214:, Seattle, and traveling to Philadelphia, New York, Los Angeles and Kansas City, amounted to a watershed mark in the history of video installation art marking both a period on the sentence of the first generation and a beginning of the next. Gary Hill, another master of the medium, has created quite complex and innovative video installations using combinations of stripped down monitors, projections and a range of technologies (from laser disk to DVD and new digital devices) so that the spectator can interact with the work. For instance in the 1992 piece
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One of the main strategies used by video-installation artists is the incorporation of the space as a key element in the narrative structure. This way, the well-known linear cinematic narrative is spread throughout the space creating an immersive ambient. In this situation, the viewer plays an active
241:, London in 1972. Subsequently, British video installation developed a distinctive pattern following the seminal international Video Show at the Serpentine Gallery, London in 1975, and later thanks in part to the existence of regular festivals in Liverpool and Hull and public galleries such as the
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role as he/she creates the narrative sequence by evolving in the space. Sometimes, the idea of a participatory audience is stretched further in interactive video installation. Some other times, the video is displayed in such a way that the viewer becomes part of the plot as a character in a film.
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9, the audience enters a dark hall-like space where ghostly images of seated figures are projected onto a wall. The approach of a viewer causes a seated figure to stand up and move forward toward the viewer, creating an eerie effect of the dead in the underworld (rather suggestive of
Odysseus'
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production technology has become more readily accessible. Today, video installation is ubiquitous and visible in a range of environments—from galleries and museums to an expanded field that includes
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work in urban or industrial landscapes. Popular formats include monitor work, projection, and performance. The only requirements are
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249:'s early installation pieces are good examples where specially filmed elements are shown as a series of serial projections.
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whose work from the mid-sixties used multiple television monitors in sculptural arrangements. Paik went on to work with
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and Tony Sinden exhibited the first multi-screen installation in
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in NY, along with the 1994-95 Gary Hill survey created by the
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Into the Light: The
Projected Image in American Art 1964-1977
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is another pioneer of video installation. He showed his
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and projectors to create large immersive environments.
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A pioneer of video installation was Korean/American
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681:Tall Ships: Gary Hill’s Projective Installations
664:An Art of Limina: Gary Hill’s Works and Writings
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220:Jan Hoet
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