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239:. From 1929 to 1940, he was also the school's assistant principal. As an assistant principal, his duties included everything related to the students' lives, and he resolved disputes that arose with fairness. As an instructor for the painting class, Ormisson was considerate; he never painted over the students' works or forced them to do as he wanted, nor did he particularly like to theorize about art. When evaluating works, he avoided emotional evaluations; he did not offer direct criticism, but he was also short on praise. Most of the top artists that entered Estonian art in the 1930s received their initial painting lessons from Ormisson.
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Contemporaries remembered
Ormisson as a very kind-hearted, quiet, even reclusive person that opened up only in the company of close friends. Because of his calm and balanced mind, he was often called the "justice of the peace" and the "arbiter of disputes." Painting, playing chess at Café Werner, and
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can be noticed; after visiting
Germany in 1922, Expressionist features appeared in his work, the color darkened, and a greenish-blue tone became predominant. In the 1930s, Ormisson painted more Impressionistic landscapes, in which winter views of Tartu, full of peace and endlessly falling snow, hold
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Shocked by the development of events during the Second World War, Villem
Ormisson committed suicide in 1941. The Soviet authorities quickly realized his "dangerousness": exhibitions by the artist, who had already died by then, were among the first to be banned at the Tartu Art Museum in 1948.
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The year 2002 was declared
Ormisson Year in Viljandi, which was celebrated with various events: planting a linden at the artist's birthplace at the former Rehtla farm in the village of Oksa; two smaller exhibitions (one at the Viljandi Museum and the other at Viljandi's
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Starting in the fall of 1914, he worked as an art teacher at several schools in
Viljandi (for the longest period, eight years, at the girls' high school of the Estonian Education Society in Viljandi), and then in 1926 he became a drawing and painting teacher at the
199:. From Purvītis, the preeminent Baltic landscape painter of his time, he mastered the skill of depicting the flickering of air and water, which remained unsurpassed in Estonian art during his lifetime. In 1922, he studied art for two months in
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art association, and he participated in its exhibitions from then on. He was the chairman of the association from 1927 to 1928, assistant chairman from 1928 to 1930, and again chairman from 1930 to 1931 and from 1935 to 1936.
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a special place. From time to time, he deliberately imitated the techniques of some great masters; Leila AnupÔld called this "playing with the masters." The peak achievement of
Ormisson's late work is the 3 Ă 5 meter panel
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Ormisson mainly created landscape paintings and still lifes, and to a lesser extent portraits. In his early works, the influences of
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613:) and one large exhibition of Ormisson's work at the Ugala theater building; and an art conference at the Ugala theater building.
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Reet, Mark (July 27, 1992). "Boheemlane ja hÀrrasmees: Villem
Ormissoni 100. sĂŒnniaastapĂ€eva nĂ€itus Tartu Kunstimuuseumis".
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164:, the son of Andres Ormisson (1856â1918) and Anna Ormisson (nĂ©e Piir, 1863â1945). Ormisson studied at Heine High School in
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Ormisson first exhibited his works in
Estonia in February 1914 at the Fourth Estonian Art Exhibition organized by
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In 2018, the Park Hotel was opened in
Viljandi, and its Ormisson Cafe was named to commemorate the artist.
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2002: To celebrate the 110th anniversary of Villem
Ormisson's birth, two smaller exhibitionsâone at the
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fishing were the three great passions of his life. Villem Ormisson's final resting place is in the
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1992: Villem Ormisson's 100th birthday representative exhibition at the Viljandi Art Hall
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Maalikunstnik ja kunstipedagoog Villem Ormisson (Diplomitöö)
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1930, 1931, 1938: Fine Arts Endowment Government Exhibitions
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Kultuurigenotsiid eestis: kunstnikud ja muusikud, 1940â1953
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1929: Exhibition of Estonian art in Paris, Kiel, and LĂŒbeck
937:"Villem Ormissoni aasta on möödas, tema aastad on aga ees"
297:(Holy Lake) in the Vanemuine theater, completed in 1939.
187:. At the Riga City Art School, he studied drawing under
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in Viljandiâand the largest exhibition so far at the
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1919: overview exhibition of Estonian art in Tallinn
550:1964: Exhibition at the Tartu National Art Museum
543:1948: Villem Ormisson memorial exhibition at the
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514:Central Association of Estonian Visual Artists
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428:(Portrait of a Man, Karl Ormisson, 1924â1926)
962:"Ormissoni aasta ĂŒritused jĂ”uavad Ugalasse"
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772:KarjahÀrm, Toomas; Luts, Helle-Mai (2005).
540:1939: in Rome, Budapest, Warsaw, and Krakow
458:(Still Life with Flowers on a Window, 1924)
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443:(Still Life with Colored Eggs, 1914â1918)
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895:"Villem Ormissoni leoste nÀituse puhul"
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674:. Tallinn: Kunst. pp. 7â18, 80â82.
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883:. Tartu: Tartu Riiklik Ălikool.
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852:PekomÀe, Vello (May 1, 1948).
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776:. Tallinn: Argo. p. 196.
747:"Villem Ormisson (1892â1941)"
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327:(Still Life on a Round Table)
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826:Reet, Mark (July 29, 2002).
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689:"Suri kunstnik V. Ormisson"
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332:Mehe portree, Karl Ormisson
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397:(Heavenly House of Spring)
129:(View of Tartu, oil, 1937)
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789:"VÀÀrika hoone taassĂŒnd"
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537:1937: in Kaunas and Riga
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362:(Tartu Winter Landscape)
313:(Colorful Carpet, Gypsy)
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148:Early life and education
879:AnupÔld, Leila (1988).
473:(Tartu Landscape, 1930)
320:(Landscape with Houses)
854:"Rongiaknast vaadates"
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158:Governorate of Livonia
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57:Governorate of Livonia
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360:Talvine Tartu maastik
306:(Flowers on a Window)
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999:at Wikimedia Commons
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348:(Apples on a Carpet)
311:Kirju vaip, Mustlane
178:Riga City Art School
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670:Reet, Mark (2004).
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191:and painting under
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411:(Holy Lake, panel)
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995:Media related to
721:"Villem Ormisson"
604:Kilpkonna Gallery
572:Kilpkonna Gallery
531:1931: in Helsinki
383:(River Landscape)
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