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Urban contemporary music

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I do not think it's a great idea because it nullifies all the hard work that past African American music executives built. This potentially leads to the dissolving of people and positions within the Urban music division. Hip Hop and R&B is leading the way for the surge in music sales and usage of
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populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; Houston; Oakland; Sacramento; Los Angeles; Trenton; Columbia; Jacksonville; Flint;
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also spoke out, stating "t sucks that whenever we — and I mean guys that look like me — do anything that's genre-bending or that's anything, they always put it in a rap or urban category", adding that "I don't like that 'urban' word — it's just a politically correct way to say the
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in Detroit, which switched from a top 40 format in the spring of 1982 and made a #2 showing 12+ in its first Arbitron ratings book. In addition to rap, R&B and dance music, WDRQ featured mainstream pop music with a danceable beat from artists.
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Urban contemporary playlists are dominated by singles by top-selling hip hop and R&B performers. On occasion, an urban contemporary station will play classic soul songs from the 1970s and early 1980s to satisfy the earlier end of the genre.
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in describing music genres and formats, especially among African-American artists who see the term as a "catchall for music created by black artists, regardless of genre". Contributing to the debate, Lance Venta of radio industry publication
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Many radio stations imitated the urban sound since it was proven to be more profitable than other formats and had proven itself more adept than straightforward black-targeted R&B formats at attracting white and Latino listeners.
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was outdated in that hip hop and R&B music had gained massive popularity outside the inner cities and the descriptor should not serve as a euphemism for "black music". He recommended substituting the terms
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tag. Responding to Republic's elimination of the term, he expressed concern that the action diminishes the status of black music executives within record companies and the industry as a whole:
290:(98.7 Kiss FM) became the first rap station in the United States, WBLS quickly began adding more rap songs to its playlists. The urban format by this time was redefined by an eclectic mix of 565:, were making EDM records for top 40 airplay while continuing to make hip hop or pure R&B records for urban airplay. Pure urban formats continue to be successful in markets with large 105:
Urban contemporary music includes the more contemporary elements of R&B and may incorporate production elements found in urban Euro-pop, urban rock, and urban alternative.
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Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable
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streaming. Are the other positions, titles and departments within a record company going to change or dissolve? ... Do they realize the cultural power of Urban Music?
965: 354:. Stations playing rhythmic contemporary hits plays a great deal of dance music; however, hip-hop has become increasingly popular in the format in recent years. 750: 716: 678: 1113: 661:
and artist management company Milk & Honey stated that they would drop the use of the word in relation to music of a black origin. That same month, the
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in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as
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Myron Fears, operations manager and program director of the black owned Carter Broadcast Group in Kansas City, defended the use of the
279:. Freddie Jackson and Luther Vandross were popular in urban contemporary music scene. Late 1980s, Luther Vandross, Freddy Jackson, and 440:
Following periods of fluctuating success, urban music attained commercial dominance during the early 2000s, which featured massive
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stations, playing artists that appealed to adults rather than rap or other styles that young people enjoyed.
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populations, while medium or smaller markets are more likely to feature urban music through the subset of
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Baltimore; Boston; Birmingham; Indianapolis; Charlotte; Savannah; Hartford; and Jackson.
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In 2020, members of the music industry voiced disagreement over the use of the term
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Since the 1990s, as urban contemporary hits have dominated the US pop charts, many
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By the late 2000s, urban music had taken a backseat on top 40 radio to mainstream
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have turned to playing tracks popular on urban contemporary radio stations.
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Myron Fears, Carter Broadcast Group operations manager/program director
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by R&B and hip hop artists. In 2004, all 12 songs that topped the
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were African-American recording artists and accounted for 80% of the
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each night. The station's popularity grew and in 1980, it was
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sounds, and several successful urban artists, including
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would combine all the elements of his background, with
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later remarked that by the early 2000s, urban music
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When Frankie Crocker was appointed as 1029: 811:from the original on December 27, 2004. 771: 669:for Best Urban Contemporary Album with 657:in favor of other terms. In June 2020, 286:During the early 1980s as newly formed 182:is a branch of urban contemporary, and 74:such as Latin pop, Chicano R&B and 2369: 1083: 1065:. All Access Music Group. June 8, 2020 919: 905:: CS1 maint: archived copy as title ( 606:for the urban contemporary format and 2081: 1143: 1103: 1001: 987:"New FM station will offer R&B". 753:from the original on January 17, 2008 714: 2107: 679:Best Latin Rock or Alternative Album 369: 1030:Owoseje, Toyin (January 27, 2020). 583: 13: 968:from the original on July 20, 2012 821: 743:"Urban contemporary music - music" 14: 2403: 952:Molanphy, Chris (July 16, 2012). 227:redefining the R&B format as 374: 365: 1051: 1023: 1002:Lewis, Sophie (June 11, 2020). 995: 980: 922:"Adult R&B's Youthful Look" 314:surpassed them in the ratings. 267:was the first station to air a 920:Leight, Elias (May 11, 2024). 913: 873: 861: 843: 815: 791: 765: 735: 671:Best Progressive R&B Album 271:radio show, "Rap Attack" with 1: 1169: 1084:Savage, Mark (June 8, 2020). 772:McPhate, Tim (June 8, 2012). 715:Venta, Lance (June 5, 2020). 696: 580:has been awarded since 2002. 1292:Contemporary Christian music 283:were popular in this genre. 254: 194: 7: 1988: 684: 511:In late-mid of the decade, 397:, discuss the issue on the 117:is heavily associated with 10: 2408: 870:retrieved 29 November 2021 799:"Urban Contemporary/Black" 665:renamed and redefined the 352:rhythmic contemporary hits 189: 108: 2267: 2174: 2128: 2117: 1959: 1779: 1590: 1542: 1514: 1507: 1203: 1177: 343:became some of the first 174:urban contemporary gospel 2253:Urban adult contemporary 2146:British rhythm and blues 691:Urban adult contemporary 612:urban adult contemporary 115:urban contemporary music 64:urban adult contemporary 22:Urban contemporary music 2387:Rhythm and blues genres 958:The Village Voice Blogs 460:number-one R&B hits 2013:Popular music pedagogy 804:University of Delaware 647:murder of George Floyd 643: 597:claimed that the term 462:that year. Along with 119:African-American music 2018:Rockism and poptimism 1122:The Recording Academy 807:. December 27, 2004. 632: 571:rhythmic contemporary 498:". Chris Molanphy of 480:Drop It Like It's Hot 215:of the newly created 184:rhythmic contemporary 2392:Naming controversies 2177:Contemporary R&B 2008:Pop music automation 675:Best Latin Pop Album 403:create a new article 395:improve this article 385:may not represent a 329:Late in the decade, 2186:Alternative R&B 2161:New Orleans R&B 1998:Honorific nicknames 1245:Paisley Underground 991:. October 22, 1995. 989:Dallas Morning News 962:Village Voice Media 649:and the subsequent 645:In the wake of the 247:with the original " 2275:Adult contemporary 2248:Urban contemporary 2233:Rhythm & grime 1213:Adult contemporary 723:. RadioBB Networks 616:Tyler, the Creator 543:Nicole Scherzinger 229:urban contemporary 186:is also a branch. 176:music on Sundays. 2364: 2363: 2263: 2262: 2151:Christian R&B 2075: 2074: 2057:Verse–chorus form 2003:Music and fashion 1955: 1954: 1662:Hong Kong English 1508:Regional variants 1178:Stylistic origins 887:on March 12, 2016 857:. April 21, 2019. 501:The Village Voice 431: 430: 423: 405:, as appropriate. 38:, or just simply 2399: 2377:1970s neologisms 2178: 2126: 2125: 2121: 2111: 2110:Rhythm and blues 2102: 2095: 2088: 2079: 2078: 1991: 1791:Balkan pop-folk 1512: 1511: 1164: 1157: 1150: 1141: 1140: 1134: 1133: 1131: 1129: 1110: 1101: 1100: 1098: 1096: 1081: 1075: 1074: 1072: 1070: 1055: 1049: 1048: 1046: 1044: 1027: 1021: 1020: 1018: 1016: 999: 993: 992: 984: 978: 977: 975: 973: 949: 936: 935: 917: 911: 910: 904: 896: 894: 892: 883:. 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Index

hip hop
radio format
Frankie Crocker
R&B
pop-rap
quiet storm
urban adult contemporary
hip hop
Latin music
Chicano rap
Caribbean music
reggae
soca
soul
African-American
African-American music
Latin Americans
reggaeton
Latin hip hop
Latin urban
KJLH
KPRS
KMEL
KDAY
KRNB
WVEE
gospel music
urban contemporary gospel
rhythmic contemporary
Frankie Crocker

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