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272:, and has continued until our days with the modern publishing of motets like Regina coeli and Heu me Domine in 2012 by mpmp. In 2022, the music historian Joseph McHardy also made Lusitano's scores accessible in modern editions on the Internet, which allowed dozens of non-Portuguese-speaking choirs to perform and record his music. Previous recordings includes the anthology
256:
Up until the late 19th century, Lusitano was overlooked in
English-language histories of music: sometimes omitted altogether, more often covered minimally. However, he has been studied by Portuguese musicologists like Maria Augusta Barbosa, who wrote a dissertation about him in 1977, originally in
222:. Lusitano was deemed to have won the debate and Vicentino was fined. In 1555 Vicentino published an account of the debate that was recognised as misleading. This went on to influence later composers and may be a factor in omission of Lusitano from subsequent works on early European composers.
195:
Introdvttione facilissima, et novissima, di Canto Fermo, Figvrato, Contrapon to semplice, et in concerto. Con Regole
Generali per far fvghe differenti sopra il Canto Fermo, a ii, iii & iiii. voci, & compositioni, proportioni, generi. S. Diatonico, Cromotico,
756:
Brannon, Samuel J. Review of
Chanter sur le livre à la Renaissance: Les traités de contrepoint de Vicente Lusitano ed. by Philippe Canguilhem. Notes, vol. 71 no. 4, 2015, p. 716-719. Project MUSE, doi:10.1353/not.2015.0074.
100:. His books and manuscripts of his musical compositions survive and are dated. Lusitano was in Rome by 1551. From the dedication of one of his first works, it has been suggested that Lusitano was a tutor to the Portuguese
815:. Barbosa, Maria Augusta Alves (1977), Vicentius Lusitanus: ein portugiesischer Komponist und Musiktheoretiker des 16. Jahrhunderts, Lisboa, Secretaria de Estado da Cultura. Direcção Geral do Património Cultural.
237:). Musicologist Philippe Canguilhem stated that "the significance of Lusitanoâs writings is that they show how central improvised counterpoint was to everyday musical life during the Renaissance".
104:, who also arrived in Rome in 1551 as ambassador to the Papal court. By 1561 he had married, converted to Calvinist Protestantism, and traveled to Germany. There is no record of him after 1561.
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Lusitano's music has been revived in recent years, for example by the
Australian Chamber Choir in 2019 the Marian Consort in 2021 and Chineke! Voices in 2022. His motet
206:
Lusitano was notable during his lifetime for his work as a theorist. In a 1551 debate in Rome, he espoused traditional views on the role of the three genera in music (
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72:
Lusitano, a
Portuguese-language term for "Portuguese", appears to be a descriptive nickname rather than a family name. Little is known of his life. He was born in
264:
His works have been edited in modern editions by several
Portuguese musicologists since at least 1952, when Manuel Joaquim first published Lusitano's madrigal
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813:
229:(Rome, 1553, plus reprints), contains an introduction to music, his views on the three genera, and uniquely, a systematic section on creating improvised
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Only in the 1960s and 70s was a 17th-century manuscript discovered describing him as "homem pardo", i.e., a mixed-race person with
African origins.
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80:, a Portuguese term indicating he was of mixed European and non-European heritage. It has been suggested that his mother may have been of
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German and present until this day in
Portuguese musicological investigation of the 16th century. Since the summer of 2020, when the
198:(Rome: Antonio Blado, 1553; Venice: Francesco Marcolini, 1558; Venice: Francesco Rampazetto, 1561). All three editions dedicated to
1752:
1536:
261:
movement re-ignited discussions about race in the United States, there has been a flurry of interest in
Lusitano and his work.
107:
In the 16th century, composers were usually employed by the Church, but there is no evidence that he held such a salaried post.
844:
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An anonymous manuscript on the art of singing (ca. 1551), attributed to
Lusitano on stylistic grounds, and published as
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1556:
855:âUm madrigal de Vicente Lusitano publicado no âLibro delle Museââ, Gazeta musical, vol. II, n.Âș. 13â14 (1951), 13â14
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899:"Composer in the news: Vicente Lusitano, ahead of his time and ready for rediscovery » Early Music America"
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45:. Some of his works on musical theory and a small number of compositions survive. Lusitano was for a time a
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Nery, Rui Vieira (1984), A MĂșsica no Ciclo da Bibliotheca Lusitana, Lisboa, Fundação Calouste Gulbenkian.
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Introduttione facilissima, et novissima, di canto fermo, figurato, contraponto semplice, et inconcerto
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202:.This treatise was reportedly also translated into Portuguese by Bernardo da Fonseca (Lisbon, 1603).
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Bonnie Blackburn: "Vicente Lusitano", Grove Music Online, ed. L. Macy (Accessed January 6, 2006),
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Flandreau, Suzanne (1998). "Black Music in the Academy: The Center for Black Music Research".
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563:"Vicente Lusitano: Why was the first Black published composer just a footnote in histories?"
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88:, Lusitano came from Olivença, became a Catholic priest, and was employed as a teacher at
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Un tratado de canto de organo (siglo XVI), manuscrito en la Biblioteca Nacional de ParĂs
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846:. Day-long Conference dedicated to Vicente Lusitano in 2012 by CESEM/FCSH NOVA
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Books about Music in Renaissance Print Culture: Authors, Printers, and Readers
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Biographie universelle des musiciens et bibliographie generale de la musique
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826:. Acerca do motete âHeu me Domineâ de Vicente Lusitano, LuĂs Henrique, 2018
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descent. According to a manuscript by the 17th-century Portuguese critic
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priest and taught in several Italian cities, but later converted to
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When he last appears in the historical record he was living in the
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726:(2nd ed.). Paris: Librairie Firmin Didot FrĂšres. p. 379
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507:
Stevenson, Robert (1982). "The First Black Published Composer".
373:"A Black Composer's Legacy Flourishes 500 Years After His Birth"
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As a composer, Lusitano is known for his vocal works, including
60:. Since the 1980s, he has been described as the first published
1500:
662:. University of North Carolina at Chapel Hill. pp. 297â298
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Cançoes, Vilancicos, e Motettes Portugueses Séculos XVI-XVII
589:"The great 16th-Century black composer erased from history"
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527:"Vicente Lusitano, the first published black composer"
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Revealing the African presence in Renaissance Europe
339:, published in Lisbon by Ignacio Rodrigues in 1752.
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Liber primus epigramatum que vulgo motetta dicuntur
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877:. Modern score of Heu me Domine by mpmp, 2012
616:Journal of the American Musicological Society
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437:. Baltimore: Walters Art Museum. p. 24.
144:His compositions, composed in (or about) the
866:. Modern score of Regina Coeli by mpmp, 2012
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276:, by Huelgas Ensemble, Sony Classics, 1994.
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612:"Vicente Lusitano: New Light on his Career"
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680:: CS1 maint: location missing publisher (
183:Lusitano also wrote treatises. These are:
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189:Un tratado de canto de Ăłrgano (siglo XVI)
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152:"Heu me domine", a motet included in
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371:Schumann, Garrett (5 January 2023).
200:Marc' Antonio Colonna, Duke of Marsi
1773:Portuguese male classical composers
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404:Schumann, Garrett (23 April 2020).
16:Portuguese composer (c. 1520â1561)
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747:. BibliothĂšque nationale de France
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331:Barreto's manuscript was used by
133:. In several works he references
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1247:Giovanni Pierluigi da Palestrina
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587:Williams, Holly (14 June 2022).
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266:All'hor ch'ignuda d'herb et fior
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433:Spicer, Jonathan, ed. (2012).
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293:Inviolata, integra et casta es
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990:List of Renaissance composers
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701:. Madrid: LibrerĂa Gutenberg
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656:Brannon, Samuel J. (2016).
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406:"Centuries of Silence"
268:at Portuguese Journal
169:(Venice: Scotto, 1562)
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156:(ca. 1551; see below)
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720:FĂ©tis, F.J. (1863).
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1066:Johannes Tinctoris
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378:The New York Times
259:Black Lives Matter
244:and 1562 madrigal
139:Inviolata, integra
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1332:Giovanni Gabrieli
1159:Philippe Verdelot
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141:for more voices.
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1227:Orlando di Lasso
1182:Jacques Arcadelt
1149:Pierre de la Rue
1144:Josquin des Prez
1124:Clément Janequin
1119:Antoine de FĂ©vin
1109:Antonius Divitis
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1600:Jacob Bathen
1317:John Dowland
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1061:Leonel Power
907:. Retrieved
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1783:1520 births
1656:Renaissance
1651:Early music
1547:Netherlands
1527:Elizabethan
1382:Jacopo Peri
1352:Alonso Lobo
1312:John Cooper
1174:Late (1530)
1134:Jean Mouton
1046:Jean Japart
1036:Walter Frye
415:9 September
225:Lusitano's
43:Renaissance
31: 1561
27: 1520
1742:Categories
1681:Philosophy
1676:Literature
1644:Background
1510:Traditions
1486:Magnificat
1476:Intermedio
1420:Burgundian
909:2023-12-01
775:2023-01-15
347:References
216:enharmonic
196:Enarmonico
64:composer.
58:mixed race
35:Portuguese
29: â c.
1496:Offertory
1425:Colorists
1287:Mannerism
799:20 August
730:24 August
705:24 August
676:cite book
666:24 August
641:24 August
384:5 January
252:Reception
212:chromatic
177:Stuttgart
1717:Category
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1455:Venetian
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481:JSTOR
464:Notes
310:Notes
280:Works
124:Latin
118:Music
90:Padua
78:pardo
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1289:and
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