Knowledge

Wait Long by the River and the Bodies of Your Enemies Will Float By

Source đź“ť

765: 618: 613: 580: 532: 727: 722: 717: 760: 755: 750: 745: 608: 603: 598: 575: 570: 565: 560: 527: 522: 517: 512: 712: 707: 702: 697: 692: 687: 682: 1486: 383:
The album has been described as "tight, working-class rock vocal-shredding songs crammed with drunkenness, night sweats, and suicide notes." In relation to their debut, the album has been called "a furthering of that vision and a slight turn into darker territory, with all self-penned material" (the
370:
Recording of the album occurred during 2003 with Loki Lockwood of Spooky Records producing. Once the sessions were complete the group wanted to change labels, which stalled its release while they saved up enough money to buy out their contract. In 2004 Strybosch left the band and was replaced by Mike
334:
that the album was inspired by many of his experiences in Western Australia prior to forming The Drones: "tales of eye-opening, heartbreaking and deeply troubling events that seeped into the menace and simmering rage that lies not too far beneath the surface of the songs on this album." Reflected in
870:
We’ve done over 100 shows in the last four months and we have some nasty debts. We have another world tour starting in May. That’s after we do two tours of Australia. We can’t get jobs because we tour so much. Food is a luxury item right now. We burn through money so it’s safe to say that the 25G’s
347:
on the planet and he'd got angry at some Indigenous mob and just taken a bulldozer and ruined this mine and no one gave a fuck, even though it was the oldest mine in human history. But it was an Aboriginal thing, so why does that matter? Things like that were shocking. It's older than any shit in
827:
who found fault with the lack of "real redemption for the protagonists of these songs: They despair, they drink, and they drown", despite conceding that this is "more a comment on me than on the band" and that the band are "experts at capturing this dark-grey, aqueous world in sprawling, dense
797:
wrote that "humor and pathos, nihilism and the hope for redemption fight to the death inside Liddiard's voice as his mates carry him back and forth from the sheer pit of darkness up to an Earth that's been scorched, so he can laugh and wail with grief in fits and starts." Derek Cooper of
962:
series, while a vast majority of it was performed live in a widely acclaimed 10th anniversary tour in 2015. "Shark Fin Blues" was voted by contemporary songwriters as the greatest Australian song in October 2009. The song would go on to be used in television shows such as
302:", in particular, went on to become a concert staple and was voted by contemporary Australian songwriters as the greatest Australian song of all time in October 2009. The album itself was performed live in its entirety many times, even as a part of the acclaimed 834:, who questioned the "cathartic" elements of the lyrics and the inconsistency of most of the songs. He also criticized the band's decision to open with "Shark Fin Blues" as it "reverse the inertia of songs" and hence "frontloaded" the album. 1485:(1975): “They’ll pay. All of them. The traitors. It’s only a matter of waiting beside a river long enough for the bodies of your enemies to float by, neh? I’ll wait and I’ll spit on their heads soon, very soon. I’ve promised myself that.” 790:
wrote that the band "ooze intensity and broken hearts, and dealing with both after you've had a few too many drinks and the bars have all closed on you", calling them "a band you need to break up to." Thom Jurek of
1238: 312:
ranked it the best Australian album of the 21st century. Three years later, the band's contemporaries & "industry experts" would vote it the 24th best Australian album of all time. In 2021,
352:
The deaths of his mother & former girlfriend also had a major impact on the album (particularly on "Shark Fin Blues"). Considering the resultant "white hot rage" on their debut album
42: 1745: 1379: 919:
wrote that the album "finds at their brainy, raw, eardrum-battering and-heart tugging best". Revisiting the album 10 years after its original release, Matt Hall of
1147: 2080: 1696: 913:
noted that the album had "set the American underground on fire" & "pushed critics to the brink of superlatives in order to describe" its songs. In 2009,
1757: 348:
Rome or Egypt and it's a mine that's been used until white occupation. Those things were very shocking and Western Australia was full of that kind of stuff.
2270: 1610: 1252: 287:
album. The lyrics, penned by Liddiard (except This Time co-written with former band member James McCann) deal with issues such as death, depression and
458:
put the album tracks, "Shark Fin Blues" and "Baby²", on medium rotation. During an extensive six-month tour encompassing Europe and the United States,
384:
debut was "equally split between covers and originals"). The album "employ highs and lows, and lights and shades, to take from introspective moody
1440: 1174: 993:
ranked it the 18th best Australian album of all time, making it the highest ranked 21st century release on the list. In a 2011 poll organized by
298:
The album received critical acclaim upon release, regarded later on as the band's "break-out" and one of their most popular releases. The track "
2356: 1697:"Wait Long by the River and the Bodies of Your Enemies Will Float By (All Tomorrow's Parties; 2005) - Record Reviews @ Cokemachineglow.com" 2073: 955: 1676:"GIGWISE.com | The Drones - 'Wait Long by the River and the Bodies of Your Enemies Will Float By' (ATP) Released 24 October 2005" 939:
as its opening track. But above all Wait Long ... is the purest distillation yet of the Drones' uniquely Australian voice." In 2018,
17: 1526:
Eco mentions, 'there is an Indian proverb that goes, "Sit on the bank of a river and wait: your enemy's corpse will soon float by."'
804:
wrote that the "red raw howling angst" of tracks like "Shark Fin Blues" and "You Really Don't Care" reaches "heights last scaled on
1940: 1904: 882:
doesn't pull punches It's not trying to be anybody else, it certainly harks back to music that came before it – there's a bit of
1890: 1406: 1675: 1571: 1650: 1553: 1463: 2066: 1958: 1419: 1348: 1585: 1319: 1117: 959: 303: 1972: 2044: 1715:"Reviews : DRONES / Wait Long by the River and the Bodies of Your Enemies Will Float By CD :: ox-fanzine.de" 1922: 997:
in which "some of the country's top musicians and industry experts their favourite Australian albums of all time",
2250: 1536:
Confucius. "XVI. The Master standing by a stream, said, "It passes on just like this, not ceasing day or night!"".
203: 1700: 1524: 2008: 2361: 1508: 2329: 1876: 2026: 1441:"Wait Long by the River and the Bodies of Your Enemies Will Float By - The Drones - Songs, Reviews, Credits" 2089: 947:
were "as fierce as I’ve ever seen", despite seeming "austere" in comparison to Liddiard's later work with
372: 343:
I was up like 2,000 km above Perth and a guy, a farmer, had bulldozed an ochre mine. It was literally
264: 172: 54: 1498: 971: 862:, defeating eight other finalists to win the album of the year. Upon winning the latter, Liddiard told 1298: 890:
in there – but it doesn't just slavishly rip them off. It goes further and it goes hard. It's a good
421: 400:
and his compadres". It has been called "a blistering amalgamation of the down-under psych garage of
331: 84: 1734: 1537: 1003: 935:
wrote that the album "only gets better with age. Perhaps it helps having the eternally excellent
784:
wrote that the album will "rip out your eardrums, perhaps even your heart". Dimitri Nasrallah of
314: 2311: 859: 1221:"Ten Years of The Drones' Wait Long by The River and the Bodies of Your Enemies Will Float By" 1197: 809: 1220: 1053:"Sitting on the Edge of the Bed Cryin'" â€“ (Liddiard, Pereira, Kitschin, Strybosch) 7:38 2351: 1829: 1714: 467: 427:
The title of the album comes from a expression of uncertain origin, referenced in works by
1628: 774:
The album received positive reviews from the international press upon its release through
8: 2316: 965: 948: 931: 336: 1854: 2158: 1411: 1277: 354: 268: 185: 1611:"The Drones (2) - Wait Long by the River and the Bodies of Your Enemies Will Float By" 2260: 2208: 1679: 1504: 1415: 883: 800: 472:
article published in March 2006, the album had sold 18,000 units since its release.
413: 412:." The music has also been described as having "the boundless cohesion and energy of 276: 1481: 1299:"Industry Results | Hottest 100 Australian Albums of All Time | triple j" 925: 736: 1990: 1629:"The Drones - Wait Long by the River and the Bodies of Your Enemies Will Float By" 1356: 1148:"The Drones – Wait Long by the River and the Bodies of Your Enemies Will Float By" 2322: 2291: 2229: 2188: 2101: 1198:"The Drones: Wait Long by the River and the Bodies of Your Enemies Will Float By" 1175:"The Drones: Wait Long By the River and the Bodies of Your Enemies Will Float By" 1080: 1035: 1031: 1011:
at #65 on their list of "The 200 Greatest Australian Albums of All Time" (one of
936: 899: 851: 830: 780: 662: 589: 540: 397: 299: 280: 238: 165: 158: 1771: 1464:"The Drones Wait Long By the River and the Bodies of Your Enemies Will Float By" 424:(albeit with less all-over-the-place percussion, horns, and avant tendencies)." 954:
In September 2009, the album was performed live in its entirety as part of the
775: 459: 401: 221: 150: 445:
If you wait by the river long enough, the bodies of your enemies will float by
2345: 2198: 1811: 1785: 1401: 1248: 428: 389: 335:
the lyrics to tracks such as "Locust", these include witnessing instances of
292: 1041:"Baby²" â€“ (Liddiard, Pereira, Fiona Kitschin, Christian Strybosch) 3:34 983:-fame included the album among his 10 favorite records of the decade, while 2123: 980: 976: 940: 627: 417: 140: 1017: 987:
named it one of her 10 favourite Australian albums of all time. In 2008,
984: 432: 409: 145: 110: 93: 1519:, which is also the essay "How I Wrote 'Name of the Rose'" published in 818:, called it "one of the most excruciatingly great rock records of '05." 41: 887: 855: 823: 673: 651: 393: 344: 288: 272: 115: 105: 1015:
Drones albums on the list), with Tyler Jenke hailing it as the band's
2178: 1012: 944: 915: 891: 814: 805: 436: 405: 362:
more melodic & hence accessible to a larger number of listeners.
284: 226:
Wait Long by the River and the Bodies of Your Enemies Will Float By
2169:
Wait Long by the River and the Bodies of Your Enemies Will Float By
1445: 994: 909: 843: 793: 786: 504: 464:
Wait Long by the River and the Bodies of Your Enemies Will Float By
455: 322:
on their list of "The 200 Greatest Australian Albums of All Time".
260:
Wait Long by the River and the Bodies of Your Enemies Will Float By
195:
Wait Long By the River and the Bodies of Your Enemies Will Float By
100: 35:
Wait Long By the River and the Bodies of Your Enemies Will Float By
1243: 989: 847: 842:
The album was also nominated for Australian Album of the Year at
828:
garage-blues epics". A similar point was made by Mark Abraham of
551: 440: 308: 1959:"Why The Drones Are One of Aussie Rock's Most Formidable Icons" 1118:"The Vine interview: Gareth Liddiard of The Drones, April 2010" 1059:"Another Rousing Chorus You Idiots!!!!" â€“ (Liddiard) 5:57 466:
outside of Australia, towards the end of 2005. According to a
2058: 1047:"Locust" â€“ (Liddiard, Pereira, Kitschin, Strybosch) 6:40 385: 49: 1320:"Rolling Stone's 200 Greatest Australian Albums of All Time" 1856:
Gala Mill - The Drones | Songs, Reviews, Credits | AllMusic
943:
wrote that the band's performances on this album and its
639: 1404:(31 March 2017). "Encyclopedia entry for 'The Drones'". 279:, though it has been described by lead singer/guitarist 2009:"Altered Carbon Soundtrack - Netflix Spotify playlist" 1891:"The Drones – The Wardrobe, Leeds, 11th November 2015" 1736:(sourced from press blurbs on the issue's first page) 1554:""Japanese" proverb: Floating enemies, river sitting" 1044:"The Best You Can Believe In" â€“ (Liddiard) 7:35 2271:
Live at the Annandale Hotel 18th, 19th October 2007
1414:: Third Stone Press (published 2017). p. 142. 1215: 1213: 1211: 923:wrote: "they don’t make albums like this anymore." 1380:"Gareth Liddiard of The Drones Interviewed (2013)" 1110: 358:to be a dead end, he consciously decided to make 2343: 1208: 1192: 1190: 1188: 1062:"This Time" â€“ (Liddiard, James McCann) 5:34 1056:"The Freedom in the Loot" â€“ (Liddiard) 6:16 1435: 1433: 1431: 1169: 1167: 1165: 1163: 1161: 396:guitars and the vocal harmonies of lead singer 271:), the album draws influence from the likes of 1400: 1050:"You Really Don't Care" â€“ (Liddiard) 4:40 812:' tour back in 75." Chris Dahlen, writing for 2074: 1458: 1456: 1185: 679: 1991:""Rectify" Sexual Peeling (TV Episode 2013)" 1428: 1158: 742: 595: 557: 509: 1923:"Real Life Rock Top 10: Memories of Aretha" 1410:. Jenkins, Jeff (Foreword) (2nd ed.). 1407:The Encyclopedia of Australian Rock and Pop 1342: 1340: 1001:was voted #24 out of 100 entries. In 2021, 821:A more mixed review came from Dan Raper of 2081: 2067: 1453: 1239:"Drones' 'Shark Fin Blues' tops rock list" 40: 1651:"Drones Win Inaugural Aussie Music Prize" 1394: 1232: 1230: 1086:Rui Pereira â€“ guitar, vocals, violin 1077:Fiona Kitschin â€“ bass, vocals, piano 837: 1346: 1337: 1089:Christian Strybosch â€“ drums, vocals 907:A year after its release, Thom Jurek of 450: 1648: 1236: 14: 2344: 1941:"The Drones at Rosemount Hotel review" 1905:"The Drones at Rosemount Hotel review" 1877:"ATP Rocks The Catskills This Weekend" 1730: 1728: 1691: 1689: 1572:"Sun Tzu – Art of War Invented Quotes" 1227: 1099:Steve Hesketh â€“ hammond wurlitzer 1083: â€“ guitar, vocals, synth, hammond 339:& stories of "ruinous vendettas". 2062: 1644: 1642: 1535: 1272: 1270: 1142: 1140: 1138: 1136: 1134: 490: 1523:October 14, 1984, Section 7, Page 1, 1515:In the 1983 postscript to the novel 1377: 1371: 1314: 1312: 1293: 1291: 1237:Donovan, Patrick (30 October 2009). 2357:The Drones (Australian band) albums 1725: 1699:. 15 September 2012. Archived from 1686: 1496: 29:2005 studio album by The Drones 24: 1764: 1649:Eliezer, Christie (8 March 2006). 1639: 1497:Eco, Umberto (28 September 1994). 1267: 1131: 681: 25: 2373: 1378:Reid, Graham (2 September 2013). 1309: 1288: 744: 597: 559: 511: 1678:. 8 January 2006. Archived from 1024: 929:called it "the band’s classic". 894:album, that's what I would say. 763: 758: 753: 748: 743: 725: 720: 715: 710: 705: 700: 695: 690: 685: 680: 616: 611: 606: 601: 596: 578: 573: 568: 563: 558: 530: 525: 520: 515: 510: 408:, and the rough-hewn yelping of 263:is the second album released by 2037: 2019: 2001: 1983: 1965: 1951: 1933: 1915: 1897: 1883: 1869: 1847: 1822: 1804: 1778: 1750: 1739: 1707: 1668: 1621: 1603: 1578: 1564: 1546: 1529: 1490: 1474: 1347:Coolidge, Danger (March 2005). 435:, possibly a mistranslation of 291:in its depiction of Australian 2088: 1278:"The Top 50 Australian albums" 439:, frequently misattributed to 392:jams. It centres on the sharp 330:In 2017, Liddiard revealed to 13: 1: 1812:"triple j - The J Award 2005" 1774:– via Internet Archive. 1503:. Houghton Mifflin Harcourt. 1349:"Waiting for Godot... to Die" 1103: 325: 267:. Recorded "100% live" (like 1066: 475: 404:, the sunburned songbook of 365: 7: 2027:"Guest List: 2000s Edition" 1834:Australianmusicprize.com.au 1558:Straight Dope Message Board 778:in 2005. Brandon Stosuy of 480: 10: 2378: 1772:"Plan B Magazine Issue 09" 378: 337:racism against aboriginals 2304: 2283: 2242: 2221: 2150: 2096: 1513:– via Google Books. 875: 498: 495: 306:concert series. In 2008, 252: 241:"/"You Really Don't Care" 231: 220: 216: 179: 171: 157: 139: 123: 92: 77: 69: 61: 48: 39: 34: 18:Wait Long by the River... 858:) and won the inaugural 85:Port Melbourne, Victoria 2243:Compilation/live albums 1758:"Noticias mĂşsica indie" 1747:(registration required) 1324:Rolling Stone Australia 1004:Rolling Stone Australia 315:Rolling Stone Australia 244:Released: 27 March 2006 2312:The Drones discography 1633:All Tomorrow's Parties 956:All Tomorrow's Parties 896: 873: 871:will not go to waste. 860:Australian Music Prize 838:Awards and nominations 460:All Tomorrow's Parties 350: 2362:ATP Recordings albums 2251:The Miller's Daughter 1703:on 15 September 2012. 880: 868: 810:Rolling Thunder Revue 451:Promotion and release 373:Legends of Motorsport 341: 204:The Miller's Daughter 1879:. 10 September 2009. 1586:"A quote by Sun Tzu" 1517:The Name Of The Rose 1500:The Name of the Rose 1094:Additional musicians 486:Professional ratings 2317:Tropical Fuck Storm 2118:Christian Strybosch 2013:Sharedplaylists.com 1945:The West Australian 1909:The West Australian 1893:. 12 November 2015. 1038:, Rui Pereira) 5:43 949:Tropical Fuck Storm 932:The West Australian 487: 2159:Here Come the Lies 2045:"Best of the best" 1760:. 10 January 2006. 1682:on 8 January 2006. 1574:. 6 February 2014. 1539:Confucian Analects 1521:The New York Times 1305:. 25 January 2011. 1204:. 11 January 2006. 485: 422:the Birthday Party 355:Here Come the Lies 186:Here Come the Lies 2339: 2338: 2297: 2276: 2266: 2261:Live in Spaceland 2256: 2235: 2214: 2209:Feelin Kinda Free 2204: 2194: 2184: 2174: 2164: 2137:Brendon Humphries 1947:. 24 August 2015. 1929:. 22 August 2018. 1911:. 24 August 2015. 1792:. 11 January 2006 1421:978-0-9953856-0-3 1359:on 20 August 2006 1353:Blunt Independent 1223:. 18 August 2015. 884:Rowland S. Howard 854:(but lost out to 772: 771: 277:Rowland S. Howard 256: 255: 212: 211: 88: 81:Atlantis Studios 16:(Redirected from 2369: 2305:Related articles 2295: 2274: 2264: 2254: 2233: 2212: 2202: 2192: 2182: 2172: 2162: 2083: 2076: 2069: 2060: 2059: 2053: 2052: 2041: 2035: 2034: 2023: 2017: 2016: 2005: 1999: 1998: 1987: 1981: 1980: 1969: 1963: 1962: 1955: 1949: 1948: 1937: 1931: 1930: 1927:Villagevoice.com 1919: 1913: 1912: 1901: 1895: 1894: 1887: 1881: 1880: 1873: 1867: 1866: 1865: 1863: 1851: 1845: 1844: 1842: 1840: 1826: 1820: 1819: 1808: 1802: 1801: 1799: 1797: 1782: 1776: 1775: 1768: 1762: 1761: 1754: 1748: 1743: 1737: 1732: 1723: 1722: 1711: 1705: 1704: 1693: 1684: 1683: 1672: 1666: 1665: 1663: 1661: 1646: 1637: 1636: 1625: 1619: 1618: 1607: 1601: 1600: 1598: 1596: 1582: 1576: 1575: 1568: 1562: 1561: 1550: 1544: 1543: 1533: 1527: 1514: 1494: 1488: 1478: 1472: 1471: 1460: 1451: 1450: 1437: 1426: 1425: 1398: 1392: 1391: 1389: 1387: 1375: 1369: 1368: 1366: 1364: 1355:. Archived from 1344: 1335: 1334: 1332: 1330: 1316: 1307: 1306: 1295: 1286: 1285: 1274: 1265: 1264: 1262: 1260: 1255:on 17 April 2017 1251:. Archived from 1234: 1225: 1224: 1217: 1206: 1205: 1194: 1183: 1182: 1171: 1156: 1155: 1154:. 27 April 2017. 1144: 1129: 1128: 1126: 1124: 1114: 926:God Is in the TV 903: 768: 767: 766: 762: 761: 757: 756: 752: 751: 747: 746: 730: 729: 728: 724: 723: 719: 718: 714: 713: 709: 708: 704: 703: 699: 698: 694: 693: 689: 688: 684: 683: 621: 620: 619: 615: 614: 610: 609: 605: 604: 600: 599: 583: 582: 581: 577: 576: 572: 571: 567: 566: 562: 561: 535: 534: 533: 529: 528: 524: 523: 519: 518: 514: 513: 488: 484: 420:and, of course, 245: 242: 181: 180: 135: 134: 130: 82: 44: 32: 31: 21: 2377: 2376: 2372: 2371: 2370: 2368: 2367: 2366: 2342: 2341: 2340: 2335: 2323:Strange Tourist 2300: 2279: 2238: 2230:Shark Fin Blues 2217: 2146: 2102:Gareth Liddiard 2092: 2087: 2057: 2056: 2051:. 27 June 2008. 2043: 2042: 2038: 2025: 2024: 2020: 2007: 2006: 2002: 1989: 1988: 1984: 1971: 1970: 1966: 1957: 1956: 1952: 1939: 1938: 1934: 1921: 1920: 1916: 1903: 1902: 1898: 1889: 1888: 1884: 1875: 1874: 1870: 1861: 1859: 1853: 1852: 1848: 1838: 1836: 1828: 1827: 1823: 1810: 1809: 1805: 1795: 1793: 1784: 1783: 1779: 1770: 1769: 1765: 1756: 1755: 1751: 1744: 1740: 1733: 1726: 1713: 1712: 1708: 1695: 1694: 1687: 1674: 1673: 1669: 1659: 1657: 1647: 1640: 1627: 1626: 1622: 1609: 1608: 1604: 1594: 1592: 1584: 1583: 1579: 1570: 1569: 1565: 1560:. 18 June 2014. 1552: 1551: 1547: 1534: 1530: 1511: 1495: 1491: 1479: 1475: 1462: 1461: 1454: 1439: 1438: 1429: 1422: 1399: 1395: 1385: 1383: 1382:. Elsewhere Ltd 1376: 1372: 1362: 1360: 1345: 1338: 1328: 1326: 1318: 1317: 1310: 1297: 1296: 1289: 1276: 1275: 1268: 1258: 1256: 1235: 1228: 1219: 1218: 1209: 1196: 1195: 1186: 1173: 1172: 1159: 1146: 1145: 1132: 1122: 1120: 1116: 1115: 1111: 1106: 1081:Gareth Liddiard 1069: 1036:Gareth Liddiard 1032:Shark Fin Blues 1027: 960:Don't Look Back 937:Shark Fin Blues 921:Howl and Echoes 905: 900:Gareth Liddiard 898: 878: 840: 831:Cokemachineglow 781:Pitchfork Media 764: 759: 754: 749: 726: 721: 716: 711: 706: 701: 696: 691: 686: 663:Pitchfork Media 617: 612: 607: 602: 579: 574: 569: 564: 541:Cokemachineglow 531: 526: 521: 516: 483: 478: 453: 398:Gareth Liddiard 381: 368: 345:the oldest mine 328: 304:Don't Look Back 300:Shark Fin Blues 281:Gareth Liddiard 269:its predecessor 248: 243: 239:Shark Fin Blues 236: 235: 207: 198: 189: 166:Gareth Liddiard 164: 149: 132: 128: 127: 57: 30: 23: 22: 15: 12: 11: 5: 2375: 2365: 2364: 2359: 2354: 2337: 2336: 2334: 2333: 2326: 2319: 2314: 2308: 2306: 2302: 2301: 2299: 2298: 2287: 2285: 2284:Extended plays 2281: 2280: 2278: 2277: 2267: 2257: 2246: 2244: 2240: 2239: 2237: 2236: 2225: 2223: 2219: 2218: 2216: 2215: 2205: 2195: 2185: 2175: 2165: 2154: 2152: 2148: 2147: 2145: 2144: 2141: 2138: 2135: 2132: 2128: 2127: 2120: 2115: 2113:Fiona Kitschin 2110: 2105: 2097: 2094: 2093: 2086: 2085: 2078: 2071: 2063: 2055: 2054: 2036: 2018: 2000: 1982: 1964: 1961:. 26 May 2015. 1950: 1932: 1914: 1896: 1882: 1868: 1846: 1821: 1803: 1777: 1763: 1749: 1738: 1724: 1706: 1685: 1667: 1638: 1620: 1602: 1577: 1563: 1545: 1528: 1509: 1489: 1473: 1452: 1427: 1420: 1402:McFarlane, Ian 1393: 1370: 1336: 1308: 1287: 1266: 1226: 1207: 1184: 1157: 1130: 1108: 1107: 1105: 1102: 1101: 1100: 1096: 1095: 1091: 1090: 1087: 1084: 1078: 1074: 1073: 1068: 1065: 1064: 1063: 1060: 1057: 1054: 1051: 1048: 1045: 1042: 1039: 1026: 1023: 972:Altered Carbon 879: 877: 874: 839: 836: 770: 769: 740: 732: 731: 677: 669: 668: 665: 659: 658: 655: 647: 646: 643: 635: 634: 631: 623: 622: 593: 585: 584: 555: 547: 546: 543: 537: 536: 507: 501: 500: 497: 493: 492: 482: 479: 477: 474: 452: 449: 402:the Scientists 380: 377: 367: 364: 327: 324: 254: 253: 250: 249: 247: 246: 232: 229: 228: 218: 217: 214: 213: 210: 209: 200: 191: 177: 176: 169: 168: 163:Locki Lockwood 161: 155: 154: 143: 137: 136: 125: 121: 120: 119: 118: 113: 108: 103: 96: 90: 89: 79: 75: 74: 71: 67: 66: 63: 59: 58: 53: 46: 45: 37: 36: 28: 9: 6: 4: 3: 2: 2374: 2363: 2360: 2358: 2355: 2353: 2350: 2349: 2347: 2332: 2331: 2327: 2325: 2324: 2320: 2318: 2315: 2313: 2310: 2309: 2307: 2303: 2294: 2293: 2289: 2288: 2286: 2282: 2273: 2272: 2268: 2263: 2262: 2258: 2253: 2252: 2248: 2247: 2245: 2241: 2231: 2227: 2226: 2224: 2220: 2211: 2210: 2206: 2201: 2200: 2199:I See Seaweed 2196: 2191: 2190: 2186: 2181: 2180: 2176: 2171: 2170: 2166: 2161: 2160: 2156: 2155: 2153: 2151:Studio albums 2149: 2143:Steve Hesketh 2142: 2139: 2136: 2133: 2130: 2129: 2126: 2125: 2121: 2119: 2116: 2114: 2111: 2109: 2106: 2104: 2103: 2099: 2098: 2095: 2091: 2084: 2079: 2077: 2072: 2070: 2065: 2064: 2061: 2050: 2046: 2040: 2032: 2028: 2022: 2014: 2010: 2004: 1996: 1992: 1986: 1978: 1974: 1968: 1960: 1954: 1946: 1942: 1936: 1928: 1924: 1918: 1910: 1906: 1900: 1892: 1886: 1878: 1872: 1858: 1857: 1850: 1835: 1831: 1825: 1817: 1813: 1807: 1791: 1787: 1781: 1773: 1767: 1759: 1753: 1746: 1742: 1735: 1731: 1729: 1720: 1719:Ox-fanzine.de 1716: 1710: 1702: 1698: 1692: 1690: 1681: 1677: 1671: 1656: 1652: 1645: 1643: 1634: 1630: 1624: 1616: 1612: 1606: 1591: 1590:Goodreads.com 1587: 1581: 1573: 1567: 1559: 1555: 1549: 1541: 1540: 1532: 1525: 1522: 1518: 1512: 1506: 1502: 1501: 1493: 1487: 1484: 1483: 1477: 1469: 1465: 1459: 1457: 1448: 1447: 1442: 1436: 1434: 1432: 1423: 1417: 1413: 1412:Gisborne, VIC 1409: 1408: 1403: 1397: 1381: 1374: 1358: 1354: 1350: 1343: 1341: 1325: 1321: 1315: 1313: 1304: 1300: 1294: 1292: 1283: 1282:Theage.com.au 1279: 1273: 1271: 1254: 1250: 1249:Fairfax Media 1246: 1245: 1240: 1233: 1231: 1222: 1216: 1214: 1212: 1203: 1199: 1193: 1191: 1189: 1180: 1176: 1170: 1168: 1166: 1164: 1162: 1153: 1149: 1143: 1141: 1139: 1137: 1135: 1119: 1113: 1109: 1098: 1097: 1093: 1092: 1088: 1085: 1082: 1079: 1076: 1075: 1071: 1070: 1061: 1058: 1055: 1052: 1049: 1046: 1043: 1040: 1037: 1033: 1029: 1028: 1025:Track listing 1022: 1020: 1019: 1014: 1010: 1006: 1005: 1000: 996: 992: 991: 986: 982: 978: 974: 973: 968: 967: 961: 957: 952: 950: 946: 942: 938: 934: 933: 928: 927: 922: 918: 917: 912: 911: 904: 901: 895: 893: 889: 885: 872: 867: 865: 861: 857: 853: 849: 846:'s inaugural 845: 835: 833: 832: 826: 825: 819: 817: 816: 811: 807: 803: 802: 796: 795: 789: 788: 783: 782: 777: 741: 739: 738: 734: 733: 678: 676: 675: 671: 670: 666: 664: 661: 660: 656: 654: 653: 649: 648: 644: 642: 641: 637: 636: 632: 630: 629: 625: 624: 594: 592: 591: 587: 586: 556: 554: 553: 549: 548: 544: 542: 539: 538: 508: 506: 503: 502: 494: 491:Review scores 489: 473: 471: 470: 465: 461: 457: 448: 446: 442: 438: 434: 430: 429:James Clavell 425: 423: 419: 415: 411: 407: 403: 399: 395: 391: 390:rock and roll 388:to pumped up 387: 376: 374: 363: 361: 357: 356: 349: 346: 340: 338: 333: 323: 321: 317: 316: 311: 310: 305: 301: 296: 294: 293:working class 290: 286: 283:himself as a 282: 278: 274: 270: 266: 262: 261: 251: 240: 234: 233: 230: 227: 223: 219: 215: 206: 205: 201: 197: 196: 192: 188: 187: 183: 182: 178: 174: 170: 167: 162: 160: 156: 152: 147: 144: 142: 138: 126: 122: 117: 114: 112: 109: 107: 104: 102: 99: 98: 97: 95: 91: 86: 80: 76: 72: 68: 65:18 April 2005 64: 60: 56: 51: 47: 43: 38: 33: 27: 19: 2328: 2321: 2290: 2269: 2259: 2249: 2207: 2197: 2187: 2177: 2168: 2167: 2157: 2134:James McCann 2124:Dan Luscombe 2122: 2117: 2112: 2107: 2100: 2048: 2039: 2030: 2021: 2012: 2003: 1994: 1985: 1976: 1967: 1953: 1944: 1935: 1926: 1917: 1908: 1899: 1885: 1871: 1860:, retrieved 1855: 1849: 1837:. Retrieved 1833: 1824: 1815: 1806: 1796:13 September 1794:. Retrieved 1789: 1786:"The Drones" 1780: 1766: 1752: 1741: 1718: 1709: 1701:the original 1680:the original 1670: 1658:. Retrieved 1654: 1632: 1623: 1614: 1605: 1595:13 September 1593:. Retrieved 1589: 1580: 1566: 1557: 1548: 1538: 1531: 1520: 1516: 1499: 1492: 1480: 1476: 1467: 1444: 1405: 1396: 1384:. Retrieved 1373: 1361:. Retrieved 1357:the original 1352: 1327:. Retrieved 1323: 1302: 1281: 1257:. Retrieved 1253:the original 1242: 1201: 1178: 1151: 1121:. Retrieved 1112: 1016: 1008: 1002: 998: 988: 977:Britt Daniel 970: 964: 953: 941:Greil Marcus 930: 924: 920: 914: 908: 906: 897: 881: 869: 863: 841: 829: 822: 820: 813: 799: 792: 785: 779: 773: 735: 672: 650: 638: 628:Mondo Sonoro 626: 588: 550: 468: 463: 454: 444: 426: 418:the Gun Club 382: 375:) on drums. 369: 359: 353: 351: 342: 329: 319: 313: 307: 297: 259: 258: 257: 225: 202: 194: 193: 184: 50:Studio album 26: 2352:2005 albums 2131:Warren Hall 2108:Rui Pereira 1862:26 December 1660:10 December 1018:magnum opus 985:Ella Hooper 808:'s bitter ' 776:ATP Records 433:Umberto Eco 410:Jon Spencer 153:(UK/Europe) 151:ATP Records 148:(Australia) 146:In-Fidelity 111:garage rock 2346:Categories 2330:Springtime 2292:The Drones 2090:The Drones 1816:Abc.net.au 1510:0547575149 1468:exclaim.ca 1363:23 October 1329:7 December 1303:Abc.net.au 1202:PopMatters 1104:References 1072:The Drones 1034:" â€“ ( 888:Neil Young 856:Wolfmother 824:PopMatters 674:PopMatters 652:Ox-Fanzine 394:blues-rock 326:Background 289:alcoholism 273:Neil Young 265:the Drones 175:chronology 173:The Drones 116:noise rock 106:punk blues 55:The Drones 2179:Gala Mill 2140:Mike Noga 2031:Pitchfork 1977:The Music 1790:SF Weekly 1655:Billboard 1179:Pitchfork 1067:Personnel 1009:Wait Long 1007:included 999:Wait Long 958:-curated 945:follow up 916:Stereogum 892:punk rock 864:Billboard 850:prize in 815:SF Weekly 476:Reception 469:Billboard 437:Confucius 406:Nick Cave 366:Recording 360:Wait Long 320:Wait Long 318:included 285:punk rock 73:2003–2004 1995:IMDb.com 1446:AllMusic 1386:14 March 1259:18 March 1152:Double J 995:Triple J 910:Allmusic 844:Triple J 794:AllMusic 787:Exclaim! 505:AllMusic 481:Critical 456:Triple J 332:Double J 159:Producer 101:Art rock 70:Recorded 62:Released 52: by 2222:Singles 2189:Havilah 2049:The Age 1615:Discogs 1244:The Age 990:The Age 966:Rectify 848:J Award 552:Gigwise 462:issued 441:Sun Tzu 379:Content 309:The Age 222:Singles 208:(2005) 199:(2005) 190:(2002) 2296:(2001) 2275:(2008) 2265:(2007) 2255:(2005) 2234:(2005) 2213:(2016) 2203:(2013) 2193:(2008) 2183:(2006) 2173:(2005) 2163:(2002) 1839:16 May 1830:"2005" 1507:  1482:ShĹŤgun 1418:  1123:16 May 902:, 2017 876:Legacy 801:Plan B 667:8.3/10 499:Rating 496:Source 371:Noga ( 295:life. 124:Length 78:Studio 981:Spoon 806:Dylan 737:Uncut 386:blues 224:from 141:Label 94:Genre 1864:2020 1841:2021 1798:2020 1662:2021 1597:2020 1505:ISBN 1416:ISBN 1388:2014 1365:2018 1331:2021 1261:2018 1125:2021 969:and 852:2005 657:8/10 645:8/10 633:8/10 590:Mojo 431:and 275:and 1973:"/" 1013:two 979:of 886:or 640:NME 545:67% 447:". 443:: " 416:or 2348:: 2232:" 2047:. 2029:. 2011:. 1993:. 1975:. 1943:. 1925:. 1907:. 1832:. 1814:. 1788:. 1727:^ 1717:. 1688:^ 1653:. 1641:^ 1631:. 1613:. 1588:. 1556:. 1466:. 1455:^ 1443:. 1430:^ 1351:. 1339:^ 1322:. 1311:^ 1301:. 1290:^ 1280:. 1269:^ 1247:. 1241:. 1229:^ 1210:^ 1200:. 1187:^ 1177:. 1160:^ 1150:. 1133:^ 1021:. 975:. 951:. 133:37 129:53 2228:" 2082:e 2075:t 2068:v 2033:. 2015:. 1997:. 1979:. 1843:. 1818:. 1800:. 1721:. 1664:. 1635:. 1617:. 1599:. 1542:. 1470:. 1449:. 1424:. 1390:. 1367:. 1333:. 1284:. 1263:. 1181:. 1127:. 1030:" 866:: 414:X 237:" 131:: 87:) 83:( 20:)

Index

Wait Long by the River...

Studio album
The Drones
Port Melbourne, Victoria
Genre
Art rock
punk blues
garage rock
noise rock
Label
In-Fidelity
ATP Records
Producer
Gareth Liddiard
The Drones
Here Come the Lies
The Miller's Daughter
Singles
Shark Fin Blues
the Drones
its predecessor
Neil Young
Rowland S. Howard
Gareth Liddiard
punk rock
alcoholism
working class
Shark Fin Blues
Don't Look Back

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑