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The album has been described as "tight, working-class rock vocal-shredding songs crammed with drunkenness, night sweats, and suicide notes." In relation to their debut, the album has been called "a furthering of that vision and a slight turn into darker territory, with all self-penned material" (the
359:
Recording of the album occurred during 2003 with Loki
Lockwood of Spooky Records producing. Once the sessions were complete the group wanted to change labels, which stalled its release while they saved up enough money to buy out their contract. In 2004 Strybosch left the band and was replaced by Mike
323:
that the album was inspired by many of his experiences in
Western Australia prior to forming The Drones: "tales of eye-opening, heartbreaking and deeply troubling events that seeped into the menace and simmering rage that lies not too far beneath the surface of the songs on this album." Reflected in
859:
We’ve done over 100 shows in the last four months and we have some nasty debts. We have another world tour starting in May. That’s after we do two tours of
Australia. We can’t get jobs because we tour so much. Food is a luxury item right now. We burn through money so it’s safe to say that the 25G’s
336:
on the planet and he'd got angry at some
Indigenous mob and just taken a bulldozer and ruined this mine and no one gave a fuck, even though it was the oldest mine in human history. But it was an Aboriginal thing, so why does that matter? Things like that were shocking. It's older than any shit in
816:
who found fault with the lack of "real redemption for the protagonists of these songs: They despair, they drink, and they drown", despite conceding that this is "more a comment on me than on the band" and that the band are "experts at capturing this dark-grey, aqueous world in sprawling, dense
786:
wrote that "humor and pathos, nihilism and the hope for redemption fight to the death inside
Liddiard's voice as his mates carry him back and forth from the sheer pit of darkness up to an Earth that's been scorched, so he can laugh and wail with grief in fits and starts." Derek Cooper of
951:
series, while a vast majority of it was performed live in a widely acclaimed 10th anniversary tour in 2015. "Shark Fin Blues" was voted by contemporary songwriters as the greatest
Australian song in October 2009. The song would go on to be used in television shows such as
291:", in particular, went on to become a concert staple and was voted by contemporary Australian songwriters as the greatest Australian song of all time in October 2009. The album itself was performed live in its entirety many times, even as a part of the acclaimed
823:, who questioned the "cathartic" elements of the lyrics and the inconsistency of most of the songs. He also criticized the band's decision to open with "Shark Fin Blues" as it "reverse the inertia of songs" and hence "frontloaded" the album.
1474:(1975): “They’ll pay. All of them. The traitors. It’s only a matter of waiting beside a river long enough for the bodies of your enemies to float by, neh? I’ll wait and I’ll spit on their heads soon, very soon. I’ve promised myself that.”
779:
wrote that the band "ooze intensity and broken hearts, and dealing with both after you've had a few too many drinks and the bars have all closed on you", calling them "a band you need to break up to." Thom Jurek of
1227:
301:
ranked it the best
Australian album of the 21st century. Three years later, the band's contemporaries & "industry experts" would vote it the 24th best Australian album of all time. In 2021,
341:
The deaths of his mother & former girlfriend also had a major impact on the album (particularly on "Shark Fin Blues"). Considering the resultant "white hot rage" on their debut album
31:
1734:
1368:
908:
wrote that the album "finds at their brainy, raw, eardrum-battering and-heart tugging best". Revisiting the album 10 years after its original release, Matt Hall of
1136:
2069:
1685:
902:
noted that the album had "set the
American underground on fire" & "pushed critics to the brink of superlatives in order to describe" its songs. In 2009,
1746:
337:
Rome or Egypt and it's a mine that's been used until white occupation. Those things were very shocking and
Western Australia was full of that kind of stuff.
2259:
1599:
1241:
276:
album. The lyrics, penned by
Liddiard (except This Time co-written with former band member James McCann) deal with issues such as death, depression and
447:
put the album tracks, "Shark Fin Blues" and "Baby²", on medium rotation. During an extensive six-month tour encompassing Europe and the United States,
373:
debut was "equally split between covers and originals"). The album "employ highs and lows, and lights and shades, to take from introspective moody
1429:
1163:
982:
ranked it the 18th best Australian album of all time, making it the highest ranked 21st century release on the list. In a 2011 poll organized by
287:
The album received critical acclaim upon release, regarded later on as the band's "break-out" and one of their most popular releases. The track "
2345:
1686:"Wait Long by the River and the Bodies of Your Enemies Will Float By (All Tomorrow's Parties; 2005) - Record Reviews @ Cokemachineglow.com"
2062:
944:
1665:"GIGWISE.com | The Drones - 'Wait Long by the River and the Bodies of Your Enemies Will Float By' (ATP) Released 24 October 2005"
928:
as its opening track. But above all Wait Long ... is the purest distillation yet of the Drones' uniquely Australian voice." In 2018,
1515:
Eco mentions, 'there is an Indian proverb that goes, "Sit on the bank of a river and wait: your enemy's corpse will soon float by."'
793:
wrote that the "red raw howling angst" of tracks like "Shark Fin Blues" and "You Really Don't Care" reaches "heights last scaled on
1929:
1893:
871:
doesn't pull punches It's not trying to be anybody else, it certainly harks back to music that came before it – there's a bit of
1879:
1395:
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1961:
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1704:"Reviews : DRONES / Wait Long by the River and the Bodies of Your Enemies Will Float By CD :: ox-fanzine.de"
1911:
986:
in which "some of the country's top musicians and industry experts their favourite Australian albums of all time",
2239:
1525:
Confucius. "XVI. The Master standing by a stream, said, "It passes on just like this, not ceasing day or night!"".
192:
1689:
1513:
1997:
2350:
1497:
2318:
1865:
2015:
1430:"Wait Long by the River and the Bodies of Your Enemies Will Float By - The Drones - Songs, Reviews, Credits"
2078:
936:
were "as fierce as I’ve ever seen", despite seeming "austere" in comparison to Liddiard's later work with
361:
332:
I was up like 2,000 km above Perth and a guy, a farmer, had bulldozed an ochre mine. It was literally
253:
161:
43:
1487:
960:
851:, defeating eight other finalists to win the album of the year. Upon winning the latter, Liddiard told
1287:
879:
in there – but it doesn't just slavishly rip them off. It goes further and it goes hard. It's a good
410:
389:
and his compadres". It has been called "a blistering amalgamation of the down-under psych garage of
320:
73:
1723:
1526:
992:
924:
wrote that the album "only gets better with age. Perhaps it helps having the eternally excellent
773:
wrote that the album will "rip out your eardrums, perhaps even your heart". Dimitri Nasrallah of
303:
2300:
848:
1210:"Ten Years of The Drones' Wait Long by The River and the Bodies of Your Enemies Will Float By"
1186:
798:
1209:
1042:"Sitting on the Edge of the Bed Cryin'" – (Liddiard, Pereira, Kitschin, Strybosch) 7:38
2340:
1818:
1703:
456:
416:
The title of the album comes from a expression of uncertain origin, referenced in works by
1617:
763:
The album received positive reviews from the international press upon its release through
8:
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954:
937:
920:
325:
1843:
2147:
1400:
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343:
257:
174:
1600:"The Drones (2) - Wait Long by the River and the Bodies of Your Enemies Will Float By"
2249:
2197:
1668:
1493:
1404:
872:
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461:
article published in March 2006, the album had sold 18,000 units since its release.
402:
401:." The music has also been described as having "the boundless cohesion and energy of
265:
1470:
1288:"Industry Results | Hottest 100 Australian Albums of All Time | triple j"
914:
725:
1979:
1618:"The Drones - Wait Long by the River and the Bodies of Your Enemies Will Float By"
1345:
1137:"The Drones – Wait Long by the River and the Bodies of Your Enemies Will Float By"
2311:
2280:
2218:
2177:
2090:
1187:"The Drones: Wait Long by the River and the Bodies of Your Enemies Will Float By"
1164:"The Drones: Wait Long By the River and the Bodies of Your Enemies Will Float By"
1069:
1024:
1020:
1000:
at #65 on their list of "The 200 Greatest Australian Albums of All Time" (one of
925:
888:
840:
819:
769:
651:
578:
529:
386:
288:
269:
227:
154:
147:
1760:
1453:"The Drones Wait Long By the River and the Bodies of Your Enemies Will Float By"
413:(albeit with less all-over-the-place percussion, horns, and avant tendencies)."
943:
In September 2009, the album was performed live in its entirety as part of the
764:
448:
390:
210:
139:
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If you wait by the river long enough, the bodies of your enemies will float by
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the lyrics to tracks such as "Locust", these include witnessing instances of
281:
1030:"Baby²" – (Liddiard, Pereira, Fiona Kitschin, Christian Strybosch) 3:34
972:-fame included the album among his 10 favorite records of the decade, while
2112:
969:
965:
929:
616:
406:
129:
1006:
976:
named it one of her 10 favourite Australian albums of all time. In 2008,
973:
421:
398:
134:
99:
82:
1508:, which is also the essay "How I Wrote 'Name of the Rose'" published in
807:, called it "one of the most excruciatingly great rock records of '05."
30:
876:
844:
812:
662:
640:
382:
333:
277:
261:
104:
94:
1004:
Drones albums on the list), with Tyler Jenke hailing it as the band's
2167:
1001:
933:
904:
880:
803:
794:
425:
394:
351:
more melodic & hence accessible to a larger number of listeners.
273:
215:
Wait Long by the River and the Bodies of Your Enemies Will Float By
2158:
Wait Long by the River and the Bodies of Your Enemies Will Float By
1434:
983:
898:
832:
782:
775:
493:
453:
Wait Long by the River and the Bodies of Your Enemies Will Float By
444:
311:
on their list of "The 200 Greatest Australian Albums of All Time".
249:
Wait Long by the River and the Bodies of Your Enemies Will Float By
184:
Wait Long By the River and the Bodies of Your Enemies Will Float By
89:
24:
Wait Long By the River and the Bodies of Your Enemies Will Float By
1232:
978:
836:
831:
The album was also nominated for Australian Album of the Year at
817:
garage-blues epics". A similar point was made by Mark Abraham of
540:
429:
297:
1948:"Why The Drones Are One of Aussie Rock's Most Formidable Icons"
1107:"The Vine interview: Gareth Liddiard of The Drones, April 2010"
1048:"Another Rousing Chorus You Idiots!!!!" – (Liddiard) 5:57
455:
outside of Australia, towards the end of 2005. According to a
2047:
1036:"Locust" – (Liddiard, Pereira, Kitschin, Strybosch) 6:40
374:
38:
1309:"Rolling Stone's 200 Greatest Australian Albums of All Time"
1845:
Gala Mill - The Drones | Songs, Reviews, Credits | AllMusic
932:
wrote that the band's performances on this album and its
628:
1393:(31 March 2017). "Encyclopedia entry for 'The Drones'".
268:, though it has been described by lead singer/guitarist
1998:"Altered Carbon Soundtrack - Netflix Spotify playlist"
1880:"The Drones – The Wardrobe, Leeds, 11th November 2015"
1725:(sourced from press blurbs on the issue's first page)
1543:""Japanese" proverb: Floating enemies, river sitting"
1033:"The Best You Can Believe In" – (Liddiard) 7:35
2260:
Live at the Annandale Hotel 18th, 19th October 2007
1403:: Third Stone Press (published 2017). p. 142.
1204:
1202:
1200:
912:wrote: "they don’t make albums like this anymore."
1369:"Gareth Liddiard of The Drones Interviewed (2013)"
1099:
347:to be a dead end, he consciously decided to make
2332:
1197:
1181:
1179:
1177:
1051:"This Time" – (Liddiard, James McCann) 5:34
1045:"The Freedom in the Loot" – (Liddiard) 6:16
1424:
1422:
1420:
1158:
1156:
1154:
1152:
1150:
385:guitars and the vocal harmonies of lead singer
260:), the album draws influence from the likes of
1389:
1039:"You Really Don't Care" – (Liddiard) 4:40
801:' tour back in 75." Chris Dahlen, writing for
2063:
1447:
1445:
1174:
668:
1980:""Rectify" Sexual Peeling (TV Episode 2013)"
1417:
1147:
731:
584:
546:
498:
1912:"Real Life Rock Top 10: Memories of Aretha"
1399:. Jenkins, Jeff (Foreword) (2nd ed.).
1396:The Encyclopedia of Australian Rock and Pop
1331:
1329:
990:was voted #24 out of 100 entries. In 2021,
810:A more mixed review came from Dan Raper of
2070:
2056:
1442:
1228:"Drones' 'Shark Fin Blues' tops rock list"
29:
1640:"Drones Win Inaugural Aussie Music Prize"
1383:
1221:
1219:
1075:Rui Pereira – guitar, vocals, violin
1066:Fiona Kitschin – bass, vocals, piano
826:
1335:
1326:
1078:Christian Strybosch – drums, vocals
896:A year after its release, Thom Jurek of
439:
1637:
1225:
2333:
1930:"The Drones at Rosemount Hotel review"
1894:"The Drones at Rosemount Hotel review"
1866:"ATP Rocks The Catskills This Weekend"
1719:
1717:
1680:
1678:
1561:"Sun Tzu – Art of War Invented Quotes"
1216:
1088:Steve Hesketh – hammond wurlitzer
1072: – guitar, vocals, synth, hammond
328:& stories of "ruinous vendettas".
2051:
1633:
1631:
1524:
1261:
1259:
1131:
1129:
1127:
1125:
1123:
479:
1512:October 14, 1984, Section 7, Page 1,
1504:In the 1983 postscript to the novel
1366:
1360:
1303:
1301:
1282:
1280:
1226:Donovan, Patrick (30 October 2009).
2346:The Drones (Australian band) albums
1714:
1688:. 15 September 2012. Archived from
1675:
1485:
18:2005 studio album by The Drones
13:
1753:
1638:Eliezer, Christie (8 March 2006).
1628:
1486:Eco, Umberto (28 September 1994).
1256:
1120:
670:
14:
2362:
1367:Reid, Graham (2 September 2013).
1298:
1277:
733:
586:
548:
500:
1667:. 8 January 2006. Archived from
1013:
918:called it "the band’s classic".
883:album, that's what I would say.
752:
747:
742:
737:
732:
714:
709:
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694:
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590:
585:
567:
562:
557:
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519:
514:
509:
504:
499:
397:, and the rough-hewn yelping of
252:is the second album released by
2026:
2008:
1990:
1972:
1954:
1940:
1922:
1904:
1886:
1872:
1858:
1836:
1811:
1793:
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1696:
1657:
1610:
1592:
1567:
1553:
1535:
1518:
1479:
1463:
1336:Coolidge, Danger (March 2005).
424:, possibly a mistranslation of
280:in its depiction of Australian
2077:
1267:"The Top 50 Australian albums"
428:, frequently misattributed to
381:jams. It centres on the sharp
319:In 2017, Liddiard revealed to
1:
1801:"triple j - The J Award 2005"
1763:– via Internet Archive.
1492:. Houghton Mifflin Harcourt.
1338:"Waiting for Godot... to Die"
1092:
314:
256:. Recorded "100% live" (like
1055:
464:
393:, the sunburned songbook of
354:
7:
2016:"Guest List: 2000s Edition"
1823:Australianmusicprize.com.au
1547:Straight Dope Message Board
767:in 2005. Brandon Stosuy of
469:
10:
2367:
1761:"Plan B Magazine Issue 09"
367:
326:racism against aboriginals
2293:
2272:
2231:
2210:
2139:
2085:
1502:– via Google Books.
864:
487:
484:
295:concert series. In 2008,
241:
230:"/"You Really Don't Care"
220:
209:
205:
168:
160:
146:
128:
112:
81:
66:
58:
50:
37:
28:
23:
847:) and won the inaugural
74:Port Melbourne, Victoria
2232:Compilation/live albums
1747:"Noticias mĂşsica indie"
1736:(registration required)
1313:Rolling Stone Australia
993:Rolling Stone Australia
304:Rolling Stone Australia
233:Released: 27 March 2006
2301:The Drones discography
1622:All Tomorrow's Parties
945:All Tomorrow's Parties
885:
862:
860:will not go to waste.
849:Australian Music Prize
827:Awards and nominations
449:All Tomorrow's Parties
339:
2351:ATP Recordings albums
2240:The Miller's Daughter
1692:on 15 September 2012.
869:
857:
799:Rolling Thunder Revue
440:Promotion and release
362:Legends of Motorsport
330:
193:The Miller's Daughter
1868:. 10 September 2009.
1575:"A quote by Sun Tzu"
1506:The Name Of The Rose
1489:The Name of the Rose
1083:Additional musicians
475:Professional ratings
2306:Tropical Fuck Storm
2107:Christian Strybosch
2002:Sharedplaylists.com
1934:The West Australian
1898:The West Australian
1882:. 12 November 2015.
1027:, Rui Pereira) 5:43
938:Tropical Fuck Storm
921:The West Australian
476:
2148:Here Come the Lies
2034:"Best of the best"
1749:. 10 January 2006.
1671:on 8 January 2006.
1563:. 6 February 2014.
1528:Confucian Analects
1510:The New York Times
1294:. 25 January 2011.
1193:. 11 January 2006.
474:
411:the Birthday Party
344:Here Come the Lies
175:Here Come the Lies
2328:
2327:
2286:
2265:
2255:
2250:Live in Spaceland
2245:
2224:
2203:
2198:Feelin Kinda Free
2193:
2183:
2173:
2163:
2153:
2126:Brendon Humphries
1936:. 24 August 2015.
1918:. 22 August 2018.
1900:. 24 August 2015.
1781:. 11 January 2006
1410:978-0-9953856-0-3
1348:on 20 August 2006
1342:Blunt Independent
1212:. 18 August 2015.
873:Rowland S. Howard
843:(but lost out to
761:
760:
266:Rowland S. Howard
245:
244:
201:
200:
77:
70:Atlantis Studios
2358:
2294:Related articles
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1344:. Archived from
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1323:
1321:
1319:
1305:
1296:
1295:
1284:
1275:
1274:
1263:
1254:
1253:
1251:
1249:
1244:on 17 April 2017
1240:. Archived from
1223:
1214:
1213:
1206:
1195:
1194:
1183:
1172:
1171:
1160:
1145:
1144:
1143:. 27 April 2017.
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1118:
1117:
1115:
1113:
1103:
915:God Is in the TV
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409:and, of course,
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2312:Strange Tourist
2289:
2268:
2227:
2219:Shark Fin Blues
2206:
2135:
2091:Gareth Liddiard
2081:
2076:
2046:
2045:
2040:. 27 June 2008.
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949:Don't Look Back
926:Shark Fin Blues
910:Howl and Echoes
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418:James Clavell
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377:to pumped up
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54:18 April 2005
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2123:James McCann
2113:Dan Luscombe
2111:
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1849:, retrieved
1844:
1838:
1826:. Retrieved
1822:
1813:
1804:
1795:
1785:13 September
1783:. Retrieved
1778:
1775:"The Drones"
1769:
1755:
1741:
1730:
1707:
1698:
1690:the original
1669:the original
1659:
1647:. Retrieved
1643:
1621:
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1603:
1594:
1584:13 September
1582:. Retrieved
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1373:. Retrieved
1362:
1350:. Retrieved
1346:the original
1341:
1316:. Retrieved
1312:
1291:
1270:
1246:. Retrieved
1242:the original
1231:
1190:
1167:
1140:
1110:. Retrieved
1101:
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977:
966:Britt Daniel
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930:Greil Marcus
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617:Mondo Sonoro
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407:the Gun Club
371:
364:) on drums.
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248:
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183:
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173:
39:Studio album
15:
2341:2005 albums
2120:Warren Hall
2097:Rui Pereira
1851:26 December
1649:10 December
1007:magnum opus
974:Ella Hooper
797:'s bitter '
765:ATP Records
422:Umberto Eco
399:Jon Spencer
142:(UK/Europe)
140:ATP Records
137:(Australia)
135:In-Fidelity
100:garage rock
2335:Categories
2319:Springtime
2281:The Drones
2079:The Drones
1805:Abc.net.au
1499:0547575149
1457:exclaim.ca
1352:23 October
1318:7 December
1292:Abc.net.au
1191:PopMatters
1093:References
1061:The Drones
1023:" – (
877:Neil Young
845:Wolfmother
813:PopMatters
663:PopMatters
641:Ox-Fanzine
383:blues-rock
315:Background
278:alcoholism
262:Neil Young
254:the Drones
164:chronology
162:The Drones
105:noise rock
95:punk blues
44:The Drones
2168:Gala Mill
2129:Mike Noga
2020:Pitchfork
1966:The Music
1779:SF Weekly
1644:Billboard
1168:Pitchfork
1056:Personnel
998:Wait Long
996:included
988:Wait Long
947:-curated
934:follow up
905:Stereogum
881:punk rock
853:Billboard
839:prize in
804:SF Weekly
465:Reception
458:Billboard
426:Confucius
395:Nick Cave
355:Recording
349:Wait Long
309:Wait Long
307:included
274:punk rock
62:2003–2004
1984:IMDb.com
1435:AllMusic
1375:14 March
1248:18 March
1141:Double J
984:Triple J
899:Allmusic
833:Triple J
783:AllMusic
776:Exclaim!
494:AllMusic
470:Critical
445:Triple J
321:Double J
148:Producer
90:Art rock
59:Recorded
51:Released
41: by
2211:Singles
2178:Havilah
2038:The Age
1604:Discogs
1233:The Age
979:The Age
955:Rectify
837:J Award
541:Gigwise
451:issued
430:Sun Tzu
368:Content
298:The Age
211:Singles
197:(2005)
188:(2005)
179:(2002)
2285:(2001)
2264:(2008)
2254:(2007)
2244:(2005)
2223:(2005)
2202:(2016)
2192:(2013)
2182:(2008)
2172:(2006)
2162:(2005)
2152:(2002)
1828:16 May
1819:"2005"
1496:
1471:ShĹŤgun
1407:
1112:16 May
891:, 2017
865:Legacy
790:Plan B
656:8.3/10
488:Rating
485:Source
360:Noga (
284:life.
113:Length
67:Studio
970:Spoon
795:Dylan
726:Uncut
375:blues
213:from
130:Label
83:Genre
1853:2020
1830:2021
1787:2020
1651:2021
1586:2020
1494:ISBN
1405:ISBN
1377:2014
1354:2018
1320:2021
1250:2018
1114:2021
958:and
841:2005
646:8/10
634:8/10
622:8/10
579:Mojo
420:and
264:and
1962:"/"
1002:two
968:of
875:or
629:NME
534:67%
436:".
432:: "
405:or
2337::
2221:"
2036:.
2018:.
2000:.
1982:.
1964:.
1932:.
1914:.
1896:.
1821:.
1803:.
1777:.
1716:^
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1620:.
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1577:.
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1166:.
1149:^
1139:.
1122:^
1010:.
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940:.
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1968:.
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120::
76:)
72:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
