343:, generally a harsh critic of singers, remarked that "with a better voice would have been a good singer". However, he was universally liked by the public in Italy, Germany, and England, and was a particularly popular singer in Vienna. Michtner, a local Viennese journalist, wrote of Adamberger that he was "the favourite singer of softer hearts". Mozart, who admired Adamberger, wrote the part of Belmonte in
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of all who have heard it, and it is mine also. I wrote it expressly to suit
Adamberger's voice. You see the trembling, the faltering, you see how his throbbing breast begins to swell; this I have expressed by a crescendo. You hear the whispering and the sighing – which I have indicated by the first
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company was revived in 1785, alongside the
Italian, he again became its leading tenor, and when it was disbanded for the second time, in 1789, he returned to the Italian company. In 1793, he retired from the stage but continued as a member of the imperial
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company of the
National Court Theater at Vienna. He made his début there on 21 August 1780. The following year, he married the Viennese actress
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349:(1782) for him. In a letter dated 26 September 1781, Mozart wrote, "Let me now turn to Belmonte's aria in A major, ‘
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début at Munich in 1772. This was the beginning of a successful career singing leading tenor roles in
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in London. After returning to Italy briefly for appearances in
Florence and Milan, he joined the
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company disbanded but
Adamberger was kept on for the Italian company that replaced it. When the
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in 1743. Beginning in 1755, he studied singing with Johann
Walleshauser (also known as
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Although
Adamberger's voice was admired where ever he went, he did have his critics.
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of Duke
Clemens and upon the Duke's death in 1770 was taken into the Elector's
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428:(in German), vol. 1, Leipzig: Duncker & Humblot, p. 46
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Valentino
Adamonti from 1775 to 1777. From 1778-1779 he sang at the
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playing in unison." Mozart also composed the role of
Vogelsang in
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376:(1786) for Adamberger, as well as several
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433:Bauman, Thomas; Corneilson, Paul (2001).
303:, later a popular actress. In 1783, the
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335:quality of his voice in the higher
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541:Wolfgang Amadeus Mozart's singers
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299:(1753–1804); their daughter was
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536:People from Kelheim (district)
435:"Adamberger, (Josef) Valentin"
425:Allgemeine Deutsche Biographie
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170:Adamberger was born either in
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531:German expatriates in Austria
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351:O wie ängstlich, o wie feurig
346:Die Entführung aus dem Serail
127:Vienna National Court Theater
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47:22 February 1740/6 July 1743
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380:(K.420 and K.431) and the
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361:. This is the favourite
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445:Oxford University Press
521:German operatic tenors
373:Der Schauspieldirektor
297:Maria Anna Adamberger
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16:German operatic tenor
420:Adamberger, Valentin
139:, also known by his
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137:Valentin Adamberger
44:Valentin Adamberger
25:Valentin Adamberger
483:AllAboutMozart.com
464:Antonie Adamberger
440:Grove Music Online
325:Christian Schubart
316:and as an eminent
301:Antonie Adamberger
249:Ferdinando Bertoni
84:Valentino Adamonti
454:978-1-56159-263-0
158:of note, such as
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207:. He made his
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495:Categories
468:Adamberger
462:See also:
391:References
314:Hofkapelle
283:stage name
233:J. C. Bach
205:Hofkapelle
106:Occupation
53:, Bavaria/
418:(1875), "
387:(K.471).
309:Singspiel
305:Singspiel
292:Singspiel
276:chromatic
272:clarinets
269:obbligato
166:Biography
156:composers
116:Employers
89:Education
75:, Austria
225:Florence
149:operatic
145:Adamonti
382:cantata
359:octaves
355:violins
318:singing
261:B major
201:Kapelle
141:Italian
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221:Venice
217:Modena
197:Jesuit
176:Munich
160:Mozart
73:Vienna
59:Bayern
55:Munich
368:flute
333:nasal
257:tempo
253:arias
209:opera
192:]
152:tenor
143:name
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466:and
449:ISBN
363:aria
339:and
327:and
229:Pisa
195:, a
172:Rohr
66:Died
51:Rohr
40:Born
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