540:. When Rickly showed the song to the rest of the group, they were only partially interested in it. After they saw Sigur Rós at a concert, they "decided to bring in some of their noisy qualities into our music", according to Rickly. Rickly said "Signals Over the Air" was about "being scared of sexuality", which he has "always kind of had issues with" to the point "where it always seemed very predatory to me". "Marches and Maneuvers" talks about Rickly and his ex-girlfriend's opinions on abortion and children. He said it "addresses living together and having all those pressures, and then eventually blaming each other for things that happen". Discussing "This Song Brought to You by a Falling Bomb", Rickly said he had "this feeling of wanting to escape the outside world and escape the news." He added that, "On the news every day there would be all these things about the war going on and that terrified me ... It gave an impulse for me to want to block it out." It was intended to solely be an instrumental interlude; however, Rickly "kept hearing things", and asked Everding if it was alright to sing over it.
364:. Also during this period, Brummel became more positive in his interactions, frequently calling the band "just to say hello, or to ask how record sales at shows were going." The group was disappointed that his positivity "wasn't there from the beginning. ... Instead of Tony's relationship with us being based on a love for music, it was based entirely on numbers." While all the interactions with the label were occurring, the group was being contacted by major labels. The group, who "didn't understand about major labels", pondered about other independent labels they would join. However, due to their contract they wouldn't be allowed to move to another independent label. Throughout 2001, people from major label
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logo. With expectation building for their follow-up album, Rickly wanted their next album to be "really aggressive and progressive ... and have all these boundary pushing ideas". In
September and October, the group went on the Plea for Peace Tour, and were planning to work on their next album following its conclusion. They said they had accumulated a lot of ideas but were unable to work on them due touring. In mid-November, the group continued writing new material; over the course of the next two months, they wrote the majority of what would become the album. Up to now, the members had made notes on their laptops and made
554:(1999). The first part details moving to a town where one of his friends' brothers fell off a cliffside, and some of his friends subsequently committed suicide. The second part discusses Rickly discovering music, and the third part talks about love and how that can affect a person's sense of self and confidence. The rhythm and melody of the song came out during a soundcheck. Keeley was playing a part repeatedly and drummer Tucker Rule joined playing a variety of beats. Pedulla then began playing along, playing what Rickly called "these beautiful, glistening guitar parts". Rickly said "M. Shepard" was "not directly" about
326:. After signing, the band received warnings from their friends that they would find themselves in "a situation that we would regret." The group was unsure what they meant, but thought things would turn out fine due to their contract with the label. They initially thought that part of the contract meant they could sign with a different label if they chose to. However, they realized the deal had in fact stated they could only leave Victory if it was to join a major label, which they thought was "a far-fetched idea to say the least." Later in the year, they released their second album
435:". Villanueva noticed the group getting burned out and took them to a farmhouse studio, which was Longview Farm Studios in North Brookfield, Massachusetts. Rickly said it was located in the "woods, basically it’s a log cabin with a fireplace, it’s just really beautiful." The studio had a grand piano on which the group fleshed out a piano part that Everding had previously written. Rickly said Everding repeatedly played the part and recorded it. The group took a break from recording to play a few shows in late April.
536:. "Division St." describes an evening in which Rickly visited a group of his friends. Upon learning they were using heavy drugs, he left and was mugged and stabbed in the leg. When he went to visit a girl he liked for help, he found out she was with someone else. He said the track was about how "it can sometimes seem like your whole world is coming apart and you find out that everything you thought you knew is not how you thought it was." The music for the song was influenced by
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While working on lyrics for the final three songs, he was unable to write any words and became unhappy with the songs. He subsequently suffered from writer's block for a month. Rickly said that after recording was completed, the rest of the band wrote three more songs, which they "liked even better".
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reviewer Daniel L. Mitchell gave a very positive review of the album, praising the writing (especially "Division St.", "For The
Workforce, Drowning" and "M. Shepard") and production on the record. Mitchell also appreciated "This Song Brought to You by a Falling Bomb", despite that in his opinion, it
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at
Gateway Mastering in Portland Maine. Everding played keyboards on "Division St.", "Marches and Maneuvers", "Asleep in the Chapel", "This Song Brought to You by a Falling Bomb", "Steps Ascending", "M. Shepard" and "Tomorrow I'll Be You". Tim Gilles played keyboards on "Between Rupture and Rapture"
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In a retrospective review for
Sputnikmusic in 2008, staff member Davey Boy said it was "rather inconsistent, but gets by on its highlights and its ability to grow on the listener over time" and in "an attempt at crossover appeal, this release is only partially successful." In 2014, Rickly was asked
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to buy out
Victory's contract claim for the group's next two albums. Rickly said as a result of the deal, Victory Records received $ 1,200,000, which meant the band would be " that bill for as long as we were on the new label." In addition, their next two albums were required to feature the Victory
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as the album title first before it appeared in the song. He said that it wasn't the first title they had in mind, but soon realized that the song "really is the center of the record." Rickly said the song was about his upbringing in New Jersey. He added that it was "sort of like love all the time,
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Rickly thought they were "doing things that were kind of excessive", mentioning that they recorded four different recordings of every track "just to see which one turned out the best." While this was occurring, the group was writing new material. Rickly said three of these new songs would not have
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Andrew
Beaujon said Rickly "sings like Ben Folds after a particularly messy breakup", and manages to fill the beginning "moment with starved romanticism." Beaujon mentioned that the record's "artier tracks ... will probably enervate longtime fans who worry that major-label cash is clouding their
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reviewer Johnny Loftus wrote that the record "rocks on the dynamics between singing and screaming, between rage unleashed and thoughts cast inward." He also said that in spite of the album's "righteous gospel, startling dynamic shifts, and hurtling minor-chord choruses", it unavoidably starts to
1072:'s Jesse Lord said it was a "really good CD that verges on being great", however, "there are simply too many songs that sound alike." He noted that while the intros on the majority of the songs reveal "the diversity of the band", they then revert to "the screaming and the overdriven guitars."
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discussed this matter with
Victory founder Tony Brummel, and according to the band, responded that Victory "was a big company and that they didn't have time to run everything by the band." The band were perplexed when the label suggested releasing singles and making music videos, as they felt
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on July 1. Following this, the band took a two-week break, their first since
November 2002, and then spent the next four weeks rehearsing. "Signals Over the Air" was released to radio on August 12. Having the song as a single, Rickly said he "like the idea of a song about the exploitation of
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and "how complex sexuality is". "Tomorrow I'll Be You" was originally going to be the opening track as the group adored the song. However, they soon realized that it "didn't seem right to have this redeeming, beautiful" track began an album that had a "lot of ugliness and darkness in it." It
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for a record about love seems to demonstrate what our band is about — that balance between violence and grace." He added that he had been "afraid to talk about the idea of romantic love in songs because I feel like it's such a cliché". Rickly got the notion of tackling romance from writer
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In late May 2002, the group announced they had signed to Island
Records, following a bidding war between other major labels. Victory tried to get the band to sign to a different major label in a deal that would have enabled Victory to serve as a sub-label for them. Up to this point,
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on the album, Rickly said "When you write music, you hear what you've done, and you immediately find what you're missing with what you did." He added, "If this were a really hooky record, I'd say it weren't complex enough." Musically, the album's sound has been classified as
495:", a track Pedulla called "the heaviest song we wrote". Pedulla and Keeley initially denied it; the former stated that the song was a direction they "went for a little while, and we are going somewhere else now." Keeley added that it "definitely runs thematically" throughout
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at number four, saying that he hated the album upon release. He then added, "In retrospect I think that's a mistake. I think it’s a really cool record". They performed the album in its entirety in
October 2009, while in the midst of promoting their fifth studio album,
483:, in addition to channelling the music they were listening to. He explained that what someone listens to can influence their playing, and despite the group listening to "a lot of mellower stuff", the music came out "a lot heavier". While on tour, they listened to
1097:, and that the songs felt like "an enduro to get through". Punknews.org founder Aubin Paul wrote that a "leap in songwriting prowess is apparent" in a number of tracks where "things are more toned down, but the dynamic range is clearly larger." Music critic
1111:, the album "brims over with all the jagged guitars and bad thoughts a bunch of suburban New Jersey kids can muster." He also said that the group created an album that was "desperate and intense enough to resonate outside their corner of the underground."
1087:, with reviewer Adam Newman stating "The CD is truly commanding as its abrupt and urgent conclusions are as nicely inserted as the dramatic ups and downs of the chorus." Newman chose "Division St." and "Signals Over the Air" as highlights from the album.
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in that they use "vivid detail and gruff emotion to paint pictures that aren't beautiful". She mentioned that the tracks were "more like emotional earthquakes than songs, making an album for today's youth looking to art for salvation and survival."
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On a number of occasions, the group attempted to have better communication with the label in regards to promotion. On one occasion, Brummel informed them they were not living up to his expectations. Sometime afterwards, the group was touring with
427:, "Life resumed for each us ... and all the stresses of life came in." He mentioned that some of the members got married, and family members had died. He added, "I feel like all the stress is reflected in the way the album sounds."
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in the process. In the UK, it charted at number 62. By April 2004, the album had sold 259,000 copies and 355,000 copies by mid-2006. As of April 2007, it had sold 364,000 copies. "Signals Over the Air" charted at number 30 on the
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of Onelinedrawing appeared on "Steps Ascending", providing cello and vocals respectively. Arun Venkatesh performed programming on "M. Shepard". Keri Levens, Marc Meltser and Dave Ciancio provided vocals on "War All the Time".
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said the video uses "war-coverage techniques to create an atmosphere of extreme urgency" and "infrared and green night-vision filters to imitate war footage". Some of the scenes in the video were styled after films by
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was announced for release in August. On April 28, "For the Workforce, Drowning" was released as a single; around this, the band performed at Skate and Surf Fest. In June and July, the group toured the US alongside
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All of the music was written by Thursday except for "This Song Brought to You by a Falling Bomb", which was co-written between Everding and the band. All of the lyrics were written by Geoff Rickly. The material on
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called the album "ensitive as a teardrop, but hitting with the impact of a two-by-four across the jaw", adding that it gave "good elegy with its mix of emo-punk sincerity and metal-tinged-roar." Stuart Green of
1037:, "falls flat on its face through trying too hard." He added that the melodies were "haphazard and overtly awkward and the instrumentation, while competent and intricate, is nothing you couldn't hear" before on
360:. Around this time, Thursday had started writing material for their next album; guitarist Tom Keeley said they had two older songs that were almost close to completion before they had started promoting
511:, who wrote a poem where the album took its title from. He said it soon became a substantial part of his life, and he "felt like I was stifling myself by not writing about it." Discussing the lack of
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reviewer Mark Danson wrote "there's just nothing special here, either in the playing, writing or the production." He also said the group's "only saving grace" was "their vocalist 'sounds-a-bit-like-
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had been to the band's shows since they became a full-time touring act. Soon after, the label expressed interest in signing the band. In February 2002, keyboardist Andrew Everding joined the band.
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was eventually released on September 16 through Island Records. It was previously made available for streaming nine days prior to release. The UK version of the album was released through
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The label gave the band money to record the new tracks; sessions continued into May 2003. The recordings were mixed by Rumblefish with assistance from Coady Brown, and then mastered by
479:, the tracks were done in two months. During this time period, they spent every day working on songs from 11AM to 8PM. Guitarist Steve Pedulla said they expanded further on ideas from
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Keeley said that upon showing their label the album, he was unsure how they would react to it. He said that "for the most part it was a very positive" reaction. On March 25, 2003,
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acquired a 25% stake in Victory Records. In October of the same year, it was announced that the deal had fallen apart when Thursday revealed they had signed to Island Records.
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set-ups in the back of their touring buses to record ideas they had accumulated. While the band did have writer's block, they worked through it as they were short on time.
285:, New Jersey. Sessions lasted six months, aside from a break in April to play shows. In late April, "For the Workforce, Drowning" was released as a single, followed by "
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and the price of trying to have love all the time." The song talks about three important occasions in Rickly's life, which he attempted to model it after
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said the album "suffer the same terminal fate" as the group's contemporaries – "one of tedious sameness ... rehash the stuff they've done in the past."
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reported that Thursday were in the process of recording their next album, which was expected for release in summer or fall. Recording took place at
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was made with Victory Records. In November, the group started writing new material. In January 2003, they began recording their next album with
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again. Joe Pedulla, Arun Venkatesh, Erin Farley and Villanueva engineered the sessions with assistance from Lee Zappas and Mike LaPierre. With
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sexuality being on major media outlets like radio and television." The music video for the track, released on August 28, was directed by
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was released through Island Records on September 16. Selling 74,000 copies in the first week, the album charted at number seven on the
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except "This Song Brought to You by a Falling Bomb", which was written by Andrew Everding and Thursday. All lyrics written by
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had sold 111,000 copies. On September 9, the group's signing to Island Records was made official following negotiations of an
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2683:"For The Record: Quick News On Missy Elliott And Madonna, R. Kelly, Monica Lewinsky, Ruben Studdard, Deftones & More"
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initially started out as an ending to "Jet Black New Year", as it was a "redemption for that song in a lot of ways."
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regarding promotion. While this was happening, the group was contacted by major labels, and in May 2002, signed to
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until early December. On December 15, a music video was filmed for "War All the Time" in New Jersey with director
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The album sold over 74,000 copies, giving the band their best sales week. It charted at number seven on the
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2740:"For The Record: Quick News On Beanie Sigel, Ashanti, Chevelle, MxPx, Sheryl Crow, Thursday & More"
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3042:"For The Record: Quick News On Eminem, Ruben Studdard, AFI, DMX, Thursday, Creed, Snoop & More"
1968:"Rank Your Records: Thursday's Geoff Rickly Explains Why 'Full Collapse' Is the Band's Best Record"
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423:, the band members' home lives felt separate from the recording, according to Rickly. However, for
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in North America in February and March. In April, the band went on another tour and appeared on
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writer Kaj Roth said the group lacked "the same heavyweight production" as contemporary act
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on their North American tour in February and March, and played a handful of shows with
711:(2002). In January 2004, the group went on a tour of Japan, followed by appearances at
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hardcore bands did not need to do singles and believed they would not appear on radio.
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been tracked had they not had the time, specifically mentioning "Division St." and "
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2499:"Thursday Recall Disillusion, Violence And Betrayal And Live To Sing About It"
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ranked it at number two on their Best Punk Album of the year list behind
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started in April, which lead into an appearance on the main stage at the
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Later in September, the group went on a brief tour of North America with
647:(1999) album when he suggested Thursday should cover one of their songs.
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261:(2001), the group had a series of negative experiences with their label
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3907:"Thursday Announce Shows Performing Full Collapse and War All The Time"
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on their US tour in July and August 2004, and appeared at Strhessfest.
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491:. Prior to the album, the group was asked if it would sound closer to "
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3969:. Vol. 118, no. 29. Prometheus Global Media. July 22, 2006.
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to rank the band's albums and discuss his thoughts on them. He listed
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in New Zealand and Australia. Following this, the group supported
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2291:"Thursday Deal With Paranoia, Women Who Want To Be Hit On New LP"
1554:"Thursday exposes Victory / officially announces Island signing!"
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Rickly compared "For the Workforce, Drowning" to a "super heavy"
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2425:"Thursday Singer Says Lightning Strike Was Scary, But So Is Sex"
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Referring to the title-track, Rickly said they had the phrase
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and Coheed and Cambria. On October 31, the band performed on
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with Victory Records. The agreement required parent company
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festivals. "For the Workforce, Drowning" was released on a
3011:"Thursday Enlist Marine Combat Videographer For New Video"
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Speaking of the title, Rickly said: "I think a title like
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that the label was planning to sell at the tour. Vocalist
269:. The signing was made official later in the year when an
2715:. Friday Morning Quarterback Album Report, Incorporated.
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Morning Breath Inc. – art direction, illustration, design
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through the label, eventually reaching number 178 on the
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2652:"Thursday back out on the road with Rival Schools, more"
4070:. Vol. 116, no. 14. Prometheus Global Media.
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writer James Parrish said the album, when compared to
2893:(booklet). Thursday. Island Records. 2003. UICY-6303.
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3103:"Thursday Posts 'For the Workforce, Drowning' Video"
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included it on their top albums of 2003 list, while
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1221:"This Song Brought to You by a Falling Bomb" – 2:16
604:. In addition, they performed at the Field Day and
2598:"For the Workforce, Drowning - Single by Thursday"
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3076:"Updated Thursday tour dates, without Andrew WK"
2625:"Finalized Skate and Surf Fest lineup announced"
2029:"Plea For Peace / Take Action dates with bands!"
4136:(1st ed.). New Plymouth, NZ: Zonda Books.
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3658:. Prometheus Global Media. September 24, 2003.
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2535:"Thursday: Aural Assaults & Happy Endings"
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558:, but also about his friend who was afraid to
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322:In 2001, Thursday signed to independent label
255:. Following the release of their second album
79:Longview Farm, North Brookfield, Massachusetts
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1998:"Wheels & Deals Special: Thursday's Game"
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3765:"Thursday Chart History (Alternative Songs)"
3533:"Thursday - War All the Time - album review"
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2798:"War All the Time - Thursday | Release Info"
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2243:"Interview with Thursday: The Impending War"
2189:"Interview with Thursday: The Impending War"
2004:. Hits Digital Ventures. September 9, 2002.
1876:. Prometheus Global Media. October 1, 2003.
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1651:. Punk-It. November 10, 2001. Archived from
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921:
817:
779:
3877:
3793:
3619:
3526:
3524:
3440:
3438:
3436:
3315:
3313:
3311:
3286:"Album Review: Thursday – War All The Time"
3182:
3180:
3178:
3127:
3100:
2826:
2333:
2322:
2265:
2249:. Diane Casazza, Chris Farinas. p. 2.
2236:
2234:
2195:. Diane Casazza, Chris Farinas. p. 1.
2112:
2026:
1900:"Update: Thursday Inks With Island Def Jam"
1824:
1793:
1606:
633:. The Japanese version included a cover of
4193:
4179:
4094:
3854:
3469:
2847:
2795:
2232:
2230:
2228:
2226:
2224:
2222:
2220:
2218:
2216:
2214:
1965:
1769:"'Vorband von Pink – nicht für 100.000$ '"
1641:
1530:
1505:
1008:Critics gave the album a varied response.
29:
3993:
3905:Cook-Wilson, Winston (February 1, 2018).
3652:"DMX Proves 'Grand Champ' On Album Chart"
3588:
3509:
3344:
3272:
3242:
3064:
3039:
2999:
2737:
2483:
2358:
2058:
2056:
2054:
1906:. Prometheus Global Media. May 30, 2002.
1849:
1101:gave the album a "dud". Music journalist
3521:
3433:
3308:
3175:
2947:
2458:
2454:
2452:
2450:
2182:
2180:
2178:
2176:
1285:Tom Keeley – lead guitar, backing vocals
676:. Following this, the group toured with
570:
4061:
4029:
3480:
3445:Hoard, Christian (September 10, 2003).
3283:
2211:
2166:
2164:
1910:from the original on September 20, 2014
1625:. Punk-It. July 6, 2003. Archived from
1501:
1499:
1497:
4403:
4095:Sciarretto, Amy (September 22, 2003).
3836:from the original on December 21, 2016
3662:from the original on February 17, 2017
3632:from the original on November 14, 2012
3391:
2662:from the original on February 17, 2018
2395:
2051:
1961:
1959:
1957:
1955:
247:is the third studio album by American
4174:
4032:"Believe In What You're Fighting For"
3981:from the original on January 17, 2022
3917:from the original on February 1, 2018
3857:"Review: Thursday - War All the Time"
3826:"Best Punk Album Year in Review 2003"
3775:from the original on February 8, 2018
3745:from the original on January 30, 2018
3693:from the original on December 6, 2013
3681:
3679:
3677:
3539:from the original on February 8, 2018
3497:from the original on January 15, 2010
3444:
3394:"Review – Thursday: War All the Time"
3251:
3199:from the original on February 7, 2018
3109:from the original on October 27, 2021
2808:from the original on February 7, 2018
2604:from the original on February 5, 2018
2459:Mitchell, Daniel L (March 12, 2004).
2447:
2346:from the original on February 3, 2018
2289:Wiederhorn, Jon (September 4, 2003).
2173:
2008:from the original on February 6, 2018
1880:from the original on October 31, 2016
1796:"MCA acquires 25% of Victory Records"
1013:"resemble one long, 40-minute song."
760:
4038:(39). Redditch: Shari Black Velvet.
3806:from the original on August 20, 2017
3355:
3009:Wiederhorn, Jon (January 15, 2004).
2705:
2497:Wiederhorn, Jon (October 28, 2003).
2241:Lauth, Alison (September 17, 2003).
2187:Lauth, Alison (September 17, 2003).
2161:
2039:from the original on August 25, 2015
1806:from the original on January 8, 2018
1508:"Thursday | Biography & History"
1494:
1477:In April 2002, it was reported that
1265:
1202:"Between Rupture and Rapture" – 3:03
1199:"For the Workforce, Drowning" – 3:16
1022:Amy Sciarretto compared the band to
1003:
3558:Green, Stuart (September 1, 2003).
3392:Newman, Adam (September 16, 2003).
3319:
3217:
3157:"Strhessfest 2004 lineup announced"
2719:from the original on March 22, 2013
2713:"FMQB Airplay Archive: Modern Rock"
1952:
1936:. September 9, 2002. Archived from
1564:from the original on August 3, 2017
1282:Tucker Rule – drums, backing vocals
13:
4119:from the original on June 26, 2022
4082:from the original on June 26, 2022
3674:
3620:Paul, Aubin (September 19, 2003).
3601:from the original on March 4, 2016
3296:from the original on March 4, 2016
3284:Parrish, James (January 6, 2004).
3260:from the original on March 3, 2016
3186:
3082:from the original on June 26, 2022
2987:from the original on June 26, 2022
2979:Heisel, Scott (October 27, 2003).
2929:from the original on June 14, 2015
2835:from the original on June 26, 2022
2777:from the original on June 26, 2022
2533:Fury, Jeanne (November 12, 2002).
2199:from the original on June 28, 2017
2096:. January 29, 2003. Archived from
1870:"Thursday's 'War' Rages On Island"
1837:from the original on April 3, 2015
1681:. October 22, 2002. Archived from
1518:from the original on June 24, 2017
1051:-from-The-Cure'." In a review for
14:
4437:
4426:Albums produced by Sal Villanueva
4152:
3994:Greenwald, Andy (November 2003).
3796:"DiS Staff Top 75 Albums of 2003"
3735:"Thursday Parts Ways With Island"
3733:Wippsson, Johan (April 3, 2007).
3531:Danson, Mark (October 17, 2003).
2827:White, Adam (September 7, 2003).
2769:Heisel, Scott (August 28, 2003).
2631:from the original on May 17, 2018
2541:. MTVN Direct Inc. Archived from
2423:Wiederhorn, Jon (July 30, 2003).
2253:from the original on July 5, 2017
1978:from the original on May 18, 2017
1745:from the original on May 28, 2008
1179:on the other, in their entirety.
1125:Commercial performance and legacy
1083:magazine reflected positively on
961:
923:
819:
781:
405:Big Blue Meenie Recording Studios
279:Big Blue Meenie Recording Studios
18:2003 studio album by Thursday
4134:New Wave of American Heavy Metal
4064:"Victory Scores With Indie Grit"
4062:Reesman, Bryan (April 3, 2004).
4030:Jackson, David (February 2004).
3794:Adams, Sean (December 9, 2003).
3481:Beaujon, Andrew (October 2003).
3356:Lord, Jesse (January 16, 2004).
2981:"Bands on TV - week of 10/27/03"
2919:"Thrice, Thursday Team For Tour"
2681:MTV News Staff (June 30, 2003).
2574:. March 25, 2003. Archived from
2066:. Thursday. 2002. Archived from
1966:Hill, John (December 11, 2014).
1827:"MCA / Victory deal falls apart"
1825:White, Adam (October 22, 2002).
1767:Isenbügel, Marc (May 16, 2004).
1288:Tim Payne – bass, backing vocals
1182:
980:
975:
970:
965:
960:
942:
937:
932:
927:
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856:
838:
833:
828:
823:
818:
800:
795:
790:
785:
780:
4050:from the original on 2018-11-14
4018:from the original on 2022-06-26
3898:
3878:White, Adam (August 20, 2009).
3871:
3848:
3818:
3787:
3757:
3726:
3714:
3705:
3644:
3613:
3418:
3211:
3155:Heisel, Scott (June 10, 2004).
3148:
3121:
3094:
3074:Heisel, Scott (March 9, 2004).
3040:MTV Staff (December 22, 2003).
3033:
2972:
2941:
2911:
2883:
2820:
2789:
2762:
2731:
2674:
2643:
2623:Heisel, Scott (April 3, 2003).
2616:
2590:
2416:
2389:
2365:Dee, Jonathan (June 29, 2003).
2334:Paul, Aubin (August 30, 2003).
2313:
2082:
2020:
1990:
1922:
1892:
1818:
1787:
1471:
4167:(streamed copy where licensed)
3948:. Retrieved February 7, 2018.
3882:. Punknews.org. Archived from
3589:Roth, Kaj (October 21, 2003).
3425:"Thursday: War All the Time".
3320:Kot, Greg (October 17, 2003).
3159:. Punknews.org. Archived from
3132:. Punknews.org. Archived from
2650:Heisel, Scott (June 2, 2003).
2568:"Thursday Announces New Album"
1794:White, Adam (April 17, 2002).
1727:
1711:. May 29, 2002. Archived from
1697:
1667:
1576:
1552:Heisel, Scott (May 22, 2002).
1349:Dave Ciancio – backing vocals
1343:Marc Meltser – backing vocals
1215:"Marches and Maneuvers" – 4:27
460:
1:
3622:"Thursday - War All the Time"
3591:"Thursday - War All the Time"
3189:"War All the Time – Thursday"
3101:Paul, Aubin (June 18, 2004).
2738:MTV Staff (August 21, 2003).
2461:"Thursday - War All the Time"
2027:White, Adam (July 22, 2002).
1741:. New York Media, LLC. 2002.
1459:
1337:Arun Venkatesh – programming
1233:"Tomorrow I'll Be You" – 4:07
1218:"Asleep in the Chapel" – 3:46
855:
392:
317:
212:"For the Workforce, Drowning"
4344:Understanding in a Car Crash
4200:
4132:Sharpe-Young, Garry (2005).
3855:Boy, Davey (July 16, 2008).
3687:"Chart Log UK: DJ T - Tzant"
3483:"Thursday: War All the Time"
3447:"Thursday: War All The Time"
3220:"Thursday: War All The Time"
3128:Paul, Aubin (June 2, 2004).
1930:"Thursday on Island Def Jam"
1705:"Thursday to Island/Def Jam"
1452:
1438:
1379:Arun Venkatesh – engineering
1301:Andrew Everding – keyboards
1257:
1105:wrote that, in a review for
750:
444:and "Signals Over the Air".
7:
4269:A City by the Light Divided
3913:. Prometheus Global Media.
3771:. Prometheus Global Media.
3560:"Thursday War All the Time"
2956:. Silentway. Archived from
2948:Beth, Jo (August 1, 2003).
2771:"New Thursday video online"
2400:. Pastepunk. Archived from
485:Godspeed You! Black Emperor
465:
179:A City by the Light Divided
10:
4442:
2804:. All Media Network, LLC.
1584:"Warped Tour 2001 Artists"
1514:. All Media Network, LLC.
1303:(tracks 3, 5–8, 10 and 11)
850:Christgau's Consumer Guide
566:
4367:
4335:
4310:
4292:
4239:
4208:
4107:(832). CMJ Network, Inc.
3936:"Thursday Chart History (
3429:(207): 118. October 2003.
2829:"Stream War All the Time"
2396:Jordan (August 7, 2008).
1443:
1432:
1425:
1422:
1415:
1388:Mike LaPierre – assistant
1382:Erin Farley – engineering
1376:Joe Pedulla – engineering
1227:"War All the Time" – 4:33
768:
765:
610:split 7-inch vinyl record
236:
228:Released: August 12, 2003
206:
195:
191:
154:
146:
134:
122:
106:
83:
71:Big Blue Meenie Recording
66:
58:
50:
37:
28:
23:
3048:. Viacom. Archived from
3017:. Viacom. Archived from
2746:. Viacom. Archived from
2689:. Viacom. Archived from
2505:. Viacom. Archived from
2431:. Viacom. Archived from
2297:. Viacom. Archived from
2090:"Thursday in the Studio"
1244:
1224:"Steps Ascending" – 4:26
1175:on the first night, and
527:
215:Released: April 28, 2003
3256:. RobertChristgau.com.
2950:"Thursday tour October"
2367:"The Summer of Screamo"
1771:. Smash. Archived from
1435:Official Charts Company
1373:Coady Brown – assistant
1262:Personnel per booklet.
4416:Thursday (band) albums
2336:"Interviews: Thursday"
1385:Lee Zappas – assistant
1307:Tim Giles – keyboards
580:
339:. Before appearing on
4421:Island Records albums
4301:Kill the House Lights
4006:(11). SpinMedia LLC.
3518:Sciarretto 2003, p. 4
3368:on September 21, 2006
2545:on September 13, 2006
2319:Greenwald 2003, p. 92
1675:"Interview: Thursday"
1331:Keri Levens – vocals
1205:"Division St." – 4:14
1187:All music written by
664:Further Seems Forever
574:
4351:Signals Over the Air
4319:Five Stories Falling
4101:CMJ New Music Report
3832:. Ian Danzig. 2003.
3457:on November 14, 2007
3326:Entertainment Weekly
2471:on November 14, 2018
2404:on December 17, 2021
1735:"They Will Rock You"
1629:on December 27, 2005
1367:– producer, engineer
1296:Additional musicians
1238:Japanese bonus track
1210:Signals Over the Air
1149:Scandinavian Leather
1121:heroes’ worldview."
1095:From Autumn to Ashes
1054:Entertainment Weekly
1016:CMJ New Music Report
880:Entertainment Weekly
756:Professional ratings
684:. Jon Wiederhorn of
614:Under a Killing Moon
433:Signals Over the Air
287:Signals Over the Air
223:Signals Over the Air
161:Five Stories Falling
3886:on October 10, 2022
3711:Reesman 2004, p. 22
3570:on February 6, 2018
3332:on February 6, 2018
3252:Christgau, Robert.
3136:on October 27, 2021
3052:on February 6, 2018
3021:on February 6, 2018
2960:on November 5, 2003
2899:cite AV media notes
2871:cite AV media notes
2750:on February 3, 2018
2509:on February 6, 2018
2435:on February 6, 2018
2301:on February 6, 2018
2247:The Aquarian Weekly
2193:The Aquarian Weekly
2149:cite AV media notes
1685:on January 23, 2003
1370:Rumblefish – mixing
1230:"M. Shepard" – 3:36
757:
735:, Engine Down, and
4358:Counting 5-4-3-2-1
4293:Compilation albums
3996:"Basement Screams"
3358:"War All the Time"
3322:"War All the Time"
2377:on August 27, 2020
2371:The New York Times
755:
673:The Late Late Show
660:Coheed and Cambria
652:Year of the Rabbit
581:
493:Jet Black New Year
54:September 16, 2003
4398:
4397:
3230:on August 3, 2004
2398:"Thursday (2004)"
2002:Hits Daily Double
1775:on April 29, 2005
1457:
1456:
1412:
1411:
1352:
1346:
1340:
1334:
1328:
1319:
1310:
1304:
1136:Alternative Songs
1024:Bruce Springsteen
1004:Critical response
1001:
1000:
397:In January 2003,
240:
239:
201:War All the Time
187:
186:
4433:
4368:Related articles
4276:Common Existence
4262:War All the Time
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4160:War All the Time
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3800:Drowned in Sound
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3575:
3566:. Archived from
3555:
3549:
3548:
3546:
3544:
3535:. Contactmusic.
3528:
3519:
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3507:
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3453:. Archived from
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3402:. Archived from
3389:
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3364:. Archived from
3353:
3342:
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3328:. Archived from
3317:
3306:
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3301:
3290:Drowned in Sound
3281:
3270:
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3265:
3249:
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3235:
3226:. Archived from
3215:
3209:
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3187:Loftus, Johnny.
3184:
3173:
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3168:
3152:
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3125:
3119:
3118:
3116:
3114:
3105:. Punknews.org.
3098:
3092:
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3087:
3078:. Punknews.org.
3071:
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3057:
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3006:
2997:
2996:
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2992:
2983:. Punknews.org.
2976:
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2965:
2954:Drowned in Sound
2945:
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2891:War All the Time
2887:
2881:
2880:
2874:
2866:
2865:. 2003. 9860874.
2855:War All the Time
2851:
2845:
2844:
2842:
2840:
2831:. Punknews.org.
2824:
2818:
2817:
2815:
2813:
2796:Loftus, Johnny.
2793:
2787:
2786:
2784:
2782:
2773:. Punknews.org.
2766:
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2636:
2627:. Punknews.org.
2620:
2614:
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2611:
2609:
2594:
2588:
2587:
2585:
2583:
2578:on March 5, 2008
2564:
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2494:
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2467:. Archived from
2456:
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2373:. Archived from
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2144:
2143:. 2003. 9860874.
2133:War All the Time
2129:
2110:
2109:
2107:
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2100:on March 5, 2008
2086:
2080:
2079:
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2075:
2070:on March 7, 2005
2060:
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2024:
2018:
2017:
2015:
2013:
1994:
1988:
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1985:
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1963:
1950:
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1945:
1940:on March 5, 2008
1926:
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1715:on March 5, 2008
1701:
1695:
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1671:
1665:
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1660:
1655:on March 8, 2003
1645:
1639:
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1636:
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1604:
1603:
1601:
1599:
1594:on April 5, 2001
1590:. Archived from
1580:
1574:
1573:
1571:
1569:
1549:
1528:
1527:
1525:
1523:
1506:Loftus, Johnny.
1503:
1482:
1475:
1420:
1419:
1350:
1344:
1338:
1332:
1326:
1317:
1309:(tracks 2 and 4)
1308:
1302:
1266:
1177:War All the Time
1168:Common Existence
1162:War All the Time
1140:Drowned in Sound
1119:
1099:Robert Christgau
1085:War All the Time
1045:Contactmusic.com
1030:Drowned in Sound
1021:
985:
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868:Drowned in Sound
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627:War All the Time
602:Every Time I Die
594:This Day Forward
585:War All the Time
545:War All the Time
509:Charles Bukowski
504:War All the Time
497:War All the Time
477:War All the Time
425:War All the Time
345:whoopee cushions
293:War All the Time
244:War All the Time
229:
226:
216:
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170:War All the Time
156:
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118:
117:
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62:January–May 2003
33:
24:War All the Time
21:
20:
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4394:
4363:
4331:
4326:Thursday / Envy
4306:
4288:
4235:
4212:Andrew Everding
4204:
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4085:
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3434:
3424:
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3419:
3409:
3407:
3406:on May 20, 2006
3390:
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3333:
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3309:
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3297:
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3250:
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3233:
3231:
3218:Catucci, Nick.
3216:
3212:
3202:
3200:
3185:
3176:
3166:
3164:
3163:on July 5, 2018
3153:
3149:
3139:
3137:
3130:"Curiosa Dates"
3126:
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2863:Mercury Records
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2141:Mercury Records
2131:
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1103:Christian Hoard
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733:Poison the Well
725:Head Automatica
656:Death by Stereo
631:Mercury Records
598:Murder by Death
579:, July 31, 2004
569:
556:Matthew Shepard
530:
468:
463:
395:
324:Victory Records
320:
263:Victory Records
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4380:United Nations
4377:
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4354:
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4339:
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4332:
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4314:
4312:
4311:Extended plays
4308:
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4215:Bill Henderson
4213:
4209:
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4183:
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4154:
4153:External links
4151:
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4129:
4092:
4059:
4027:
3991:
3958:
3951:
3950:
3928:
3897:
3870:
3859:. Sputnikmusic
3847:
3817:
3786:
3756:
3725:
3713:
3704:
3673:
3643:
3628:. Aubin Paul.
3612:
3581:
3550:
3520:
3508:
3468:
3432:
3417:
3379:
3343:
3307:
3271:
3254:"CG: Thursday"
3241:
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3120:
3093:
3063:
3032:
2998:
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2940:
2910:
2882:
2846:
2819:
2788:
2761:
2730:
2704:
2693:on May 4, 2015
2673:
2658:. Aubin Paul.
2642:
2615:
2589:
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2520:
2482:
2446:
2415:
2388:
2357:
2342:. Aubin Paul.
2321:
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2210:
2172:
2160:
2111:
2081:
2050:
2035:. Aubin Paul.
2019:
1989:
1951:
1921:
1891:
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1833:. Aubin Paul.
1817:
1802:. Aubin Paul.
1786:
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1726:
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1560:. Aubin Paul.
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1365:Sal Villanueva
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1323:Jonah Matranga
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749:
731:. A tour with
691:Godfrey Reggio
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565:
529:
526:
467:
464:
462:
459:
454:Jonah Matranga
417:Sal Villanueva
394:
391:
382:Island/Def Jam
378:exit agreement
366:Island Records
319:
316:
275:Sal Villanueva
271:exit agreement
267:Island Records
238:
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141:Sal Villanueva
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4284:
4283:No Devolución
4280:
4278:
4277:
4273:
4271:
4270:
4266:
4264:
4263:
4259:
4257:
4256:
4255:Full Collapse
4252:
4250:
4249:
4245:
4244:
4242:
4240:Studio albums
4238:
4231:
4229:
4226:
4224:Steve Pedulla
4223:
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4143:9780958268400
4139:
4135:
4130:
4123:September 27,
4118:
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4102:
4098:
4093:
4086:September 27,
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4028:
4017:
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4009:
4005:
4001:
3997:
3992:
3985:September 27,
3980:
3976:
3972:
3968:
3964:
3963:"Major Moves"
3960:
3959:
3957:
3956:
3947:
3946:
3941:
3939:
3932:
3916:
3912:
3908:
3901:
3885:
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3835:
3831:
3827:
3821:
3805:
3802:. Silentway.
3801:
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3451:Rolling Stone
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1436:
1431:
1423:Chart (2003)
1421:
1408:
1403:– photography
1402:
1399:
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1378:
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1321:
1315:
1312:
1306:
1300:
1299:
1298:
1297:
1290:
1287:
1284:
1281:
1279:– lead vocals
1278:
1275:
1274:
1273:
1272:
1268:
1267:
1263:
1253:cover) – 6:34
1252:
1248:
1242:
1241:
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1226:
1223:
1220:
1217:
1214:
1211:
1207:
1204:
1201:
1198:
1197:
1196:
1194:
1190:
1183:Track listing
1180:
1178:
1174:
1173:Full Collapse
1170:
1169:
1163:
1157:
1155:
1151:
1150:
1145:
1141:
1137:
1132:
1131:Billboard 200
1122:
1116:
1115:
1110:
1109:
1108:Rolling Stone
1104:
1100:
1096:
1092:
1091:
1086:
1082:
1078:
1075:
1071:
1067:
1066:
1060:
1056:
1055:
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1046:
1042:
1040:
1039:Full Collapse
1036:
1035:Full Collapse
1032:
1031:
1025:
1018:
1017:
1011:
996:
994:
993:
989:
988:
958:
956:
955:
954:Rolling Stone
951:
950:
920:
918:
917:
913:
912:
908:
906:
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854:
852:
851:
847:
846:
816:
814:
813:
809:
808:
778:
776:
773:
772:
764:
761:Review scores
759:
748:
746:
742:
738:
734:
730:
726:
722:
718:
714:
710:
709:
704:
703:
698:
697:
696:Koyaanisqatsi
692:
687:
683:
682:Marc Klasfeld
679:
675:
674:
669:
665:
661:
657:
653:
648:
646:
645:
644:Ágætis byrjun
640:
636:
632:
628:
624:
623:Joakim Åhlund
619:
615:
611:
607:
603:
599:
595:
591:
590:Rival Schools
586:
578:
573:
564:
561:
557:
553:
552:
546:
541:
539:
535:
525:
523:
519:
518:post-hardcore
514:
510:
505:
500:
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494:
490:
486:
482:
481:Full Collapse
478:
474:
473:Full Collapse
458:
455:
451:
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436:
434:
428:
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421:Full Collapse
418:
414:
413:Full Collapse
410:
406:
402:
401:
390:
388:
383:
379:
375:
374:Full Collapse
369:
367:
363:
362:Full Collapse
359:
358:Saves the Day
353:
350:
346:
342:
338:
336:
331:
330:
329:Full Collapse
325:
315:
313:
309:
305:
301:
299:
294:
290:
289:" in August.
288:
284:
280:
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272:
268:
264:
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258:Full Collapse
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93:Post-hardcore
91:
90:
88:
86:
82:
77:, New Jersey;
76:
72:
69:
65:
61:
57:
53:
49:
45:
40:
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4411:2003 albums
4385:No Devotion
4375:Discography
4232:Tucker Rule
3921:February 5,
3890:October 10,
3863:February 6,
3840:February 5,
3810:February 5,
3779:February 7,
3749:January 30,
3723:2006, p. 28
3697:February 7,
3666:February 4,
3636:February 8,
3574:February 5,
3543:February 8,
3501:February 5,
3493:(10): 107.
3461:February 5,
3372:February 6,
3336:February 8,
3300:February 5,
3264:February 6,
3203:February 6,
3167:October 27,
3140:October 27,
3113:October 27,
3056:February 5,
3025:February 4,
2964:February 5,
2933:February 6,
2812:February 6,
2754:February 2,
2723:October 30,
2608:February 5,
2582:February 4,
2549:February 5,
2513:February 4,
2439:February 4,
2350:February 4,
2305:February 4,
2257:February 4,
2203:February 4,
2135:(booklet).
2104:February 4,
2074:February 5,
2043:February 5,
2012:February 5,
1982:February 4,
1944:February 4,
1914:February 5,
1884:February 4,
1841:February 4,
1810:February 4,
1749:February 4,
1719:February 4,
1598:February 5,
1568:February 5,
1522:February 4,
1479:MCA Records
1394:– mastering
1314:Gretta Cohn
741:Warped Tour
737:Spitalfield
713:Big Day Out
577:Warped Tour
461:Composition
446:Gretta Cohn
409:Jersey City
341:Warped Tour
312:Warped Tour
283:Jersey City
75:Jersey City
4405:Categories
4390:L.S. Dunes
4218:Tom Keeley
4054:2018-11-14
4022:2020-09-27
3689:. Zobbel.
2857:(sleeve).
2600:. iTunes.
1649:"Thursday"
1623:"Thursday"
1460:References
1401:Ken Schles
1392:Bob Ludwig
1359:Production
1339:(track 10)
1247:Ný batterí
1154:Turbonegro
708:Naqoyqatsi
702:Powaqqatsi
639:Ný batterí
441:Bob Ludwig
393:Production
318:Background
150:chronology
4221:Tim Payne
4113:1074-6978
4097:"Reviews"
4076:0006-2510
4068:Billboard
4044:1355-1477
4012:0886-3032
3975:0006-2510
3967:Billboard
3945:Billboard
3938:Billboard
3769:Billboard
3721:Billboard
3656:Billboard
3086:March 23,
2991:March 13,
2923:Billboard
2839:March 10,
2781:March 10,
1904:Billboard
1874:Billboard
1779:April 29,
1659:August 7,
1633:August 7,
1489:Citations
1465:Footnotes
1447:Billboard
1428:position
1351:(track 9)
1345:(track 9)
1333:(track 9)
1327:(track 8)
1325:– vocals
1318:(track 8)
1258:Personnel
1251:Sigur Rós
751:Reception
721:the Bronx
635:Sigur Rós
538:Sigur Rós
415:producer
387:Pro Tools
335:Billboard
298:Billboard
4202:Thursday
4117:Archived
4080:Archived
4048:Archived
4016:Archived
3979:Archived
3915:Archived
3834:Archived
3830:Exclaim!
3804:Archived
3773:Archived
3743:Archived
3691:Archived
3660:Archived
3630:Archived
3605:July 19,
3599:Archived
3564:Exclaim!
3537:Archived
3495:Archived
3294:Archived
3258:Archived
3197:Archived
3193:AllMusic
3107:Archived
3080:Archived
2985:Archived
2927:Archived
2859:Thursday
2833:Archived
2806:Archived
2802:AllMusic
2775:Archived
2717:Archived
2697:April 8,
2660:Archived
2635:March 5,
2629:Archived
2602:Archived
2344:Archived
2251:Archived
2197:Archived
2137:Thursday
2037:Archived
2006:Archived
1976:Archived
1974:. Vice.
1908:Archived
1878:Archived
1835:Archived
1804:Archived
1743:Archived
1739:New York
1562:Archived
1516:Archived
1512:AllMusic
1316:– cello
1271:Thursday
1212:" – 4:10
1189:Thursday
1144:Exclaim!
1065:Exclaim!
1059:Greg Kot
1010:AllMusic
775:AllMusic
745:the Cure
699:(1983),
678:Deftones
606:Hellfest
560:come out
551:Magnolia
466:Overview
304:Deftones
253:Thursday
148:Thursday
136:Producer
59:Recorded
51:Released
44:Thursday
41: by
4336:Singles
4248:Waiting
4165:YouTube
3955:Sources
3739:Melodic
3595:Melodic
3234:July 3,
3224:Blender
1090:Melodic
1049:the-guy
812:Blender
729:Piebald
567:Release
450:Cursive
197:Singles
183:(2006)
174:(2003)
165:(2002)
4140:
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3399:Kludge
2572:Kludge
2094:Kludge
2064:"News"
1972:Noisey
1934:Kludge
1709:Kludge
1679:Kludge
1588:Launch
1416:Charts
1407:
1118:'s
1081:Kludge
1020:'s
904:Kludge
897:6.8/10
769:Rating
766:Source
727:, and
668:Thrice
618:Thrice
612:with "
534:Fugazi
489:Mogwai
400:Kludge
129:Island
107:Length
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3940:200)"
2465:Ink19
1074:Ink19
616:" by
528:Songs
513:hooks
251:band
199:from
124:Label
85:Genre
4138:ISBN
4125:2020
4109:ISSN
4088:2020
4072:ISSN
4040:ISSN
4008:ISSN
4000:Spin
3987:2020
3971:ISSN
3923:2018
3911:Spin
3892:2022
3865:2018
3842:2018
3812:2018
3781:2018
3751:2018
3699:2018
3668:2018
3638:2018
3607:2017
3576:2018
3545:2018
3503:2018
3487:Spin
3463:2018
3412:2018
3374:2018
3338:2018
3302:2018
3266:2018
3236:2019
3205:2018
3169:2021
3142:2021
3115:2021
3088:2021
3058:2018
3027:2018
2993:2021
2966:2018
2935:2018
2905:link
2877:link
2841:2021
2814:2018
2783:2021
2756:2018
2725:2016
2699:2018
2668:2018
2637:2021
2610:2018
2584:2018
2551:2018
2515:2018
2477:2018
2441:2018
2410:2021
2383:2021
2352:2018
2307:2018
2259:2018
2205:2018
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2045:2018
2014:2018
1984:2018
1946:2018
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1721:2018
1691:2018
1661:2022
1635:2022
1600:2018
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