22:
114:- the context in which his plays had previously been seen - and a desire to reach the bigger audiences subsidised theatre companies would provide. Furthermore, in the play's programme, Brenton disclaimed being a moralist.
176:, itself staged at the National. Given the subject of the play, it is ironic that its first production took place against the backdrop of the National Theatre itself undergoing a good deal of difficulties with
84:, who appeared in the original production, as describing acting in it as being "like opening a furnace door - your time comes, you open the door and blaze, then shut it".
432:
120:
became the first commissioned play to be performed at the reopened
National Theatre when it premièred on the Lyttelton stage on 14 July 1976. The cast included
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121:
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The play was sufficiently successful that after it opened Peter Hall asked
Brenton for another, which would be the controversial
330:
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191:(many of whom were political) did not care for it, and that he was disappointed by the newspaper reviews. However,
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is imagined alive in the 1970s (in real life he was hanged in 1952), and his hallucinations of life in
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In an introduction to the play, Brenton wrote that he was "trying to write a kind of
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110:
from around the time the play was being written, he expressed dissatisfaction with
80:, the play features several long speeches; in the same introduction Brenton quotes
232:
in 2008. It received middling-to-good reviews, with the worst notices coming from
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192:
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While the play drew in a younger, more radical audience to the
National Theatre,
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as part of a policy of staging new plays by leading authors in the company's new
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201:"highly charged scenes that speak directly about the quality of life in
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and seen as something of a polemicist; however, in an interview with
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187:, the artistic director of the theatre, noted in his diary that the
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in a London crisp factory. The play makes use of a dramatic
392:
edited by John
Goodwin, Hamish Hamilton, 1983 pp. 242-3
344:
edited by John
Goodwin, Hamish Hamilton, 1983 p. 170
205:
today". The production ran for 41 performances, and
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481:
54:whereby the Czech communist cabinet minister
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315:Power Play: the life and time of Peter Hall
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195:was enthusiastic, describing in the
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160:, a collaborator of Brenton from
92:The play was commissioned by the
100:home. At the time Brenton was a
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65:interweave with the main plot.
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402:
383:
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335:
282:
76:'. Making only limited use of
72:play for our time, a 'British
1:
445:"The London Evening Standard"
7:
459:Retrieved on 6 October 2009
447:Retrieved on 6 October 2009
435:Retrieved on 6 October 2009
423:Retrieved on 6 October 2009
411:Retrieved on 6 October 2009
409:"The British Theatre Guide"
368:Retrieved on 6 October 2009
16:1976 play by Howard Brenton
10:
713:
164:and co-writer with him of
663:
645:
627:
504:
671:Portable Theatre Company
291:edited by John Goodwin,
247:
162:Portable Theatre Company
241:London Evening Standard
323:Hodder & Stoughton
211:Evening Standard Award
30:
618:Lawrence After Arabia
548:The Romans in Britain
219:The Romans in Britain
152:. It was designed by
24:
611:Doctor Scroggy's War
534:Weapons of Happiness
390:Peter Hall's Diaries
379:Peter Hall's Diaries
342:Peter Hall's Diaries
289:Peter Hall's Diaries
226:Weapons of Happiness
207:Weapons of Happiness
118:Weapons of Happiness
35:Weapons of Happiness
228:was revived at the
209:went on to win the
132:, Julie Covington,
527:The Churchill Play
366:"National Theatre"
266:Brenton: Plays One
230:Finborough Theatre
31:
25:Cover of original
679:
678:
331:978-0-340-50844-2
138:Bernard Gallagher
107:Theatre Quarterly
704:
604:Drawing the Line
513:Christie in Love
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433:"The Independent
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156:and directed by
136:as Josef Frank,
122:Geoffrey Bateman
94:National Theatre
27:National Theatre
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628:With David Hare
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293:Hamish Hamilton
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213:for Best Play.
198:Financial Times
193:Michael Coveney
146:William Russell
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82:Julie Covington
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12:
11:
5:
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498:Howard Brenton
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421:"The Guardian"
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295:, 1983 p. 168
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252:
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154:Hayden Griffin
150:Derek Thompson
142:Michael Medwin
112:fringe theatre
89:
86:
63:Czechoslovakia
44:Howard Brenton
40:political play
15:
9:
6:
4:
3:
2:
709:
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692:British plays
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583:Never So Good
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559:
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555:Bloody Poetry
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398:0-241-11285-0
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350:0-241-11285-0
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301:0-241-11285-0
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88:Stage history
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520:Magnificence
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178:trade unions
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134:Frank Finlay
130:Nick Brimble
117:
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105:
91:
74:epic theatre
67:
34:
33:
32:
18:
590:Anne Boleyn
576:In Extremis
541:Epsom Downs
505:Major plays
457:"The Times"
325:1995 P.278
319:Stephen Fay
56:Josef Frank
697:1976 plays
686:Categories
646:Television
189:stage crew
185:Peter Hall
158:David Hare
98:South Bank
78:naturalism
46:, about a
38:is a 1976
654:Dead Head
562:Greenland
496:Works by
235:The Times
167:Brassneck
60:Stalinist
29:programme
664:See also
238:and the
70:Jacobean
597:55 Days
270:Methuen
203:England
102:Marxist
52:conceit
636:Pravda
396:
348:
329:
299:
276:
173:Pravda
48:strike
272:1986
248:Notes
569:Paul
394:ISBN
377:Cf.
346:ISBN
327:ISBN
297:ISBN
274:ISBN
170:and
148:and
317:by
124:as
42:by
688::
356:^
321:,
307:^
268:,
256:^
244:.
222:.
180:.
144:,
140:,
128:,
489:e
482:t
475:v
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