
1062:
1058:
1055:
1051:
1048:
1044:
1041:
1037:
1033:
1030:
1026:
1023:
1019:
1015:
1012:
1009:
1005:
1001:
998:
994:
990:
988:, Fall, 2005.
987:
983:
980:
976:
973:
969:
966:
962:
959:
955:
952:
948:
944:
941:
937:
936:Joan Mitchell
933:
930:
926:
923:
919:
915:
912:
908:
904:
903:
902:
900:
896:
888:
884:
880:
877:
873:
870:
866:
865:
856:
852:
851:
850:
848:
844:
841:Reprinted in
836:
832:
831:
822:
818:
817:
811:
808:
804:
801:
797:
794:
790:
787:
783:
779:
778:
764:
760:
757:
754:
751:
750:
741:
738:
737:
728:
724:
721:
717:
716:
708:
707:9781982176396
704:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
660:
651:
650:
646:
643:
640:
637:
634:
631:
630:
626:
623:
622:
618:
615:
612:
609:
608:
607:The Blindfold
604:
603:
594:
591:
590:
579:
577:
573:
568:
566:
565:Sophie Auster
562:
555:Personal life
552:
549:
547:
541:
538:
536:
532:
528:
526:
521:
517:
513:
509:
508:The Blindfold
506:A section of
499:
497:
492:
490:
486:
482:
478:
474:
473:
468:
464:
459:
457:
453:
452:life sciences
449:
441:
437:
432:
423:
421:
420:Judith Butler
417:
413:
409:
405:
401:
397:
393:
389:
384:
382:
377:
373:
372:The Blindfold
368:
366:
362:
358:
354:
353:Jacques Lacan
350:
349:Sigmund Freud
346:
342:
338:
334:
330:
326:
321:
319:
309:
307:
306:
301:
297:
293:
292:
288:
284:
279:
277:
273:
269:
265:
261:
252:
243:
241:
237:
236:
231:
230:
225:
221:
217:
213:
209:
208:
203:
199:
198:
193:
189:
188:The Blindfold
185:
184:Siri Hustvedt
176:
173:.sirihustvedt
167:
162:
157:
154:
150:
147:
146:Sophie Auster
144:
140:
121:
116:
112:
108:
104:
100:
96:
92:
88:
83:
79:
76:
72:
68:
64:
60:
55:(age 69)
45:
41:
34:
29:
25:Siri Hustvedt
22:
19:
2358:Juan Mayorga
2339:
2322:Richard Ford
2263:Amin Maalouf
2233:Nélida Piñon
2221:Susan Sontag
2193:GĂŒnter Grass
2181:Ălvaro Mutis
1961:What I Loved
1960:
1947:
1907:
1900:
1897:What I Loved
1896:
1889:
1885:
1878:
1868:
1865:What I Loved
1864:
1851:
1844:
1823:
1818:
1807:
1793:
1781:. Retrieved
1769:
1759:
1747:. Retrieved
1742:
1733:
1722:
1710:. Retrieved
1706:
1697:
1685:. Retrieved
1682:gabarron.org
1681:
1672:
1660:. Retrieved
1656:
1646:
1634:. Retrieved
1630:
1621:
1609:. Retrieved
1604:
1595:
1583:. Retrieved
1574:
1562:. Retrieved
1558:the original
1548:
1536:. Retrieved
1532:the original
1522:
1514:
1510:
1502:
1498:
1493:
1485:
1481:
1476:
1464:. Retrieved
1453:
1445:
1441:
1433:
1428:
1416:. Retrieved
1413:The Guardian
1412:
1270:
1253:
1246:
1239:
1232:
1225:
1221:
1214:
1207:
1198:
1191:
1184:
1180:
1173:
1169:
1162:
1156:Conjunctions
1155:
1148:
1141:
1134:
1127:
1120:
1113:
1106:
1099:
1095:
1088:
1081:
1060:
1053:
1046:
1039:
1028:
1022:The Guardian
1021:
1008:The Guardian
1007:
996:
985:
978:
971:
964:
957:
950:
939:
929:Art on Paper
928:
921:
910:
898:
894:
892:
886:
875:
868:
854:
846:
842:
840:
834:
813:
806:
799:
792:
785:
781:
762:
758:
752:
739:
726:
719:
698:
692:
686:
680:
674:
668:
662:
647:
641:
635:
627:
621:What I Loved
619:
613:
605:
592:
569:
558:
550:
542:
539:
530:
529:
524:
516:What I Loved
515:
511:
507:
505:
495:
493:
485:Booker Prize
480:
476:
471:
460:
448:epistemology
445:
434:Hustvedt at
395:
385:
375:
371:
369:
361:Paul Ricoeur
357:Mary Douglas
328:
322:
317:
315:
303:
289:
280:
257:
239:
235:What I Loved
233:
227:
226:(2014), and
223:
219:
215:
211:
205:
201:
197:What I Loved
195:
191:
187:
183:
182:
109:1983âpresent
18:
2395:1955 births
2346:Anne Carson
2334:Fred Vargas
2275:Philip Roth
2239:Paul Auster
2076:José Hierro
1990:âWhy Goya?â
1871:25 (2009).
1743:Vanity Fair
1712:February 6,
1687:February 6,
1636:February 6,
1611:February 6,
1585:February 6,
1564:February 6,
1538:February 6,
1466:February 6,
1176:, May 2009.
893:Reprinted:
713:Translation
561:Paul Auster
404:Leo Bersani
159:Ester Vegan
120:Paul Auster
2389:Categories
2092:Juan Rulfo
1389:References
1233:Salmagundi
1208:Salmagundi
1185:Salmagundi
1049:98 (2010).
1042:97 (2009).
993:Kiki Smith
807:Art Issues
657:Nonfiction
440:Heidelberg
416:Mark Solms
246:Early life
66:Occupation
49:1955-02-19
1826:(Berlin:
1778:0362-4331
1749:March 14,
1707:hf.uio.no
1486:Fiction 9
1324:Criticism
1200:The Snake
947:Giorgione
388:the Prado
287:Dickens's
283:ReykjavĂk
74:Education
1830:, 2010).
1662:March 4,
1605:Bibliobs
1418:March 4,
1381:171â196.
1377:365â386.
1240:Columbia
1128:Samtiden
232:(2019).
222:(2012),
218:(2011),
214:(2010),
210:(2008),
204:(2006),
194:(1996),
190:(1992),
142:Children
2245:Amos Oz
1838:Sources
1370:73â122.
1366:(2012).
1102:(film).
1036:Morandi
907:Chardin
828:Stories
819:. Ed.,
600:Fiction
164:Website
152:Parents
136:
128:
124:
2368:2024:
2362:2023:
2356:2022:
2350:2021:
2344:2020:
2338:2019:
2332:2018:
2326:2017:
2320:2016:
2314:2015:
2285:2014:
2279:2013:
2273:2012:
2267:2011:
2261:2010:
2255:2009:
2249:2008:
2243:2007:
2237:2006:
2231:2005:
2225:2004:
2215:2003:
2209:2002:
2203:2001:
2197:2000:
2191:1999:
2185:1998:
2179:1997:
2173:1996:
2167:1995:
2161:1994:
2155:1993:
2149:1992:
2140:1990:
2134:1989:
2124:1988:
2118:1987:
2108:1986:
2102:1985:
2096:1984:
2090:1983:
2080:1982:
2074:1981:
1899:." In
1783:May 1,
1776:
1174:Poetry
1163:Granta
793:Pequod
705:
695:(2016)
689:(2012)
683:(2009)
677:(2005)
671:(2005)
665:(1998)
663:Yonder
652:(2019)
644:(2014)
638:(2011)
632:(2008)
624:(2003)
616:(1996)
610:(1992)
595:(1982)
587:Poetry
426:Themes
418:, and
400:Vienna
363:, and
312:Career
276:Bergen
114:Spouse
69:Writer
61:, U.S.
1329:Books
775:Poems
582:Books
456:Mainz
130:(
126:
98:Genre
2219:and
2128:and
2112:and
2084:and
1785:2024
1774:ISSN
1751:2024
1714:2019
1689:2019
1664:2019
1638:2019
1613:2019
1587:2019
1566:2019
1540:2019
1468:2019
1420:2019
703:ISBN
238:and
175:.net
43:Born
1888:."
1867:."
1271:sic
1038:."
995:).
949:).
938:).
920:).
909:).
885:).
438:in
274:in
171:www
91:PhD
2391::
1772:.
1768:.
1741:.
1705:.
1680:.
1655:.
1603:.
1411:.
1397:^
1224:,
1020:"
1006:)
578:.
491:.
465:,
422:.
414:,
410:,
406:,
383:.
367:.
359:,
355:,
351:,
347:,
343:,
339:,
335:,
327:,
132:m.
82:BA
51:)
2043:e
2036:t
2029:v
1787:.
1753:.
1716:.
1691:.
1666:.
1640:.
1615:.
1589:.
1568:.
1542:.
1422:.
1066:"
93:)
89:(
84:)
80:(
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.