31:
452:
75:
74:
77:
437:
76:
141:, Wacław's style may be seen in both of these motets; "the constant overlapping of phrases and full-fledged imitative style reveal Franco-Netherlandish influence."
104:. In 1555 Wacław left Kraków, having received the title of "royal composer." Nevertheless, during Szamotuly's lifetime his music was known outside of Poland.
411:
523:
111:, who wrote the first concise biography of Wacław, "If the gods had let him live longer, the Poles would have no need to envy the Italians their
489:
409:; Szweykowska, Anna (1964). "Wacław z Szamotuł, renesansowy muzyk i poeta" ['Wacław of Szamotuł, Renaissance musician and poet].
543:
538:
482:
406:
306:
17:
518:
112:
548:
528:
475:
463:
120:
82:
533:
383:
97:
416:
513:
508:
101:
314:
291:
texture, meaning that essentially all the notes occur at the same time, as contrasted with
89:
8:
292:
108:
247:(A Prayer When the Children Go To Sleep). This is perhaps his best-known composition.
387:
376:
248:
137:
were the first Polish musical compositions to be published abroad. According to
116:
30:
459:
502:
371:
138:
438:
Scores by Wacław of
Szamotuły in National Digital Library of Poland (Polona)
50:
42:
318:
252:
288:
176:
166:
81:"Alleluja. Chwalcie Pana Boga" by Wacław z Szamotuł performed by the
107:
He died early, and only a few of his works survive. In the words of
93:
46:
221:
100:
in 1538. In 1547 or 1548 he was appointed composer to the court of
391:
218:
127:
58:
451:
224:
405:
311:
Waclaw Z Szamotul (d. c. 1560): Songs for 4-v cappella
349:
337:
317:(Editions of Early Polish Music ed.). Kraków:
375:
500:
313:. Vol. 28. interpretation indications by
483:
34:Imaginary 19th-century portrait of Szamotuły
287:(Daily Confession). This composition has a
490:
476:
458:This article about a Polish composer is a
524:Polish Calvinist and Reformed Christians
72:
29:
255:melody in at least three compositions:
88:Wacław z Szamotuł was a student at the
14:
501:
370:
355:
343:
446:
251:(born 1933) has used this beautiful
24:
399:
25:
560:
431:
217:(O Christ, Day of Our Light) — a
209:Nakłoń, Panie, ku mnie ucho Twoje
450:
199:Alleluja, Chwalcie Pana Alleluia
544:Polish male classical composers
539:Jagiellonian University alumni
257:Chorale in the Form of a Canon
241:Modlitwa, gdy dziatki spać idą
205:— Hallelujah, Praise the Lord)
27:Polish composer (c. 1520–1560)
13:
1:
326:
215:Kryste dniu naszej światłości
462:. You can help Knowledge by
331:
235:Beatus vir, qui non abiit...
211:(Turn Thy Ear to Me, O Lord)
203:Laudate Dominum omnes gentes
7:
299:
10:
565:
445:
384:W. W. Norton & Company
364:
275:Pieśń o narodzeniu Pańskim
83:Collegium Vocale Bydgoszcz
279:Pochwalmyż wszytcy społem
65:, was a Polish composer.
378:Music in the Renaissance
144:
305:
68:
281:(Song of the Nativity)
271:(Dusk is Approaching).
231:Błogosławiony człowiek
163:In te, Domine, speravi
85:
63:Venceslaus Samotulinus
35:
549:Polish composer stubs
529:Renaissance composers
519:People from Szamotuły
237:— Blessed Is the Man)
102:Sigismund II Augustus
80:
49:, c. 1520 – c. 1560,
33:
407:Szweykowski, Zygmunt
315:Stanislaw Wiechowicz
307:Szweykowski, Zygmunt
265:First String Quartet
173:Ego sum pastor bonus
135:Ego sum pastor bonus
131:In te Domine speravi
293:imitative polyphony
285:Powszechna spowiedź
267:(1988), subtitled
109:Szymon Starowolski
96:later studying at
86:
55:Wacław Szamotulski
36:
471:
470:
269:Już się zmierzcha
98:Kraków University
90:Lubrański Academy
78:
39:Wacław z Szamotuł
18:Waclaw z Szamotul
16:(Redirected from
556:
534:Polish composers
492:
485:
478:
454:
447:
427:
420:
395:
381:
359:
353:
347:
341:
322:
263:(1969), and the
261:Old Polish Music
245:Już się zmierzka
79:
21:
564:
563:
559:
558:
557:
555:
554:
553:
499:
498:
497:
496:
443:
434:
414:
402:
400:Further reading
367:
362:
354:
350:
342:
338:
334:
329:
302:
147:
73:
71:
53:), also called
28:
23:
22:
15:
12:
11:
5:
562:
552:
551:
546:
541:
536:
531:
526:
521:
516:
511:
495:
494:
487:
480:
472:
469:
468:
455:
441:
440:
433:
432:External links
430:
429:
428:
401:
398:
397:
396:
372:Reese, Gustave
366:
363:
361:
360:
358:, p. 749.
348:
346:, p. 748.
335:
333:
330:
328:
325:
324:
323:
309:, ed. (1956).
301:
298:
297:
296:
282:
272:
249:Henryk Górecki
238:
228:
212:
206:
186:
185:
183:Nunc scio vere
180:
175:(published in
170:
165:(published in
146:
143:
70:
67:
26:
9:
6:
4:
3:
2:
561:
550:
547:
545:
542:
540:
537:
535:
532:
530:
527:
525:
522:
520:
517:
515:
512:
510:
507:
506:
504:
493:
488:
486:
481:
479:
474:
473:
467:
465:
461:
456:
453:
449:
448:
444:
439:
436:
435:
425:
422:(in Polish).
421:
418:
413:
408:
404:
403:
393:
389:
385:
380:
379:
373:
369:
368:
357:
352:
345:
340:
336:
320:
316:
312:
308:
304:
303:
294:
290:
286:
283:
280:
276:
273:
270:
266:
262:
259:(1961/1984),
258:
254:
250:
246:
242:
239:
236:
232:
229:
226:
223:
220:
216:
213:
210:
207:
204:
200:
197:
196:
195:
194:
192:
184:
181:
178:
174:
171:
168:
164:
161:
160:
159:
158:
156:
151:
142:
140:
139:Gustave Reese
136:
132:
129:
124:
122:
118:
114:
110:
105:
103:
99:
95:
91:
84:
66:
64:
60:
56:
52:
48:
44:
40:
32:
19:
514:1560s deaths
509:1520s births
464:expanding it
457:
442:
426:(1–2): 3–28.
423:
410:
377:
351:
339:
310:
284:
278:
274:
268:
264:
260:
256:
244:
240:
234:
230:
214:
208:
202:
198:
190:
188:
187:
182:
172:
162:
154:
152:
149:
148:
134:
130:
125:
106:
87:
62:
54:
38:
37:
415: [
319:PWM Edition
253:Renaissance
503:Categories
356:Reese 1959
344:Reese 1959
327:References
289:homophonic
113:Palestrina
332:Citations
177:Nuremberg
167:Nuremberg
43:Szamotuły
392:59012879
374:(1959).
300:Editions
227:(c. 800)
222:compline
57:and (in
365:Sources
189:Songs (
179:, 1564)
169:, 1554)
51:Pińczów
45:, near
412:Muzyka
390:
219:Lenten
191:Pieśńi
155:Motety
150:Motets
128:motets
121:Vedana
94:Poznań
47:Poznań
419:]
145:Works
117:Lappi
59:Latin
460:stub
388:LCCN
225:hymn
133:and
126:His
69:Life
277:or
243:or
123:."
119:or
92:in
505::
417:pl
386:.
382:.
115:,
61:)
491:e
484:t
477:v
466:.
424:9
394:.
321:.
295:.
233:(
201:(
193:)
157:)
153:(
41:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
