20:
441:
64:
63:
66:
426:
65:
130:, Wacław's style may be seen in both of these motets; "the constant overlapping of phrases and full-fledged imitative style reveal Franco-Netherlandish influence."
93:. In 1555 Wacław left Kraków, having received the title of "royal composer." Nevertheless, during Szamotuly's lifetime his music was known outside of Poland.
400:
512:
100:, who wrote the first concise biography of Wacław, "If the gods had let him live longer, the Poles would have no need to envy the Italians their
478:
398:; Szweykowska, Anna (1964). "Wacław z Szamotuł, renesansowy muzyk i poeta" ['Wacław of Szamotuł, Renaissance musician and poet].
532:
527:
471:
395:
295:
507:
101:
537:
517:
464:
452:
109:
71:
522:
372:
86:
405:
502:
497:
90:
303:
280:
texture, meaning that essentially all the notes occur at the same time, as contrasted with
78:
8:
281:
97:
236:(A Prayer When the Children Go To Sleep). This is perhaps his best-known composition.
376:
365:
237:
126:
were the first Polish musical compositions to be published abroad. According to
105:
19:
448:
491:
360:
127:
427:
Scores by Wacław of
Szamotuły in National Digital Library of Poland (Polona)
39:
31:
307:
241:
277:
165:
155:
70:"Alleluja. Chwalcie Pana Boga" by Wacław z Szamotuł performed by the
96:
He died early, and only a few of his works survive. In the words of
82:
35:
210:
89:
in 1538. In 1547 or 1548 he was appointed composer to the court of
380:
207:
116:
47:
440:
213:
394:
300:
Waclaw Z Szamotul (d. c. 1560): Songs for 4-v cappella
338:
326:
306:(Editions of Early Polish Music ed.). Kraków:
364:
489:
302:. Vol. 28. interpretation indications by
472:
23:Imaginary 19th-century portrait of Szamotuły
276:(Daily Confession). This composition has a
479:
465:
447:This article about a Polish composer is a
513:Polish Calvinist and Reformed Christians
61:
18:
244:melody in at least three compositions:
77:Wacław z Szamotuł was a student at the
490:
359:
344:
332:
435:
240:(born 1933) has used this beautiful
13:
388:
14:
549:
420:
206:(O Christ, Day of Our Light) — a
198:Nakłoń, Panie, ku mnie ucho Twoje
439:
188:Alleluja, Chwalcie Pana Alleluia
533:Polish male classical composers
528:Jagiellonian University alumni
246:Chorale in the Form of a Canon
230:Modlitwa, gdy dziatki spać idą
194:— Hallelujah, Praise the Lord)
16:Polish composer (c. 1520–1560)
1:
315:
204:Kryste dniu naszej światłości
451:. You can help Knowledge by
320:
224:Beatus vir, qui non abiit...
200:(Turn Thy Ear to Me, O Lord)
192:Laudate Dominum omnes gentes
7:
288:
10:
554:
434:
373:W. W. Norton & Company
353:
264:Pieśń o narodzeniu Pańskim
72:Collegium Vocale Bydgoszcz
268:Pochwalmyż wszytcy społem
54:, was a Polish composer.
367:Music in the Renaissance
133:
294:
57:
270:(Song of the Nativity)
260:(Dusk is Approaching).
220:Błogosławiony człowiek
152:In te, Domine, speravi
74:
52:Venceslaus Samotulinus
24:
538:Polish composer stubs
518:Renaissance composers
508:People from Szamotuły
226:— Blessed Is the Man)
91:Sigismund II Augustus
69:
38:, c. 1520 – c. 1560,
22:
396:Szweykowski, Zygmunt
304:Stanislaw Wiechowicz
296:Szweykowski, Zygmunt
254:First String Quartet
162:Ego sum pastor bonus
124:Ego sum pastor bonus
120:In te Domine speravi
282:imitative polyphony
274:Powszechna spowiedź
256:(1988), subtitled
98:Szymon Starowolski
85:later studying at
75:
44:Wacław Szamotulski
25:
460:
459:
258:Już się zmierzcha
87:Kraków University
79:Lubrański Academy
67:
28:Wacław z Szamotuł
545:
523:Polish composers
481:
474:
467:
443:
436:
416:
409:
384:
370:
348:
342:
336:
330:
311:
252:(1969), and the
250:Old Polish Music
234:Już się zmierzka
68:
553:
552:
548:
547:
546:
544:
543:
542:
488:
487:
486:
485:
432:
423:
403:
391:
389:Further reading
356:
351:
343:
339:
331:
327:
323:
318:
291:
136:
62:
60:
42:), also called
17:
12:
11:
5:
551:
541:
540:
535:
530:
525:
520:
515:
510:
505:
500:
484:
483:
476:
469:
461:
458:
457:
444:
430:
429:
422:
421:External links
419:
418:
417:
390:
387:
386:
385:
361:Reese, Gustave
355:
352:
350:
349:
347:, p. 749.
337:
335:, p. 748.
324:
322:
319:
317:
314:
313:
312:
298:, ed. (1956).
290:
287:
286:
285:
271:
261:
238:Henryk Górecki
227:
217:
201:
195:
175:
174:
172:Nunc scio vere
169:
164:(published in
159:
154:(published in
135:
132:
59:
56:
15:
9:
6:
4:
3:
2:
550:
539:
536:
534:
531:
529:
526:
524:
521:
519:
516:
514:
511:
509:
506:
504:
501:
499:
496:
495:
493:
482:
477:
475:
470:
468:
463:
462:
456:
454:
450:
445:
442:
438:
437:
433:
428:
425:
424:
414:
411:(in Polish).
410:
407:
402:
397:
393:
392:
382:
378:
374:
369:
368:
362:
358:
357:
346:
341:
334:
329:
325:
309:
305:
301:
297:
293:
292:
283:
279:
275:
272:
269:
265:
262:
259:
255:
251:
248:(1961/1984),
247:
243:
239:
235:
231:
228:
225:
221:
218:
215:
212:
209:
205:
202:
199:
196:
193:
189:
186:
185:
184:
183:
181:
173:
170:
167:
163:
160:
157:
153:
150:
149:
148:
147:
145:
140:
131:
129:
128:Gustave Reese
125:
121:
118:
113:
111:
107:
103:
99:
94:
92:
88:
84:
80:
73:
55:
53:
49:
45:
41:
37:
33:
29:
21:
503:1560s deaths
498:1520s births
453:expanding it
446:
431:
415:(1–2): 3–28.
412:
399:
366:
340:
328:
299:
273:
267:
263:
257:
253:
249:
245:
233:
229:
223:
219:
203:
197:
191:
187:
179:
177:
176:
171:
161:
151:
143:
141:
138:
137:
123:
119:
114:
95:
76:
51:
43:
27:
26:
404: [
308:PWM Edition
242:Renaissance
492:Categories
345:Reese 1959
333:Reese 1959
316:References
278:homophonic
102:Palestrina
321:Citations
166:Nuremberg
156:Nuremberg
32:Szamotuły
381:59012879
363:(1959).
289:Editions
216:(c. 800)
211:compline
46:and (in
354:Sources
178:Songs (
168:, 1564)
158:, 1554)
40:Pińczów
34:, near
401:Muzyka
379:
208:Lenten
180:Pieśńi
144:Motety
139:Motets
117:motets
110:Vedana
83:Poznań
36:Poznań
408:]
134:Works
106:Lappi
48:Latin
449:stub
377:LCCN
214:hymn
122:and
115:His
58:Life
266:or
232:or
112:."
108:or
81:in
494::
406:pl
375:.
371:.
104:,
50:)
480:e
473:t
466:v
455:.
413:9
383:.
310:.
284:.
222:(
190:(
182:)
146:)
142:(
30:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
