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and violent desperadoes of the Wild West. Near
Suspicion Mountain, where temperatures reach 110 °F (43 °C), mirages are everyday occurrences. These distinct visual elements generate vivid accounts of UFO sightings and industrial-military conspiracy theories. Oursler steeped himself in the allure of the place and tried to give voice to the arid desert landscape. Narratives unique to the mysterious desert are reflected in the spoken texts of the installation, and the resulting collage of scripts performed by Arizona locals and immigrants is an attempt to let the colorful sedimentary history speak for itself.
301:. In his text "Time Stream", Oursler proposed that architecture and moving image installation have been forever linked by the camera obscura noting that cave dwellers observed the world as projections via peepholes. The essay both presents a timeline of mimetic technology and serves as an archive of some of Oursler's influences. Oursler's interest in the ephemeral history of the virtual image led to large-scale public projects and permanent installations by 2000.
521:, which houses rare botanical specimens. The installation of 30 talking lights installed throughout the park were culled from the artistâs archive of more than 20 years of experimentation with the synchronization of light and sound. For this project, the lights were paired with specific plant species throughout the park to be discovered by the wandering viewer.
423:, was presented at Riverside Park along the banks of the Hudson River in the summer of 2018. Technological developments in the region provided significant source material for the artist. The structure of the Internet, which blurs the boundary between culture and technology, is evident in the production of millions of bricks in
513:. The piece revisited the structure which once held the last living Tasmanian tiger, and projected images into cages to "bear witness to a 'digital de-extinction' of the legendary Tasmanian tiger via sweeping projections, sound and light", as described by Dark Mofo. Concurrently, the nocturnal installation
340:
in downtown
Phoenix, Arizona. While researching this project, Oursler discovered that locals boast that the canyons and desert are graded in more than a million different colors. Aurora sightings and surrounding mountains evoke the lawless and anarchic past of American culture: abandoned goldmines
221:
Oursler's early installation works are immersive dark-room environments with video, sound, and language mixed with colorful constructed sculptural elements. In these projects, Oursler experimented with methods of removing the moving image from the video monitor using reflections in water, mirrors,
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Oursler has long collaborated with former MIT professor, filmmaker, artist, and bank robber Joe
Gibbons. The two met in 1984 and went on to share a house in Jamaica Plain, Mass. while Oursler taught at the Massachusetts College of Art. In the late 1980s through the early â90s, Oursler and Gibbons
558:. The group included many collaborators over the years, such as John Miller, Jim Shaw, Mitchell Syrop, Bill Stobaugh, Don Kruger, Mark Madel, Art Byington, Dave Muller, Steven Vitiello, Bill Wintersole, Zoe Pettijohn, and Linda Post. In 1997â98, Kelley and Oursler presented the Poetics Project at
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in 2000. This installation marks the artist's first major outdoor project and thematically traced the development of successive communication devices from the telegraph to the personal computer as a means of speaking with the dead. Oursler used smoke, trees, and buildings as projection screens in
562:, as well as at venues in Los Angeles, New York, and Tokyo; through video projections, sound, and artworks, this installation re-created their experience at CalArts as members of a short-lived band. The installation is now on semi-permanent display in the collection of the Pompidou Centre.
274:, featuring his first video doll and dummy. This work utilizes handmade soft cloth figures combined with expressive faces animated by video projection. Oursler then produced a series of installations that combined found objects and video projections.
612:, first staged at The Kitchen in New York City in 1989. In 1995, DeJong and Oursler collaborated alongside musician Stephen Vitiello for their piece, "Fantastic Prayers." A CD-ROM of the project was released by Dia in 2000. DeJong is featured in
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These works involve elaborate soundtracks, painted sets, stop-action animation, and optical special effects created by the artist. The early videotapes have been exhibited extensively in alternative spaces and museums. They are distributed by
204:
as "(charting) the territory between our passion-charged personal narratives and the near impossibility of representing that desire visually or linguistically, the end result often being nothing more than banal cultural cliches."
479:; counterculture musical and psychedelic experimentation at Woodstock; and the remixing of nascent hip-hop culture in the South Bronx. The river is also characterized by darker connotations including pesticides,
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655:, a public installation shown at Madison Square Garden in 2000, for which Conrad composed the score. Oursler and Conrad's soundtrack was also published as a CD accompanying the catalogue for
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murder occurred. Oursler will bring these images â and more â to life, through the meticulously produced digital projections that evoke the scenarios with kaleidoscopic wonder", according to
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features a passive/aggressive projected figure wedged under a mattress that confronts the viewer with blunt, direct address. These installations led to great popular and critical acclaim.
111:, Valencia, California, in 1979. His art covers a range of mediums, working with video, sculpture, installation, performance, and painting. He lives and works in New York City.
455:
technologies, and bots which have provoked significant questions about our future', according to
Oursler. He suggests connections between the recent DNA CRISPR-Cas encoding of
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838:
in 2007. Writer Dan
Halpern went with him to New Zealand, where he was finishing a massive projection-based installation piece on the private sculpture park of billionaire
1956:"Tony Oursler's first Mandarin-language piece 'Current' debuted in December, enveloping the Nanjing Eye Footbridge and surrounding landscape in layered video projections"
491:. Oursler gave a talk on the piece at the New School, presented by the Public Art Fund. The piece was accompanied by a digitally published glossary of references."
616:, which was the first of Oursler's works to project videos onto dolls, and was presented at documenta 9. She performs as Madame X in Oursler's feature-length film
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deals with science fiction as entertainment in contradiction to the terror of first-hand accounts of alien encounters. It was presented at
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2045:"Tony Oursler: David Bowie's latest work is astounding. There's a level of detail and variety in it with the highest level of production"
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326:, London. He then completed several permanent public projects in Barcelona, New Zealand, and Arizona, including "Braincast" at the
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289:(1997), his series of video sculptures of eyes with television screens reflected in the pupils, and ominous talking heads such as
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in 1982, links the dystopian feelings brought about by conspiracy theories with the perturbing politics of the oil industry.
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678:'s song "Tunic (Song for Karen)." In 2005, Oursler collaborated with Sonic Youth and filmmaker Phil Morrison on the piece
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581:, in which Bowie's disembodied head provided narration. Oursler made the video to accompany Bowie's January 2013 single "
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698:"Tony Oursler Video Projections" by Tony Oursler, Inner-Tube Videos. 2002, 27 minutes, Color. NY: Inner-Tube Videos.
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663:, presented at Lisson Gallery. Conrad died on April 9, 2016. Oursler is the director of Tony Conrad's archives.
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Gordon is featured in several of
Oursler's works and contributed to the soundtrack material for Oursler's 2018
149:
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439:, depicting his daughter Susan Walker Morse, uncannily foreshadowing the prototype of his first telegraph. '
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542:(2019) is an installation piece spanning the Nanjing Eye Footbridge, a pedestrian walkway over the river.
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674:, a short film examining New York club culture in the 1980s. In 1990, Oursler made the music video for
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475:, their attempts at free love and highly successful manufacturing of silverware and animal traps; the
467:âs early silent films created on the Palisades, and the first transistor invented a few miles away at
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Barcelona, Spain: Ediciones PolĂgrafia; Valencia, Spain: Instituto
Valenciano de Arte Moderno, 2001.
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began in 1980. Oursler introduced Mike Kelley to Tony Conrad, and the two appeared in Conrad's film
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620:, presented at MoMa in 2016. The two have collaborated on numerous other occasions over the years.
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659:. Conrad is featured in several of Oursler's projection works. The pair's final collaboration was
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Honolulu Museum of Art, wall label, 'Roman Ă Clef' by Tony
Oursler, 2002, accession March 1, 2013
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and collaborated with him on several works. Oursler created the background videos that played at
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1983:
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2013:"David Bowie Interview From 1996: 'I Have Done Just About Everything That It's Possible To Do'"
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427:, and the long-distance communication of the talking drum as a precursor to the invention of
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From
OctoberâDecember 2010, the Lehmann Maupin Gallery hosted Oursler's exhibition entitled
387:
In 2014, Oursler simultaneously presented two large-scale installations in the
Netherlands:
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536:. The piece incorporates ecological themes and the looming loss of the "enchanted forest".
463:, the birth of the film industry at the Black Maria studio, the actress and proto-feminist
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editor-in-chief Fulton Oursler Jr. and Noel Nevill Oursler. His grandfather was the writer
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Dummies, Clouds, Organs, Flowers, Watercolors, Videotapes, Alters, Performances and Dolls.
8:
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2017:
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1997:
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759:. "Introjection", the artist's mid-career survey, was on view from 1999 to 2001 at the
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554:, Oursler founded the musical and performance group "Poetics" alongside fellow student
278:(1993) explored the relationship between multiple personality disorder and mass media.
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585:", and a piece showing two Bowie heads in conversation with each other for the 2013 "
529:
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in 1957, Oursler was brought up in a connected and well-to-do family that settled in
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Videotapes, Dummies, Drawings, Photographs, Viruses, Light, Heads, Eyes, and CD-ROM.
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809:. The exhibition was timed with Oursler's Valley, the inaugural exhibition of the
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Oursler began working with small LCD video projectors in 1991 in his installation
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Tony Oursler is known for his fractured-narrative handmade videotapes, including
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in 1997. In 2000, Oursler and Bowie collaborated on the four-minute short film
471:. Mining progressive social movements, the work touches on the mid-19th century
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686:, a site-specific multimedia installation along the banks of the Hudson River.
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were his teachers. Oursler moved back to New York in 1981 and was picked up by
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447:, as they gallop towards artificial intelligence, the chess-playing computer
336:(2006) was commissioned by the state of Arizona for permanent display at the
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1309:(New York City) are among the public collections holding work by Oursler.
297:(1999) examines the polarity between dark and light in the history of the
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483:, Indian Point Nuclear Power Plant, and Sybilâs Cave, where the infamous
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99:(born 1957) is an American multimedia and installation artist married to
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2172:"Electronic Arts Intermix: Joyride (TM), Constance DeJong; Tony Oursler"
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In 2009, he created a series of commissioned video installations at the
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1731:. NYC Department of Cultural Affairs. February 16, 2011. Archived from
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Oursler's work has been exhibited in public institutions including the
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Warsaw, Poland: Center for Contemporary Art Ujazdowski Castle, 1999.
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1389:"In the Studio With Tony Oursler; A Sculptor Of the Air With Video"
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Paris, France: MusĂ©e DâOrsay; Paris, France: Hazan Editions, 2004.
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Paris, France: Centre Georges Pompidou, 1985. Cassette included.
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230:
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Mike Kelley: Minor Histories--statements, Conversations, Proposals
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Athens, Greece: Bernier/Eliades Gallery; Agra Publications, 2015.
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141:
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2094:"David Bowie, Actor: A Complete Look at His Film and TV Career"
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Tony Oursler : introjection, mid-career survey, 1976-1999
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Tony Oursler : introjection, mid-career survey, 1976-1999
2531:"Tony Oursler Solo Show at PinchukArtCentre in Kyiv, Ukraine"
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647:. Conrad appears in and did the costuming for Oursler's film
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Oursler's lifelong friendship and creative partnership with
608:. They then collaborated on the video and performance piece
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Cell Phones Diagrams Cigarettes Searches and Scratch Cards.
480:
1409:"Charles Fulton 'Tony' Oursler, Jr, 84, of Nyack Resident"
368:
commissioned Oursler to create the permanent installation
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The Living Eye of Tony Oursler and the Spirit of the Age.
505:, was presented in the summer of 2019 at the now-defunct
990:
Stockholm, Sweden: Magasin 3 Stockholm Konsthall, 2002.
643:. Oursler and Kelley also appear in Conrad's later film
355:
Tony Oursler:Monsters, Tony Oursler & Ă©ditions Take5
943:
Tony Oursler Introjection: Mid-career survey 1976-1999.
651:. One of Oursler and Conrad's major collaborations was
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Correspondances MusĂ©e DâOrsay, Art Contemporain No. 2.
285:
Signature works have been his talking lights, such as
998:
De Jong, Constance, Tony Oursler and Michael Zansky.
1580:. Mercatorfonds/Yale University Press. p. 212.
1483:. Mercatorfonds/Yale University Press. p. 234.
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Williamstown: Williams College Museum of Art, 2000.
2075:Kemp, Mark (March 6, 1997). "All The Young Dudes".
1772:. Mercatorfonds/Yale University Press. p. 14.
1707:. Mercatorfonds/Yale University Press. p. 96.
938:London: Artangel; New York: Public Art Fund, 2000.
2385:"Tony Oursler's spooky archive is coming to Arles"
2000:. Solomon R. Guggenheim Foundation. April 9, 2013.
1436:"John Baldessari's former students share memories"
1263:Tony Oursler: Le Volcan, Poetics Tattoo & UFO.
1189:Brussels: Mercatorfonds; MAC's/Grand-Hornu, 2013.
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372:. The installation took the form of three parts:
2794:
2142:"David Bowie Is...Only Touching Down in Chicago"
1177:Aarhus, Denmark: ARoS Aarhus Kunstmuseum, 2012.
976:Rome, Italy: Macro; Milan, Italy: Electa, 2002.
2119:"David Bowie releases first single in a decade"
1770:Tony Oursler/Vox vernacular : an anthology
1705:Tony Oursler/Vox vernacular : an anthology
1578:Tony Oursler/Vox vernacular : an anthology
1481:Tony Oursler/Vox vernacular : an anthology
1040:Paris, France: Flammarion; Jeu de Paume, 2005.
1033:Paris, France: Flammarion; Jeu de paume, 2005.
907:Hannover, Germany: Kunstverein Hannover, 1998.
670:in the late 1970s and collaborated with her on
2344:"Tony Oursler, 17 September â 1 November 2003"
1555:. Williams College Museum of Art. p. 17.
1530:. Williams College Museum of Art. p. 16.
1196:Paris, France: Louis Vuitton Malletier, 2013.
1090:Madrid, Spain: Galeria Soledad Lorenzo, 2008.
1021:Madrid, Spain: Galeria Soledad Lorenzo, 2004.
1002:Rockland: Rockland Center for the Arts, 2003.
900:Madrid, Spain: Galeria Soledad Lorenzo, 1998.
869:Madrid, Spain: Galeria Soledad Lorenzo, 1995.
596:Oursler became friends with writer and artist
164:â with whom he did an independent study â and
2565:
2516:Tony Oursler in the Mediateca Media Art Space
1931:"Tony Oursler "Eclipse" at Fondation Cartier"
957:Barcelona, Spain: Ediciones Poligrafa, 2001.
888:Kassel, Germany: Kasseler Kunstverein, 1997.
359:
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258:(1989) were displayed in New York and Japan.
1222:Zurich, Switzerland: Luma Foundation, 2015.
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1253:. Mantova, Italy: Corraini Edizioni, 2017.
1220:Imponderable: The Archives of Tony Oursler.
1135:Bregenz, Austria: Kunsthaus Bregenz, 2010.
1088:Trunk Mask Bomb Frame Hatchet Crutch Queen.
1078:Helsinki, Finland: Galerie Forsblom, 2007.
1050:One to One: Conversation Avec Tony Oursler.
628:. Oursler appears in Gibbonsâ feature film
114:
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1192:Molmenti, Pompeo Marino and Tony Oursler.
1158:Rio de Janeiro, Brazil: Automatica, 2011.
1059:Sydney, Australia: Sydney Festival, 2006.
823:Imponderable: The Archives of Tony Oursler
632:, alongside Karen Finley and Tony Conrad.
600:after he saw a performance of hers at the
443:and his horse are important references in
2277:"The Influence Machine - Public Art Fund"
2042:
1383:
1279:Fondation Cartier pour l'Art Contemporain
1208:Amsterdam, Netherlands: Oude Kerk, 2015.
1052:Brussels, Belgium: Facteur Humain, 2006.
981:Parallel Lines: Drawings, Photos, Videos.
431:. The artist explores the composition of
2140:Sullivan, Maureen (September 25, 2014).
2139:
1370:
775:, Iowa. In 2000, Ourlser's installation
350:
175:In 1999, Oursler moved to a studio near
2828:California Institute of the Arts alumni
2354:
1863:"Talks at the New School: Tony Oursler"
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1104:London, England: Lisson Gallery, 2008.
769:Museum of Contemporary Art, Los Angeles
604:in 1983. In 1986, they collaborated on
2795:
2452:. Gallery Paule Anglim. Archived from
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1234:Stockholm, Sweden: Magasin III, 2016.
1000:De Jong Oursler Zansky, Installations.
941:Rothschild, Deborah and Tony Oursler.
777:The Darkest Color Infinitely Amplified
384:, two complementary tree projections.
216:
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2421:from the original on February 4, 2008
2010:
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1265:Milan, Italy: Dep Art Gallery, 2019.
1246:Barcelona, Spain: Caixa Forum, 2017.
1170:. Verona, Italy: Fama Gallery, 2012.
832:Oursler was profiled by the magazine
694:See videos Electronic Arts Intermix
641:Beholden to Victory (Hail the Fallen)
602:Minneapolis College of Art and Design
409:was inspired in part by Alan Turing.
2291:"TC: the most interesting man alive"
2091:
2074:
2043:Gallagher, Paul (January 12, 2013).
1151:Milan, Italy: 24 ORE Cultura, 2011.
1123:Torino, Italy: In Arco Books, 2009.
1066:Torino, Italy: In Arco Books, 2006.
876:Frankfurt, Germany: Portikus. 1995.
2408:
2200:"On Our Own | Video Data Bank"
1097:Madrid, Spain: Turner Books, 2008.
953:Janus, Elizabeth and Gloria Moore.
867:Tony Oursler: Recent Works 1995-96.
624:produced a series of videos titled
261:
13:
2848:20th-century American male artists
1095:Mirada Pensante/ Thinking Machine.
1010:Courbet, Gustav and Tony Oursler.
661:TC: the most interesting man alive
380:, an iconic talking lamppost, and
14:
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1888:"Tony Oursler: Tear of the Cloud"
1845:"Tony Oursler: Tear of the Cloud"
1600:
1460:"A Projection of the Imagination"
787:. Oursler's work was included in
689:
565:Oursler was a longtime friend of
545:
519:Royal Tasmanian Botanical Gardens
109:California Institute for the Arts
2296:(Press release). Lisson Gallery.
2092:Ford, Chris (January 15, 2016).
2011:Brown, Mick (January 11, 2016).
1958:. Lehmann Maupin. Archived from
1661:"The Influence Machine homepage"
1185:Gielen, Denis and Tony Oursler.
1116:New York: Metro Pictures, 2009.
552:California Institute of the Arts
524:Also in 2019, Oursler presented
346:Frank Sinatra School of the Arts
66:California Institute of the Arts
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1295:Modern Art Museum of Fort Worth
1249:Oursler, Tony and Gustavo Rol.
1048:Amy, Michaël and Tony Oursler.
845:His monographs are as follows:
816:
293:(1999). An installation called
188:Single-channel tapes: 1977â1989
144:, his fellow students included
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1434:Finkel, Jori (June 20, 2010).
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1307:Whitney Museum of American Art
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983:Torino, Italy: In Arco, 2002.
781:Whitney Museum of American Art
761:Williams College Museum of Art
721:Museum of Modern Art, New York
702:
200:(1984). Billy Rubin describes
1:
2838:21st-century American artists
2833:20th-century American artists
2808:American installation artists
2579:
1683:"Public Art Program Overview"
1363:
1349:Princeton Architectural Press
1312:
1187:Vox Vernacular: An Anthology.
811:Adobe Museum of Digital Media
532:in Paris, for the exhibition
236:The large-scale installation
2493:Lisson Gallery: Tony Oursler
2488:Metro Pictures: Tony Oursler
1551:Rothschild, Deborah (1999).
1526:Rothschild, Deborah (1999).
1121:Gaze Heuristic (With Drool).
926:Milan, Italy: Electa. 1999.
755:, Washington, DC; the Tate,
451:'s famous knight sacrifice,
376:, a large-scale video cave,
366:Ekebergparken Sculpture Park
7:
2121:. BBC News. January 8, 2013
2081:. No. 755. p. 24.
1338:
1317:Oursler is represented by:
1149:Tony Oursler: Open Obscura.
1038:Tony Oursler: Dispositivos.
821:In 2015, Oursler published
589:" exhibit organized by the
575:50th birthday party concert
16:American artist (born 1957)
10:
2869:
2823:Artists from New York City
2324:. Electronic Arts Intermix
1507:. Electronic Arts Intermix
1345:Inside the Artist's Studio
1031:Tony Oursler: Dispositifs.
591:Victoria and Albert Museum
360:Public projects: 2010â2020
305:Public projects: 2000â2009
222:glass, and other devices.
127:. He is the son of former
2587:
1823:. Oude Kerk. p. 03.
1690:Phoenix Convention Center
1505:"The Loner, Tony Oursler"
741:Skulptur Projekte MĂŒnster
499:Museum of Old and New Art
338:Phoenix Convention Center
76:
61:
51:
30:
23:
2757:Steina and Woody Vasulka
2502:Electronic Arts Intermix
1795:"Tony Oursler: X ergo Y"
1244:Imponderable with L7-L5.
1194:Where Should Othello Go?
765:Contemporary Arts Museum
309:The Public Art Fund and
211:Electronic Arts Intermix
170:Electronic Arts Intermix
115:Early life and education
2687:Virginia Lee Montgomery
1631:. Museum of Modern Art.
800:
725:Centre Georges Pompidou
672:Making the Nature Scene
477:Seneca Falls Convention
225:The early installation
182:
2803:American video artists
2371:Lehmann Maupin Gallery
1972:– via Instagram.
1819:Oursler, Tony (2015).
1755:"Holtermann Fine Arts"
1647:July 11, 2011, at the
1413:Orangetown Daily Voice
1328:Lehmann Maupin Gallery
1322:Anglim Gilbert Gallery
1287:Honolulu Museum of Art
1275:Carnegie Museum of Art
936:The Influence Machine.
886:My Drawings 1976-1996.
763:in Massachusetts, the
733:Carnegie Museum of Art
497:, commissioned by the
382:Cognitive / Dissonance
356:
348:in Astoria, New York.
328:Seattle Public Library
2853:The New Yorker people
2843:American male artists
2525:Kadist Art Foundation
2249:Kelley, Mike (2004).
2152:on September 10, 2015
2098:Ultimate Classic Rock
1984:"The Poetics Project"
1768:Rubin, Billy (2013).
1703:Rubin, Billy (2013).
1576:Rubin, Billy (2013).
1479:Rubin, Billy (2013).
1301:(New York City), the
779:was presented at the
773:Des Moines Art Center
657:The Influence Machine
653:The Influence Machine
645:WiP (Women in Prison)
517:was presented at the
441:The Headless Horseman
354:
248:(Amsterdam) in 1984.
105:Bachelor of Fine Arts
1964:on December 24, 2021
1601:Miles, Christopher.
1415:. September 20, 2016
1299:Museum of Modern Art
1291:Milwaukee Art Museum
1261:Paparoni, Demetrio.
1062:Paparoni, Demetrio.
855:Spheres dâInfluence.
795:54th Venice Biennale
425:Haverstraw, New York
291:Composite Still Life
101:Jacqueline Humphries
2537:. February 18, 2013
2186:"Fantastic Prayers"
1906:"6th: Tony Oursler"
1324:, San Francisco, CA
1285:(Los Angeles), the
515:Beyond the Spectrum
320:Madison Square Park
244:(New York) and the
217:Early installations
2777:Krzysztof Wodiczko
2622:Doris Totten Chase
2411:"Darkness Visible"
1692:. August 30, 2015.
1609:(Summer 2000): 189
1394:The New York Times
1387:(April 27, 2001).
1385:Kimmelman, Michael
1147:and Tony Oursler.
1143:Mercurio, Gianni,
453:facial recognition
435:'s last painting,
415:, commissioned by
357:
177:New York City Hall
2790:
2789:
2456:on March 31, 2012
1986:. Lehmann Maupin.
1735:on March 11, 2012
1587:978-0-300-20448-3
1490:978-0-300-20448-3
1465:Los Angeles Times
1458:(April 2, 2000).
1441:Los Angeles Times
1145:Demetrio Paparoni
729:D.O.P. Foundation
709:Walker Art Center
684:Tear of the Cloud
583:Where Are We Now?
530:Fondation Cartier
445:Tear of the Cloud
413:Tear of the Cloud
315:Influence Machine
313:commissioned the
103:. He completed a
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753:Hirshhorn Museum
680:Perfect Partner.
598:Constance DeJong
511:Hobart, Tasmania
473:Oneida community
421:Daniel S. Palmer
393:Stedelijk Museum
262:Projection: 1991
246:Stedelijk Museum
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1230:Oursler, Tony.
1218:Oursler, Tony.
1211:Oursler, Tony.
1204:Oursler, Tony.
1173:Oursler, Tony.
1166:Oursler, Tony.
1154:Oursler, Tony.
1131:Oursler, Tony.
1119:Oursler, Tony.
1112:Oursler, Tony.
1100:Oursler, Tony.
1093:Oursler, Tony.
1086:Oursler, Tony.
1074:Oursler, Tony.
1055:Oursler, Tony.
1036:Oursler, Tony.
1029:Oursler, Tony.
1017:Oursler, Tony.
986:Oursler, Tony.
979:Oursler, Tony.
972:Oursler, Tony.
960:Oursler, Tony.
934:Oursler, Tony.
922:Oursler, Tony.
915:Oursler, Tony.
903:Oursler, Tony.
896:Oursler, Tony.
884:Oursler, Tony.
872:Oursler, Tony.
865:Oursler, Tony.
853:Oursler, Tony.
827:LUMA Foundation
819:
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731:, Caracas; the
705:
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461:Horse in Motion
419:and curated by
417:Public Art Fund
362:
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229:, presented at
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166:Laurie Anderson
162:John Baldessari
130:Reader's Digest
125:Nyack, New York
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2367:"Tony Oursler"
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378:Spectral Power
364:In 2013, the
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2617:Peter Campus
2612:Chris Burden
2597:Vito Acconci
2541:November 24,
2539:. Retrieved
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2521:Tony Oursler
2507:Tony Oursler
2498:Tony Oursler
2458:. Retrieved
2454:the original
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2423:. Retrieved
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2392:. Retrieved
2379:
2369:. New York:
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280:Get Away II
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1667:October 9,
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1364:References
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