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Visual gag

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20: 1288: 1298: 393: 184:. After Skipper was unsuccessful, Gilligan got it to work by pounding on the radio; he used it to briefly contact a pilot flying overhead. Gilligan retrieved Skipper and demonstrated how he pounded on the radio, causing the guts of the radio to fall out. Their rescue was foiled. 39:
visually, often without words being used at all. The gag may involve a physical impossibility or an unexpected occurrence. The humor is caused by alternative interpretations of the goings-on. Visual gags are used in magic, plays, and acting on television or movies.
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There are numerous examples in cinema history of directors who based most of the humor in their films on visual gags, even to the point of using no or minimal dialogue. Visual gags began in live theater. The first known use of a visual gag in a film was in the
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often used visual humour because the technology used to record voices in film (and play it back in a synchronized presentation) did not yet exist. Often the differences between people are part of the comic duos, especially thin and fat actors are used such as
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and they were handcuffed. When they checked into an inn, the innkeeper assumed that they were passionate lovers because of the handcuffs. The film used dialogue that could be interpreted both ways.
79:. Chaplin fights with his coworker and aims to punch at him once. Their boss walks in mid-swing and Chaplin changes the motion to act like he was dropping to his knees to scrub the floor. 69:
Another visual gag is a switched image, often at the beginning of a film. A subsequent view of the scene shows something not viewed before. Switched movement may be the gag, such as
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actors often used gags in their routines. A classic vaudeville visual gag was for two actors to mirror each other's actions around a prop. Visual gags were continued into
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Mimed Metaphor: A variety of virtual simile an object may be treated as if it is a different object or be used in an unconventional way, such as acting like a
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and are considered a hallmark of the genre. In silent films, the actors in the mirror bit performed in silence with no music playing. Comedians including
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Noel Carroll established the most influential taxonomy of sight gags, breaking down the varieties into six types, two of which are enumerated below.
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episode, "Goodnight, Sweet Skipper", as a classic American sight gag. The castaways were trying to contact civilization with a
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The most common type of visual gag is based on multiple interpretations of a series of events. This type is used in the 1935
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Mutual Interference: The audience is fully aware of the on-screen situation, but a character comically misunderstands
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Humor through visualization rather than sound or words
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This image conveys a joke without the use of words.
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Cambridge University Press. p. 146. 439: 425: 391: 282: 270: 234: 18: 351: 249: 96:or using a tuba as an umbrella holder. 1315: 420: 394:"Naked Truth: New Sitcoms Are Reruns" 392:Genzlinger, Neil (23 November 2011). 13: 352:Stevens, Dana (December 3, 2010). 312:"Early Cinema's Heyday of Copying" 309: 14: 1334: 1296: 1287: 1286: 373: 303: 294: 35:is anything which conveys its 1: 199: 7: 253:Theorizing the moving image 187: 10: 1339: 446: 99: 1282: 1147: 1055: 961: 826: 744: 708: 701: 692: 595: 564: 555: 454: 43: 736:Theatre of ancient Rome 354:"Holiday Books: Movies" 62:was kidnapping actress 250:Carroll, Noel (1996). 24: 943:Theatre of the Absurd 22: 918:Shakespearean comedy 716:Ancient Greek comedy 328:on 11 November 2011 214:"Sight Gag Revival" 148:Abbott and Costello 906:ComĂ©die larmoyante 901:Sentimental comedy 896:Restoration comedy 859:Commedia dell'arte 731:Corral de comedias 399:The New York Times 359:The New York Times 319:Indiana University 159:The New York Times 25: 1310: 1309: 1088:Musical comedians 1051: 1050: 849:Comedy of manners 844:Comedy of humours 834:Boulevard theatre 822: 821: 726:ComĂ©die-Italienne 721:ComĂ©die-Française 688: 687: 379:Carroll, page 147 300:Carroll, page 153 291:Carroll, page 152 279:Carroll, page 148 263:978-0-521-46049-1 222:. 3 February 1958 165:Gilligan's Island 162:cites the fourth 112:L'Arroseur ArrosĂ© 64:Madeleine Carroll 1330: 1300: 1290: 1289: 1237:Self-referential 854:Comedy of menace 706: 705: 699: 698: 562: 561: 441: 434: 427: 418: 417: 411: 410: 408: 406: 389: 380: 377: 371: 370: 368: 366: 349: 338: 337: 335: 333: 327: 321:. 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Lead actor 57: 56: 51: 41: 38: 34: 30: 27:In comedy, a 21: 1130:Black sitcom 1110:Mockumentary 1018:OpĂ©ra bouffe 986:CafĂ©-théâtre 971:Ballad opera 889:Harlequinade 839:Comedy-drama 618:Mockumentary 536: 502:Impersonator 482:Comic timing 403:. Retrieved 397: 375: 363:. Retrieved 357: 330:. Retrieved 323:the original 305: 296: 252: 224:. 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Index


humour
Alfred Hitchcock
The 39 Steps
Robert Donat
Madeleine Carroll
Charlie Chaplin
The Pawnshop
doughnut
barbell
Lumière brothers
L'Arroseur Arrosé
Georges Méliès
Vaudeville
silent films
Charlie Chaplin
Buster Keaton
Harold Lloyd
Marx Brothers
Abbott and Costello
Laurel and Hardy
The New York Times
Gilligan's Island
radio
transmitter
World War II
sleepwalking
Joke
"Sight Gag Revival"
Life

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