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The
Marstall (stables building) is located to the south of the cour d'honneur and is connected to the wings of the palace by wrought-iron railings. Built by Johann Dientzendorffer based on plans by Maximilian von Welsch 1714—17, it has a concave front facing the courtyard. It was constructed with one
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mezzanine floor, with the exception of the pavilions sitting at the end of the two wings, which have two main floors and one mezzanine floor (the latter housing the guest rooms). All the facades are covered by light gray sandstone, sculptures and window frames are made from yellow-greenish sandstone.
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the central part of the main building extends quite noticeably, to accommodate the large central staircase. The middle pavilion of the main wing sits on a pedestal-like ground floor and features two full upper floors with high windows. The other parts of the building have only one main floor and one
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The grand staircase extends through all three floors of the main pavilion. As suggested by
Hildebrandt, galleries overlook the stairwell on both upper floors. The large ceiling fresco by Johann Rudolf Byss (1713), who later became the director of the palace gallery of paintings, shows the four then
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Construction of the formal garden was begun by von Welsch in 1715. After 1722, on the suggestion of his nephew
Friedrich Carl, Schönborn summoned Abraham Huber from Salzburg, who by 1723 had the fountains running. The statuary was added only after Lothar Franz' death in 1741. The linden avenue was
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The right wing contains the palace gallery of paintings and its library, with stucco work by D. Schenk and G. Hennicke after 1713. Schönborn had collected a large number of paintings by contemporary artists, many of them Dutch, that were hung in up to four vertical rows, completely covering the
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floating on clouds. To the east, painted columns give views of angels who face a "collapsing" entryway. The central hall has a ceiling fresco showing the allegorical "times of the day" by Johann Jakob
Gerbhardt. The room had been turned into a grotto by Georg Hennicke, who applied semi-precious
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and columns of red stucco marble are set off from green walls. Situated on sills are stucco figurines by
Zammels, showing allegories of the Turkish and Persian monarchies on the inner wall and of the Roman and Greek monarchies on the outer wall. In the corners, the
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There are four sculpture groups (sandstone) in front of the ground floor of the main pavilion, two each on the garden and the courtyard side. They were likely made by
Burkard Zammels, who worked here in 1718–20. On the garden front, the statues show
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on the right. On the cour d'honneur side, the figures are somewhat obscure and have been interpreted as allegories of
Justice & Victory and Vigilance & Truth. A carved dog wears a collar with the initials "LFC", referring to the builder,
376:, inherited the estate after the local family, the Truchsesse of Pommersfelden had died out. He ordered the construction of a palace as a private summer residence, paid for from his personal wealth. In 1711, he had helped ensure the election of
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flight of rooms on the ground floor, accessed between the two flights of stairs. His work is in evidence in both side halls. To the west he created an image of Ionic columns flanking views of an ideal
Italian landscape under a sky populated by
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materials, the colour of which gave rise to the name of the palace ("white stone"). The grand stairway was the first such structure built in the
Baroque style in Germany. The interior art was finished in 1723. Contributors included
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gallery walls. He especially treasured painting of members of his family, of the
Habsburgs and other rulers and rare animal motives. Schönborn also collected East Asian porcelain delivered to him en masse by members of the
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floor fewer than originally intended. The Marstall features double columns adorning the central part, which is topped by a clock tower. Below this is an oval hall. Its ceiling has a fresco of
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flank the gable. It is ornamented by two figures, one holding a sheaf, the other a horn of plenty. All of these were likely made by Nikolaus Rösch. The gable is topped by a statue of
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and pair of children are by P. Benkert and his workshop. Stucco work was done by Daniel Schenk. Painted railings that extend the real architectural features are by Marchini.
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planted in 1768 with 200 linden trees from the Aischer Wald. Transformation of the formal Baroque garden into an English landscape garden began as early as 1786 under
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stones and seashells to the walls. He also added various animal and putti figures. The four larger-than-life stucco statues of the four elements were made by Zammels.
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The triangular gable of the main building on the garden front with its coat of arms of the Schönborns has been carved from the same material. Colossal statues of
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638:. In the center of each wall a virtue is shown: Justice, Strength, Industry and Wisdom. Stucco work by Daniel Schenk shows putti, vases and eagles.
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Minor restoration work was done in the late 19th century. More recently, preservation work has been done between 1975 and 2003.
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The palace and its park are open to the public. The Marstall and Orangerie today house a hotel (currently closed).
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was however, only partially realized. In the early 19th century, the park was transformed from its original
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collection in Germany, containing over 600 pictures. Baroque and Renaissance artists represented include
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The gable facing the cour d'honneur also has the family coat of arms, flanked by lions and crowned by
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who rewarded him with a gift of 100,000 gulden. A team of architects including
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known continents, around a central sun wagon of Phoebus Apollo. Sculptures (
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designed many of the outbuildings. The local head of construction was the
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After the death of Lothar Franz in 1729, the palace passed to his nephew
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The palace chapel features three important works of art: an Italian
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925:. Gemeinnützige Stiftung Schloss Weissenstein in Pommersfelden
903:. Gemeinnützige Stiftung Schloss Weissenstein in Pommersfelden
881:. Gemeinnützige Stiftung Schloss Weissenstein in Pommersfelden
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On the first floor is the main hall of the palace, the
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The palace was built between 1711 and 1719 from local
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Franken - Kunst, Geschichte und Landschaft (German)
27:Historic Royal Palace in Bavaria, Southern Germany
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998:Buildings and structures in Bamberg (district)
805:Schloss Weißenstein in Pommersfelden (German)
651:whom he supported. Other collections include
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408:Anselm Franz von Ritter zu Groenesteyn
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948:Official website Schloss Weissenstein
923:"Schloss-Weissenstein Art Collection"
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655:made in Delft, glass and sea shells.
448:who had the park expanded. A plan by
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414:priest Nikolaus Loyson (1676–1720).
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879:"Schloss-Weissenstein History"
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853:Dettelbacher, Werner (1974).
803:Schiedermair, Werner (2011).
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534:War of the Spanish Succession
528:. To the left is a figure of
384:who had previously built the
901:"Schloss-Weissenstein Hotel"
592:He also was responsible for
446:Friedrich Karl von Schönborn
396:Johann Lukas von Hildebrandt
315:Johann Lukas von Hildebrandt
245:Johann Lukas von Hildebrandt
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768:List of Baroque residences
520:Gable facing the courtyard
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44:Aerial view of the Schloss
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209:1718 (1719 outbuildings)
424:Johann Michael Rottmayr
232:Design and construction
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736:Artemisia Gentileschi
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660:Lamentation of Christ
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404:Maximilian von Welsch
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119:Schloss Pommersfelden
513:holding up the sky.
382:Johann Dientzenhofer
323:Baroque architecture
311:Johann Dientzenhofer
241:Johann Dientzenhofer
198:Construction started
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374:Archbishop of Mainz
334:Schloss Weißenstein
307:Archbishop of Mainz
277:Schloss Weißenstein
272:View from the south
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129:Architectural style
124:General information
106:Show map of Germany
100:Schloss Weißenstein
76:Show map of Bavaria
70:Schloss Weißenstein
33:Schloss Weißenstein
968:Museums in Bavaria
963:Palaces in Bavaria
695:by G.F. Marchini.
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662:(17th century), a
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428:Johann Rudolf Byss
388:and the church at
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18:Weißenstein Palace
857:. Dumont Verlag.
814:978-3-89870-145-7
740:Peter Paul Rubens
630:greeted by Juno,
450:Balthasar Neumann
309:, to designs by
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182:49.763°N 10.821°E
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160:Coordinates
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779:References
615:Marmorsaal
598:Gartensaal
546:Proserpina
173:10°49′16″E
170:49°45′47″N
752:Rembrandt
693:Andromeda
624:Four Ages
619:Pilasters
419:sandstone
364:In 1710,
264:Courtyard
206:Completed
807:. Fink.
762:See also
682:Marstall
674:Marstall
653:Faiences
636:Dionysus
503:Endymion
471:troops.
469:Prussian
456:into an
329:Location
929:22 July
907:22 July
885:22 July
718:Schloss
689:Perseus
649:Jesuits
575:Jupiter
526:Mercury
400:Karl VI
378:Karl VI
360:History
354:Germany
350:Bavaria
342:Bamberg
295:Germany
291:Bavaria
282:Schloss
153:Germany
149:Country
133:Baroque
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748:Titian
699:Garden
628:Aurora
607:Pomona
583:Urania
554:Daphne
550:Apollo
530:Athena
412:Jesuit
214:Client
712:Today
642:Wings
632:Venus
603:Flora
587:putti
542:Pluto
511:Atlas
507:Diana
439:]
279:is a
224:Owner
931:2014
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887:2014
859:ISBN
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