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in 1906 meant that he was increasingly devoted to the academic study of the theory and history of architecture and design. He effectively ceased architectural practice around this time, though he remained an immensely influential figure through his writings and teaching. Lethaby's role as a guide and
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At
Westminster Abbey, Lethaby was able to put into practice his belief in sympathetic and historically accurate restoration, conducting extensive research into the history of its structure and design and largely setting the template that the restoration and preservation of historic buildings was to
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in 1896. His most significant innovations lay in breaking down academic barriers between design (perceived as an artistic and intellectual pursuit) and production (widely perceived as the less sophisticated activity of the craftsman or artisan). Lethaby believed that this was an artificial
263:, which campaigned to preserve the integrity and authenticity of older buildings against the Victorian practice of 'improving' them to the point of almost completely rebuilding and redesigning them. Through this he became a personal friend of
343:, published in 1891. This was the first major work of architectural theory to treat architecture as a system of symbols with identifiable philosophical meanings, rather than as abstract systems of aesthetic principles.
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From 1889 Lethaby worked only part-time for Shaw and increasingly practiced independently, designing a wide range of products—books, furniture and stained glass as well as buildings—exploring the
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The Guild was formed from a nucleus drawn from two separate groups, the St George's Art
Society, a group of architects who had seen service in the offices of Norman Shaw, including
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during his investigations into
English architecture was to prove particularly significant in the light of Muthesius's later role as an influence on the early pioneers of the
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244:. Shaw quickly recognized Lethaby's talent as a designer and Lethaby was to contribute significant pieces of work to major Shaw-designed buildings such as
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of medieval and non-European design and architecture: themes he was to elaborate in his first and most famous (though arguably least representative) book
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Lethaby finally left Shaw's practice in 1892 after the completion of his first major independent architectural project—the country estate of
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area, where the ideas of the arts and crafts movement were particularly well received, led to series of commissions for buildings in the
236:
craftsman and lay preacher. After studies at
Barnstaple Art School and an early apprenticeship with a local architect he found work in
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as significant primarily in his role as a precursor of the early modern movement. He was the acknowledged theorist behind the work of
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471:, intent to found a "school of rational building". Lethaby's emphasis on "good, honest building" is viewed as making explicit the
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distinction and sought to have both taught as equally valuable parts of the process of producing a high quality end-product.
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382:. Here he had a pioneering role in developing education in the fine and practical arts, most notably as the founder of the
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487:, with his connection to Muthesius as the means through which this idea was to influence the German modernist pioneers.
354:, built for Lord Manners. The next decade was Lethaby's most productive in terms of built works as his contacts in the
310:. Prior wrote the prospectus for the Guild. It initially met in Newton's chambers by St George's Church, Bloomsbury.
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399:. This, coupled with his appointments as Principal of the Central School of Arts and Crafts in 1902 and as
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Pauline Brain (2010). "Some men who made
Barnstaple..." Has some information and copies of his work.
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786:- The museum has a large collection of works by W.R. Lethaby, which are available to view on the
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In 1894 Lethaby was appointed Art
Inspector to the Technical Education Board of the newly formed
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275:, becoming a significant and influential member of their circle and acting as co-founder of the
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Architectural
History: Journal of the Society of Architectural Historians of Great Britain
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795:"First sketches (including initial plan and elevation drawings) for Liverpool Cathedral"
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The Church of Sancta Sophia, Constantinople : A Study of
Byzantine Building
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Architecture: An
Introduction to the History and Theory of the Art of Building
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623:(12th ed.). London & New York: The Encyclopædia Britannica Company.
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Gold Medal award but turned it down. He is the last person to have done so.
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Surveyors of the Fabric of
Westminster Abbey 1906–1973. Reports and Letters
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and the group of architect-craftsmen who worked with him in Sapperton,
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Vaughan Hart (1993). ‘William Richard Lethaby and the Holy Spirit’,
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in 1884, being elected Master in 1911. He was a lifelong socialist.
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In 1901 Lethaby was appointed the first Professor of Design at the
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649:"Founder members of the Art-Workers' Guild (act. 1884-1899)"
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or for Birmingham-based clients. He built Monkwood Cottage,
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Form in Civilization: Collected Papers on Art and Labour
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Lethaby has traditionally been seen by figures such as
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While working for Shaw, Lethaby became involved in the
676:"Godfrey Rubens's Lethaby" (well-informed book review)
302:, and the Fifteen, founded by the designer and writer
633:A.R.N. Roberts, 'Life and Work of W.R. Lethaby' in
852:Academics of the Central School of Art and Design
784:Central Saint Martins Museum and Study Collection
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203:movements in architecture, and in the fields of
195:whose ideas were highly influential on the late
187:(18 January 1857 – 17 July 1931) was an English
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261:Society for the Protection of Ancient Buildings
694:"Joseph Rykwert RIBA Royal Gold Medal lecture"
678:. William Morris Journal. 7.1. pp. 25–35.
523:Melsetter House, Gatehouse, Lodge and Chapel,
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475:implicit in the writings and architecture of
27:English architect and architectural historian
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82:Learn how and when to remove this message
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635:The Journal of the Royal Society of Arts
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45:This article includes a list of general
653:Oxford Dictionary of National Biography
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847:Academics of the Royal College of Art
736:. Boydell & Brewer. p. 415.
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449:Royal Institute of British Architects
427:. He was buried in the churchyard of
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416:follow for the rest of the century.
391:Academic and pioneer of conservation
240:in 1879 as Chief Clerk to architect
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692:Ellis Woodman (26 February 2014).
404:mentor to German Cultural Attaché
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174:Avon Tyrell House; Melsetter House
51:it lacks sufficient corresponding
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862:Masters of the Art Worker's Guild
775:Works by or about William Lethaby
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755:, London: The Architectural Press
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555:Architecture, Mysticism, and Myth
384:Central School of Arts and Crafts
341:Architecture, Mysticism, and Myth
306:and the illustrator and designer
614:"Lethaby, William Richard"
538:All Saints' Church, Brockhampton
419:Lethaby died on 17 July 1931 at
111:All Saints' Church, Brockhampton
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674:Watkinson, Ray. (Autumn 1986).
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401:Surveyor of Westminster Abbey
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857:English Christian socialists
611:Chisholm, Hugh, ed. (1922).
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566:(London: Macmillan, 1894).
516:(Eagle Insurance Offices),
510:(1894) - largely demolished
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753:William Richard Lethaby
751:Godfrey Rubens (1986).
620:Encyclopædia Britannica
193:architectural historian
185:William Richard Lethaby
66:more precise citations.
837:People from Barnstaple
661:10.1093/ref:odnb/96545
560:With Swainson, Harold
368:Hubert Llewellyn Smith
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300:Edward Schroeder Prior
842:Architects from Devon
728:, vol.36, pp.145-158.
530:High Coxlease House,
508:Four Oaks, Birmingham
380:London County Council
374:London County Council
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732:C. Reynolds (2019).
637:29 March 1957, p.357
532:Lyndhurst, Hampshire
397:Royal College of Art
314:Independent practice
224:Lethaby was born in
153:, Middlesex, England
514:122–124 Colmore Row
323:122–124 Colmore Row
242:Richard Norman Shaw
867:Guild of St George
549:Major publications
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770:Project Gutenberg
743:978-1-78327-420-8
501:Burley, Hampshire
491:Major built works
406:Hermann Muthesius
304:Lewis Foreman Day
277:Art Workers Guild
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806:. Retrieved
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145:(1931-07-17)
143:17 July 1931
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72:October 2014
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832:1931 deaths
827:1857 births
589:Philip Webb
525:Hoy, Orkney
485:Philip Webb
296:Edwin Hardy
273:Philip Webb
64:introducing
821:Categories
598:References
518:Birmingham
356:Birmingham
327:Birmingham
226:Barnstaple
220:Early life
199:and early
159:Occupation
132:Barnstaple
124:1857-01-18
47:references
703:2 October
437:Hampshire
421:Bayswater
352:Hampshire
337:symbolism
267:pioneers
189:architect
171:Buildings
162:Architect
151:Bayswater
808:15 March
790:website.
364:Loughton
360:Midlands
334:mystical
250:Cragside
777:at the
410:Bauhaus
234:Liberal
60:improve
740:
593:(1935)
584:(1922)
578:(1912)
572:(1904)
557:(1891)
544:(1902)
534:(1902)
527:(1900)
520:(1900)
503:(1892)
481:Ruskin
443:Awards
425:London
238:London
201:Modern
49:, but
477:Pugin
230:Devon
810:2011
788:VADS
738:ISBN
705:2014
483:and
271:and
207:and
191:and
140:Died
118:Born
768:at
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