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As early as the 1970s, musicians began to recognize the value of older instruments from the 1940s and 1950s. Among guitar enthusiasts, the mass production of both acoustic and electric guitars served to highlight the quality hand workmanship, crafting, finishing and materials of older instruments.
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and speakers to amplify an instrument's sound. These tube amps remained the standard until the 1970s when transistors became cheaper to manufacture and maintain and lighter in weight. During the 1980s, when most guitar amps being manufactured used "solid state"
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Because the technology evolved so quickly, many synthesizers were manufactured for a very short period of time, and would later be sought after by musicians and collectors seeking unique or unusual sounds. Popular brands of vintage synthesizers include
186:) from the 1950s to 1970s are particularly sought after, while musical equipment from the 1940s and earlier is generally far more expensive and sought out mainly by museums or collectors to preserve historical equipment, rather than to perform with.
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Older gear is often known for its unique tonal or sound-shaping qualities. The cost of vintage gear may be higher than the reissued model or its contemporary equivalent, depending on the specific item's rarity,
490:—or "stompboxes", so called because a guitarist would stomp on one to activate it—were manufactured in the early 1960s and became popular through groups like
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in the mid- to late-1960s and evolved through the 1970s and 1980s. In the 1970s, synthesizers were rare and expensive, and generally owned only by major
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have a selection of the most popular vintage guitar combo amps, amp heads and speaker stacks, so that performers can get a retro sound.
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and musicians who are interested in historical music genres. While any piece of equipment of sufficient age can be considered
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The Guitar Player Book: 40 Years of
Interviews, Gear, and Lessons from the World's Most Celebrated Guitar Magazine
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456:. By the 1990s, many of these amplifiers had become so popular and sought after, that manufacturers began to
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236:. Although less well-known and not as financially valuable, older electric guitars under the names of
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825:"The Accidental Birth of the Wah-wah Pedal and How It Became the Signature Sound of Psychedelic Rock"
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some models, while newer, smaller companies built new amps that boasted a "vintage sound". Some
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became the standard for popular artists in the 1980s, older effects pedals were preferred by
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Examples of well-known vintage electric guitars include 1950s and 1960s era models like the
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technology, many musicians seeking an older style of sound favored older amps that used
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Oberheim, Thomas E. (May 1970). "A Ring
Modulator Device for the Performing Musician".
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that an affordable, mass-market digital synth became available to the general public.
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helped to codify both the monetary value and sound quality of these instruments.
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A guitar pedal board comprising several effects pedals, including vintage
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made it big in 1991', interest in vintage pedals grew among their fans.
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and cabinet from the 2000s with a look reminiscent of the 1960s and 70s.
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began to replace vacuum tubes, it became possible to fit aural effects
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effects became popular. Warwick
Electronics manufactured the first
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in the 1980s and 1990s, electromechanical instruments such as the
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effect. These pedals became favorite effects of guitarists like
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406:(called "valves" in the UK). Popular vintage models include the
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were widely used. The
Hammond organ was a staple instrument in
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759:"10 Classic Guitar Amps & The Songs That Made Them Famous"
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by the middle of the decade. Early pedals mainly created a
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868:"Photocell modulator deliver glorious vintage-vibed tones"
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models typically built prior to the 1970s, 1920s to 1930s
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Examples of well-known vintage acoustic guitars include
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49:. Unsourced material may be challenged and removed.
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738:"A Desktop Reference of Hip Vintage Guitar Amps"
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951:"Stephen Malkmus – Talks Real Emotional Trash"
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592:, named for two of the band's favorite guitar
921:Guitar Effects Pedals: The Practical Handbook
668:"9 Dirt Cheap Vintage Synths That Don't Suck"
502:or "fuzz-tone" effect, but with the arise of
444:, as well as other smaller companies such as
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716:"The 10 greatest synthesizers of all time"
315:played the Hammond on many recordings for
109:Learn how and when to remove this message
978:Photos of Vintage Tube Guitar Amplifiers
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656:– via Keyboard musician's library.
586:celebrated these roots on their 1988 EP
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803:"FuzzEffect: The Fuzz Story and Photos"
393:were made in the 1920s and 1930s using
248:are becoming increasingly collectible.
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525:The following year saw the arrival of
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47:adding citations to reliable sources
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643:The Hammond organ - Beauty in the B
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823:Drozdowski, Ted (June 30, 2008).
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892:Molenda, Mike; Pau, Les (2007).
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670:. Synthtopia. 18 November 2009
646:. Backbeat Books. p. 22.
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139:pedals from the 1960s and 70s.
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898:. Hal Leonard. p. 222.
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514:in 1967 and that same year
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781:"The Art of the Stompbox"
640:Vail, Mark (2002-04-10).
144:Vintage musical equipment
924:. Hal Leonard. p. 11-15.
690:"Vintage Synth Explorer"
295:electric piano and the
180:reel-to-reel tape decks
152:amplifiers and speakers
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311:up through the 1970s;
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998:Instrument amplifiers
761:. My Rare Guitars.com
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327:Musical synthesizers
283:A Mellotron keyboard
43:improve this article
993:Musical instruments
226:Fender Stratocaster
217:Historians such as
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936:AES Convention 38
653:978-0-87930-705-9
598:Univox Super-Fuzz
589:Superfuzz Bigmuff
518:issued the first
462:recording studios
391:guitar amplifiers
335:recording studios
194:, and condition.
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602:Electro-Harmonix
564:While digitized
561:were available.
504:psychedelic rock
478:When electronic
339:record producers
289:electronic music
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323:in the 1960s.
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99:December 2018
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32:This article
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850:. Retrieved
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806:. Retrieved
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543:Robin Trower
539:Jimi Hendrix
524:
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474:Effects unit
404:vacuum tubes
395:vacuum tubes
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361:, and later
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317:Stax Records
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219:George Gruhn
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41:Please help
36:verification
33:
574:garage rock
516:Roger Mayer
480:transistors
184:microphones
148:instruments
1023:Collecting
987:Categories
627:References
566:rack units
500:distortion
450:Danelectro
389:The first
373:Amplifiers
321:soul music
307:and early
242:Danelectro
232:, and the
230:Telecaster
69:newspapers
847:"Octavia"
492:The Kinks
426:Vibroverb
383:amplifier
275:Keyboards
261:Nationals
615:See also
605:Big Muff
600:and the
584:Mudhoney
547:flangers
508:esoteric
484:circuits
438:Marshall
130:Big Muff
1008:Guitars
877:17 July
609:Nirvana
578:Seattle
576:bands.
506:, more
458:reissue
454:Premier
422:Bassman
411:Showman
381:Orange
238:Harmony
198:Guitars
172:vintage
137:wah-wah
83:scholar
938:: 708.
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783:. 2010
765:9 July
744:
722:9 July
699:9 July
674:9 July
650:
596:: the
535:chorus
527:Univox
452:, and
440:, and
434:Gibson
415:Fender
408:Fender
367:Yamaha
365:, and
363:Roland
265:Dobros
257:Gibson
253:Martin
192:demand
85:
78:
71:
64:
56:
446:Valco
430:Ampeg
305:blues
90:JSTOR
76:books
962:2010
900:ISBN
879:2016
854:2010
832:2010
810:2010
789:2010
767:2013
742:ISBN
724:2013
701:2013
676:2013
648:ISBN
572:and
570:punk
557:and
541:and
533:and
494:and
424:and
418:Twin
355:Korg
351:Moog
343:DX-7
301:jazz
263:and
255:and
228:and
182:and
132:and
62:news
529:'s
442:Vox
359:ARP
246:Kay
244:or
134:Vox
45:by
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