583:(1990). Bruford has praised the material that Howe, Tony Levin and he were developing prior to Anderson's involvement, and had high hopes for ABWH's creative future. The atmosphere changed when Arista asserted that none of their new material was suitable for radio airplay. After the backing tracks had been put down, Anderson went to Los Angeles to record some of his vocals. He also reunited with Rabin and heard some songs that Yes were working on. Anderson suggested that he could add lead vocals to them, in addition to asking Rabin for a song that ABWH could record for their album. "What I read into that was they needed a single", recalled Rabin, who was primarily responsible for Yes's hit singles of the 1980s. Rabin gave Anderson three demos, one of which was "
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no need to "become Yes" once again as they felt they had reached substantial success as ABWH. Bruford added that ABWH "was a group in the making", but "the politicians got involved and that idea was quickly crushed." Following a period of negotiations Atco agreed to release Yes, thus allowing everyone to sign a four-album deal with Arista. This gave the green-light for an album that combined tracks recorded separately by both groups, with
Anderson on vocals. As part of the deal, Atco retained the rights to the band's back catalogue. Squire remembered a "huge, 90-page contract" was produced to settle the various legal issues between the two bands, labels, and promoters. The album's original title was
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to present the "high technical edge" that Yes were known for, within the structure of more concise and direct songs and not spotlight only technical prowess. Anderson initially resisted this approach as he wished to distance himself from the more commercial music that had largely defined Yes across the previous decade. When recording began, Elias recalled a lack of solid material and the tension between
Anderson and Howe especially, including the refusal of the two to stay in the studio while the other was present. Elias tried to help stimulate creativity and brought in a
832:"Silent Talking" is a song that Howe wrote that originally connected with an instrumental called "Seven Castles". Howe thought it contained some of his better guitar playing on the album, but felt Anderson came in too soon with his vocals in the second half, after his solo began. Haun replaced what Howe had put down for the main guitar riff "because there were timing discrepancies", so he tried to get as close to Howe's sound as possible. Other riffs from Howe were kept on the track, and can be heard due to a slightly different guitar tone that Haun used.
672:. Crichton and his assistant Brian Foraker were given songs that needed work and the pair "tried to fill in the gaps" at Crichton's own studio by playing parts that they thought Wakeman might play under those circumstances. Crichton felt "Dangerous" was a particularly strong track in demo form, but that the final version on the album was substandard. Rabin was invited to replace Howe's parts, but turned down the opportunity. Recordings were made with session guitarist Scott van Zen, but ultimately the parts in question were replaced by
863:" was written by Rabin and Squire. The two used a dictionary to look for suitable rhyming words for the song's lyrics, which is how they came up with the word "imperial" in its chorus. According to Rabin, the song concerns a homeless person who enters a restaurant just to use the bathroom, only to have the people inside telling him he has to leave. "And he just looks up to the sky ... you know, help me out". Rabin completed two different mixes of the track but Arista founder
1224:. Eder thought it was always difficult for the album to live up to expectations given the amount of musical talent involved. Nevertheless, he judged its songs "reasonably solid", and cites the harmonies in "I Would Have Waited Forever" from Anderson and Squire and Howe's "Masquerade" as highlights. But he thought "Lift Me Up" is a "forced exercise in heaviness" and "Without Hope (You Cannot Start the Day)" a "composed-by-numbers" track. In his book
1232:, an unhappy testament to hubris, conceit and corporate expediency, unintentionally embodies all the crimes that had been (often mistakenly) laid at the band's door hitherto." He argued that the concept was flawed from the beginning, saying it was unrealistic to expect the band members to cooperatively produce an album of quality and subtlety given the history of strife between them. The music portal Ultimate Classic Rock ranked
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Chapman Stick), with Squire only playing bass on "Lift Me Up", "Saving My Heart" and "Miracle of Life". Sherwood played the bass on "The More We Live- Let Go". Squire sang backing vocals on the four tracks Yes produced, as well as several of the ABWH-produced tracks, including "I Would Have Waited
Forever", "Without Hope (You Cannot Start the Day)" and "Dangerous (Look in the Light of What You're Searching For)".
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825:"Without Hope (You Cannot Start the Day)" originated from Elias, who recorded a basic outline of the track in one afternoon and sent the tape to Wakeman to add keyboards. Elias and Anderson felt dissatisfied with Wakeman's contribution; they had wished for something "simple and gentle" but instead got a part that to Elias "sounded like a
1214:, Gil Grifin noted that "musically and conceptually", the band are "reaching for its glorious past" which resulted in an album not entirely appealing. Though "Lift Me Up", "The More We Live – Let Go" and "Saving My Heart" are picked as more favourable tracks, Grifin concludes with "the aloofness of 'Union' is often sleep-inducing".
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session musicians to play new arrangements from the initial takes as they were dissatisfied with what
Wakeman and Howe had played. Elias said, "We weren't looking for only the early-'70s 'pyro technique'. We wanted something more modern". Among the 11 additional keyboard and synthesiser players featured on
1198:"veers alarmingly between ... neurotically jumpy overarrangements and competing time signatures" from ABWH and "heads-down riffing" from the Yes members. Sandall picked out "Lift Me Up" as one of the few "strong, anthemic tunes" that remain "unscathed" from the collision of such varied styles, which makes
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When Elias accepted
Anderson's invitation to produce the ABWH tracks, with Anderson credited as an associate producer, Elias felt uneasy about the task as a Yes album of "fresh" material was something he thought was too difficult to achieve, following the band's history of internal conflict. He aimed
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The remaining four tracks were produced by Yes: "Lift Me Up", "Saving My Heart", "Miracle of Life", and "The More We Live – Let Go". According to White, Yes had roughly three months to finish their tracks. The majority of the bass parts on the album are played by Tony Levin (on both bass guitar &
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Unlike the album, most of the group have reflected positively on the tour. Wakeman ranked it as the most fun he had on a tour. Bruford, by contrast, said the tour was "ludicrous, really. For some of us, it was a very lucrative bit of fun; others needed it desperately." A live CD and DVD from various
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wanted Squire to re-record the bass parts that
Sherwood had played on the demo, but Squire felt that Sherwood's playing suited the song perfectly and insisted it be kept. To Sherwood, the writing and recording process was so successful, he and Squire agreed to continue writing together from then on.
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Anderson said about “Take The Water To The
Mountain”, "It's a simple song, really. Take the water back to the mountains and give the mountains the energy they need. It's a reference to our ancient knowledge. About halfway through the track, the music becomes very ancient sounding and very rhythmic.”
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The combination of the two bands received mixed internal reactions. Rabin thought the idea was "useful and convenient to everyone, because we wanted to go on the road, and it was a quick way". Squire called Yes's involvement in the ABWH project a "salvage job". Howe and
Bruford both resisted, seeing
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The number of people who worked on the album is highly unusual. There are seven different producers, roughly 17 recording engineers and mixers, six backing singers, nine synthesizer player/programmers and no less than four additional musicians who added parts as well. This is the only album in the
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Matters complicated further when ABWH had started to put takes down. Wakeman and Howe had both agreed to solo commitments prior to recording, so their respective keyboard and guitar tracks were stored onto a computer, but not finalised and mastered. In their absence, Elias and
Anderson brought in
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Although Howe wrote the opening guitar riff to "Shock to the System", Haun re-recorded the part for "sonic reasons" and devised the other riffs as well, leaving no other parts that Howe had originally played. Some bass parts from Levin were also redone on his guitar during his time away from the
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was not an album of "major opuses" and felt
Wakeman had "lost his edge". Elias ranked his time with Haun as his best experience during the making of the album. Howe called Haun an "average guitarist" and compared his changes to "having an abortion". Elias maintained the view that he and Anderson
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includes nine tracks recorded by ABWH, these being "I Would Have Waited Forever", "Shock to the System", "Without Hope You Cannot Start the Day", "Silent Talking", "Angkor Wat", "Dangerous (Look in the Light of What You're Searching For)", "Holding On", "Evensong", and "Take the Water to the
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agreed that outside musicians were needed and described Howe's reaction as merely "bruised ego from someone who is a very good guitar player in his own right." Howe included the original backing tracks of "Dangerous" and "Without Hope You Cannot Start the Day" on his 2017 compilation
660:, but said Wakeman refused as he thought the instrument was outdated. Elias concluded that ABWH "didn't care about a note of music", and was relieved to have finished some of the material at all, considering the difficulties and his personal dislike for some of the songs.
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of the same name, was written by Elias, Anderson and Wakeman. During Wakeman's final day of recording, Elias asked Wakeman to record some atmospheric keyboard sounds that were then layered and formed into a track. The track concludes with a poem recited in Cambodian.
1009:, who learned that Anderson had enjoyed how the ABWH concert in Philadelphia was presented. The tour featured the eight members playing on stage and some shows were performed in the round with a central revolving stage that the band had first used on their 1978 tour.
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419:. The album's sessions were problematic from the start, including disagreements between some of the musicians regarding the "merger" of the two bands, strained relations during the recording process, and decisions by the production team of Anderson and producer
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was hired and finished a mix with assistance from Ed Thacker that was used on the album. Rabin, feeling the original mix was superior, thought Fox and Thacker's work was "very good" but it suffered from them not having a clear idea of what Rabin had wanted.
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was released to a decidedly mixed critical reception, and the majority of the band have openly stated their dislike of the material. Despite all this, it fared relatively well commercially, reaching No. 7 in the UK and No. 15 in the US. After two months,
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Most of the band have negative opinions on the album. Wakeman stated he was dissatisfied with the production, commenting that most of his contributions were so altered in the final result that he could not recognise them, adding that he called the album
587:", but requested that ABWH record only one. Anderson wished to record all three, which became the impetus for discussions amongst management of Yes and ABWH that "joining forces" and making an album together would prove the most beneficial arrangement.
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rounded out the group, which was initially called Cinema. Upon hearing the new material the quartet were working on, Jon Anderson rejoined them and it now made sense to call the band Yes. The result was their most commercially successful album,
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is more of a failed project than a real album." Bruford remains very critical: "It was probably not only the most dishonest title that I've ever had the privilege of playing drums underneath, but the single worst album I've ever recorded."
786:(1991). Haun later revealed that Howe plays a short, recurring thread and the ending solo, but all other electric, acoustic, and effect overdubs were in fact played by him, and that Arista wanted a guitar riff similar to that of "
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Yes discography to feature participation from this many individuals who were not in Yes, or part of a regular, much smaller production team. Consequently, four pages of the album's CD booklet are dedicated to the song credits.
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Hot 100 singles chart. The second single, "Saving My Heart", released in July 1991, reached a high of number nine on the Album Rock Tracks chart a month later. "I Would Have Waited Forever" was the final single released.
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for the album, including one titled "Baby Georgia", but Arista decided to use "Masquerade", a track Howe ironically almost decided against sending because he thought it was not as strong as the others.
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chart at number 35, the week of 18 May 1991. The album climbed on the following week, reaching its peak at number 15 on the week ending 25 May. It was present on the chart for a total of 19 weeks.
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covered North America, Europe, and Japan from 9 April 1991 to 5 March 1992, billed as Yesshows '91: Around the World in 80 Dates. It was the first rock tour produced by Philadelphia-based
564:. Sherwood went on to become a longtime collaborator with Yes, firstly as a live musician and producer; he became their full-time bassist following Squire's death in 2015.
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with their 1991–1992 ‘Around the World in 80 Dates’ show that featured all eight members playing on stage; Bruford, Wakeman, and Howe left the band after the tour.
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813:"Masquerade" is an acoustic guitar instrumental written and performed by Howe. He recorded the track in fifteen minutes at his home studio using a two-channel
1190:, calling it "an eclectic miscarriage that almost isn't even worth laughing about", and wished the album had more memorable hooks, riffs, and concise lyrics.
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684:. Haun later said that it was Anderson, Elias, "and one other person" who made the final decision as to which parts were kept and replaced by someone else.
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rated the album with a D+, and called it a "stunningly wicked parody of an outlandish concept", pointing out its "complete and utter unlistenability". In
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chart, later known as the Mainstream Rock Tracks chart. It was number one from the week of 4 May to 8 June 1991. It reached a peak of 86 on the
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879:" was not suitable for a Yes album, a feeling he had also had for "Owner of a Lonely Heart". He originally planned to develop the track with
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in its history which also organised advertising and promotion. The partnership evolved following discussions between Anderson and EFC head
975:, released in April 1991. It became one of the band's most successful singles, spending six weeks at number one from its third week on the
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in 1989 and supported it with a world tour. During this time, the four remaining Yes members began to write songs with former Yes producer
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Wakeman criticised Elias for allowing the edits and overdubs, and the two addressed each other's issues in different publications of
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in Los Angeles and Vision Sound Studios in New York City. Howe recorded "Masquerade" by himself in Langley Studios at his home in
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to design a new band logo, and came up with a square design, but it was not used due to Anderson forming ABWH. When it came to
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780:"I Would Have Waited Forever" features Howe playing a guitar riff that he also used on "Sensitive Chaos" from his solo album
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deck, "away from all the arguments and politics" that came with making the album. He recorded other acoustic tracks on a
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1658:– electric guitars, lead and backing vocals (tracks 4, 6, 7 and 9), production (tracks 4, 6, 7), engineering (track 9)
905:"The More We Live – Let Go" is the first song that Squire and Sherwood wrote together. Sherwood and 1970s Yes producer
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379:. Production began following the amalgamation of two bands that featured previous and then-current members of Yes:
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964:. Howe described the nomination for his track as "pure justice", following the difficulties in making the album.
415:. The eight musicians signed with Arista and a combination of unfinished tracks by both groups were selected for
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Yes: An Endless Dream of '70s, '80s and '90s Rock Music: An Unauthorized Interpretative History in Three Phases
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was released on 30 April 1991. The album was a success on the charts, reaching its peak of number seven on the
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Mountain" Collectively they were recorded in five different studios, including Studio Guillaume Tell in Paris,
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influence. Rabin was unhappy with the song's final mix as it did not turn out the way he had wished.
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because "it made me cry every time I heard it". Rabin thought it lacked a linking thread and ranked
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The pair also wrote "Love Conquers All", a track with Rabin on lead vocals and released on the
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595:, which was announced in the press as late as February 1991, while the album was being mixed.
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and made largely in isolation by the musicians and Jon, so the title is misleading. To me,
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as much as Rick," he stated in 2016, "but it was a peculiar record. It was instigated by
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843:"Evensong" is a bass and percussion duet between Levin and Bruford and is named after an
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piano concerto", and hence recorded a new piano part. Howe does not play on the track.
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received two and a half stars out of five in a retrospective review by Bruce Eder for
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1999:
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he designed in 1972, the square design appearing in the corner and on the subsequent
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796:(1971). Elias thought the track best represented "both early and later Yes styles".
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Note: "Angkor Wat" and "Give & Take" are not included on the vinyl LP version.
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overdub Wakeman and Howe's parts proved to be controversial with fans and critics.
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2204:"Jonathan Elias - Requiem for the Americas: Songs from the Lost World - Credits"
1664:– harmony and backing vocals (tracks 1, 2, 4–7, 9 and 11), bass (tracks 4, 6, 7)
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3391:(in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 166.
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magazine. Elias "never questioned Rick's technical ability" and stressed that
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1202:"one of the least ridiculous Yes albums in recent memory". Dave DiMartino of
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in May 1991 during a six-week stay. In the United States, it debuted on the
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Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972
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chart for six weeks. Howe's acoustic guitar piece "Masquerade" received a
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to re-record parts that Wakeman and Howe had originally completed.
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disliked them. After Squire suggested they bring in someone else,
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704:—Jim Crichton on producer Jonathan Elias and singer Jon Anderson.
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was hired to design the art for the album. After the release of
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2624:"Steve Howe - Anthology 2: Groups & Collaborations | Rhino"
1987:
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689:"Elias would come in and tell me to make the tracks sound like
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619:, England. "Evensong" featured only Bruford and Tony Levin on
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were working on new material with guitarist/singer/songwriter
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3196:(2004). "Yes". In Brackett, Nathan; Hoard, Christian (eds.).
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1523:"Dangerous (Look in the Light of What You're Searching For)"
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Yes reverted to the 1983–1988 line-up for their next album,
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The Music's All that Matters: A History of Progressive Rock
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The Music's All that Matters: A History of Progressive Rock
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studio. Haun described one of his riffs as reminiscent to "
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magazine issued a review from Robert Sandall, who thought
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Vision Sound, Platinum Island (New York City, New York)
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Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman
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3290:. Ultimate Classic Rock. Retrieved on 13 October 2016.
2741:"#askYES – Q&A with Billy Sherwood – 6 April 2016"
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before Anderson heard it and wished to work on it for
446:(RIAA) for selling 500,000 copies. The first single, "
3031:"On this tour, 8 former members form a great big Yes"
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and held auditions for a new lead singer, including
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Oricon Album Chart Book: Complete Edition 1970–2005
3377:(in Dutch). Hung Medien. Retrieved March 20, 2024.
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755:cover. It would also later appear on the covers of
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2591:"Bondegezou Interviews – Jimmy Haun (Feb/Mar '01)"
2486:"Bondegezou Interviews – Jonathan Elias (Mar '01)"
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894:"Miracle of Life" is a track Rabin described as a
2922:"Mainstream Rock Songs: The Week of June 8, 1991"
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1829:Chris Fosdick – additional engineering (track 10)
1676:– keyboards (tracks 1, 2, 5, 8, 10–12, 14 and 15)
1670:– Hammond B-3 organ, piano (tracks 4, 6, 7 and 9)
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4007:Something's Coming: The BBC Recordings 1969–1970
3018:. pp. 1-E, 10-E – via Newspapers.com.
2897:"Mainstream Rock Songs: The Week of May 4, 1991"
2420:"Yes isn't magic word on unfocused 'Union' disc"
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567:In 1990, ABWH started work on a second album at
3535:"American album certifications – Yes – Union"
3405:
3162:
3160:
2999:(Media notes). Arista Records. 1991. ASCD-2344.
2097:Shipments figures based on certification alone.
1180:The album received mixed reviews from critics.
2519:
2517:
1060:
4151:The Ultimate Yes: 35th Anniversary Collection
3655:
3465:
3342:(Media notes). Arista Records. 1991. 211 558.
2872:"Artists / Yes: Chart History: Billboard 200"
2778:"American album certifications – Yes – Union"
2346:
2177:(Media notes). Arista Records. 1991. 261 558.
1736:Jerry Bennett – synthesiser, synth percussion
4905:Albums with cover art by Roger Dean (artist)
3157:
2479:
2477:
2475:
1148:
1110:
3421:
3111:
3109:
3083:
3081:
2780:. Recording Industry Association of America
2514:
2364:. Bergen County, New Jersey. Archived from
2358:"Yes – They didn't take 'no' for an answer"
2169:
2167:
598:
4098:The Royal Affair Tour: Live from Las Vegas
3662:
3648:
3428:"Album Top 40 slágerlista – 1991. 29. hét"
2165:
2163:
2161:
2159:
2157:
2155:
2153:
2151:
2149:
2147:
1228:, Paul Stump commented that "the music of
902:. Howe thought the track was "very good".
634:
367:is the thirteenth studio album by English
29:
4063:Like It Is: Yes at the Bristol Hippodrome
3539:Recording Industry Association of America
3486:. Hung Medien. Retrieved March 20, 2024.
3474:. Hung Medien. Retrieved March 20, 2024.
3135:
2847:"Billboard 200: The Week of May 25, 1991"
2822:"Billboard 200: The Week of May 18, 1991"
2584:
2582:
2580:
2578:
2576:
2574:
2572:
2570:
2472:
2389:"The new Yes group: Virtually a Yes, Yes"
951:Recording Industry Association of America
444:Recording Industry Association of America
3554:
3386:
3332:
3106:
3078:
2972:"Yes - Artists - Mainstream Rock Tracks"
2674:
2561:
2549:
2466:
2451:
2309:
2254:
2242:
720:Anthology 2: Groups & Collaborations
638:
516:(ABWH), a group with former Yes members
512:. In 1988, Anderson left Yes and formed
4084:Topographic Drama – Live Across America
4077:Like It Is: Yes at the Mesa Arts Center
3573:
3489:
3324:. YouTube.com. Event occurs at 44:30.
3256:
3230:
2772:
2770:
2417:
2190:
2144:
1772:Brian Foraker – synthesiser programming
1396:"Without Hope You Cannot Start the Day"
953:(RIAA) for shipment of 500,000 copies.
4887:
4014:House of Yes: Live from House of Blues
3601:
3346:
3328:from the original on 21 December 2021.
3299:Ling, Dave: "Anderson Rabin Wakeman";
3092:. Quartet Books Limited. p. 338.
2659:
2567:
2355:
1615:
1573:
1553:
1536:
1519:
1502:
764:House of Yes: Live from House of Blues
4232:Progeny: Seven Shows from Seventy-Two
3643:
3620:
3582:
3192:
3186:
3087:
3003:
2761:
2727:
2712:
2693:
2647:
2610:
2588:
2523:
2508:
2483:
2324:"Yes puts it all back together again"
2321:
2292:
2269:
2227:
1778:Rory Kaplan – synthesiser programming
1745:Pauline Cheng – recitation (track 10)
1478:
1453:
1430:
1409:
1392:
1365:
1348:
1331:
1304:
1041:
4070:Progeny: Highlights from Seventy-Two
3623:Close to the Edge – The Story of Yes
3585:Yesstories: "Yes" in Their Own Words
3380:
3166:
3028:
3009:
2767:
2386:
1859:Susan Kent – production co-ordinator
1838:Richard Edwards – assistant engineer
1790:– keyboards, synthesizer programming
647:'s decision, with Anderson, to have
536:on bass guitar. ABWH released their
3576:Time and a Word: The Yes Interviews
3437:
3412:"Offiziellecharts.de – Yes – Union"
1871:Steve Harrison – assistant engineer
1492:
1062:
847:service held in English churches.
13:
4945:Albums recorded at Miraval Studios
3559:. General Store Publishing House.
2526:"Fine Howe-Do-You-Do for Band Yes"
1856:Lolly Grodner – assistant engineer
1853:Steve Wellner – assistant engineer
1847:Michael Sweet – assistant engineer
1835:Sophie Masson – assistant engineer
1832:Buzz Borrowes – assistant engineer
1184:gave it two stars out of five for
962:Best Rock Instrumental Performance
465:Best Rock Instrumental Performance
14:
4956:
4930:Albums produced by Billy Sherwood
4915:Albums produced by Jonathan Elias
4636:Yesspeak Live: The Director's Cut
3472:"Swedishcharts.com – Yes – Union"
3199:The New Rolling Stone Album Guide
2800:"Yes - Artists - Official Charts"
2356:Jaeger, Barbara (12 April 1991).
2052:
1236:worst in its list of Yes albums.
1150:
1112:
956:In 1992, "Masquerade" received a
4622:Yes Acoustic: Guaranteed No Hiss
4137:Highlights: The Very Best of Yes
3447:(in Japanese). Roppongi, Tokyo:
3259:"Art Rock Again? In a Word, Yes"
3012:"A big Yes for Electric Factory"
1844:Matt Gruber – assistant engineer
1577:"Take the Water to the Mountain"
1268:
1169:
1164:
1159:
1154:
1149:
1131:
1126:
1121:
1116:
1111:
1081:
1076:
1071:
1066:
1061:
967:Yes released three singles from
680:and had worked in Squire's band
4940:Albums produced by Jon Anderson
4935:Albums produced by Mark Mancina
4925:Albums produced by Trevor Rabin
4056:In the Present – Live from Lyon
3496:"Official Albums Chart Top 100"
3484:"Swisscharts.com – Yes – Union"
3308:
3293:
3288:Yes Albums Ranked Worst to Best
3281:
3250:
3231:Sandall, Robert (1 June 1991).
3224:
3136:DiMartino, Dave (17 May 1991).
3053:
3022:
2989:
2964:
2939:
2914:
2889:
2864:
2839:
2814:
2792:
2733:
2616:
2411:
2380:
2315:
1850:Paul Berry – assistant engineer
1841:Renny Hill – assistant engineer
1826:Brian Foraker – engineer, mixer
887:. The song displays a distinct
383:(ABWH), consisting of vocalist
375:, released on 30 April 1991 by
4920:Albums produced by Eddy Offord
3604:Time and a Word: The Yes Story
3375:"Dutchcharts.nl – Yes – Union"
2387:Moon, Tom (18 February 1991).
2322:Morse, Steve (11 April 1991).
2196:
2130:
2116:
1600:
1595:European and Japanese editions
1286:
1013:dates was released in 2011 as
971:in 1991. "Lift Me Up" was the
835:"Angkor Wat", named after the
87:Guillaume Tell (Paris, France)
1:
4841:Anderson Bruford Wakeman Howe
4773:Anderson Bruford Wakeman Howe
3831:Tales from Topographic Oceans
3257:Griffin, Gil (19 July 1991).
3029:Heim, Chris (26 April 1991).
2947:"Yes - Artists - The Hot 100"
2524:Boehm, Mike (5 August 1991).
2105:
1748:Gary Falcone – backing vocals
1308:"I Would Have Waited Forever"
1143:The Rolling Stone Album Guide
514:Anderson Bruford Wakeman Howe
474:
381:Anderson Bruford Wakeman Howe
281:Anderson Bruford Wakeman Howe
268:Anderson Bruford Wakeman Howe
165:69:29 (European, Japanese CD)
3524:. Retrieved March 20, 2024.
3502:. Retrieved March 20, 2024.
3434:. Retrieved March 20, 2024.
3418:. Retrieved March 20, 2024.
3365:. Retrieved March 20, 2024.
3353:"Top RPM Albums: Issue 1545"
3060:Brewer, Jon (18 June 2007).
2418:Edwards, Jeff (9 May 1991).
2045:
2031:
2016:
2004:
1980:
1968:
1956:
1944:
1932:
1632:
1031:
299:An Evening of Yes Music Plus
7:
4225:The Studio Albums 1969–1987
3363:Library and Archives Canada
3167:Eddy, Chuck (1 July 1991).
3010:Moon, Tom (15 April 1991).
2997:I Would Have Waited Forever
2589:Potts, Henry (March 2001).
2484:Potts, Henry (March 2001).
1952:The Official Finnish Charts
1889:Carolyn Quan – art director
1874:Stan Katayama – engineering
1817:– producer, mixer (track 9)
1775:Chris Fosdick – synthesiser
1769:Sherman Foote – synthesiser
1733:Gary Barlough – synthesiser
1482:"The More We Live – Let Go"
682:The Chris Squire Experiment
491:. Original Yes keyboardist
10:
4961:
4594:Yes: Live – 1975 at Q.P.R.
4165:Yes, Friends and Relatives
3305:#227, September 2016, p100
919:
775:
745:, Dean decided to use the
457:Hot Mainstream Rock Tracks
4822:
4801:
4705:
4659:
4557:
4443:Five Per Cent for Nothing
4429:I've Seen All Good People
4406:
4248:
4239:The Steven Wilson Remixes
4181:
4107:
3977:
3959:
3787:
3677:
3555:Chambers, Stuart (2002).
3123:. Retrieved 20 June 2012.
3016:The Philadelphia Inquirer
2393:The Philadelphia Inquirer
2094:
2079:
2068:
2065:
2036:
2021:
2009:
1997:
1985:
1973:
1961:
1949:
1937:
1923:
1916:
1913:
1900:
1610:
1607:
1604:
1599:
1299:
1296:
1293:
1290:
1285:
1252:as better. "I don't hate
1049:
1046:
1003:Electric Factory Concerts
854:
450:", was number one on the
403:, guitarist and vocalist
356:
322:
311:
274:
266:
262:
225:
217:
181:
169:
148:
120:
103:(Los Angeles, California)
66:
58:
50:
37:
28:
23:
3416:GfK Entertainment Charts
2743:. YesWorld. 6 April 2016
1742:– synthesiser (track 11)
1509:Anderson, Wakeman, Elias
770:
725:
599:Recording and production
581:Requiem for the Americas
348:Released: July 1991 (UK)
163:65:00 (International CD)
16:1991 studio album by Yes
4450:Long Distance Runaround
4313:Owner of a Lonely Heart
3669:
3602:Popoff, Martin (2016).
3500:Official Charts Company
3387:Pennanen, Timo (2006).
1924:Canada Top Albums/CDs (
1823:– producer, programming
992:
676:, who was suggested by
635:Issues with ABWH tracks
575:, France with producer
335:Released: May 1991 (US)
4854:Symphonic Music of Yes
4677:Close to the Edge Tour
4197:In a Word: Yes (1969–)
3574:Kirkman, John (2013).
3037:. p. Section 7, N
1906:Chart performance for
1886:– design and paintings
701:
652:
99:, The Jacaranda Room,
4910:Arista Records albums
4718:Mabel Greer's Toyshop
4478:The Gates of Delirium
4436:South Side of the Sky
4035:Live at Montreux 2003
3621:Welch, Chris (2008).
3587:. St Martin's Press.
3578:. Rufus Publications.
1730:– acoustic percussion
1622:Anderson, Howe, Elias
1543:Anderson, Elias, Howe
1338:Anderson, Howe, Elias
1335:"Shock to the System"
802:The Gates of Delirium
687:
642:
528:and Bruford's former
4629:Classic Artists: Yes
4601:Live in Philadelphia
4457:Heart of the Sunrise
4415:Yours Is No Disgrace
4334:Love Will Find a Way
4299:Don't Kill the Whale
3606:. Soundcheck Books.
3512:"Yes Chart History (
3449:Oricon Entertainment
3204:Simon & Schuster
3143:Entertainment Weekly
3088:Stump, Paul (1997).
3063:Classic Artists: Yes
1868:Mike Shipley – mixer
1693:Additional personnel
1205:Entertainment Weekly
1093:Entertainment Weekly
1037:Professional ratings
737:, Dean was asked by
613:Record Plant Studios
4643:The Lost Broadcasts
4587:Greatest Video Hits
4000:9012Live: The Solos
3901:Keys to Ascension 2
3583:Morse, Tim (1996).
3317:The Prog Rock years
3263:The Washington Post
2613:, pp. 266–267.
2062:
2012:Schweizer Hitparade
1910:
1895:– computer graphics
1808:Technical personnel
1596:
1282:
1211:The Washington Post
1038:
668:is Jim Crichton of
4667:The Yes Album Tour
4527:Shoot High Aim Low
4108:Compilation albums
4042:Songs from Tsongas
4028:Greatest Hits Live
3936:Heaven & Earth
3340:Union (LP version)
2175:Union (CD version)
2057:
1974:Hungarian Albums (
1964:Offizielle Top 100
1905:
1865:Ed Thacker – mixer
1728:Allan Schwartzberg
1594:
1491:Offord, Sherwood (
1277:
1036:
653:
4895:Yes (band) albums
4882:
4881:
4608:Keys to Ascension
4548:Mirror to the Sky
4464:Close to the Edge
4390:Lightning Strikes
4292:Wonderous Stories
3950:Mirror to the Sky
3894:Keys to Ascension
3845:Going for the One
3824:Close to the Edge
3632:978-1-84772-132-7
3625:. Omnibus Press.
3613:978-0-993-21202-4
3594:978-0-312-14453-1
3566:978-1-894-26347-4
3398:978-951-1-21053-5
3322:Rock Family Trees
3269:on 8 October 2016
3194:Cross, Charles R.
3115:Eder, Bruce.
2802:. Official Charts
2530:Los Angeles Times
2368:on 8 October 2016
2334:on 8 October 2016
2103:
2102:
2098:
2050:
2049:
2000:Sverigetopplistan
1986:Japanese Albums (
1629:
1628:
1619:"Give & Take"
1590:
1589:
1434:"Miracle of Life"
1178:
1177:
980:Album Rock Tracks
649:session musicians
609:SARM West Studios
538:self-titled album
479:In 1983, bassist
425:session musicians
360:
359:
307:
306:
258:
257:
93:(London, England)
4952:
4823:Related articles
4748:Jon and Vangelis
4650:Rock of the '70s
4485:Run with the Fox
4422:Starship Trooper
4204:The Word Is Live
3664:
3657:
3650:
3641:
3640:
3636:
3617:
3598:
3579:
3570:
3543:
3542:
3531:
3525:
3509:
3503:
3493:
3487:
3481:
3475:
3469:
3463:
3462:
3441:
3435:
3430:(in Hungarian).
3425:
3419:
3409:
3403:
3402:
3384:
3378:
3372:
3366:
3350:
3344:
3343:
3336:
3330:
3329:
3312:
3306:
3297:
3291:
3285:
3279:
3278:
3276:
3274:
3265:. Archived from
3254:
3248:
3247:
3245:
3243:
3228:
3222:
3221:
3202:(4th ed.).
3190:
3184:
3183:
3181:
3179:
3164:
3155:
3154:
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3133:
3124:
3113:
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3085:
3076:
3075:
3073:
3071:
3057:
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3050:
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3026:
3020:
3019:
3007:
3001:
3000:
2993:
2987:
2986:
2984:
2982:
2968:
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2961:
2959:
2957:
2943:
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2936:
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2918:
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2911:
2909:
2907:
2893:
2887:
2886:
2884:
2882:
2868:
2862:
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2859:
2857:
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2837:
2836:
2834:
2832:
2818:
2812:
2811:
2809:
2807:
2796:
2790:
2789:
2787:
2785:
2774:
2765:
2759:
2753:
2752:
2750:
2748:
2737:
2731:
2725:
2716:
2710:
2697:
2691:
2678:
2672:
2663:
2657:
2651:
2645:
2639:
2638:
2636:
2634:
2620:
2614:
2608:
2602:
2601:
2599:
2597:
2586:
2565:
2559:
2553:
2547:
2541:
2540:
2538:
2536:
2521:
2512:
2506:
2497:
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2494:
2492:
2481:
2470:
2464:
2455:
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2440:
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2433:
2431:
2415:
2409:
2408:
2402:
2400:
2384:
2378:
2377:
2375:
2373:
2353:
2344:
2343:
2341:
2339:
2330:. Archived from
2328:The Boston Globe
2319:
2313:
2307:
2296:
2290:
2273:
2267:
2258:
2252:
2246:
2240:
2231:
2225:
2219:
2218:
2216:
2214:
2200:
2194:
2188:
2179:
2178:
2171:
2142:
2141:
2134:
2128:
2127:
2120:
2096:
2063:
2056:
1998:Swedish Albums (
1950:Finnish Albums (
1911:
1904:
1862:Paul Fox – mixer
1802:– backing vocals
1796:– backing vocals
1794:Michael Sherwood
1766:– backing vocals
1764:Tommy Funderburk
1760:– backing vocals
1754:– backing vocals
1752:Deborah Anderson
1602:
1597:
1593:
1494:
1460:Anderson, Howe,
1457:"Silent Talking"
1443:Rabin, Mancina,
1288:
1283:
1276:
1174:
1173:
1172:
1168:
1167:
1163:
1162:
1158:
1157:
1153:
1152:
1136:
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1086:
1085:
1084:
1080:
1079:
1075:
1074:
1070:
1069:
1065:
1064:
1039:
1035:
941:On 2 July 1991,
837:Cambodian temple
788:Starship Trooper
705:
467:. Yes supported
369:progressive rock
349:
346:
336:
333:
276:
275:
227:
226:
160:
159:
155:
135:progressive rock
33:
21:
20:
4960:
4959:
4955:
4954:
4953:
4951:
4950:
4949:
4885:
4884:
4883:
4878:
4874:Yes bubble logo
4818:
4797:
4701:
4655:
4553:
4471:Siberian Khatru
4402:
4355:Saving My Heart
4244:
4211:Essentially Yes
4177:
4103:
3973:
3955:
3803:Time and a Word
3783:
3673:
3668:
3633:
3614:
3595:
3567:
3546:
3533:
3532:
3528:
3510:
3506:
3494:
3490:
3482:
3478:
3470:
3466:
3459:
3443:
3442:
3438:
3426:
3422:
3410:
3406:
3399:
3385:
3381:
3373:
3369:
3351:
3347:
3338:
3337:
3333:
3314:
3313:
3309:
3298:
3294:
3286:
3282:
3272:
3270:
3255:
3251:
3241:
3239:
3229:
3225:
3218:
3191:
3187:
3177:
3175:
3165:
3158:
3148:
3146:
3134:
3127:
3114:
3107:
3100:
3086:
3079:
3069:
3067:
3059:
3058:
3054:
3040:
3038:
3035:Chicago Tribune
3027:
3023:
3008:
3004:
2995:
2994:
2990:
2980:
2978:
2970:
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2955:
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2145:
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2131:
2122:
2121:
2117:
2108:
2080:United States (
2073:Certified units
2061:certifications
2055:
1962:German Albums (
1918:
1903:
1898:
1805:
1635:
1630:
1591:
1526:Anderson, Elias
1415:Saving My Heart
1399:Anderson, Elias
1271:
1170:
1165:
1160:
1155:
1132:
1127:
1122:
1117:
1082:
1077:
1072:
1067:
1034:
995:
960:nomination for
929:UK Albums Chart
922:
877:Saving My Heart
857:
778:
773:
728:
707:
703:
637:
601:
477:
463:nomination for
352:
347:
343:Saving My Heart
340:
339:
334:
327:
326:
302:
293:
284:
253:
244:
235:
164:
162:
157:
153:
152:
144:
116:
46:
17:
12:
11:
5:
4958:
4948:
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4942:
4937:
4932:
4927:
4922:
4917:
4912:
4907:
4902:
4897:
4880:
4879:
4877:
4876:
4871:
4866:
4861:
4856:
4851:
4844:
4837:
4832:
4826:
4824:
4820:
4819:
4817:
4816:
4811:
4805:
4803:
4799:
4798:
4796:
4795:
4790:
4785:
4780:
4775:
4770:
4765:
4760:
4755:
4750:
4745:
4740:
4735:
4730:
4725:
4720:
4715:
4709:
4707:
4703:
4702:
4700:
4699:
4694:
4689:
4684:
4679:
4674:
4669:
4663:
4661:
4657:
4656:
4654:
4653:
4646:
4639:
4632:
4625:
4618:
4611:
4604:
4597:
4590:
4583:
4576:
4569:
4561:
4559:
4558:Video releases
4555:
4554:
4552:
4551:
4544:
4537:
4530:
4523:
4516:
4509:
4502:
4495:
4488:
4481:
4474:
4467:
4460:
4453:
4446:
4439:
4432:
4425:
4418:
4410:
4408:
4404:
4403:
4401:
4400:
4393:
4386:
4383:Open Your Eyes
4379:
4372:
4365:
4358:
4351:
4344:
4341:Rhythm of Love
4337:
4330:
4323:
4316:
4309:
4302:
4295:
4288:
4281:
4274:
4267:
4260:
4252:
4250:
4246:
4245:
4243:
4242:
4235:
4228:
4221:
4218:High Vibration
4214:
4207:
4200:
4193:
4185:
4183:
4179:
4178:
4176:
4175:
4168:
4161:
4154:
4147:
4140:
4133:
4126:
4119:
4111:
4109:
4105:
4104:
4102:
4101:
4094:
4087:
4080:
4073:
4066:
4059:
4052:
4045:
4038:
4031:
4024:
4021:Symphonic Live
4017:
4010:
4003:
3996:
3989:
3981:
3979:
3975:
3974:
3972:
3971:
3963:
3961:
3957:
3956:
3954:
3953:
3946:
3939:
3932:
3925:
3918:
3911:
3908:Open Your Eyes
3904:
3897:
3890:
3883:
3876:
3869:
3862:
3855:
3848:
3841:
3834:
3827:
3820:
3813:
3806:
3799:
3791:
3789:
3785:
3784:
3782:
3781:
3779:Oliver Wakeman
3776:
3771:
3769:Igor Khoroshev
3766:
3761:
3756:
3751:
3746:
3741:
3736:
3731:
3726:
3721:
3715:
3714:
3707:
3700:
3697:Billy Sherwood
3693:
3686:
3678:
3675:
3674:
3667:
3666:
3659:
3652:
3644:
3638:
3637:
3631:
3618:
3612:
3599:
3593:
3580:
3571:
3565:
3545:
3544:
3526:
3504:
3488:
3476:
3464:
3457:
3436:
3420:
3404:
3397:
3379:
3367:
3345:
3331:
3307:
3292:
3280:
3249:
3223:
3216:
3185:
3156:
3125:
3105:
3098:
3077:
3052:
3047:Newspapers.com
3021:
3002:
2988:
2963:
2938:
2913:
2888:
2863:
2838:
2813:
2791:
2766:
2764:, p. 227.
2754:
2732:
2717:
2698:
2679:
2677:, p. 119.
2664:
2662:, p. 121.
2652:
2650:, p. 228.
2640:
2615:
2603:
2566:
2564:, p. 116.
2554:
2552:, p. 115.
2542:
2513:
2498:
2471:
2469:, p. 118.
2456:
2454:, p. 117.
2441:
2436:Newspapers.com
2424:Clarion-Ledger
2410:
2405:Newspapers.com
2379:
2345:
2314:
2312:, p. 113.
2297:
2274:
2259:
2257:, p. 112.
2247:
2245:, p. 114.
2232:
2230:, p. 226.
2220:
2195:
2193:, p. 102.
2180:
2143:
2129:
2114:
2107:
2104:
2101:
2100:
2092:
2091:
2088:
2085:
2077:
2076:
2070:
2067:
2054:
2053:Certifications
2051:
2048:
2047:
2044:
2034:
2033:
2030:
2019:
2018:
2015:
2010:Swiss Albums (
2007:
2006:
2003:
1995:
1994:
1991:
1983:
1982:
1979:
1971:
1970:
1967:
1959:
1958:
1955:
1947:
1946:
1943:
1938:Dutch Albums (
1935:
1934:
1931:
1921:
1920:
1915:
1902:
1899:
1897:
1896:
1890:
1887:
1881:
1875:
1872:
1869:
1866:
1863:
1860:
1857:
1854:
1851:
1848:
1845:
1842:
1839:
1836:
1833:
1830:
1827:
1824:
1818:
1811:
1804:
1803:
1797:
1791:
1785:
1782:Alex Lasarenko
1779:
1776:
1773:
1770:
1767:
1761:
1755:
1749:
1746:
1743:
1737:
1734:
1731:
1725:
1722:Billy Sherwood
1719:
1713:
1703:
1700:Jonathan Elias
1696:
1690:
1689:
1683:
1677:
1671:
1665:
1659:
1653:
1647:
1634:
1631:
1627:
1626:
1623:
1620:
1617:
1613:
1612:
1609:
1606:
1603:
1592:
1588:
1587:
1584:
1581:
1578:
1575:
1571:
1570:
1567:
1564:
1558:
1555:
1551:
1550:
1547:
1544:
1541:
1538:
1534:
1533:
1530:
1527:
1524:
1521:
1517:
1516:
1513:
1510:
1507:
1504:
1500:
1499:
1496:
1489:
1487:Billy Sherwood
1483:
1480:
1476:
1475:
1472:
1469:
1458:
1455:
1451:
1450:
1447:
1441:
1435:
1432:
1428:
1427:
1424:
1421:
1418:
1411:
1407:
1406:
1403:
1400:
1397:
1394:
1390:
1389:
1386:
1383:
1374:
1367:
1363:
1362:
1359:
1356:
1353:
1350:
1346:
1345:
1342:
1339:
1336:
1333:
1329:
1328:
1325:
1324:Jonathan Elias
1322:
1320:Jonathan Elias
1309:
1306:
1302:
1301:
1298:
1295:
1292:
1289:
1275:
1270:
1267:
1176:
1175:
1146:
1138:
1137:
1108:
1100:
1099:
1096:
1088:
1087:
1058:
1052:
1051:
1048:
1044:
1043:
1033:
1030:
994:
991:
945:was certified
921:
918:
856:
853:
845:evening prayer
819:Spanish guitar
777:
774:
772:
769:
727:
724:
699:as possible."
686:
645:Jonathan Elias
636:
633:
600:
597:
577:Jonathan Elias
569:Studio Miraval
558:Billy Sherwood
542:Arista Records
476:
473:
438:was certified
421:Jonathan Elias
407:, keyboardist
395:and guitarist
391:, keyboardist
377:Arista Records
358:
357:
354:
353:
351:
350:
337:
323:
320:
319:
309:
308:
305:
304:
295:
286:
272:
271:
264:
263:
260:
259:
256:
255:
246:
237:
223:
222:
215:
214:
213:
212:
207:
202:
197:
192:
190:Jonathan Elias
185:
179:
178:
173:
167:
166:
150:
146:
145:
143:
142:
137:
132:
126:
124:
118:
117:
115:
114:
107:
104:
94:
88:
85:
70:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
4957:
4946:
4943:
4941:
4938:
4936:
4933:
4931:
4928:
4926:
4923:
4921:
4918:
4916:
4913:
4911:
4908:
4906:
4903:
4901:
4898:
4896:
4893:
4892:
4890:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4849:
4845:
4843:
4842:
4838:
4836:
4833:
4831:
4828:
4827:
4825:
4821:
4815:
4812:
4810:
4807:
4806:
4804:
4800:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4776:
4774:
4771:
4769:
4766:
4764:
4761:
4759:
4756:
4754:
4751:
4749:
4746:
4744:
4741:
4739:
4736:
4734:
4731:
4729:
4726:
4724:
4721:
4719:
4716:
4714:
4711:
4710:
4708:
4706:Related bands
4704:
4698:
4695:
4693:
4690:
4688:
4685:
4683:
4680:
4678:
4675:
4673:
4670:
4668:
4665:
4664:
4662:
4658:
4652:
4651:
4647:
4645:
4644:
4640:
4638:
4637:
4633:
4631:
4630:
4626:
4624:
4623:
4619:
4617:
4616:
4612:
4610:
4609:
4605:
4603:
4602:
4598:
4596:
4595:
4591:
4589:
4588:
4584:
4582:
4581:
4577:
4575:
4574:
4570:
4568:
4567:
4563:
4562:
4560:
4556:
4549:
4545:
4542:
4541:Fly from Here
4538:
4535:
4531:
4528:
4524:
4521:
4520:Big Generator
4517:
4514:
4510:
4507:
4503:
4500:
4496:
4493:
4489:
4486:
4482:
4479:
4475:
4472:
4468:
4465:
4461:
4458:
4454:
4451:
4447:
4444:
4440:
4437:
4433:
4430:
4426:
4423:
4419:
4416:
4412:
4411:
4409:
4405:
4398:
4394:
4391:
4387:
4384:
4380:
4377:
4373:
4370:
4366:
4363:
4359:
4356:
4352:
4349:
4345:
4342:
4338:
4335:
4331:
4328:
4327:It Can Happen
4324:
4321:
4317:
4314:
4310:
4307:
4306:Into the Lens
4303:
4300:
4296:
4293:
4289:
4286:
4282:
4279:
4278:And You and I
4275:
4272:
4268:
4265:
4261:
4258:
4254:
4253:
4251:
4247:
4241:
4240:
4236:
4234:
4233:
4229:
4227:
4226:
4222:
4220:
4219:
4215:
4213:
4212:
4208:
4206:
4205:
4201:
4199:
4198:
4194:
4192:
4191:
4187:
4186:
4184:
4180:
4174:
4173:
4169:
4167:
4166:
4162:
4160:
4159:
4155:
4153:
4152:
4148:
4146:
4145:
4141:
4139:
4138:
4134:
4132:
4131:
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4112:
4110:
4106:
4100:
4099:
4095:
4093:
4092:
4088:
4086:
4085:
4081:
4079:
4078:
4074:
4072:
4071:
4067:
4065:
4064:
4060:
4058:
4057:
4053:
4051:
4050:
4046:
4044:
4043:
4039:
4037:
4036:
4032:
4030:
4029:
4025:
4023:
4022:
4018:
4016:
4015:
4011:
4009:
4008:
4004:
4002:
4001:
3997:
3995:
3994:
3990:
3988:
3987:
3983:
3982:
3980:
3976:
3970:
3969:
3965:
3964:
3962:
3958:
3952:
3951:
3947:
3945:
3944:
3940:
3938:
3937:
3933:
3931:
3930:
3929:Fly from Here
3926:
3924:
3923:
3922:Magnification
3919:
3917:
3916:
3912:
3910:
3909:
3905:
3903:
3902:
3898:
3896:
3895:
3891:
3889:
3888:
3884:
3882:
3881:
3877:
3875:
3874:
3873:Big Generator
3870:
3868:
3867:
3863:
3861:
3860:
3856:
3854:
3853:
3849:
3847:
3846:
3842:
3840:
3839:
3835:
3833:
3832:
3828:
3826:
3825:
3821:
3819:
3818:
3814:
3812:
3811:
3810:The Yes Album
3807:
3805:
3804:
3800:
3798:
3797:
3793:
3792:
3790:
3788:Studio albums
3786:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3754:Patrick Moraz
3752:
3750:
3747:
3745:
3742:
3740:
3737:
3735:
3732:
3730:
3727:
3725:
3722:
3720:
3717:
3716:
3713:
3712:
3708:
3706:
3705:
3701:
3699:
3698:
3694:
3692:
3691:
3687:
3685:
3684:
3680:
3679:
3676:
3672:
3665:
3660:
3658:
3653:
3651:
3646:
3645:
3642:
3634:
3628:
3624:
3619:
3615:
3609:
3605:
3600:
3596:
3590:
3586:
3581:
3577:
3572:
3568:
3562:
3558:
3553:
3552:
3551:
3550:
3540:
3536:
3530:
3523:
3522:
3517:
3515:
3508:
3501:
3497:
3492:
3485:
3480:
3473:
3468:
3460:
3458:4-87131-077-9
3454:
3450:
3446:
3440:
3433:
3429:
3424:
3417:
3414:(in German).
3413:
3408:
3400:
3394:
3390:
3383:
3376:
3371:
3364:
3360:
3359:
3354:
3349:
3341:
3335:
3327:
3323:
3319:
3318:
3311:
3304:
3303:
3296:
3289:
3284:
3268:
3264:
3260:
3253:
3238:
3234:
3233:"Yes - Union"
3227:
3219:
3217:0-7432-0169-8
3213:
3209:
3205:
3201:
3200:
3195:
3189:
3174:
3173:Rolling Stone
3170:
3163:
3161:
3145:
3144:
3139:
3132:
3130:
3122:
3118:
3112:
3110:
3101:
3099:0-7043-8036-6
3095:
3091:
3084:
3082:
3065:
3064:
3056:
3048:
3036:
3032:
3025:
3017:
3013:
3006:
2998:
2992:
2977:
2973:
2967:
2952:
2948:
2942:
2927:
2923:
2917:
2902:
2898:
2892:
2877:
2873:
2867:
2852:
2848:
2842:
2827:
2823:
2817:
2801:
2795:
2779:
2773:
2771:
2763:
2758:
2742:
2736:
2730:, p. 95.
2729:
2724:
2722:
2715:, p. 94.
2714:
2709:
2707:
2705:
2703:
2696:, p. 93.
2695:
2690:
2688:
2686:
2684:
2676:
2675:Chambers 2002
2671:
2669:
2661:
2656:
2649:
2644:
2629:
2625:
2619:
2612:
2607:
2592:
2585:
2583:
2581:
2579:
2577:
2575:
2573:
2571:
2563:
2562:Chambers 2002
2558:
2551:
2550:Chambers 2002
2546:
2531:
2527:
2520:
2518:
2511:, p. 92.
2510:
2505:
2503:
2487:
2480:
2478:
2476:
2468:
2467:Chambers 2002
2463:
2461:
2453:
2452:Chambers 2002
2448:
2446:
2437:
2425:
2421:
2414:
2406:
2394:
2390:
2383:
2367:
2363:
2359:
2352:
2350:
2333:
2329:
2325:
2318:
2311:
2310:Chambers 2002
2306:
2304:
2302:
2295:, p. 91.
2294:
2289:
2287:
2285:
2283:
2281:
2279:
2272:, p. 90.
2271:
2266:
2264:
2256:
2255:Chambers 2002
2251:
2244:
2243:Chambers 2002
2239:
2237:
2229:
2224:
2209:
2205:
2199:
2192:
2187:
2185:
2176:
2170:
2168:
2166:
2164:
2162:
2160:
2158:
2156:
2154:
2152:
2150:
2148:
2139:
2138:"Yes singles"
2133:
2125:
2124:"Yes singles"
2119:
2115:
2113:
2112:
2099:
2093:
2089:
2086:
2083:
2078:
2074:
2069:Certification
2064:
2060:
2043:
2041:
2035:
2028:
2024:
2020:
2013:
2008:
2001:
1996:
1992:
1989:
1984:
1977:
1972:
1965:
1960:
1953:
1948:
1941:
1940:Album Top 100
1936:
1929:
1928:
1922:
1914:Chart (1991)
1912:
1909:
1894:
1891:
1888:
1885:
1882:
1879:
1876:
1873:
1870:
1867:
1864:
1861:
1858:
1855:
1852:
1849:
1846:
1843:
1840:
1837:
1834:
1831:
1828:
1825:
1822:
1819:
1816:
1813:
1812:
1810:
1809:
1801:
1798:
1795:
1792:
1789:
1788:Steve Porcaro
1786:
1784:– synthesiser
1783:
1780:
1777:
1774:
1771:
1768:
1765:
1762:
1759:
1756:
1753:
1750:
1747:
1744:
1741:
1738:
1735:
1732:
1729:
1726:
1723:
1720:
1717:
1714:
1711:
1710:Chapman Stick
1707:
1704:
1701:
1698:
1697:
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1317:
1313:
1310:
1307:
1303:
1284:
1281:track listing
1280:
1274:
1269:Track listing
1266:
1263:
1259:
1255:
1251:
1250:Big Generator
1247:
1243:
1237:
1235:
1231:
1227:
1223:
1219:
1215:
1213:
1212:
1207:
1206:
1201:
1197:
1193:
1189:
1188:
1187:Rolling Stone
1183:
1147:
1145:
1144:
1140:
1139:
1109:
1107:
1106:
1105:Rolling Stone
1102:
1101:
1097:
1095:
1094:
1090:
1089:
1059:
1057:
1054:
1053:
1045:
1042:Review scores
1040:
1029:
1027:
1026:
1020:
1018:
1017:
1010:
1008:
1004:
1000:
990:
987:
986:
981:
978:
974:
970:
965:
963:
959:
954:
952:
948:
944:
939:
937:
935:
930:
926:
917:
915:
914:
908:
903:
901:
897:
892:
890:
886:
882:
881:Roger Hodgson
878:
873:
870:
866:
862:
852:
848:
846:
841:
838:
833:
830:
828:
823:
820:
816:
811:
809:
808:
803:
797:
795:
794:
793:The Yes Album
789:
785:
784:
768:
766:
765:
760:
759:
754:
753:
748:
744:
740:
736:
735:Big Generator
732:
723:
721:
716:
712:
706:
700:
698:
694:
693:
685:
683:
679:
678:Steve Porcaro
675:
671:
667:
661:
659:
658:Hammond organ
650:
646:
641:
632:
628:
624:
622:
621:Chapman Stick
618:
614:
610:
605:
596:
594:
588:
586:
582:
578:
574:
570:
565:
563:
559:
555:
554:Roger Hodgson
551:
547:
543:
539:
535:
531:
527:
523:
519:
515:
511:
507:
506:
505:Big Generator
501:
500:
494:
490:
486:
482:
472:
470:
466:
462:
458:
455:
454:
449:
445:
441:
437:
432:
428:
426:
422:
418:
414:
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406:
402:
398:
394:
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382:
378:
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370:
366:
365:
355:
344:
338:
331:
325:
324:
321:
318:
314:
310:
301:
300:
296:
292:
291:
287:
283:
282:
278:
277:
273:
269:
265:
261:
252:
251:
247:
243:
242:
238:
234:
233:
232:Big Generator
229:
228:
224:
220:
216:
211:
208:
206:
203:
201:
198:
196:
193:
191:
188:
187:
186:
184:
180:
177:
174:
172:
168:
151:
147:
141:
138:
136:
133:
131:
128:
127:
125:
123:
119:
112:
108:
105:
102:
98:
95:
92:
89:
86:
83:
79:
75:
72:
71:
69:
65:
61:
57:
54:30 April 1991
53:
49:
45:
40:
36:
32:
27:
22:
19:
4853:
4846:
4839:
4835:Band members
4733:King Crimson
4672:Fragile Tour
4648:
4641:
4634:
4627:
4620:
4613:
4606:
4599:
4592:
4585:
4578:
4571:
4564:
4534:The Solution
4362:Make It Easy
4237:
4230:
4223:
4216:
4209:
4202:
4195:
4188:
4170:
4163:
4156:
4149:
4142:
4135:
4128:
4121:
4114:
4096:
4089:
4082:
4075:
4068:
4061:
4054:
4047:
4040:
4033:
4026:
4019:
4012:
4005:
3998:
3991:
3984:
3966:
3948:
3941:
3934:
3927:
3920:
3913:
3906:
3899:
3892:
3885:
3879:
3878:
3871:
3864:
3857:
3850:
3843:
3836:
3829:
3822:
3815:
3808:
3801:
3794:
3774:Benoît David
3764:Trevor Rabin
3744:Rick Wakeman
3734:Bill Bruford
3724:Chris Squire
3719:Jon Anderson
3711:Jay Schellen
3709:
3702:
3695:
3690:Geoff Downes
3688:
3681:
3622:
3603:
3584:
3575:
3556:
3549:Bibliography
3548:
3547:
3529:
3520:
3513:
3507:
3491:
3479:
3467:
3444:
3439:
3423:
3407:
3388:
3382:
3370:
3356:
3348:
3339:
3334:
3321:
3316:
3310:
3302:Classic Rock
3300:
3295:
3283:
3271:. Retrieved
3267:the original
3262:
3252:
3240:. Retrieved
3236:
3226:
3197:
3188:
3176:. Retrieved
3172:
3169:"Yes: Union"
3147:. Retrieved
3141:
3089:
3068:. Retrieved
3062:
3055:
3045:– via
3039:. Retrieved
3034:
3024:
3015:
3005:
2996:
2991:
2979:. Retrieved
2975:
2966:
2954:. Retrieved
2950:
2941:
2929:. Retrieved
2925:
2916:
2904:. Retrieved
2900:
2891:
2879:. Retrieved
2875:
2866:
2854:. Retrieved
2850:
2841:
2829:. Retrieved
2825:
2816:
2804:. Retrieved
2794:
2782:. Retrieved
2757:
2745:. Retrieved
2735:
2655:
2643:
2631:. Retrieved
2627:
2618:
2606:
2594:. Retrieved
2557:
2545:
2533:. Retrieved
2529:
2489:. Retrieved
2434:– via
2428:. Retrieved
2426:. p. 5E
2423:
2413:
2403:– via
2397:. Retrieved
2395:. p. 40
2392:
2382:
2370:. Retrieved
2366:the original
2361:
2336:. Retrieved
2332:the original
2327:
2317:
2250:
2223:
2211:. Retrieved
2207:
2198:
2191:Kirkman 2013
2174:
2132:
2118:
2110:
2109:
2095:
2058:
2039:
1925:
1907:
1821:Mark Mancina
1807:
1806:
1800:Danny Vaughn
1740:Jim Crichton
1692:
1691:
1680:Bill Bruford
1674:Rick Wakeman
1662:Chris Squire
1656:Trevor Rabin
1644:Jon Anderson
1637:
1636:
1540:"Holding On"
1506:"Angkor Wat"
1466:Bill Bruford
1462:Rick Wakeman
1439:Mark Mancina
1381:Chris Squire
1377:Trevor Rabin
1352:"Masquerade"
1312:Jon Anderson
1278:
1272:
1261:
1253:
1249:
1245:
1241:
1238:
1233:
1229:
1225:
1217:
1216:
1209:
1203:
1199:
1195:
1191:
1185:
1179:
1141:
1103:
1091:
1023:
1021:
1014:
1011:
996:
983:
976:
968:
966:
958:Grammy Award
955:
942:
940:
933:
924:
923:
911:
904:
896:protest song
893:
884:
875:Rabin felt "
874:
858:
849:
842:
834:
831:
827:Rachmaninoff
824:
812:
805:
798:
791:
781:
779:
762:
756:
750:
742:
734:
729:
719:
714:
710:
708:
702:
696:
690:
688:
665:
662:
654:
629:
625:
603:
602:
592:
589:
580:
566:
530:King Crimson
522:Rick Wakeman
518:Bill Bruford
510:Atco Records
508:(1987), for
503:
497:
489:Trevor Rabin
483:and drummer
481:Chris Squire
478:
468:
461:Grammy Award
451:
435:
430:
429:
423:to bring in
416:
411:and drummer
405:Trevor Rabin
401:Chris Squire
393:Rick Wakeman
389:Bill Bruford
385:Jon Anderson
363:
362:
361:
316:
297:
289:
288:
279:
248:
240:
239:
230:
205:Mark Mancina
200:Trevor Rabin
97:Record Plant
39:Studio album
18:
4900:1991 albums
4830:Discography
4738:The Buggles
4407:Other songs
4369:The Calling
4158:Yes Remixes
4123:Classic Yes
4091:Yes 50 Live
3978:Live albums
3968:From a Page
3960:Mini albums
3759:Trevor Horn
3729:Peter Banks
3704:Jon Davison
3273:7 September
3242:7 September
3206:. pp.
3178:7 September
3149:20 December
3117:Union – Yes
2981:8 September
2956:8 September
2931:8 September
2906:8 September
2881:8 September
2856:8 September
2831:8 September
2806:8 September
2784:6 September
2747:7 September
2660:Popoff 2016
2535:6 September
2372:6 September
2338:6 September
2213:6 September
1880:– mastering
1815:Eddy Offord
1445:Eddy Offord
1297:Producer(s)
1258:Clive Davis
1007:Larry Magid
973:lead single
907:Eddy Offord
865:Clive Davis
739:Phil Carson
611:in London,
562:World Trade
546:Eddy Offord
502:(1983) and
210:Eddy Offord
4889:Categories
4869:Roger Dean
4864:Dylan Howe
4859:Jimmy Haun
4814:Brian Lane
4778:Conspiracy
4397:We Can Fly
4348:Lift Me Up
4264:Roundabout
4172:Yessingles
4116:Yesterdays
4049:Union Live
3915:The Ladder
3749:Alan White
3683:Steve Howe
2762:Welch 2008
2728:Morse 1996
2713:Morse 1996
2694:Morse 1996
2648:Welch 2008
2611:Welch 2008
2509:Morse 1996
2362:The Record
2293:Morse 1996
2270:Morse 1996
2228:Welch 2008
2106:References
1893:Kai Krause
1884:Roger Dean
1878:Greg Calbi
1716:Jimmy Haun
1712:(track 13)
1706:Tony Levin
1686:Alan White
1650:Steve Howe
1561:Tony Levin
1557:"Evensong"
1371:Lift Me Up
1316:Steve Howe
1182:Chuck Eddy
1016:Union Live
999:Union Tour
861:Lift Me Up
783:Turbulence
758:The Ladder
731:Roger Dean
674:Jimmy Haun
585:Lift Me Up
550:Supertramp
534:Tony Levin
526:Steve Howe
485:Alan White
475:Background
448:Lift Me Up
413:Alan White
397:Steve Howe
387:, drummer
330:Lift Me Up
270:chronology
221:chronology
195:Steve Howe
113:, England)
4848:Yesoteric
4809:Roy Flynn
4692:2000s–10s
4687:1980s–90s
4682:1960s–70s
4257:Your Move
4144:Keystudio
3943:The Quest
3739:Tony Kaye
3521:Billboard
3514:Billboard
2976:Billboard
2951:Billboard
2926:Billboard
2901:Billboard
2876:Billboard
2851:Billboard
2826:Billboard
2633:30 August
2628:rhino.com
2111:Citations
2040:Billboard
2023:UK Albums
1919:position
1758:Ian Lloyd
1668:Tony Kaye
1633:Personnel
1608:Writer(s)
1563:, Bruford
1294:Writer(s)
1032:Reception
985:Billboard
977:Billboard
934:Billboard
916:box set.
643:Producer
552:vocalist
532:bandmate
493:Tony Kaye
453:Billboard
409:Tony Kaye
109:Langley (
91:SARM West
62:1989–1991
4802:Managers
4615:Yesspeak
4580:Yesyears
4573:9012Live
4566:Yessongs
4506:Our Song
4320:Leave It
4190:Yesyears
4182:Box sets
4130:Yesstory
3993:Yesshows
3986:Yessongs
3451:. 2006.
3326:Archived
3121:AllMusic
3041:10 April
2430:10 April
2399:10 April
2208:AllMusic
2090:500,000
1580:Anderson
1485:Squire,
1222:AllMusic
1056:AllMusic
913:Yesyears
869:Paul Fox
810:(1974).
752:Yesyears
747:Yes logo
711:Keyboard
593:Dialogue
250:Yesyears
183:Producer
140:art rock
130:Pop rock
101:Cherokee
59:Recorded
51:Released
41: by
4768:Esquire
4713:The Syn
4513:Hold On
4492:Changes
4271:America
4249:Singles
3852:Tormato
3838:Relayer
3817:Fragile
3138:"Union"
2491:17 June
2075:/sales
2066:Region
1468:, Elias
1437:Rabin,
949:by the
920:Release
900:Denmark
807:Relayer
804:" from
790:" from
776:By ABWH
573:Correns
442:by the
313:Singles
303:(1993)
294:(1991)
285:(1989)
254:(1992)
245:(1991)
236:(1987)
78:Correns
74:Miraval
4758:Cinema
4728:Badger
4499:Cinema
3629:
3610:
3591:
3563:
3455:
3432:MAHASZ
3395:
3214:
3096:
3070:21 May
2596:29 May
1988:Oricon
1976:MAHASZ
1901:Charts
1611:Length
1300:Length
1050:Rating
1047:Source
889:reggae
855:By Yes
317:Union
176:Arista
149:Length
82:France
67:Studio
4783:Circa
4723:Flash
4697:2020s
4660:Tours
4376:Walls
3880:Union
3866:90125
3859:Drama
3516:200)"
3066:(DVD)
2087:Gold
2059:Union
1908:Union
1605:Title
1583:Elias
1566:Elias
1546:Elias
1529:Elias
1512:Elias
1471:Elias
1423:Rabin
1420:Rabin
1402:Elias
1385:Rabin
1341:Elias
1291:Title
1279:Union
1262:Union
1254:Union
1246:90125
1242:Onion
1234:Union
1230:Union
1218:Union
1200:Union
1196:Union
969:Union
943:Union
925:Union
885:Union
815:Revox
771:Songs
743:Union
726:Cover
715:Union
697:90125
692:90125
666:Union
617:Devon
604:Union
499:90125
469:Union
436:Union
431:Union
417:Union
371:band
364:Union
315:from
290:Union
241:Union
171:Label
122:Genre
111:Devon
24:Union
4788:Yoso
4753:Asia
4285:Soon
3887:Talk
3627:ISBN
3608:ISBN
3589:ISBN
3561:ISBN
3453:ISBN
3393:ISBN
3275:2016
3244:2016
3212:ISBN
3180:2016
3151:2021
3094:ISBN
3072:2017
3043:2019
2983:2016
2958:2016
2933:2016
2908:2016
2883:2016
2858:2016
2833:2016
2808:2016
2786:2016
2749:2016
2635:2020
2598:2022
2537:2016
2493:2017
2432:2019
2401:2019
2374:2016
2340:2016
2215:2016
2082:RIAA
1917:Peak
1625:4:29
1586:3:11
1569:0:50
1549:5:23
1532:3:37
1515:5:23
1498:4:53
1474:3:57
1449:7:30
1426:4:38
1405:5:16
1388:6:29
1361:2:16
1358:Howe
1355:Howe
1344:5:08
1327:6:32
1248:and
1025:Talk
997:The
993:Tour
947:gold
761:and
670:Saga
556:and
540:for
440:gold
161:(LP)
4763:GTR
4743:XYZ
3796:Yes
3671:Yes
3358:RPM
3208:895
3119:at
2046:15
2042:200
2037:US
2027:OCC
2017:16
2005:32
1993:11
1981:37
1969:15
1957:21
1945:17
1933:15
1927:RPM
1638:Yes
1616:15.
1601:No.
1574:14.
1554:13.
1537:12.
1520:11.
1503:10.
1287:No.
936:200
571:in
560:of
373:Yes
219:Yes
44:Yes
4891::
3537:.
3518:.
3498:.
3361:.
3355:.
3320:.
3261:.
3237:Q4
3235:.
3210:.
3171:.
3159:^
3140:.
3128:^
3108:^
3080:^
3033:.
3014:.
2974:.
2949:.
2924:.
2899:.
2874:.
2849:.
2824:.
2769:^
2720:^
2701:^
2682:^
2667:^
2626:.
2569:^
2528:.
2516:^
2501:^
2474:^
2459:^
2444:^
2422:.
2391:.
2360:.
2348:^
2326:.
2300:^
2277:^
2262:^
2235:^
2206:.
2183:^
2146:^
2084:)
2032:7
2029:)
2014:)
2002:)
1990:)
1978:)
1966:)
1954:)
1942:)
1930:)
1493:co
1479:9.
1464:,
1454:8.
1431:7.
1410:6.
1393:5.
1379:,
1366:4.
1349:3.
1332:2.
1318:,
1314:,
1305:1.
1098:D+
1028:.
1019:.
767:.
722:.
623:.
524:,
520:,
158:37
154:59
80:,
4550:"
4546:"
4543:"
4539:"
4536:"
4532:"
4529:"
4525:"
4522:"
4518:"
4515:"
4511:"
4508:"
4504:"
4501:"
4497:"
4494:"
4490:"
4487:"
4483:"
4480:"
4476:"
4473:"
4469:"
4466:"
4462:"
4459:"
4455:"
4452:"
4448:"
4445:"
4441:"
4438:"
4434:"
4431:"
4427:"
4424:"
4420:"
4417:"
4413:"
4399:"
4395:"
4392:"
4388:"
4385:"
4381:"
4378:"
4374:"
4371:"
4367:"
4364:"
4360:"
4357:"
4353:"
4350:"
4346:"
4343:"
4339:"
4336:"
4332:"
4329:"
4325:"
4322:"
4318:"
4315:"
4311:"
4308:"
4304:"
4301:"
4297:"
4294:"
4290:"
4287:"
4283:"
4280:"
4276:"
4273:"
4269:"
4266:"
4262:"
4259:"
4255:"
3663:e
3656:t
3649:v
3635:.
3616:.
3597:.
3569:.
3541:.
3461:.
3401:.
3277:.
3246:.
3220:.
3182:.
3153:.
3102:.
3074:.
3049:.
2985:.
2960:.
2935:.
2910:.
2885:.
2860:.
2835:.
2810:.
2788:.
2751:.
2637:.
2600:.
2539:.
2495:.
2438:.
2407:.
2376:.
2342:.
2217:.
2140:.
2126:.
2025:(
1495:)
1417:"
1413:"
1373:"
1369:"
1192:Q
859:"
345:"
341:"
332:"
328:"
156::
84:)
76:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
