122:
magazine offered this comment as to Todd Storz' legacy: "the radio revolution that Storz began with KOWH was already sweeping the nation. Thousands of radio station owners had realized the enormous potential for a new kind of radio. When television became popular, social monitors predicted that radio
85:
to compose a weekly list for broadcast. The format was commercially successful, and Storz and his father Robert, under the name of the Storz
Broadcasting Company, subsequently acquired other stations to use the new Top 40 format. In 1989, Todd Storz was inducted into the Nebraska Broadcasters
93:, appeared in 1960. The Top 40, whether surveyed by a radio station or a publication, was a list of songs that shared only the common characteristic of being newly released. Its introduction coincided with a transition from the old
97:
for single "pop" recordings to the seven-inch vinyl 45 rpm format, introduced in 1949, which was outselling it by 1954 and soon replaced it completely in 1958. The Top 40 thereafter became a survey of the popularity of
108:, featured a countdown of the 40 highest-ranked songs on a particular music or entertainment publication. Although such publications often listed more than 40 charted hits, such as the
369:
115:, time constraints allowed for the airing of only 40 songs; hence, the term "top 40" gradually became part of the vernacular associated with popular music.
130:
music. By the mid-1950s, his station, and the numerous others which eventually adopted the Top 40 format, were playing records by artists such as "
401:
482:
283:
45:
is a list of the 40 currently most popular songs in a particular genre. It is the best-selling or most frequently broadcast
411:
461:
439:
224:
153:
From the 1980s onwards, different recording formats have competed with the 45 rpm vinyl record. This includes
94:
357:
The shift in the musical experience was profound and paved the way for listening styles of subsequent decades
17:
500:
247:
123:
would die. However, because of the invention of Storz and others like him, radio would be reborn".
501:
The
Mystique and Mass Persuasion: Bill Drake & Gene Chenault’s Rock and Roll Radio Programming
81:. Storz invented the format in the early 1950s, using the number of times a record was played on
31:
548:
543:
185:
54:
340:
523:
165:. Many music charts changed their eligibility rules to incorporate some, or all, of these.
8:
374:
538:
403:
The
Emergence of Rock and Roll: Music and the Rise of American Youth Culture, Timeline
216:
Dick
Fatherly Knows Best (from The Hits Just Keep Coming: The History of Top 40 Radio)
478:
472:
457:
435:
407:
279:
273:
220:
214:
190:
109:
388:
in the mid- to late '50s with upstarts named
Presley, Lewis, Haley, Berry and Domino
210:
162:
154:
135:
104:
102:
and their airplay on the radio. Some nationally syndicated radio shows, such as
78:
99:
38:
474:
Something in the Air: Radio, Rock, and the
Revolution That Shaped a Generation
172:
presenting Top 40 and similar format programs have been implicated in various
532:
131:
127:
46:
90:
58:
50:
169:
147:
143:
139:
70:
158:
53:
have traditionally consisted of a total of 40 songs. "Top 40" or "
82:
430:
Pete
Battistini, "American Top 40 with Casey Kasem The 1970s",
173:
126:
Storz is credited by some sources as helping to popularize
74:
493:
The Hits Just Keep On Coming: The
History of Top 40 Radio
524:
Public Radio documentary featuring a history of Top 40
275:
Something In The Air: Radio, Rock & The
Revolution
73:
was the inventor of the format, at his radio station
306:
530:
446:Listening In: Radio and the American Imagination
307:"Nebraska Broadcasters Association Hall of Fame"
454:American Top 40: The Countdown of the Century
209:
27:40 most-popular songs in a particular genre
509:The Development of the Top 40 Radio Format
69:According to producer Richard Fatherley,
118:An article in the Spring 2012 issue of
14:
531:
470:
451:
271:
495:(San Francisco: Backbeat Books, 1998)
399:
24:
424:
25:
560:
517:
341:"Todd Storz: Radio for a New Era"
89:The term "Top 40", describing a
400:Hall, Michael K (May 9, 2014).
393:
362:
333:
320:
299:
265:
240:
203:
13:
1:
448:(New York: Times Books, 1999)
196:
95:ten-inch 78 rpm record format
511:(New York: Arno Press, 1979)
456:. New York: Schriner Books.
7:
498:Elwood F. 'Woody' Goulart,
370:"FROM HIT PARADE TO TOP 40"
179:
10:
565:
477:. New York: Random House.
86:Association Hall of Fame.
64:
29:
328:Broadcasting & Cable
219:. Miller Freeman Books.
161:, digital downloads and
252:kimsloans.wordpress.com
32:Top 40 (disambiguation)
326:"Timeline/Fun Facts,"
278:. Random House Books.
186:Contemporary hit radio
55:contemporary hit radio
471:Fisher, Mark (2007).
272:Fisher, Marc (2007).
452:Durkee, Rob (1999).
434:, January 31, 2005.
248:"POPBOPROCKTILUDROP"
30:For other uses, see
375:The Washington Post
507:David MacFarland,
491:Ben Fong-Torres,
484:978-0-375-50907-0
285:978-0-375-50907-0
191:Mainstream Top 40
16:(Redirected from
556:
488:
467:
418:
417:
397:
391:
390:
385:
383:
366:
360:
359:
354:
352:
347:. March 20, 2018
345:History Nebraska
337:
331:
330:, Nov. 21, 2011.
324:
318:
317:
315:
313:
303:
297:
296:
294:
292:
269:
263:
262:
260:
258:
244:
238:
237:
235:
233:
211:Fong-Torres, Ben
207:
155:cassette singles
120:Nebraska History
21:
564:
563:
559:
558:
557:
555:
554:
553:
529:
528:
520:
485:
464:
444:Susan Douglas,
432:Authorhouse.com
427:
425:Further reading
422:
421:
414:
398:
394:
381:
379:
378:. June 28, 1992
368:
367:
363:
350:
348:
339:
338:
334:
325:
321:
311:
309:
305:
304:
300:
290:
288:
286:
270:
266:
256:
254:
246:
245:
241:
231:
229:
227:
208:
204:
199:
182:
105:American Top 40
79:Omaha, Nebraska
67:
35:
28:
23:
22:
15:
12:
11:
5:
562:
552:
551:
546:
541:
527:
526:
519:
518:External links
516:
515:
514:
512:
505:
496:
489:
483:
468:
462:
449:
442:
426:
423:
420:
419:
413:978-0415833134
412:
392:
361:
332:
319:
298:
284:
264:
239:
225:
201:
200:
198:
195:
194:
193:
188:
181:
178:
100:45 rpm singles
66:
63:
39:music industry
26:
9:
6:
4:
3:
2:
561:
550:
549:Radio formats
547:
545:
544:Record charts
542:
540:
537:
536:
534:
525:
522:
521:
513:
510:
506:
503:
502:
497:
494:
490:
486:
480:
476:
475:
469:
465:
463:0-02-864895-1
459:
455:
450:
447:
443:
441:
440:1-4184-1070-5
437:
433:
429:
428:
415:
409:
406:. Routledge.
405:
404:
396:
389:
377:
376:
371:
365:
358:
346:
342:
336:
329:
323:
308:
302:
287:
281:
277:
276:
268:
253:
249:
243:
228:
226:0-87930-547-9
222:
218:
217:
212:
206:
202:
192:
189:
187:
184:
183:
177:
175:
171:
166:
164:
160:
156:
151:
149:
145:
141:
137:
133:
129:
128:rock and roll
124:
121:
116:
114:
112:
107:
106:
101:
96:
92:
87:
84:
80:
76:
72:
62:
60:
56:
52:
51:Record charts
48:
47:popular music
44:
40:
33:
19:
508:
499:
492:
473:
453:
445:
431:
402:
395:
387:
380:. Retrieved
373:
364:
356:
349:. Retrieved
344:
335:
327:
322:
310:. Retrieved
301:
291:20 September
289:. Retrieved
274:
267:
255:. Retrieved
251:
242:
232:20 September
230:. Retrieved
215:
205:
170:disc jockeys
167:
152:
125:
119:
117:
110:
103:
91:radio format
88:
68:
59:radio format
57:" is also a
42:
36:
533:Categories
257:October 2,
197:References
176:scandals.
159:CD singles
71:Todd Storz
18:VRT Top 30
539:Pop music
312:23 August
163:streaming
111:Billboard
83:jukeboxes
382:March 4,
351:March 4,
213:(1998).
180:See also
132:Presley
113:Hot 100
65:History
37:In the
504:(2006)
481:
460:
438:
410:
282:
223:
174:payola
148:Domino
43:Top 40
41:, the
168:Some
144:Berry
140:Haley
136:Lewis
479:ISBN
458:ISBN
436:ISBN
408:ISBN
384:2021
353:2021
314:2020
293:2010
280:ISBN
259:2018
234:2010
221:ISBN
146:and
75:KOWH
150:".
77:in
61:.
535::
386:.
372:.
355:.
343:.
250:.
157:,
142:,
138:,
134:,
49:.
487:.
466:.
416:.
316:.
295:.
261:.
236:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.