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157:, who taught him to work in the tradition of copying famous Chinese paintings. This is most likely the reason why critics claim that his work is conservative and reflects the Yuan and Song traditions. One critic claimed that "his landscape paintings reflect his nostalgic attachment to classical Chinese aesthetics." Along with the other Wangs, Wang Hui helped to perpetuate the tradition of copying the ancient masters rather than creating original work.
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Wang Hui followed in the footprints of his great-grandfathers, grandfather, father and uncles and learned painting at a very early age. He was later taught by two contemporary masters,
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Beijing, Shanghai and Taipei museums loaned works for "Landscapes Clear and
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periods. Of the Four Wangs, Wang Hui is considered the best-known today.
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Wang Hui in the collection of the
National Palace Museum, Taipei
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Wang Hui in the collection of the
Metropolitan Museum, New York
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Landscapes clear and radiant: the art of Wang Hui (1632-1717)
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250:Fisherman Huts and Clearing Skies in Autumn
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302:"Master of Many Styles, and Many Mentors"
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264:The Beauty of Green Mountains and Rivers
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364:Eminent Chinese of the Ch'ing Period
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279:Tree in Autumn and Crows
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102:traditional Chinese
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18:Chinese name
489:1717 deaths
484:1632 births
457:Wang Yuanqi
436:Wang Shimin
155:Wang Shimin
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473:Categories
424:Four Wangs
311:2008-09-12
287:References
248:Wang Hui,
233:Wang Hui,
218:Wang Hui,
202:Wang Hui,
174:Wang Hui,
130:and early
124:Four Wangs
443:Wang Jian
145:Biography
120:landscape
82:Shan shui
450:Wang Hui
151:Zhang Ke
115:Wáng Huī
90:Wang Hui
59:Changshu
37:Wang Hui
16:In this
161:Gallery
63:Jiangsu
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70:Died
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52:Born
27:Wang
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