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Smolin Gallery

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assemblage performance of September 11–12, 1962 entitled "Words", believed to be the first allowing the audience to participate in an art gallery context. Kaprow "used two continual rolls of cloth with words from poems, newspapers, comic and telephone books" during which the audience were asked to
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gave her first solo New York exhibition at the Smolin Gallery, featuring paintings on wood. She exhibited a series of small painted sculptures inset with hinged sections which opened to reveal additional painted sections.
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featured visitors to the gallery who were encouraged to use their own DIY liquids to create poster art on the walls and Wolf Vostells
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Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958–1972
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Invitation to the Wolf Vostell exhibition at the Smolin Gallery, 1963
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Entangled: Technology and the Transformation of Performance
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and served as an information center during the event. The
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Reinventing Dance in the 1960s: Everything was Possible
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In May 1963 the Smolin Gallery sponsored innovative
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Index

avant-garde
57th Street
New York City
installation art
performance art
Allan Kaprow
Lima
Tony Towle
Wolf Vostell
installation
George Segals
New Brunswick
Happenings
Dick Higgins
Allan Kaprow
La Monte Young
Wolf Vostell
Doris Totten Chase
Invitation to the Wolf Vostell exhibition at the Smolin Gallery, 1963
Wolf Vostell, Television DĂ©collage (6 TV DĂ©-coll/age) at the Smolin Gallery, 1963
Yam Festival, 1963


Encyclopedia of the New York School Poets
ISBN
978-1-4381-1905-2
Critical Mass: Happenings, Fluxus, Performance, Intermedia, and Rutgers University, 1958–1972
ISBN
978-0-8135-3303-2
"When New York Was Really Happening"

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